Almost a straightened italic typeface, August explores the idea of taking italic and script letterforms out of context and creating a typeface with a mix of references that does not look like too soft and feminine, but has a sharpness and angularity in some of its characters that jars against this softness.

Sugary Pancakes - ahh, my kids love them. We don't make them too often, as they are 'energetic' enough as it is. This calorie-rich font is ideal for Children's Books and posters: it is fun, bouncy, very legible and full of character. Comes with a topping of diacritics and a stack of happiness.

Introducing, Sertona, a trendy bold font with italic alternates! Sertona is a modern and trendy font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language. What you will get: All Caps Font with different uppercase and lowercase Italic version as the alternates. Well Kerned.

Briston is a bold vintage style serif font with strong character and soft features. Briston is equipped with Swash, Stylistic and Titling alternates as well as with Standard and Discretionary Ligatures. All these features can be accessed by OpenType controls or straight from Character or Glyphs window. The font is PUA encoded so you can use the extra glyphs in most graphic design softwares. In addition Briston has a small set of ornaments and strokes that are found by turning on Swash -feature and typing characters 1-9. Briston is and efficient typeface for headlines, logos and display use. You can also try using Briston all caps in really small sizes by adding some spacing.

Introducing our new brush exploration, Rashavine. A freestyle brush font made with the high attention of the brush details. This font has the feel of energic, which challenges you to create a powerful design and fast! Rashavine complete with alternates characters, ligatures, and swashes which you can apply on T-shirt, label, title, books, hoodie, logos, sticker, website, and many more! Rashavine is an all-caps font that you can mix and match from different letterforms. Accented characters available for many different languages. Also, you can access the swashes with ease, by simply type 'underscore' and 1 to 0' from the middle of your word. That's all, folks! Thank you for watching and keep it up!

Patent Reclame manages to be light-hearted, while clearly showing its blackletter roots both in the shape of the individual letters and the rhythm of text on a page. The designer is unknown. Schriftgeisserei Flinsch of Frankfurt a.M. cast the face around 1895. Nicolete Gray shows a quite similar face called “Graphic,” from Stephenson Blake in 1896. Personally, I don't think that Patent Reclame looks like an English design, but I do not have any proof one way or the other. The numbers are proportional, intended for posters, not spreadsheets. Two ornaments are included, an art nouveau rose at #172 and a lilypad with long tendril at #177. Great for invitations, posters and flyers announcing fun events. Do not use for obituaries. Quite readable in smaller sizes for short blocks of text. I really like the buoyant quality -- a nice combination of discipline and enthusiasm.

Bullish is a clean, contemporary, geometric font family. There are 12 fonts in the Bullish family, Light, Medium and Bold. Each with a lower case, small caps, lower case oblique and small caps oblique. The small caps versions have small caps in place of the lower case alphabets. The lower case and small caps versions have the same uppercase alphabet, numbers, punctuation, symbols and miscellaneous characters. The Bullish fonts are ideal for headlines, titles, branding, small blocks of text or wherever a fresh font is desirable.

Some typefaces are staid, somber design tools. Then again, there's ITC Cinderella from Patricia Lillie: a typeface that's light-footed as a ballerina and joyful as a child at play. “There is a group of display faces that I simply love. Type that just seems to dance, type that makes me smile, designs that, when I see them, I say, "Boy, do I wish that was one of mine" says Lillie. “Although I never wanted to imitate these designs, when Cinderella started to emerge, I felt like it was the closest I've come to that quality.” ITC Cinderella projects gaiety and freedom. Capitals harmonize with a lowercase that bounces along with a lively, carefree attitude. Stroke weight stress is, well, all over the place. Curlicues abound. This delightful design is just that: brimming with delight.

Loft is a typeface family of extremes: from the extra compressed Hairline to the extra wide Mammoth. Paris-based designer Julien Janiszewski’s aim was to create a type family based on a strict hierarchy — a suite that would provide graphic designers with a tool to create systematic solutions. Its design was inspired by 19th-century wood type as well as the sign saying “DÉFENSE D'AFFICHER” (Post No Bills) that is ubiquitous in France. Loft comes in seven weights with matching italics. Interestingly, counter widths remain the same across all weights. As weights increase, the characters extend by building stroke thickness outside the counter. Loft is space-efficient in lighter weights while making an increasingly stronger statement as the designs become heavier. The Loft typeface family is distinctive, versatile, and always intriguing.

The typeface Klötzchen (german word for blocks) is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz | Typo Graphic Design × Peter Eckartz | kleinholzTYPO as a political statement #climatejustice The display font based on the original wood letter from Peter Eckartz (kleinholzTYPO). The technic is called Reifendreherei from the Erzgebirge. Craft Tools like Hobel and Fräsmaschine. The idea based from Gert Schaaf (Spielzeugproduzent in Wittlich, 1970s). The font started from 41 wood letters (analog) and was finally digitalize and extended to 374 glyphs (digital). Thanks to Alex Branczyk for the Klötzchen. 3 font-styles (Wood, Clean, Impact) + 1 icon-style with 374 glyphs (Adobe Latin 1) incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ❤️or #SMILE for

Branding, a modern typeface for modern needs! Branding, especially designed for meeting contemporary aesthetic and functional needs, is the interpretation of a modern typeface from the designer’s own perspective. This typeface encapsulates a wide range of nuances and combines, seemingly, opposite elements such as technology and friendly rounded shapes. In addition, alternative characters make Branding an ideal tool for both graphics designers and art directors. Branding is a sans-serif spurless typeface with a medium-large x-height, slightly wider horizontal proportions, straight curves and convex terminals. This font is well-suited for logotypes, isotypes, short text, etc. Branding comes in 7 weights—ranging from Thin to Black—with matching italics and includes a set of 544 characters that supports 128 different languages. European accents, old style numbers and multiple alternates are also included.

Quiroh is a functional typeface that expresses both artistic life and emotion. Taking its inspiration from the industrial revolution of the 19th Century where romance and science coincided. With a cushioned finish and designed according to traditional conventions, the sentiment is equally as important as the reason, resulting in a very pleasurable read. Quiroh includes both heavy display weights and lighter weights for small copy, it's a perfect tool for communicating to the masses. Tall ascenders and descenders give the typeface a distinctive look with an elegant feel, and while these expressive forms invite the reader to observe its visible shape and appearance, its rhythm and function invites the reader to peruse at their leisure. Full details include 7 weights from thin to heavy with over 470 characters, manually edited kerning and OpenType features.

Millie is a stressed, geometric script who spends her days as industrial lettering and her nights paired with blackletter on the patches of motorcycle gangs. Millie was weighted by the conventions of broad nib calligraphy, inspired by the Milwaukee Tools logo, and finds herself best used in logos and titles. She was designed to be used on about a 20 degree angle, though she looks just fine on a level plane. By using opentype, many ligatures, and two sets of stylistic alternates, Millie was developed to look great with any string of letters. Access the first stylistic set for a disconnected script look, and the second set for even more connections and fluid script than standard. Millie Round takes the edge off a bit, giving the entire set a more approachable and versatile feel.

Maecenas is an elegant professional. It stands out from other typefaces due to it’s timeless style and versatility. It will add smartness to all texts, regardless of the user’s expectations. In a quick and flashy way it will make an impression on anyone, who requires from his tool character and reliability. Maecenas won’t be lost in the crowd, and thanks to it neither will you. This font, marked by chivalry, is an AUGUST friend for good and bad. Light and bold weights, due to their strong personality, are perfect for display uses. At the same time, Regulars create a harmonious structure that provides excellent legibility in long texts. Maecenas covers all latin languages and cyrillic. It contains a wide set of numerals, small capitals, fractions, ligatures and other OpenType goodies.

AJSHA font, even though being our newest font, is inspired by ancient Japanese and Chinese culture, eastern style of life of about 5000 years before present day, when honor and a good sword were respected. Japanese special sword Katana is known to be handcrafted to be extremely sharp and deadly. Therefore, the shapes of the AJSHA font accompanies the moves of a Katana master when he uses the power of his sword. The font comes in two styles, light and medium. Medium is a bit bolder style while the exact bold or strong version lacks due to the fact that the font's lines needed to be sharp as a swordsman's cuts. We expect this font to be a great asset tool for top-notch designer companies that put quality before everything else.

Who is not totally captured when looking at those marvelously handmade old manuscripts, where letters, borders and elements were so masterfully realized with some touch of Gold leaf (or Silver in some cases) that was making of an ordinary book a piece of art? The name of the pack “Illuminated” comes, like the ancient art used for the old manuscripts, from the latin word “Illuminare” (to light up) and it’s symbol of great value, preciousness and beauty skilfully created with patience and love from artists for centuries. What we at Fontscafe wanted to give you was the opportunity to get a whole “ready to use” set of fonts that could, in a modern and revised form, give that “Illuminated” feeling to our “Digital Era”. A set of new tools to make your art shining!

KASYFA is a cute display font. Is a work of typographic art that brings playfulness and warmth to every character. With a cute and adorable design, filled with tenderness and playfulness, each letter is an expression of joy and innocence. This display font style brings a friendly feel and is suitable for projects that want a touch of playfulness. With its gentle curves and understated design, this font provides a unique and inviting feel, making it the perfect choice for projects that require a touch of beauty and innocence. From titles in children's books to cute greeting card designs, cute display fonts take a leading role in conveying messages with warmth and happiness. They are not just letters, but a tool to bring a positive and fun feel to any design.

Experimental and accidental unicase grotesque. A font in which all the letters and numbers fell down and deformed under the force of gravity. Everything that was hanging fell down. Everything that was curved horizontally straightened. The form and principle of construction of each symbol in the font is dictated not by tradition, but by physics. This makes FE Planking 2020 an excellent tool for creating phrases and statements in advertising and art projects that attract attention and make your head spin. The first free version with a minimum set of Latin and Cyrillic alphabets was released in 2019, and in 2020 the font was updated and supplemented with an expanded set of characters. Dedicated to @Serge Rachok, who invented the Planking Game before it was invented by others.

Introducing Remissis—the sans-serif typeface that’s the perfect balance of casual and refined. With its off-grid letterforms, Remissis has a natural and organic feel that’s hard to come by in other typefaces. It’s not too laid-back to be dismissed as whimsical, but it’s not too rigid either. It strikes the perfect balance of being approachable yet professional. If you’re looking for a typeface that can convey the idea of softness and naturalness without coming off as too playful or zany, then Remissis is the perfect choice. Its delicate horizontal angles add a touch of elegance, making it ideal for projects that require a refined and sophisticated aesthetic. Designed for high-resolution displays and print, Remissis’s unique “lining old-style” numerals are available in OpenType-capable apps, giving you even more design flexibility. And with numerous mathematical symbols, monetary symbols, and diacritical marks, Remissis is versatile and functional. Available in seven weights and italics, Remissis is a typeface that’s sure to elevate any project. So if you’re looking for a typeface that’s both approachable and refined, choose Remissis. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

AccruedInterest is an all caps font with hollow letters, the outlines of which were roughly drawn with a calligraphic pen. The serifs are large and round. In a revision in 2019, the insides of the letters were separated out to allow easy bi-colored lettering when using layers. This inside style can also be used alone if one needs very sloppy and loosely-spaced text.

Impulsa is a very impulsive handwritten font. It is finished with digital touch but still keep holding on to the honest of the handwriting feeling. I believe messages with personalized handwriting vibes always deliver deeper feelings to anybody. Impulsa is an all-caps font. You can play with the uppercase and lowercase mix to get the different vibes of every letters so it looks seamlessly handwritten.

DF Maraschino Black - A sleek, sophisticated swash capital font with elegant thick and thin weight distribution. Bold yet poised, direct yet refined. The swash capitals are intended for use at the beginnings of words only - best not to set this in ALL CAPS. Use at larger sizes. Also includes stylistic decorative alternates for certain characters that can be toggled on and off in the Opentype panel.

London Oatmeal - a new stylish font duo, an elegant modern art-deco inspired sans with a lot of ligatures with retro look stylish brush script. It's nice font pair for use it in blogs, posters, magazines, logo’s or greeting/wedding cards. The sans has caps lowercase, so you can combine them in many ways. More than 100 OpenType features as Alternates, Swashes and Ligatures.

Introducing our latest display typeface called Baby Stingrays - Strong Bold All Caps Font Display Vintage Serif with can make your logotype become more interesting. Font is 2 Style Best Vintage font and multilingual support. inspired by the decorative arts and architecture movement Baby Stingrays fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges and many more that are beautiful.

Rodetta is hand drawn vintage sans font that I drawn very carefully, it is an all-caps font. Perfectly match to use for any branding design that needs a handcrafted touch feel. Rodetta is a font that you can use to make a vintage logo for branding, typography design, magazine or book cover, website header, product packaging, t-shirt design, label poster and many more.

Introducing, a casual and powerful wide sans, Downey Font Family! Downey is a casual and essential all caps sans. With slightly wide form and strong look, this font will suitable for your any project and designs. You can use it for a tittle, logo, quotes, or become a pairing with any font. This font also contain the outline version each weight. This font also support multi language!

The original intent for Thinset was to be used strictly as a display font only, but this single weight typeface can at times work great as a body of text as well. It's a clean, legible, and light font which is ideal for publications like fashion and editorial magazines. In addition to ligatures and fractions, Thinset’s other OpenType features include old style numbers and small caps.

Griffon, titling face with influence from classic letterforms, inspired by retro faces in the early 20th century. This font family was all redesigned from scratch and now released ranging in 5 weights with small caps from Light to Bold. The powerful letterforms can make a strong impression on everyone. Try this HANDSOME serif that reminds you of the old days, about one hundred years ago.

Running Hipster is a tall, thin and all caps font with a funny name. The upper and lower case letters differ and can be mixed. You don’t necessarily have to use it to market your free range sheep woolen jumpers or organic button squash and soy based sour cream soup, feel free to use it for just about anything. Comes with a vintage amount of diacritics.

Hello Heart Script is an elegant calligraphy font, designed to convey elegance and style. It's sleek, feminine and friendly, this font is casual and pretty with crap. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and others. Hello Heart Script features an OpenType style of alternative styles, ties and international support for most Western languages ​​including. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Hello Heart Script is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Letter Books, and Windows users can use Character Maps to view and copy any of the additional characters to paste into your favorite text editor / application. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have questions, let me know. I am happy to help :) Thank you & Happy Designing!

Berenjena is a captivating font family designed by type designer Javier Quintana Godoy in Santiago de Chile. Berenjena has the right combination of comfort in reading and a lyric spirit. This helps keep readers in the delicate atmosphere in which novels and tales can display all their charm. Most typefaces created for books cannot reach this. Either they are too expressive so they tire the eyes of the reader, or they are dull and reading becomes a tedious task. Berenjena was designed for text use bearing in mind this concept of subtle balance. Berenjena (Spanish for aubergine or eggplant) gives your text that spicy environment in which words shapes are easy to read while letterforms maintain their capricious feeling. It comes in roman and cursive declined in four weights: Blanca, Fina, Gris, Negra. All Berenjena character sets include extensive diacritics coverage for more than 200 languages plus the usual contextual features. The Berenjena Pro fonts (available at PampaType.com) include smalls caps, elegant ligatures, cute swashes, every kind of figures, and all contextual sorts. Berenjena will give your design a very individual character. It wears captivating details of calligraphic poetry which link subtlety to vernacular sign painting from Santiago de Chile. See a pdf of Berenjena here http://origin.myfonts.net/s/aw/original/306/0/156716.pdf or visit PampaType.com for more information.

Le Havre Rough. It’s high-resolution, hand-crafted letterpress to the core. Based on insigne’s popular Le Havre typeface, this new heat-treated, weathered face of all caps joins the realism and appeal of the top-quality Le Havre family. Rough’s eroded, printed look is extremely customizable, offering eleven distressed choices that appear fantastic even at large output sizes. Go ahead. Try it on, say, a billboard. Maybe even Times Square. The font includes hand-printed texture and distinctive shadow choices, too. Options include three inline versions, two shadow layers, and a clean primary version. Combine and match the options easily as you need, layering normal and shadow variations to alter appearance and texture. You can activate Art Deco alternates by using OpenType contextual alternates. Rough has an extra-large character set for many languages. Additionally, the typeface offers 62 extra ornaments like arrows, emblems, numbers & lines. Use its full texture and grit to capture the classic, genuine print feel that you need in your project. A few suggestions for use: - In Photoshop, jigger with various 'anti-aliasing' options for best outcomes. Smooth or strong is generally best. - In Illustrator, the shadow layer occasionally doesn't align when using the regular layer. To fix the alignment, open the type drop-down menu and choose Area Type Options > Em Box Height. Learn more about the using layered type styles on this informative video.

The TYMA Garamont Roman was inspired by the Berner-Egenolff type sample from the 1560s. The Italic was inspired by a sample from Robert Granjon, also from the 1560s. The name TYMA is short for AB Typmatriser, a Swedish company founded 1948, because the Second World War stopped all import of matrices for Linotype and Intertype typesetting machines. It took until 1951-52 before the import was up to speed again. Until then, Sweden had to fend for itself. TYMA produced all technical equipment needed for type production, including the pantograph to cut the matrices, a complete set for each size and version. The templates for Garamont Roman were initiated by Henry Alm 1948. Bo Berndal was hired the following year, and continued the work by drawing and cutting templates for the rest of Garamont Roman, as well as for the remaining Garamont family. Bo Berndal stayed at TYMA until it went bankrupt in 1952. At that time Bo Berndal had already kick-started his career as type designer by drawing the typeface Reporter for one of the big daily newspapers, Aftonbladet, a version of Cheltenham for another daily, Dagens Nyheter, and copied several old typefaces for other customers. Librarian Sten G. Lindberg at The Royal Library of Stockholm, Kungliga Biblioteket, procured copies of original type samples. Henry Alm started the work in 1948, and Bo Berndal completed it - finally in this OpenType version.

Goordy - Modern Serif Family Goordy is a classic style serif typeface that has been modernised with its unique curves and cut-ins making it one of the most memorable caps fonts on the market. Already matched up and ready to be used together for your next design! For those of you who are needing a touch of elegant, stylish, classy, chic and modernity for your designs, this font was created for you! Goordy is perfect also Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography, art, modern envelope lettering or book design,craft design, any DIY project, book title, or any purpose to make your art/design project look pretty and trendy. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Indesign, Adobe Illustrator CS, Adobe Photoshop CC, and Corel Draw (You can also access most most of these features in Microsoft Word and other similar programs, but you'll need to get comfortable with the advanced tab of Word's font menu. If you need help with this, ask me!) If you need to access all glyphs with a character map, you will need to contact me after purchase for a special file. Features: 4 Style Font Family All caps Stylistic Alternates & Ligatures Numerals & Punctuation Format File: OTF Accents/Multilingual characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸỲŸÆŒßÞ) Check my other Font here : https://gilarstudio.com/

Document is an easy-to-read sans serif with large lower-case letters, but with one difference - it is slightly slanted to the right, but a lot less than a conventional italic angle. This is intended to give it a more informal and modern look than a perfectly upright font would be, and which also contributes extra dynamism while reading. It's a sort of in-between font, for situations where a boring old upright typeface is too formal and staid but where the italic version is too slanted and obvious. There are six weights, giving adequate representation for most jobs, from large bodies of text to headlines. The zip package contains both OTF and TTF versions - install either OTF or TTF, not both versions of a font on the same machine.

After my son was born, I found myself reading him a lot of books. A LOT of books. Some were good, some were great, but I found myself wanting to develop something using my skills and interests to make something that only I could make. In short, I realized my son needed to be indoctrinated—I mean, introduced into the wonderfully wild world of fonts. So, I set about to make a board book to teach about typography, called “The Clothes Letters Wear.” You can learn more about the book here. I’ve made the captivating illustrations bright and colorful, and the use of different letter forms makes for a fascinating read to delight ages young and young at heart. And, as an added bonus, this children’s book has a custom designed font. I’m always looking for an excuse to design a new font, and this book created the perfect alibi. Drum roll, please. I now give you … Cabrito (“little goat” en Español). This new serif typeface incorporates the latest research on typographic legibility for children, features to make it—well, extra legible. A little background: studies show that Bookman Old Style is one of the most readable typefaces, and as a consequence or perhaps the reason why, it is used thoroughly for children’s books. This font became my initial inspiration for the typeface. Then, I found more legibility research saying that (brace yourselves) Comic Sans is also very legible for beginning readers, much due to the large x-height and softer, easily recognizable forms. In addition, forms that are closer to handwriting also seem to be more legible. Once I threw all that into my cauldron and stewed it a bit, the result was a pleasantly rounded typeface that includes not-so-strictly geometric, handwriting-inspired forms for the b, d, p, and q. Es guapo! Cabrito’s slender weights are simple and fun, with extras that turn any “bah humbug” into a smile. Add lighter touches to your project with the typeface’s included sparkles or rainbows (not included). Splash a little more color on the page with the firmer look of the thicker weights. Cabrito’s upright variations across all weights are matched by optically altered italics, too, giving you even more variety with the font family. This modern typeface’s bundle of alternates can be accessed in any OpenType-enabled software. The fashionable options involve a significant team of alternates, swashes, and meticulously refined aspects with ball terminals and alternate titling caps to decorate the font. Also bundled are swash alternates, old style figures, and small caps. Peruse the PDF brochure to check out these options in motion. OpenType-enabled applications like the Adobe suite or Quark allows comprehensive control of ligatures and alternates. This font family also provides the glyphs to aid a variety of languages. Cabrito is a welcoming, everyday font family by Jeremy Dooley. Use it to convey warmth and friendliness on anything from candy and food packages to children’s toys, company IDs or run-of-the-mill promotional material. Cabrito’s unique appearance and high legibility make it equally at home in print as it is on a screen.

My Aunt Celia was designed as a quaint, quasi-elegant display face using caps and small caps. The family consists of two fonts: regular and alternate which, between them, provide many special swash characters, tall caps and ligatures for lively, quirky, mixed settings.

“Due Giorni”, two days in italian language, express a measurement of time, it can be little or a lot, depending on who or what it is used for. “Due Giorni” is a script font very expressive, fresh, agile and dynamic, hand-drawn with connected forms on slanted angle of 23º This font contain 542 glyphs with plenty OpenType features: Standard and discretionary ligatures, stylistic alternates, swashes, Old style figures, small caps, case sensitives and ornaments. It come also, with three kind of capitals: Roman Capitals, Small Caps (different proportions) and Swashes. Roman Capitals are inspired on the beautiful inscription found in the Augustorium’s house in Ercolano, Naples.those letters have been carefully drawn and sculpted. Swashed Cursive Capitals are similar to 18th century penmanship. “Due Giorni” is a versatile font that may give you the chance to create original logos and headlines, specially by many stylistic sets, ligatures and alternates that can be combined with them.

Big River is an elegant sans serif and handwritten font duo with lots of extras. It includes: - A wide sans serif font in three weights (with caps and small caps); - A handwritten font with a regular and slant version, and bonus swashes to give your designs a more natural look. Each font includes: - A-Z, a-z, 0-9, accents, punctuation and symbols - Contextual alternates (script) - Ligatures (script) This font duo makes it so easy to achieve beautiful and eye-catching designs, and is perfect for both short and longer texts. It can be used for making postcards and notes, creating logotypes, social media posts, branding and packaging, etc. Please note: No special software is needed in order to access the extras, as they are in a different font file. You can simply access them directly in your font bar (a-z for terminals in regular, A-Z for terminals in italic, and 0-1 for squiggles).

Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile. This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer’s Folio, and Aldo Novarese’s Eurostile. With Eurocine you get a more versatile typeface by way of its small caps and additional stylistic sets giving you extended caps, extended small caps, and petite caps, as well as upper and lowercase unicase. Creating typographic masterpieces of your own will be so much easier! Key features: • 6 Weights in Roman and Oblique • 3 Widths – Narrow, Regular, Wide • Extended Caps • Small Caps • Extended Small Caps • Petite Caps • Unicase • Old Style Figures • European Language Support (Latin) • 1,200 glyphs per font.