Introducing Goxac is a boldly shaped font that gives any project a cutting-edge, futuristic feel. Goxac’s slick lines and distinctive letterforms give your text a contemporary appearance, making it ideal for designs with a science fiction or technological theme. Goxac is the perfect tool for designing eye-catching headlines, posters, and social media graphics because of its bold aesthetic and futuristic theme. They are ideal for branding projects, packaging designs, book covers, and more due to their distinctive letter shapes. With a complete set of punctuation and numbers, Goxac is available in both upper- and lowercase letters. This multipurpose font is ideal for designers, marketers, and anyone looking to add a touch of futurism to their work because it has four different variants. With the Goxac font, rest assured that your designs will look unique, stylish, and futuristic. This font is perfect for those who want to stand out in the modern era, and for those who want to give their designs a touch of innovation. Goxac is a must-have for anyone looking to create a plan that really stands out. So don’t wait, make Goxac your font of choice today, and take your design to the next level! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Lindemann Sans is an immediately-inviting typeface with a pleasing distinct visual voice grounded by geometry and golden proportions. This modern geometric san serif typeface serves the interpretive needs of modern design through its legibility. This legibility is achieved through proportional balance of each letter based on the golden ratio, open counters, high x-height and wider individual shapes. In addition, a high level of legibility is arrived through distinctive glyphs like a, e, @, and f, which are engaging and add to Lindemann Sans visual voice. Being a modern, spirited, tech-savvy typeface, Lindemann Sans has many of the features demanded by today's designers. These features include 800 characters within each font, many ligatures, full numbers sets, small caps, alternative characters and other niceties found in opentype fonts. Due to Lindemann Sans high legibility, geometric sans tradition, and a large feature set list, it is a very versatile typeface and can be used in replacement of the more commonly used sans. Specifically, Lindemann Sans can be used by technology corporations, architectural firms in their supporting materials, in magazines as headers and key-points, as the typeface for professional keynotes, for the package design industry as a whole, in automotive concept projects, and for cosmetic branding for high class hair products. With its inviting nature it may also be used for liberal arts promotional materials. In addition, this typeface can be used by green industries because of its nature derived proportions. Each style and weight of Lindemann Sans adheres to the same geometric and golden proportions, however, each weight is innately noteworthy. For example, there is a charm that is found in the ultralight weight's elegant geometry and lights impressive use as oversized headlines. It shines with true clarity of vision with the book weight and the versatility of the medium. One cannot overlook the power and pacing of the bold and extra bold weights with its clear counters and restrained letter forms. Within Lindemann Sans family each weight has a distinctive role to play but stays true to its purpose.

Playful and funky. The ideal choice for candy wrapping, teen magazines, toy packaging and the like. The reweighted condensed is useful where space is at a premium, and mixing the two weights freely leads to intriguing results. Use with bright fresh colors for added "bounce".

Threva is a stylish sans serif font with 2 styles, solid and outline. You can combine the two into something creative. The shape is not too stiff, looks modern and elegant

Sideroad is an intensive hand-drawn brush script font. It comes in two versions, Textured and Smooth. Textured version has this rough effect that comes when letters are drawn with pointed-brush on rugged surface. The Smooth version is, like the name says, smooth as silk with polished edges and properly drawn forms. Sideroad includes two sets of lower case letters to give variation and more imperfect hand-drawn effect. You can cycle these two sets by enabling Contextual Alternates OpenType feature. It also has set of lower cases without connector strokes. And a set of lower cases with end swashes. On top of these there are also a few underlines to give that final punch to your design.

North Blue is a new, stylish and quirky script. It was created to look as close to a readable script as possible, and includes great swash characters too.

DF Korolev is a 72 weight geometric sans serif family based on lettering by an anonymous Soviet graphic designer from the propaganda displays at the Communist Red Square parade in 1937. It has been named in honor of Sergey Pavlovich Korolyov, or Korolev, considered by many to be the father of practical astronomics. Rational and robust, it is also elegant and refined. Tracings done in Illustrator over a photograph featuring this type pinned down some of the basic character shapes. These were then imported into FontLab, where the full glyph complement was developed. The lower-case has been designed from scratch, and adheres to the structural logic of the uppercase as closely as possible. The complete Korolev super-family includes standard, italic, condensed, and compressed versions, each in five weights. The Alternate families come with a double-story “a”. Authoritative yet friendly, Korolev Rounded is a versatile addition to the Korolev range.

It all began with an ellipse. Like an artist who goes from a pictorical logic to a more abstract one, in Elipses geometry is stripped of any distractive or ornamental detail. The font is naked and it shows that it does not need complex shapes or decisions in order to be very attractive. The font is a compendium of ellipses and stems, with a didone 'pensiero'. It also gets some inspiration from the art-deco letters and architecture, due to obvious reasons. Geometry at its best. Elipses will be useful for magazines, books, ads, or any piece of design that needs elegant letters. Note about the styles The styles named "Alt" (from Alternative) have their swashes with less loops. Use them if you are more into naked geometry. Apart from many alternates and ligatures, I've included some different sized glyphs in all the styles so you can also play on the rhythm! Have fun!

A long lost Art Nouveau wood type from the Hamilton Museum Collection evokes the excesses of Victorian design and the equally quirky 1960s Psychedelic era revival of the Victorian type styles. Free flowing organic designs that flourished with Art Nouveau in the late 1800s were directly referenced and further distorted with with phototype in the late 1960s. This design, known as Arabesque, was produced by the Morgans & Wilcox Co. and the Wm. Page Co. as almost identical designs. Both manufacturers were acquired by Hamilton and offered briefly by Hamilton as design #618. This curious wood type defies most of the basic tenets of type design and what comes to mind when one thinks "wood type". Many characters have a lively eccentricity that were all left true to the original design. Additional characters were designed to fill out the standard range of characters found in digital fonts. This font includes over 280 characters for full unicode support of Western and Central European Latin characters.

Designed by Jochen Hasinger of Frankfurt, Germany, Covent BT is an unconventional geometric sans serif typeface, featuring rounded terminal ends and a stencil-like break of the contour in some glyphs. At first glance you might think of it as a display typeface, but the generous x-height and openness of the lowercase makes Covent BT very legible at text sizes. Central Europe and Cyrillic is supported in the extended glyph set. Each weight contains 485 glyphs and includes some alternate figures, some upper and lowercase alternates, as well as others, all accessible via OpenType features. Covent BT Symbols is a stylized geometric symbol font, intended to stand alone or used as a companion to the Covent BT typefaces. The array of glyphs covers many of the more popular icons of the day including symbols for web use, numbers, sports, travel and astrology, to name a few, each with its own unique stylized interpretation.

Tetria was designed by Martin Jagodzinski, who says that the font came from the need for a compact, constructivist typeface. Tetria combines the expression of simplicity of the 'norm' typefaces like DIN Mittelschrift with elements of Old Face typefaces which optimize legibility. It therefore contains old style figures and a larger stroke contrast, which makes the font legible even in smaller point sizes." Sources of inspiration for Tetria were the designs of Joost Schmidt and Herbert Bayer as well as the norm typefaces. The name comes from the Greek word for 'four', tetra. "Four is the number of many simple and useful objects, four wheels on a car, four corners of a book. Also, the basic forms of Tetria come from the simple geometric form of the square." The space-saving Tetria is well-suited to a variety of uses, from corporate typeface to text to display on posters, flyers or onscreen."

Introducing Lhont Down Typeface The Lhont Down font is designed with a serif font concept that has a decorative display style. Irregular dynamic shapes but impressively bold and unique make the font "Lhont Down" different and steal attention. The "Lhont Down" font has 2 font styles, namely decorative ones with irregular shapes with standard or normal font styles. Can be combined so that the designed design has a different rhythm. The lhon Down font is perfect for serious or non-serious design concepts, also suitable for classic retro designs, fashion, pop designs and so on. Serif typefaces such as "Lhont Down" are very easy to apply to any design, especially those with an retro and classic concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "Lhont Down"contains 692 glyphs with many unique and interesting alternative options.

Distinctively Art Nouveau with a touch of Arts & Crafts, Quaint Gothic is a typographic gem from the late nineteenth century. Also known as Desdemona, this undulating and organic typeface is a versatile and refreshing alternative to many of the font designs on the market today. Quaint Gothic comes complete with an alternate set of caps and a new set of lowercase characters. And for your convenience, a nifty set of small caps and small figures are included in this version. You may also want to access the word-on-a-wave logotypes like “to” and “and” located in the special character slots. They’re great for constructing provocative headlines and titles. Quaint Gothic is also available as an OpenType font. It contains lining and oldstyle figures, prebuilt fractions, stylistic alternates, a wide variety of discretionary ligatures and word ornaments. These advanced features currently work in Adobe Creative Suite InDesign and Illustrator. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

“Queen Kelly’s Sword” - new elegant luxury bold serif from Julia Visht. Classical font serif with stylish decorative elements! Romantic and elegant, “Queen Kelly’s Sword” – is a luxury bold serif with both modern and vintage curves. “Queen Kelly’s Sword” is a must-have for your collection of fonts. Main features: Ligatures. Set of OpenType ligatures allows to make your design truly unique. Alternates. Set of stylistic alternates allows you to create even more authentic custom-feel text. OpenType Style Set. Open Type Style Sets allow to create many perfect styles of your text. Multyfunctionality. It's perfect for: elegant modern branding, web-design, posters, headers, advertising, wedding stationery, book cover designs, classy packaging, album covers, greeting cards, wall art, websites, photos, and so much more. Multylangual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic, Indonesian, Irish, Swiss German, Portuguese. Stylish font for your stylish projects! Happy creating! Designers: Julia Kruk Publisher: Julia Visht

“La Belle Zabriella” - new elegant luxury font family from Julia Visht. Classical font collection: luxury modern Serif (Bold, Regular, Light) with stylish decorative elements and classy authentic Script! La Belle Zabriella is a must-have for your collection of fonts. Main features: -Ligatures. Set of opentype ligatures allows to make your design truly unique. -Alternates. Set of lowercase alternates allows you to create even more authentic custom-feel text. - OpenType Style Set. Open Type Style Sets allow to create many perfect styles of your text. -Multyfunctionality. It's perfect for: elegant modern branding, web-design, logo creating, posters, headers, advertising, wedding stationery, book cover designs, classy packaging, album covers, handwritten quotes, greeting cards, wall art, websites, photos, and so much more. -Multylangual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic, Indonesian, Irish, Swiss German, Portuguese. Stylish font family for stylish projects! Happy creating! Designers: Julia Kruk Publisher: Julia Visht

Hi Margaret is a new modern script font with an irregular base line. Trendy and feminine style. Sweet lady Script looks beautiful on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for use in ink or watercolors. Includes initial and final letters, alternatives, binders and multi-language support. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. There are additional ways to access alternatives / swashes, using Character Map (Windows), Nexus Fonts (Windows), Font Book (Mac) or software programs such as PopChar (for Windows and Mac). How to access all alternative characters: This offer is available without limits. This package is perfect for greeting cards, branding, business cards, quotes, posters, stickers, blogs, logos, weddings, signage, packaging, birth announcements, photo overlays, wall art, quotes, printed matter, bags, t-shirts and many again! thank you for buying.

A page from the 1931 Vitrolite catalog showing illustrations of store fronts and building exteriors utilizing the material provided a classically Art Deco type example. The business name “Sylvin” did not offer many characters to work with, so completion of the digital type design was simply left to imagination. The end result is Structural Glass JNL, which is available in both regular and oblique versions According to Wikipedia: “Pigmented structural glass, also known generically as structural glass and as vitreous marble, and marketed under the names Carrara glass, Sani Onyx, and Vitrolite, among others, is a high-strength, colored glass. Developed in the United States in 1900, it was widely used around the world in the first half of the 20th century in Art Deco and Streamline Moderne buildings. It also found use as a material for signs, tables, and areas requiring a hygienic surface. Over time, the trademarked name “vitrolite” became a generic term for the glass.”

Carrig Pro is a refined and elegant serif. Classed as an Antiqua, Carrig Pro is born from [or borne by] a hybrid of influences that range from early Roman inscriptions to type of the Pre-Modern era, giving Carrig Pro a distinctive character all of its own. Carrig Pro will appear instantly familiar and friendly and could well be the perfect typeface for designers seeking to convey a message with a distinctive and prestigious air. Now a 12-font family, Carrig Pro (2017) is an extended version of Carrig (2015), it has been completely redrawn, revised and improved. Carrig Pro has many useful features for typographers to exploit, such as easily accessible small caps, discretionary ligatures, gadzooks and stylistic alternates, as well as a number of ornamental glyphs. See more here. Key features: 6 weights in roman and italic Small Caps, Ornaments, Alternates, Historic Characters, Ligatures and Gadzooks Full Latin character set 750 glyphs per font.

The Edit Collection is a brand new super family designed to create multi-platform brand and editorial typography. The Renaissance construction allows the typeface to handle long texts in small, medium and large sizes, balancing its astonishing and recognisable details with high legibility. The Edit Collection with its rational, clean aesthetics and great versatility is best suited for complex typography programs. Edit Serif Pro is a modern multilingual multi purpose typeface and the first release of Atlas’ next super family. Its humanist contrast combined with modern details makes Edit Serif Pro suitable for headlines and texts that need to distinguish themselves — while still expressing rational and clean aesthetics. Each style comes with 1.540 glyphs, many features and alternative character sets. As the well known Heimat Collection and Novel Collection already are, Edit will soon become a huge superfamily like all typefaces published by Atlas Font Foundry. Designed by Christoph Dunst for Atlas Font Foundry between 2012 and 2017.

Al-Ghazalia is an exquisite font meticulously crafted to capture the essence of Arabic calligraphy. Al-Ghazalia is not just a font; it's a bridge between tradition and modernity. The characters in Al-Ghazalia embrace the rich tradition of Arabic lettering, featuring graceful, curvaceous lines and a stunning high-contrast design. Each letter is thoughtfully shaped, exhibiting the intricate beauty of Arabic calligraphy while adding a contemporary touch. In addition, you can also enjoy the features here. Features: Alternates Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Al-Ghazalia fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Dewi is a modern neo-grotesque multi-typeface family with closed forms. It includes 4 versions: condensed, normal, extended, expanded. In each version there are 16 font styles: 8 regulars and 8 italics (64 styles in total). The family contains weights from thin to black. Everything is ready to solve absolutely any graphic tasks. Dewi helps to create a unique and vibrant design consonant with the spirit of our days. Сontours remains neutral in a small size but when you work with large sizes Dewi shows his strong and confident character. Ideally suited for web design, logos and branding, navigation, printing, advertising and packaging, infographic, poster design, music covers and so many more. This typeface will be a real workhorse for you. Opentype features: old-style figures, tabular and tabular old-style, slashed zero, ligatures, fractions and automatic frations, circuled numbers, arrows and stylistic alternates for arrows, superscript and subscript. Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 70+ languages)

Helvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas’sche Schriftgiesserei (Haas Type Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an adaptation of Helvetia, the Latin name for Switzerland). Over the years, the original Helvetica™ family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been. At the beginning of the 21st Century, Linotype released an updated design of Helvetica, the Helvetica World typeface family. This family is much smaller in terms of its number of fonts, but each font makes up for this in terms of language support. Helvetica World supports a number of languages and writing systems from all over the globe.

The Exileon is a Script&Serif Font with a modern style. Soft curves are combined with high contrast glyphs, conveying both feminine and masculine qualities. This font consists of 3 Regular Serif Fonts, Italic Serif and Script, with many unique ligatures provided. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, and invitations. Mix between Script and Serif to create a unique and very beautiful look, and add italics to complete the sentence you want. What do you get: The Exileon Serif Regular and Italic, Exileon Script, Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works in Microsoft Word. Encoded Characters Fully accessible without additional design software. Fonts include multilingual support. Images used : All photos/images/vectors used in the preview are excluded, for illustration purposes only. Feel free to follow, like and share. thank you very much for checking my store!

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Branczyk and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! The three fonts in the F2F Czykago family, F2F Czykago Light, F2F Czykago Semi Serif, and F2F Czykago Trans, were all inspired by the Apple system font Chicago. The F2F Czykago family, along with 38 other Face2Face fonts, is included in the TakeType 5 collection from Linotype. Branczyk designed 16 of these himself."

Canadian designer Patrick Griffin made P22 Counter as an exercise in exploring the limits of counter-space and interchangeability between extremely geometric and standard calligraphic forms. Within a field of solid stems and horizontal strokes, parallel lines and curves play the role of counterparts to define square and round shapes, making what’s revealed just as interesting as what’s withheld. Each of the three basic Counter fonts stakes its own aesthetic territory, from clean basic minimalism, through the nostalgia of exuberantly pixel-based design, and on to calligraphic-cum-typographic, all within clear and precise geometric parameters. Counter Pro comes with that entire range included in a single font, giving its user the ability to move freely in a visual space and counter-space that can be defined by more than 1450 glyphs. While all the fonts come with extended Latin language support, P22 Counter Pro includes all three fonts in one font, many alternates, swashes and ending forms that are not available in the basic fonts.

There is an interesting story about this vintage professional Mercedes typewriter I’ve used to make this font. My grandfather, who was a Yugoslavian partisan during the WWII captured it from a Wehrmacht command building during an attack, and he kept it in a perfect shape for so many years. After I inherited it, I wanted to share it’s uniqueness (as well as it’s story). I’ve intentionally kept it in it’s original condition - I haven’t replaced the ribbon that was some 34 years old (or more) before sampling the font, and it turned out really nice. One more important thing - I have used ONLY it’s original set of characters (Latin with some Balkan-based letters). With it’s untouched originality and uniqueness it fits to our modern culture perfectly. There are no compromises here - there are no popular @,#,$ and other characters you would expect in a font. You will get EXACTLY what’s on this genuine “Mercedes” typewriter with so much soul.

Diabolus - Serif Font Family - Multilingual - 3 Style On the basis of Diabolus, it is a mix of the old-fashioned Gothic serif family. The old-style serif combination combines modern aesthetics with fantasy and Gothic serif fonts, making Diabolus a versatile family that can be used in many different design projects. This font offers a wide variety of styles to help you discover the best mood for your projects, from body text to big headlines, from classic to modern and bold styles. Well suited for books and magazines, magazine and album covers, editorial, headlines, websites, logos, invitations, branding, advertising, and more. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, Letterlike symbols, Arrows, Mathematical Operators, Miscellaneous Technical, Geometric Shapes, Miscellaneous Symbols CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Loscarlo is a captivating serif font that seamlessly merges the timeless elegance of serif typography with the organic charm of brush details. The characters in Loscarlo showcase the classic structure of serifs, offering a sense of tradition and readability. What makes this font unique is the thoughtfully incorporated brush details, which add a dynamic and handcrafted quality to the letterforms. The result is a harmonious balance between refined aesthetics and a hint of expressive creativity. Enjoy the features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Loscarlo fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Blimone Inspired from beautiful Art Nouveau styled and pop culture, Blimone approach with geometric shapes and dynamic humanist blends several calligraphic concepts to create a modernist style but with a strong and unique look. The subfamily Blimone ink-traps and the italic characters to appear monumentally "Sharp" in large sizes and jaggedly imperfect in small sizes. The Bilmone font family includes 24 fonts, Support for the variable version of the font, you can choose the individual thickness and the slopes. Support has many fancy ligatures, common standard ligatures are found in some fonts include fi, ff, ffi, fy, ti, tt, ty, tti, ttl , ffk, ft and the discretionary ligatures are gi, ggi, gt, gk, gj, gl, ggl, gh, gti,ct, cti, cty, et, eti, ety, st, and more. all intended to create a natural look that imitates the flow and spontaneous joins of handwriting.OpenType also supports tabular lining numbers, fractions, Numerator and Denominator.

For the next generation, Atiku is the font of choice. This one-of-a-kind and opulent font family was designed from the ground up with beauty and exoticism in mind. Customers recognize the value, sophistication, and uniqueness of your brand with just one glance. Each style in this impressive collection was created to help you get the most out of your designs: ads, posts, and a slew of other creative projects are all made easier with this lovely typeface. This font can be easily optimized for any project or client thanks to its many OpenType features and 18 different styles. With our newest font family, you’ll be able to create stunning looks in minutes. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Prored is an avantgarde sans serif typeface that contains 5 weights – Light, Regular, Bold, ExtraBold and Black. It is small and compact font family with own characteristic expression, constructed to be safe choice for all kinds of typographic tasks. With specific curved endings that are adhered on baseline, Prored includes tiny note of singularity – just enough to make it’s own identity recognizable and catchy. Taller x-height gives an afterimage of a bit narrowed look, but with rational proportions and well balanced weights, 5 of them are really sufficient and capable to handle extreme typographic issues. Especially charming is Black which can be used also as display typeface in situations where elegant solutions are required in combination with stronger visibility. Beside Central Europe, Prored also contains glyphs for Turkish and Baltic languages. Highly neutral impression recommends Prored as an excellent choice for branding campaigns or new identities. Recommended for use in: branding campaigns, identities, editorial publications, packages, web design, as web font and many more.

Ozana Pro is a bracketed serif font family adapted to the professional requirements of graphic designers, web designers and mobile app developers. Comprised of 24 styles including 12 styles designed especially for headlines and 12 styles for text and long paragraph design. Ozana Pro is a very versatile family of fonts that can be used in many projects such as editorial design, branding or corporate identity creation, design of posters or logos, the creation of websites or the development of mobile applications. With this design of glyphs differentiated by the optical size according to the styles, the titles have a very graphic aspect while the long texts have a more classic design in order to keep an optimal readability in all cases. Ozana Pro is also equipped with powerful OpenType features such as case sensitivity, true small caps, ligatures, tabular figures, old styles figures, numbers circled. Ozana Pro is also available as a variable font family.

Fairwater’s aesthetic derives from the cursive handwriting styles popularized in the early to mid-1900s, the simplified, forgiving letterforms of tattoo lettering – and the pictorial themes that informed early-to-mid 20th-century naval tattoos. The Fairwater family includes a script and sans face in three weights, four decorative serif faces and an ornamental font: DIY Lines. As with many of my fonts, I couldn’t resist adding a plethora of 465 swashes and alternates to the script version, that include ending forms on all letters, 34 beginning and isolated letters, an unconnected version and contextual alternates. Fairwater also includes a powerful decorative font entitled DIY Lines: 250 ornamental characters of ships, anchors, oars, knots, rope, botanicals, diamonds, arrows and more. With strokes and proportions that perfectly complement the type. See what’s included! http://bit.ly/2cJMUoe These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Introducing Quzirah, a retro condensed font that blends classic design with a vintage feel. This font is the perfect addition to any project seeking to evoke nostalgia and charm. Quzirah comes fully loaded with 49 alternate characters and 33 ligatures, allowing for endless creative possibilities. Designed with both style and functionality in mind, Quzirah supports multiple languages and is easy to use. With its beautiful and unique letterforms, this font will elevate your designs and add a touch of sophistication. Whether you’re designing a vintage poster or creating a retro-themed project, Quzirah has got you covered. Download it now and let your creativity run wild! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Fishwrapper is a three-member font family (Regular, Bold, and Italic) designed to replicate the look of authentic vintage newspaper typography. The fonts are rough and are meant to be used at newspaper sizes. All three fonts have a complete alternate alphabet built in: using the contextual alternates feature will automatically substitute alternate versions of most glyphs, so that identical characters do not appear side by side, thus helping to create the look of metal type. Fishwrapper Regular has a complete set of small caps built in. Each font features assorted rule lines and other decorative material, many accessible through the discretionary ligature OpenType feature (three em dashes in a row, for example, will become a rule line), as well as fractions and a full international character set. Used in conjunction with some of E-phemera's vintage headline fonts, the Fishwrapper family is intended as a complete vintage newspaper and job-printing type solution.

Ozana Pro is a bracketed serif font family adapted to the professional requirements of graphic designers, web designers and mobile app developers. Comprised of 24 styles including 12 styles designed especially for headlines and 12 styles for text and long paragraph design. Ozana Pro is a very versatile family of fonts that can be used in many projects such as editorial design, branding or corporate identity creation, design of posters or logos, the creation of websites or the development of mobile applications. With this design of glyphs differentiated by the optical size according to the styles, the titles have a very graphic aspect while the long texts have a more classic design in order to keep an optimal readability in all cases. Ozana Pro is also equipped with powerful OpenType features such as case sensitivity, true small caps, ligatures, tabular figures, old styles figures, numbers circled. Ozana Pro is also available as a variable font family.

Introducing Neastone A Modern Chic Serif Fonts. Beautiful and soft fonts in a contemporary style that can make your design projects look modern, elegant and luxurious. Made with many alternative characters to make it easier for you to do various design projects and give you fun while typing. Neastone fits perfectly into those nostalgic moodboards and vintage logos. It come with a unique lower and uppercase plus numbers, punctuation & multilingual letters. You can apply them to designs like social media posts, logos, merchandise, book covers, posters, video content thumbnails, quotes, landing pages, wedding invitations and much more which you can make with this great item for any design :) Features: - Uppercase - Lowercase - Numeral - Punctuation - Multilingual - Opentype Features & PUA Encoded - Ligatures - Alternates Notte: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Photoshop, Corel Draw or Affinity Designer.

Mibundi is ideal for applications that require a classic, retro, vintage, or condensed look. This font’s ligature, alternative, and multilingual capabilities provide you the flexibility and creativity you need to convey your thoughts perfectly. Mibundi is a handcrafted font with unique and eye-catching letter shapes that will bring the finishing touch to your project. The compact design makes it suitable for use in a wide range of media, from print to digital. Mibundi also supports multilingualism, ensuring that this typeface can be used easily over the world. Using this typeface will undoubtedly capture the attention of potential customers and deliver significant value for your project. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Many of the fonts available from Canada Type are revivals of historic brush scripts (such as Bruschetta, Coffee Script, Puma, Tiger Script). Hunter is a deserved addition to the collection. Imre Reiner's Mustang design from 1956 now enters the digital realm to continue living in this world of new typography. Hunter has a wilder streak than other brush scripts. Its irregular terminals give it an almost wooden appearance and a most natural, hand-made expression. This natural look was extended by the expansion of the original design and the addition of some alternates and ligatures, built within the font and easily accessible from any program's glyph palette. Hunter was also slightly modified to accommodate not only sentence- and lowercase-setting, but also all-capital setting, which is a flexibility hardly ever found in most brush scripts. So if you have been looking for a natural, quirky brush script for your designs, Hunter is your type!