Quadrus is the work of New York graphic designer Peter Fahrni, a condensed open slab serif typeface. Fahrni was inspired by the lettering styles typical of baseball, basketball and American football sportswear. Quadrus is an all caps alphabet ideal for a variety of applications, particularly for those related to sports.

The Symbol PS font contains Times New Roman Greek capitals and lowercase, figures and basic punctuation together with a collection of mathematical signs and general purpose Pi characters. Use the Symbol PS font for setting mathematical and scientific work and as a complement to the symbols found in standard fonts.

Introducing our new friendly, soft and heavy serif typeface with retro feel! Tenar Black is display serif which is highly influenced by Souvenir and Cooper Black typeface. This font has 362 glyphs including alternates & ligatures and support 61 Latin languages. This font would be great additional collection to your design weaponry!

The Old Navy - a new stencil style font collection. These fonts are ideal for military-style branding and will decorate any of your projects. You can also use them to create a logo or use for small businesses, t-shirts, hoody, book covers, stationery, logo creation, marketing, blogs, magazines, and more.

An "Aiguille" is a sharp pinnacle of rock in a mountain range. Aiguille font is a beautiful handwritten connected script font. I thought it was a good way to start off the new year! Aiguille comes with a whole bunch of alternate glyphs, ligatures and even ‘end-of-word’ alternates.

Chilok is a cool handwritten font that is also elegant and fashionable, which looks like a signature or logo, this font also has an alternative to beautify your design. Chilok is perfect for branding, logos, business cards, posters, invitations, greeting cards, news, product packaging, blog posters, all including personal charm, etc.

A clean and balanced humanist grotesque. Like many an alchemical process, this font had to be designed and redesigned from the ground up many times. Each time it blew up in the designer's face until finally the conditions and process were in perfect alignment and this new font was born.

The simulated font is based on the characteristic Hebrew calligraphy. Some of the original Hebrew characters have been given new roles, others modified to resemble modern Latin characters. The font includes an upper case alphabet, numerals, and basic faux punctuation, plus Harp of David, Menorah, and Star of David symbols.

While watching a movie filmed on location in New York, one scene stood out with a classic neon sign for a neighborhood restaurant. Ridgewood JNL is based on the lettering from that sign, and emulates many of the Art Deco elements that was so unique to sign work of the day.

The book Modern Alphabets, published in 1930, called this diamond in the rough from Continental Typefounders Nova Bold. Well, it’s neither new nor modern anymore, but it’s a warm, friendly face that’s sure to please. Both versions of this font contain complete Latin 1252 and Central European 1250 character sets.

Blog has a new distinctive look and comes in four weights light, regular, medium and bold. It can be seen as quite elegant in the light weights while looking masculine in the heavy weight. Its unique look lends to so many different applications. Blog works well for both headline and text.

Originally, this 1870s wood type font was called Armenian. We came across a showing of alphabet at the South Street Seaport in New York, bought it and immediately drew the additional characters needed to make the font. We used it for some circus program work that was part of our livelihood.

Hello Everyone, introduce our new product Font Billy Boss This Is Rough Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate 47 Ligatures glyphs OpenType panel.

Massimo is a semi-serif geometric type family. For as long as I can remember, I've admired the visual style of New York – its architecture, fashion, design, and typography. After spending two weeks in Manhattan this summer, I wanted to prepare a sharp and modern typeface in Big Apple style.

In June of 2004, Canada Type released Crucifix, a condensed three-tiers typeface that tried to bridge the gap between traditional blackletter forms and the traditional European gothics. The main goal of Crucifix was to have as many as 4 different variations on each letter form, so the original release consisted of three fonts: a main font with a standard character set, a small caps set, and a unicase variation. Now Canada Type presents the next generation of this typeface: Crucifix 2.0 and Crucifix Pro. This new version takes advantage of both Unicode and OpenType technologies to make Crucifix as versatile as ever. The PostScript Type 1 and the True Type version boast extended Latin character set support, including Western, Eastern and Central European, Turkish and Baltic, as well as two non-Latin scripts: Cryillic and Greek. The OpenType version, Crucifix Pro, goes even further by including all of above in one font, along with proper automation to accommodate on-the-fly ligatures, small caps, numerators, denominators, some fractions and a ton of stylistic and contextual alternates - all programmed to work with the latest OpenType-enabled programs. Unique, stark, and with more than 900 characters, Crucifix has that clinical sharpness and special dramatic wonder to make it perfect for mystery, gothic, and horror design settings.

Originally published by OurType, Dan Milne’s Tasman has found a new home at Retype. Milne first conceived Tasman as a typeface for newspapers. This influenced the proportions and look of the face considerably: the goal was to keep the personality as warm and playful as possible without losing the credible tone required to deliver all kinds of news. A sturdy, warm type family that is neither mechanical nor fragile. It borrows its name from Abel Janszoon Tasman (1603–1659), a Dutch seafarer, explorer, and merchant who mapped parts of Australia in 1642, including Van Diemen’s Land (now known as Tasmania). Tasman’s primary purpose is an unbiased presentation of information; it strives for neutrality over elegance. Its characters are sturdy and unambiguous, sporting strong serifs, punctuation, and diacritics, as well as generously sized small caps and hybrid figures. Rationalized letterforms give the face enough robustness to withstand the stress of screen applications and laser printing. The figures’ three-quarter x-height makes them considerably larger than traditional oldstyle numerals, yet they still integrate with the lowercase much better than lining figures do. Although initially intended for newspapers, Tasman’s somewhat corporate, objective appearance also makes it an excellent candidate for digital and print magazines, websites, annual reports, and corporate identities. Tasman is a suite of feature-rich OpenType fonts fully equipped to tackle complex, professional typography. The character set includes small caps, fractions, case-sensitive forms, bullets, arrows, special quotes, and nine sets of numerals. Besides standard Latin, its extensive character set supports Central European, Baltic, and Turkish languages.

The Zapf Dingbats originally had been a selection of 360 symbols, ornaments and typographic elements from over 1200 designs. (For the first time a lady's hand is shown for the index symbol, the fist). The exisiting Zapf Dingbats offers a small selection out of this great offer. Therefore Hermann Zapf created new symbols for the set of the Zapf Dingbats, which are available today from Linotype as "Zapf Essentials?" 6 fonts with new and fresh symbols like fax, cell phone and internet symbols.

Philip Bouwsma's Symposium Pro is a wide Carolingian script that can be set simply or with a wide range of flourishes. It takes its inspiration from the scriptoria of the twelfth century, particularly in Spain, where Christians, Muslims and Jews lived harmoniously in a brilliant culture for two centuries. As manuscripts were translated and copied to meet the Western demand for classical texts, calligraphic elements from Arabic and Hebrew spread throughout Europe, sparking a proliferation of new styles that brought the simple book hand to a higher level. Symposium Pro spans a broad range of time and space, from the court of Charlemagne to the Arabian nights and Renaissance Florence. Symposium Pro comes in four weights, ranging from Light to Bold, with each font containing over 1200 glyphs. Variations on every letter form, from swashes to subtle alterations, are plenty, with some even having up to 40 alternates. Also plenty are the embedded ornaments and flourishes, over a hundred of them. Keep that glyph palette handy for many pleasant surprises and easy setting solutions.

The New Modelista Serif Family is a modern ligature serif font that includes 16 fonts, regular and italic, from Thin weight to Extra Bold. Modelista is a multipurpose font perfect for any project, with high-contrast glyphs, giving it an elegant, feminine and masculine, modern, and easy-to-read quality. It is equipped with a unique ligature to give your designs a new color. Excellent in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations, quotes, blogs, and more. This font is easy to use and has OpenType features. What do you get: Modelista Font Family 8 serif weights 16 Fonts from Thin - Extra Bold, Regular & Italic Complete the Alphabet with Uppercase and Lowercase Letters Numbers, fractions Punctuation and symbols Alternative Ligature Multilingual support Feel free to follow, like, and share. Thank you and I hope you enjoy it!

In 1864, a new edition of ‘Labèrnia dictionary’ was published. The book is commonly known under this name as a homage to the author. The typeface used in this publication has been taken as the main reference for the design of a new type family. Labernia is a didone design that includes several variations in width, weight, and contrast. Labernia is a stylish typeface, which pushes its design features to the limit. The high-contrast strokes—seen in most modern typefaces—give a delicate softness to the titling cuts of Labernia. Meanwhile, the characters in the condensed version have a very compact body so they create a highly expressive text. In the italic letterforms, the long terminals aim to connect the characters without touching. And, if we look at the figures we will see a more decorative design, which helps to build a strong personality.

IronType (formerly known as Ironman) is an extra bold geometric titling face in the Art Deco poster tradition. A warm sense of strength and playfulness runs throughout this design. Triangular-shaped crossbars are some of its distinguishing characteristics. The face also contains some very amusing alternates. The tails of the alternate cap K and R extend below the line and the alternate cap N has a hump instead of a diagonal stroke. A handy set of lowercase letters with lining and smaller figures are also included. IronType Extra Bold is now available in the OpenType Std format. Some new characters have been added to this OpenType version. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

The Scriptorium got its start in the early days of personal computers with a few font designs for the Commodore 64, and the very first font which we did back then in the early 1980s was a gothic calligraphy font. That style of fonts - the medieval, gothic and black letter genre - has always been the backbone of our collection, but with recent releases we've stayed away from them to introduce a bit more variety. Well, with our new Zauberer font the antique, medieval and gothic look is back with a vengeance. Zauberer isn't a true medieval calligraphy style. It's based on early printed type from Germany which combines calligraphic elements with decorative embellishments from the woodcut printing era. The result is decorative and antique looking and rather appealing. The name comes from the German word for a magician or illusionist.

Imogen Agnes is a hand-made, signature-style font designed to create personal, stylish lettering quickly & easily. A bit of background; During my years as a freelance designer, I had always been a huge fan of signature-style fonts but frustratingly found them few and far between. Now don't get me wrong - some of them are visually stunning. But I found them almost too perfect, or too digitised, to make you think that someone had quickly scribbled it down on paper. So that's why I created Imogen Agnes. It works great for personal logos, but also makes for a strong standalone script font with a bit of a retro vibe to it. It comes with upper & lowercase characters, numerals, punctuation and supports international languages. It also comes with a bonus set of 15 swashes just to add that extra touch of finesse to your text. Stylistic alternates for several key lower case characters are also available, accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu.

Meninas are the new comprehensive collection of innovative craft alphabets and ornaments researched in rare cross-stitch booklets from 1850 to 1930. This alphabet and ornaments series was entirely designed by hand, without use of auto-tracing, by Iza W, from Intellecta Design. Keep your eyes wide-open, because we will launch more amazing alphabets in this collection. “Menina” means “Girl” in Portuguese. Menina Graciosa is a Graceful Girl. See too her sister fonts: Menina Formosa , Menina Carinhosa , Menina Poderosa Ornaments , Menina Espinhosa .

Meninas are the new comprehensive collection of innovative craft alphabets researched in rare cross-stitch booklets from 1850 to 1930. This alphabet series was entirely designed by hand, without use of auto-tracing, by Iza W, from Intellecta Design. Keep your eyes wide-open, because we will launch more amazing alphabets in this collection. "Menina" means "Girl" in Portuguese. Menina Formosa is a Beautiful Girl. See too her sister fonts: Menina Carinhosa, Menina Poderosa Ornaments, Menina Espinhosa, Menina Graciosa Ornaments.

Meninas are the new comprehensive collection of innovative craft alphabets researched in rare cross-stitch booklets from 1850 to 1930. This alphabet series was entirely designed by hand, without use of auto-tracing, by Iza W, from Intellecta Design. Keep your eyes wide-open, because we will launch more amazing alphabets in this collection. "Menina" means "Girl" in Portuguese. Menina Carinhosa is a Loving Girl. See too her sister fonts: Menina Formosa, Menina Poderosa Ornaments, Menina Espinhosa, Menina Graciosa Ornaments.

Meninas are the new comprehensive collection of innovative craft alphabets and ornaments researched in rare cross-stitch booklets from 1850 to 1930. This alphabet and ornaments series was entirely designed by hand, without use of auto-tracing, by Iza W, from Intellecta Design. Keep your eyes wide-open, because we will launch more amazing alphabets in this collection. “Menina” means “Girl” in Portuguese. Menina Poderosa is a Powerful Girl. See too her sister fonts: Menina Formosa , Menina Carinhosa , Menina Espinhosa , Menina Graciosa Ornaments .

FF Good is a straight-sided sans serif in the American Gothic tradition, designed by Warsaw-based Łukasz Dziedzic. Despite having something of an “old-fashioned” heritage, FF Good feels new. Many customers agree: the sturdy, legible forms of FF Good have been put to good use in the Polish-language magazine ‘Komputer Swiat,’ the German and Russian edition of the celebrity tabloid OK!, and the new corporate design for the Associated Press. Although initially released as a family of modest size, the typeface was fully overhauled in 2010, increasing it from nine styles to 30 styles, with an additional 30-style sibling for larger sizes, FF Good Headline. In 2014, the type system underwent additional expansion to become FontFont’s largest family ever with an incredible 196 total styles. This includes seven weights ranging from Light to Ultra, and an astonishing seven widths from Compressed to Extended for both FF Good and FF Good Headline, all with companion italics and small caps in both roman and italic. With its subtle weight and width graduation, it is the perfect companion for interface, editorial, and web designers. This allows the typographer to pick the style best suited to their layout. As a contemporary competitor to classic American Gothic style typefaces—like Franklin Gothic, News Gothic, or Trade Gothic—it was necessary that an expanded FF Good also offers customers both Text and Display versions. The base FF Good fonts are mastered for text use, while FF Good Headline aims for maximum compactness. Its low cap height together with trimmed ascenders and descenders give punch to headlines and larger-sized copy in publications such as newspapers, magazines, and blogs. There is even more good news about FF Good: it has something of a serif companion. Łukasz Dziedzic built FF Good to work together with FF More, creating in a powerhouse superfamily that is versatile in both its function and aesthetic.

Introducing new font family Venzel. It's an interesting experimental deco all caps typeface. • 5 fonts with different wide • OTF and TTF version • alternative letters and numbers • multi-language support

The Manus font family is extended with a new relative: Manus Smooth. Some major and minor adjustments were made, but it still has the look & feel of the original.

Qualio is a new modern font. It is perfect for stationery, logos, t-shirts, paper, print designs, website headers, photo frames, leaflets, music covers, posters, image sliders and more.

Hello Everyone, introduce our new product Font Aksara Murka This Is Blackletter Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement.

Meet my new font Indian! Indian includes full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. This is so perfect for invitations, monograms etc

Rtoxina. Pixels get smooth. Rtoxina is a new member oft the Atoxina family with experimental character. This experimental pixelfont surprises with carefully rounded pixels. Avoid accidental cuts, using Rtoxina!

Mollandia is a romantic typefaces. bold, elegant & fun vintage script font. Can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc.

Proudly present Mildstones - Modern Bold Sans, created by ikiiko. A contemporary bold condensed sans serif typeface created to breathe life into headlines with its eye-catching presence. Mildstones attracts attention and takes any design project to a new level with its striking and fashionable look. Each letter in Mildstones has undergone meticulous design in order to convey a sense of power, assurance, and beauty. The font has a sense of verticality and compactness due to the condensed proportions, which also make it easy to fit into small places while keeping outstanding readability. The Mildstones experience is more than simply a font. It has been meticulously designed to be a dependable and powerful typographic in terms of both aesthetic and readability. This type is very suitable for making a headline news, sport advetorial, logotype, branding, poster, magazine layout, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

Frederic Goudy joined Lanston as art advisor in 1920. One of his first initiatives was to design a new version of Garamond based on original Garamond designs of 1540. Goudy intended his free-hand drawings to be cut exactly as he had drawn them and fought with the workmen at Lanston to keep them from “correcting” his work. This new type was called Garamont (an acceptable alternate spelling) to distinguish it from other Garamonds on the market. (The other Garamonds on the market at that time were later confirmed to be the work of Jean Jannon.) In 2001, Jim Rimmer digitized Garamont in two weights. The display weight is based on the actual metal outlines to compensate slightly for the ink gain that occurs with letterpress printing. The text weight is a touch heavier and more appropriate for general offset and digital text work. Digital Garamont is available to the public for the first time in 2005.

Maison Luxe is a revival of a very old font designed in France in or around the year 1820. You may have seen this font in the past under the names of Circus, Roma, Madame and Gillé Classic. As of November 2016 we have changed the name of this font from Gillé Classic to Maison Luxe which means Luxury House in French. For many years Joseph Gillé was credited as the original designer of this font however we've recently been contacted by a type historian in France reporting that he could not find any evidence supporting Joseph Gillé as the designer and to the best of his knowledge an artist by the name of Sylvestre may be the true designer. If you love this classic font then you're sure to enjoy the alternate version also with a matching lowercase available from FontMesa under the name of Home Style. This version of the classic with its squared off shadow is true to the original design where Home Style has diagonal lines creating a cast shadow. New in 2016 for Maison Luxe is a new matching lowercase, an uppercase German Double S (versal eszett), Greek character set, opentype features including case sensitive forms and old style numerals. We know you'll enjoy the new additions to this timeless classic design.

Remastered in 2019. Wasabi is the re-imagining of my very first release, Iru. Like Iru, Wasabi was heavily influenced by the monument lettering style, Vermarco. The simple, geometric forms allowed for small lettering sizes to be sandblasted cleanly and has been a monument lettering workhorse for decades… the only issue centered around the lack of a lowercase or any other letters beyond the 26 uppercase glyphs and the numerals. Wasabi solves this with the same simple, efficient line reminiscent of the old Vermarco while bringing it into the 21st century. Visual and optical incongruities of the original uppercase were replaced with new interpretations for the capital letters, a new lowercase and small caps were​ produced and the original single weight alphabet was replaced with six new weights. Wasabi has several ‘lighter’ weights primarily because the thin lines and simple transitions produce very elegant relationships… and I wanted to make sure those relationships could be explored regardless of the scale of letter. Stylistic Alternates show up through the upper, lowercase and small cap glyphs that attempt to simplify these shapes even more when the opportunity arises. Wasabi is as much a utilitarian typeface as it is a headline face. This realization led to the decision to produce a companion Condensed version shortly after the initial regular weights were developed and tested; so, try them all!