Miller Banner takes Matthew Carter’s popular Miller series to new heights: 100pt and up, beyond any examples among the Scotch Roman’s historic antecedents. Optimized for very large settings, its hairlines have been sharpened and the contrast sweetened, lending grace and crisp elegance to banner headlines and titles.

The story of Scripps College Old Style is a heart-warming and inspiring chronicle about a young librarian, a handful of students, a wealthy grandmother, a dedicated educator -- and two eminent American type designers. The story begins in 1938, when Dorothy Drake, the newly hired librarian at Scripps College, a small women's college in southern California, became an impromptu dinner companion of the American type designer Fred Goudy. By the 1990s, the original fonts that Goudy had created for Scripps College in the 1940s had become prized -- but they were seldom-used antiques. Scripps needed digital versions of the metal fonts. This goal posed two immediate challenges: finding a designer familiar with letterpress printing who was skilled at creating digital fonts, and locating the money to commission the designer's services. The first challenge was the easiest to conquer. Sumner Stone was my first and only choice," recalls Kitty Maryatt, the current curator of the Scripps College Press. "I knew he had letterpress experience, was an accomplished calligrapher, and that his typeface designs were simply exquisite. The choice was easy."The second challenge was more difficult. It took the dedication, hard work and tenacity of Maryatt to bring the beautiful Goudy designs into the twenty-first century. While Stone was eager to begin work on the project, the college had no more money for new typeface designs in the 1990s than it did in the1930s. Years of lobbying, cajoling and letter writing were necessary to obtain the college's approval for the design project. Once she had the necessary funding, the design brief posed yet a third challenge. Goudy had provided two sizes of type to the Press: 14 point and 16 point. Which would serve as the foundation for Stone's work? In addition, the Goudy fonts were quite worn. Should Stone use printed samples as his design master, or base his work on the original Goudy renderings? The 14-point master drawings were the ultimate choice, with the stipulation that the finished fonts would provide both a seamless transition from the worn metal versions and a faithful representation of the original Goudy designs. Once the budget and design brief were established, the process of converting the original Goudy drawings into digital fonts took just a little over two months. Stone delivered finished products to Scripps in the fall of 1997. The first official use of the fonts was to set an announcement for a lecture by Stone at Scripps in February of 1998. But the story is not quite finished. Maryatt was so pleased with the new digital fonts, she wanted to share them with the graphic design community. At Stone's suggestion, she contacted Monotype Imaging with the hope that the company would add the new designs to its library. An easy decision! Now Monotype Imaging is part of the story. We are proud to announce the release of Scripps College Old Style as a Monotype Classic font. The once exclusive font of metal type is now available in digital form for designers around the world. "

These four sets are based on the elegant and beautiful work of the German graphic designer Emil Rudolf Weiss. The initials were made to complement Weiss’ text fonts and were cast in the 1920s by the Bauer Type Foundry of Frankfurt. Also known as Weiss Initials Series I, II, II Bold, and III, the lettering has a distinct antique quality. These extremely hard-to-find digital versions look superb in large sizes and remain huge favorites among book designers. Wellsbrook Initials are now available in the OpenType Std format. Some new characters have been added to this OpenType version as Stylistic Alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Senlot Sans defies convention. A follow-up to the elegant Senlot, Senlot Sans is anything but another sans serif font in search of character. This new member of the Senlot family, while slightly more traditional than its original cousin, confidently boasts more contrast than most sans serifs on the market and even strides smoothly ahead with some of the original Senlot’s calligraphic features. The rich appearance of Senlot Sans contains a complete set of small capitals and nine weights from thin to bold. Unlock its potential even more with titling capitals, superscripts and subscripts, and open style figures. With its broad palate of variables and options, the font covers over 72 Latin-based languages. Simple, elegant, and versatile, Senlot Sans now makes perfect more possible. Put the simplicity of this stunning font to work for you.

Copperplate was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy's cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally used for business cards and all that "serious" stuff. My Copperplate Classic is a completely new design, based on some old samples. To make it look more up-to-date and elegant, I gave it some extra swings here and there. The old fonts were all designed with clogging corners or points that can break off in the minds of its designers. Today we do not have those problems any longer, so I could give my Copperplate Classic real sharp pointed serifs. To give you more choice I now added this medium cut in three variations, medium, sans and rounded! Enjoy! Gert Wiescher

Copperplate was the classic nineteenth century engraver's typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy's cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally used for business cards and all that "serious" stuff. My Copperplate Classic is a completely new design, based on some old samples. To make it look more up-to-date and elegant, I gave it some extra swings here and there. The old fonts were all designed with clogging corners or points that can break off in the minds of its designers. Today we do not have those problems any longer, so I could give my Copperplate Classic real sharp pointed serifs. To give you more choice I now added this light cut in three variations, light, sans and rounded! Enjoy! Gert Wiescher

Adolf Rusch von Ingweiler, was in the 19 th century known mysteriously as the “R'' printer. He was the first printer North of the Alps to introduce the new Roman style of type known now as Antiqua. He was active in the city of Strasbourg from around the early 1460's to 1489. One wonders if the unusual form of “R'' was a personal conceit. This font is, therefore, an Antiqua style font and has over a 1000 defined glyphs with wide support for medieval characters that have since fallen out of use. The baseline was slightly tidied up in order to give the printed text an even cleaner look than the original. The letters are very close approximations of the original type catalogued by the “Veröffentlichungen der Gesellschaft für Typenkunde des 15. Jahrhunderts” as Typ.1:103R GfT1197.

Spandau is one of the 12 boroughs of Berlin and, if you add Ballet, a New Romantic British band. It is also a very nice all caps art deco font. Not too soft, not too angular, just about right! Some upper case letters differ from their lower case kin. Comes with all the diacritics you'll need.

Meet The Glamz, a brand new auto-chic font. Designed to fulfil your trend-catching things with the edgy style and undeniable artsy look. Perfectly fit for your fashion branding stuff, handwriting logo, inspirational quote poster, oh well you name it.

Athabasca is "Wild West" Tuscan on steroids. Remember those stylised tall and narrow typefaces that used to appear in Wild West comics, Western movies, "Wanted" posters and so forth? Well, here’s a new, 2017 released take on the idea. Have fun!

Compass St – a new addition to the existing Compass TRF Stencil fonts, originally released in 2010. Package consists of two fonts with rather different, both decorative, styles. Typeface is released in OpenType format with extended support for most Latin languages.

Hello, introducing the new abstract & random fonts. It's called Homebound. Homebound is abstract font. comes with different shape. Good for your graphic, easy to read. What's Included Fonts ? Uppercase Lowercase Numerals Symbols European Multilingual Stylistic Set PUA Encoded Thank You, Regards!

Fayte is a modern blackletter font that gives focus on contemporary display type. This vintage-made new typeface is unmistakably blackletter, However, it is accessible enough to be used across many projects, for branding, Instagram, print posters, magazines, Fashion, whatever.

Hedymosia is a font that has unique glyphs on the curve intended to be shaped like noodles or spaghetti or similar food. font suitable for the food. Noodle food Font or anything about foods, New and Fresh font 2023, Thank You

Dubidam Arabic is new version of Dubidam with the addition of Arabic glyphs (Arabic, Urdu, Kurdish, Pegon and Farsi. Dubidam Arabic is A Cheerful semi-slab Typeface. Has a playful but firm style in each stem approach to harmony with Latin.

Hello, this time we want to introduce a new product. namely "Mechta", a display font that has a classic, feminine and elegant style. very suitable for wedding invitations, branding and other creative products. Feature Uppercase Lowercase Numeral Functional Ligature Stylistic Multilingual

This is our new font, Laillie Dream is playful handwritten typeface. Laillie Dream comes with three weight, include uppercase, lowercase, number, punctuation, multilingual. This font is suitable to design especially poster, logo, book cover, greeting card, quotes, advertising poster, and anymore

As seen on Typophile.com, DTD Seriatim is a new and innovative take on the geometric sans-serif, with a wide variety of alternate characters and elegant ornaments to make it a highly versatile type for display or more discreet text use.

Introducing the new Modern Handwritten Font by Aestherica Studio. Proudly Present, Handmost Handmost is perfect for product packaging, branding project, magazine, social media, weddings, or just used to express words above the background. Handmost also multilingual support. Enjoy the font.

FancyPants is the first script font for Adriprints. It is always a challenge to jump into something new, and cursive script was right up that alley. FancyPants is a semi-linking, quirky, cursive script available with extended glyphs for international use.

Emulating real handwriting has always been an aim of font designers in the digital age. The standard mainstream scripts and doodles that were available for the longest time have not successfully reached that goal. A letter always looked the same wherever you placed it. Some workarounds, such as letter alternates and ligatures, were used in many fonts, but they were a bit inconvenient to use, and in some cases didn't work correctly because they had to be placed in separate fonts from the main character set. Not until now, with OpenType technology, have we been able to emulate real handwriting, by including multiple character sets in the same font and programming it for smart form changes through letter sequence counting. Secret Scrypt was the first Canada Type font to make it to the bestseller list in the summer of 2004. In early 2005 a New York restaurant chain picked Secret Scrypt to use on its menus and internal signage, but they wanted to look even more like real handwriting, where two or three instances of the same letter used in one word would automatically change and look different from each other. Using OpenType technology, Canada Type produced a Secret Scrypt Pro for that restaurant chain under the direction of Mucca Design in New York City. That initial version contained three different character sets in the same font, and some intelligent programming that determines the sequence of the letters and change their shapes accordingly. Now the retail version of Secret Scrypt Pro is available, with four character sets built into the font for even more variety on the real handwriting theme. Make sure to check out the Secret Scrypt Pro PDF in the MyFonts gallery for tips on using Secret Scrypt Pro. Secret Scrypt is perfect for menus, handwritten notes, theater programmes, charity organization posters, and any design that attempts to get close to people with the personal magic of real handwriting.

Inspired by the emerging Korean culture that grabbing the worldwide actuation in so many realms of the industry. To bridge the vibes and to make it easier to consume, we found the gap to fill with simple things in life that are useful for it, and yes, it’s a new day it’s a new font. So without any further ado, please welcome Hwaiting Sans. 2/3 series of Korean vibes typefaces. It’s a sans-serif font with bold and strong vibes to catch up with today’s graphic design trends. Crafted with deep research about Korean traditional letters, shaped up with the approach of universal Latin letters. This is the second drop of 3 series from the Hwaiting family. So stay tuned for the upcoming release.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. Letterforms in F2F Metamorfosi are parts of other characters that have been rotated to take on new meaning. For instance, an upside down V has become an A, a German ß has become the B, and a left parenthesis has become the C, etc.

Introducing the WBP Cor. A retro font based on the old drugstore signage (DROGISTERIJ). Many happy customers have observed it and is now made available for all. Accents have been added, and there quite are a few alternative glyphs. The A has two options for example: there's a sharp version consistent with the original signage, but also a rounded version consistent with the rest of de design. The font can be used to recreate retro signage or other niche designs.

ITC Chivalry is a calligraphic hybrid that honors the tradition of combining Roman capitals with italic lowercase letters. Drawn by Missouri lettering artist Rob Leuschke, who used a flat-nib pen on textured watercolor stock and then converted the drawings into a digital font, the design combines an old world" feel with "new world" legibility. A companion set of black letter caps completes the suite of characters. "I've loved drawing letters for as long as I can remember," says Leuschke. "Even in kindergarten, I tried to draw letters like my teacher." After graduating from college, Leuschke worked for a short time at a sign company in St. Louis, and in the early 1980s began working at Hallmark Cards in Kansas City. His talent as a calligrapher and lettering artist eventually brought him back to St. Louis to begin a freelance career. Since then Leuschke has created over 250 fonts, primarily for the greeting card industry, that are now being used on work for his clients all over the world. Leuschke first conceived of the face as just the black letter caps; he later added the Roman letters to give the design more versatility. The Roman caps of ITC Chivalry combined with the lowercase are well suited to blocks of copy, while the more decorative black letter caps are ideal for showcasing short text of just a few words. Both sets of capitals also make great initial letters."

Here's my new experiment. This font breaks the boundaries even more. And most importantly, this font fully supports Cyrillic! Now you can diversify your projects, create cards and greetings, posts and titles for blogs. The scope is huge. Plus it's fresh, not like other fonts - the ability to stand out from the crowd! --- Здравствуйте, друзья. Вот мой новый эксперимент. Этот шрифт еще больше нарушает границы.И самое главное, он полностью поддерживает кириллицу! Теперь вы можете разнообразить свои проекты, создавать открытки и поздравления, посты и заголовки для блогов. Область применения просто огромна. Плюс это свежий, не похожий на другие шрифт - возможность выделиться из общей массы! --- - Fully supports Cyrillic - Uppercase and lowercase - Numbers and punctuation - Foreign language support - Ligatures Check out my blog: - https://www.instagram.com/zloillev - pinterest.com/dmitriychirkov7 Enjoy!

Neo-grotesque Sans Serif mixed with the classical handwritten Script in slanted geometric shapes - that’s the way Mixa was born. Those two faces of the new font family makes it as much as unique and recognizable. When you’re using the Capitals only nobody will suspect that there is script hidden in the lowercase. That’s why all eight weights can be combined perfectly with wide list of classical Sans Serif, Slab Serif and Serif typefaces. The font offers wide range of ligatures to ensure smooth readability and beautiful letter combinations. The decorative swashes in some of the Capitals presented as a stylistic sets give unique touch in any design. Mixa has it’s own style and personality, but without lacking of legibility.

Arrrrrr! A brand new handwritten brush font for all your pirate treasure maps, mateys. And very usable elsewhere of course.

La Picá bonus is a new version with lower case letters, styles and dingbats that represents the popular lettering style.

Joshico - a new fresh handmade calligraphy font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

This is a new beautty classic font. This font is usually use in invitattions, small texts, book covers and monograms

Imata Script is a new modern calligraphy script in an elegant italic style, and contains soft and neat glyph characters.

Manthoels is our new Stylish Signature font, a fashionable and super-chilled sexy script. Manthoels was created to look as close to a natural handwritten script as possible. Built with OpenType features, this script comes to life as if you are writing it yourself. Thanks to the very natural writing techniques that look beautiful and elegant, this font is very suitable to be used to brand a product because if you write a brand name it will look like your company signature. Manthoels is perfect for bloggers, trademarks, magazines, fashion, wedding invitations, greeting cards. It's highly recommended to use it in OpenType capable software - there are plenty out there nowadays as technology catches up with design.Other than Photoshop, Illustrator and Indesign, many standard simple programs now come with OpenType capabilities - even the most basic ones such as Apple’s Text Edit, Pages, Keynote, iBooks Author, and others. Thanks for checking Manthoels out, and feel free to drop me a message if you have any queries. almarkhatype@gmail.com

If you're about to make the jump into hyperspace, buckle up and engage your R2 unit with our new font release, HYPERDRIVE! Ten years in the making, we've spent almost as much time developing these characters as George Lucas spent developing his! Co-created by Starkings & Roshell (HYPERDRIVE, not George), this font is guaranteed to keep TIE fighters off your tail and will always come in useful if you get menaced by phantoms or attacked by clones. So sit back, relax and enjoy the flight -- but don't forget; let the Wookiee win! Remastered Hyperdrive includes new letter shapes, 200+ connecting letter combos, improved spacing & kerning and support for Western & Central Europe.

Citix Two Condensed is a new font derived from Citix Regular –a traditional pen-formed flowing script–, but containing a complete new set of capital letters, titling, ligatures and swashes. This font may be a good option to combine with Citix Regular, specially in fine tune and accurate works, suitable for commemorative letters, invitations cards, lettering, logotype design and the most elegant visual communications projects. This font comes with five different kinds of capitals, Contain full OpenType features to work with: a full set of swashes, stylistic alternates, standard and discretional ligatures. Small caps, Central European Languages, Case sensitive forms, Old style numerals, ornaments and tails.

Now available as Opentype font with extended character set, Coranto 2. It is originally based on Unger’s typeface Paradox, and arose from a desire to transfer the elegance and refinement of that type to newsprint. Coranto 2 has a larger x-height and in many places has been made more robust. Over the past 25 years newspaper production has seen spectacular improvements in paper and print quality, the introduction of colour printing, and vastly better register. Newspaper production still demands a lot of letter forms, but advanced printing brings out details better and makes typography more appealing to readers. For text type the newspaper is no longer an environment in which survival is the chief assignment. Today, newspapers are not merely a matter of cheap grey paper, thin ink and super-fast rotary printing, and type design no longer has to focus on surviving the mechanical technology and providing elementary legibility. Now there is also room to create an ambience, to give a paper a clearer identity of its own; there is scope for precision and refinement. One consequence of this is that newspaper designers can now look beyond the traditional group of newsfaces. Conversely, a newsface can be used outside the newspaper — not an uncommon occurrence. The update to this beautiful font family, Coranto 2, includes the addition of over 250 glyphs featuring full Latin A language support, new ligatures, 4 sets of numerals, arbitrary fractions and superiors/inferiors. Furthermore, kerning was added and fine tuned for better performance.

This four-piece family is the DIN design, but not as you know it. The famously, crisp, clean and precise typeface has been given a textured update that's reminiscent of rusted metal, or rubber stamps. Underneath this lies the same sturdy, geometric shapes that have allowed DIN to stand the test of time, but with a new sense of tangibility. “This kind of treatment is more about creating a feeling or a mood that goes beyond the communication of the words themselves,” explains Monotype Studio director Tom Rickner. “I think it expands the repertoire of what DIN Next can express.” Designed for display, these four typefaces – DIN Next Rust, DIN Next Shadow, DIN Next Slab Rust and DIN Next Stencil Rust – show a new side of DIN Next's personality, as if the surface of each letterform has been gradually worn away over the years.

I don't know what other typedesigners call those long swirling embellishment, but I call them "Monkeytails". So when I decided on this version of my good old Royal Bavarian, I decided to call the new font "Monkeytails". I just fell in love with this name. Monkeytails and Royal Bavarian should be used together, in order not to have too many embellishments. That's why I offer the two together for a good price. Your swinging typedesigner Gert Wiescher