Hello Everyone, introduce our new product Font Devils Crew it is All Caps Horror Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate 4 Ligatures glyphs OpenType panel.

Tampico Typeface is a new font with Rough version, which includes 80+ glyphs and alternative characters. The font looks great on various packages, goods with food. You can also use it to create logos, shortcuts and other design elements. Product Content: SA Tampico Rough SA Tampico Symbols Features: Accents (Multilingual characters) Stylistic Alternates

Meet Strangeways! A cute handwritten font in 2 weights, bold & italic, with: A-Z, a-z, 0-9, accents punctuation and symbols Ligatures Extra squiggles that can be used to underline, strike through or decorate your text. New! Cyrillic alphabet Strangeways great for any of your cute designs, in quotes, postcards, logos.

Introducing the new Brothers Display Typeface!!! is a luxury and glamour display typeface,certainly not the kind of typeface you see everyday and Utterly unique.This font is both modern and nostalgic and works great for logos, magazine, social media,etc. Already matched up and ready to be used together for your next design!

Introducing our new product called Cardilan font. Cardilan includes upper and lower case letters, numbers, various kinds of punctuation and ligatures. All lowercase letters include line endings and alternative fonts.

An excellent example of early 1900's sign artistry. This Letterhead Fonts' revised version of Mike Henderson's bold font features all new spacing, kerning and improved characters. Includes 6 alternates.

Introducing of our new product the name is Horror Brush is Handmade Brush Font Rough and Creepy typeface. This is a Rough Brush Typeface that is written casually and quickly.

Let’s Sparkle is a brand-new handwritten font that will be perfect for books, wedding invitations, greeting cards, logos, posters, or anything else that needs a fun and happy look!

Always Good is a brand new handwritten font perfectly suited for stationery, logos, t-shirts, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and more.

Listingloves - new, fresh, funny, interesting, cute calligraphy font with two cute hearts that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters and more!

At the inauguration of a new suburb, the local authorities needed a poster typefont, but wanted a modern, trendy type. The Logoform font is commonly used in logotypes and trademarks.

A vintage New York neon sign for a juice stand advertising “Papaya” was the model and inspiration for Fruit Juice JNL, which is available in both regular and oblique versions.

How Lovely is a brand new handwritten font perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and more.

Genesee JNL is a medium-bold sans serif inspired by the letter shapes of Jeff Levine's Paper Stencil JNL, and named for the river valley that traverses Rochester, New York.

After previously collaborating on the bestselling Distillery Set, Carolina Marando and Alejandro got together once again to create this Scrapbooker Set, a new series of fonts that multiply the possibilities. One reason scrapbookers became a kind of design demographic is the appeal of what they do. They make albums of memories, diaries composed of different elements that converge together to lead the viewer to a special moment in time. A paper, a photo, a letter, an event ticket, or a dry petal — everything ends up being part of a collage that tells a story. Words have a key role in such a collage. They use different shapes and forms and combinations to state what cannot otherwise be expressed. They make the collage stronger by clarifying a concept, defining an image, and solidifying a memory. These words for memory albums are the reason for this Scrapbooker Set, six different fonts with different impressions and different personalities — so each part of the memory can have its own identity. People tell you to write your own history. Now you can do that in style.

Bayside Tavern is a weathered version of our Tavern Alt font family. With its straight sides Bayside Tavern fits better in tight spaces and reads better at smaller point sizes than the regular Bay Tavern version. With three weights, open faced and outline versions to choose from you're sure to find the right style for your new project, restaurant menu, logo, t-shirt design or Pirate costume party. While our original Tavern Alt font has been increased to include five weights additional weights for Bay Tavern will have to wait for now, adding the notched cut in's were all done by hand which causes a lot of cramping so a long break is needed before creating the extra weights. The Fill fonts in the Bayside Tavern family are meant to be layered behind the Bayside Open fonts, if you're using Bayside Open select Bayside Fill, if you're using Bayside Open L select Bayside Fill L, if you're using Bayside Open S select Bayside Fill S and so on.

Avendica is an experimental typeface inspired by Celtic Roman font. It’s developed with a modern serif style design so it looks elegant and luxurious. This font is only used in Uppercase form with some different styles between the uppercase and the lowercase. This font is suitable for short-text designs like headlines, logos, brands, and more. Works on PC & Mac, simple installations, accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known as Bookman. Monotype Bookman Old Style roman is based on earlier Lanston Monotype and ATF models. The italic has been re drawn following the style of the Oldstyle Antique italics of Miller and Richard. Although called “Old Style,” the near vertical stress of the face puts it into the transitional category. The Bookman Old Style font family is a legible and robust text face.

The design of Zwoelf stems from a letter created by Oleg Pashchenko for the poetry book called “They Talk.” Modified in several ways, the lettering gained readability and a more neutral look. This typeface combines Modern and Gothic styles, ugliness and beauty, the horrifying and the funny. Typographers may highlight any of this. Zwoelf features elements that can be found in both Roman and Gothic styles, but has no real historical prototype. It creates coarse body copy that feels like blackletters. The type is well-suited for use with rough line graphics. Zwoelf is a good choice for short texts, headings, witchcraft potion recipes, madrigals, spells and treasure map naming.

AMARETTO, inspired by classic structure of italics, as an original variation of vertical style. Ludovico Arrighi has given us the legacy of classical calligraphic structures that times later lays the foundations of Cancelleresca style and then, the italics as extension of a classic roman serif used in the Renaissance, as main typographic way of expression in Italian printed books. The name Amaretto reminds one of the most representative and delicious liqueur as strong distinctive Italian taste. AMARETTO can be used mainly in titles, long and display texts. Supports East Europe languages. Includes standard and discretionary ligatures, complete small caps, old style numbers, fractions, numerators and denominators and several OpenType features included.

Oswald Bruce Cooper designed Cooper Black, an extra bold roman face, based on the forms of his earlier typeface Cooper Old Style, which appeared with Barnhart Brothers & Spindler Type Founders in Chicago. Copper Black was produced by Barnhart in 1922 and acquired in 1924 by the Schriftguß AG in Dresden, where it was later completed with a matching italic. Although Cooper Black appeared in the first third of the 20th century, it still looks contemporary and it can be found on storefronts in almost any city scene. The flowing outer contours create forms that are both strong and soft, making Cooper Black an extremely flexible font.

The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known as Bookman. Monotype Bookman Old Style roman is based on earlier Lanston Monotype and ATF models. The italic has been re drawn following the style of the Oldstyle Antique italics of Miller and Richard. Although called “Old Style,” the near vertical stress of the face puts it into the transitional category. The Bookman Old Style font family is a legible and robust text face.

Buffet Script is based on fantastic calligraphy by Alf Becker, arguably the greatest American sign lettering artist of all time. The Alf Becker series of nameless alphabets published by Sign of the Times magazine in 1941 has attracted letter digitizers for a few years now, so it’s really a wonder that a few of those alphabets are still in the non-digital realm. It is understandable, though, that the basis for Buffet Script was not digitally attempted until now. The page presenting this alphabet shows a jungle of letters running into each others and swashes intertwining. The massive amount of work involved in digitizing such lettering, where scanning is nowhere near being an option, is quite obvious at a mere glance. If anyone was going to commit this particular alphabet to a digital form, it would have to be redrawn stroke by stroke and curve by curve on the computer. And don't we love a challenge! But seriously, the challenge was not the main attraction. In a way, the Becker approach to lettering is so far from digital that the imagination is almost forced to work out possibilities and letter combinations to solve problems presented by the scant showings in that magazine. After a few imaginative visualizations, the digital potential becomes clear in the mind, and the eye and hand follow. The result with Whomp (another Alf Becker-inspired work) was an enormous font with a lot of alternates and ligatures. With Buffet Script the imaginative process was no different, but the result particularly shines here, because this is some of the most fascinating flowing calligraphy ever seen. Calligraphy is where the accountability of all the little extra touches, such as alternates and swashes and ligatures, is raised to a higher level than in most other type categories. Buffet Script’s OpenType programming contains discretionary ligatures, stylistic and contextual alternates, interacting with each other to allow the composition of just the right word or sentence. This font is best used where lush elegance is one of the design’s requirements.

This new OpenType pro family has four members so far with 588 characters and glyphs each. It is a redrawing of Diaconia Old Style, which has been worked hard and found to be very readable, elegant, and extremely useful for books, newsletters, or anything you need. It is elegant enough to use the regular weight as huge display type over 200 point.

Oriole Bird is a modern calligraphy script to bring an elegance to your designs - branding projects, social media, wedding invitation, greeting cards, packaging, logo design, news, titling, headlines, posters, signboards and more. It features multi language support (for most of Western Europe), contains glyphs with some OpenType features - standard ligatures, alternates for uppercase (beginning swashes) and lowercase letters (beginning and ending swashes).

Hello, Introducing a new font Winter Swash inspired by graffiti style. It's bold, dramatic, urban styled display font. Add this font to your favorite creative ideas and notice how it makes them come alive like a poster, kids flyer, merchandise, quotes, branding, cartoon, comic and more. If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Bayu Suwirya

Aligarh Arabic is new version of Aligarh with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi Basic form for arabic font is refers to the arabic kufi style, semi-slab serif font formed with a smooth rounded bracket whose edges end with unique shapes, an exploration of combining unique styles in a typefaces to harmony with Latin version.

Typeface for sport labels, business headlines, finance posters, delivery cards etc. Letters made of two parallel lines. I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

introducing our new "Belgiano" Modern Ligature with Elegant Style this is perfect for branding, logos, invitation, masterheads and more. Belgiano is also included full set of: uppercase and lowercase letters multilingual symbols numerals punctuation Alternates PUA Encoded Ligatures Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :) Thank you, Skypia

Present to you new handwriting font, Glovy! Glovy - Made from my own actual handwriting. It’s not supposed to be neat... because I don’t write neat. It doesn’t align and it’s annoyingly all in caps (but it's kinda charming right?). Glovy - Includes 2 font styles for both regular and bold (A-Z and numerals), as well as standard and accented characters.

Refresh Screen contains 3 script weights (clean, rough, alternative) and 1 solid display weight. Give your new brand, wedding invitations, and quotes a fresh hand painted look with realistic texture. Refresh Screen was created to give a natural yet stylistic look to your next project! Works Great For: Logos Labels Signage Signature Logo Title Website Etsy Product Quotes Instagram Packaging Business Card & More

Here comes a New font, Vespertine is a Strong Rough Brush Font that is written casually and quickly. comes in two mode = Standart and italic. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Vespertine has Rough and strong characteristic more natural look to your text with a more modern look to your text.

Everything has beauty, but not everyone sees it - Confucius Fully realize your boldness and show your lavish side with the Pathita Script. The Pathita Script will be the perfect addition to aid you in your journey to be who you really are. Let the world see you and your beauty, bring it out through your handiwork and give your viewers a new perspective!

Onda is a display typeface based on a synthesis of curvilinear nostalgic spirit leads us to a new psychedelia words are immersed in the spirit of the 60s. Onda is provided "style forms" to small caps, in both its Regular and Italic. Its use is recommended for bands, pop spirit signs, markings or titles for scuba diving, oceanography and water industry.

Doorley Hand is a unique new font based on the handwriting of Australian advertising man and creatist John Doorley. The font's character and personality sits somewhere between charming child-like handwriting and classic contemporary calligraphy. It pays homage to simpler times when more organic and personalised forms of communication reigned. A perfect counterpoint to the fast-forward, hi-tech world today.

Here's a new take on an old favorite from Frederic Goudy, named Goudy Fancy. Taking its name from a British expression meaning "A-OK," this font is a perfect choice for engaging and enchanting headlines. The font also contains numerous alternate characters to spice up your layouts. Both versions of the font contain characters to support all major European languages.

Oakes Grotesk is a more corporate take on the Oakes typeface. It explores a set of brand new metrics that allow it to be more legible in body text as well as headings. The letter 'g' has been tweaked to become double-story as well as the refinement of other characters. This is all whilst maintaining the subtle curves of the Oakes typeface.