TD Beta is a bold and light sans serif typeface inspired by Futura and Helvetica. It is best used for headlines, titles, display, and even long paragraphs on digital collaterals.

Picaflor Handmade is a fun handmade version with 8 styles and weights, it contains Light Regular and Bold and its 3D versions plus dingbats, perfect for fun or informal titles!

Xandercode is a bold and chunky lettered display font. Add this font to your creative ideas and notice how it will make them stand out! with spalsh vector bonus inside.

OVERLORD is a bold style font. This font is made in all capital letters. This font is very suitable for branding, logos, logotype and others. Overlord Features : Multilanguange PUA Encoded

Malibbie is a sweet and fun handwritten font with a unique charm. Fall in love with its bold style, and turn any design project into an original piece of art.

Squarity JNL is an ultra-bold font derived from Jeff Levine's Yorso Square JNL. Use the font at large point sizes to emphasize messages with power, punch, strength or toughness.

DC Inflate is an uppercase, bold, rounded display typeface. Ideal for logo design, big, fun and impactful titles. It supports the Western European character set and it contains 215 glyphs.

Habanero is a hot, bold and happy typeface.  The font was created by Måns Grebäck in 2016, and it contains contextual alternates and ligatures to make your type stand out.

Gwyner, a strengthened didone with sharp and clean characteristics, comes with thin to bold weights and is suitable in italic for various uses. A condensed family for space-saving design.

Genesee JNL is a medium-bold sans serif inspired by the letter shapes of Jeff Levine's Paper Stencil JNL, and named for the river valley that traverses Rochester, New York.

Blowfish is an easy to set, easy to read, font. It is one of my most popular fonts. Good for anything, Print & Digital Media Bold Headlines, Product & Pagkaging, Websites etc.

Introducing Lento monoline script with happy end! 5 styles are included: regular, double, rough, display and bold. - Basic latin - Extended latin - Ligatures - Alternative symbols - Initial and Final symbols Enjoy Lento!

Introducing Ayuga, a display typeface inspired by the retro and psychedelic typefaces out there. Ayuga is definitely bold and thic enough to make your design stand out from the crowd.

Octin Sports is a typeface that commands attention and exudes a sense of strength and resilience. The seven available weights—light, book, regular, semi-bold, heavy, and black—provide a range of options for designers looking to add a bold, dynamic element to their work. But make no mistake, this typeface is not just for the sports world. Octin Sports has a versatility that extends beyond the playing field and can lend a rugged, no-nonsense vibe to a variety of themes. Whether you’re designing for a school, construction site, or law enforcement agency, Octin Sports is up to the challenge. The sleek, angular lines of this typeface give it a distinct sporty feel, making it an ideal choice for designs that seek to convey energy and excitement. The bold weight options are particularly striking and provide a strong visual impact that demands attention. Overall, Octin Sports is a solid choice for designers who want to infuse their work with a sense of toughness and vitality. Its versatility and sporty design make it a font that can rise to any challenge, whether it’s on the field or in the boardroom. Check out the rest of the Octin families: Octin College, Octin Prison, Octin Stencil, Octin Vintage & Octin Spraypaint. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Ugocranis is not your ordinary typeface. Its compact and angular design evokes a sense of strength and durability, reminiscent of the brutalist architecture that dominated the twentieth century. The inspiration for Ugocranis comes from the bold and imposing concrete structures that characterized the brutalist movement. Just like those buildings, Ugocranis makes a statement with its strong letterforms, capturing the raw and unapologetic essence of the era. This typeface is perfect for headlines that demand attention. It commands the viewer’s gaze with its distinct and bold design, making it ideal for projects that require a strong and forceful visual presence. Ugocranis is not afraid to stand out, just like the buildings that inspired it. The beauty of Ugocranis lies in its simplicity. Its uncomplicated design allows it to be versatile, fitting into a variety of different design themes while still maintaining its strong, brutalist influence. Whether it’s used in graphic design, web design, or even in architecture itself, Ugocranis will make a bold and unforgettable statement. In a world where everything seems to be getting more complicated, Ugocranis is a refreshing reminder that sometimes less is more. Its straightforward and unadorned design captures the essence of brutalism, reminding us of a time when architecture was about strength, simplicity, and functionality. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Brda originally designed by the Polish designer Franciszek Otto for the Powiat weekly newspaper. Powiat needed a new, dynamically drawn sans serif for its headlines, and Otto's Brda fit the bill. Combining traditional Grotesk letterforms with witty subtleties, like the notched-joint seen in the capital G, Brda displays a novel design that works best when set large. The typeface is named after the Brda river, which runs through Bydgoszcz, Poland, the city where Powiat is published. The Brda family includes three weights, each with a companion italic: Regular, Bold, and Extra Bold. The Brda family's Extra Bold weight was one of the winners selected in the 2003 International Type Design Contest, sponsored by Linotype GmbH. Franciszek Otto also teaches graphic design at the Secondary Art School in Bydgoszcz, where his typefaces rank among the students' favorites.

English HU Cookie is a cute handwritten typeface that can be used to express any lively or active moment. The alphabets are not aligned or evenly written but are crooked like scribble, which gives you funny and informal vibe. There are 2 weights of HU Cookie : light, semi bold Greek Το HU Cookie είναι μια χαριτωμένη χειρόγραφη γραμματοσειρά που μπορεί να χρησιμοποιηθεί για να εκφράσει οποιαδήποτε ζωντανή ή ενεργή στιγμή. Τα αλφάβητα δεν είναι ευθυγραμμισμένα ή ομοιόμορφα γραμμένα, αλλά είναι στραμμένα σαν σκαρίφημα, κάτι που σας δίνει αστεία και ανεπίσημη ατμόσφαιρα. Υπάρχουν 2 βάρη του HU Cookie: light, semi bold Cyrillic HU Cookie - это симпатичный рукописный шрифт, которым можно обозначить любой живой или активный момент. Алфавиты не выровнены и написаны неравномерно, они изогнуты, как каракули, что создает забавную и неформальную атмосферу. HU Cookie имеет 2 толщины: light, semi bold

Introducing Orange Squash - Bold Vintage Serif Font Orange Squash is a classic and elegant font that is perfect for adding a touch of sophistication to any design project. With its bold and prominent serifs, this font stands out and demands attention, making it a great choice for headlines and other large text. The vintage aesthetic gives this font a timeless and nostalgic feel, making it a great choice for projects with a retro or antique theme. Whether you're creating a logo, a website, a poster, or any other design project, the Bold Vintage Serif Font is a versatile and stylish choice. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Dakota Motors is a bold script font. This retro font is expressive, and is constructed of sharp strokes and heavy letterforms. Use it for a cool logotype or headline to give your work that genuine look. Use underscore _ to make a swash. Example: Puch_ Use multiple underscores to make longer swashes. Example: RaceCar_____ (Download required.) The Dakota Motors family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Danbury is a modern sans-serif typeface. Drawn and created by Mans Greback between 2020-2022, this slanted font has a distinct style and a strong personality. Danbury is a typeface with velocity and power: Use it in a sports campaign, a fresh headline or a cool logotype. The Danbury family is provided in the styles Regular and Bold, Caps and Caps Bold, Small and Small Bold: the perfect setup for a diverse design usage. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

About Sf Article font family: Sf Article is An Arabic and Latin typeface for desktop applications ,for websites, and for digital ads. The main types of Sf Article font family weight are regular and bold. The regular weight is perfect for reading, it is helpful during long reads, Bold Sf Article styles are designed to draw attention to short phrases. The Sf Article font family is characterized by short heights and dynamic stretching of letters through the paragraph, where the space In the line is automatically filled. In Sf Article font family, we have developed two italic fonts: regular and bold, to help with the diversity of stylistic expression in the Article, document and research work. Sf Article typeface comes with many OpenType features including stylistic sets. Designer: Sultan Maqtari Design date: 2021 Publisher: Sultan Fonts

Elevate your designs with Mandan, a bold sans serif display font that exudes power and impact. With its strong and commanding presence, Mandan is perfect for headlines, logos, posters, and any design that requires a bold statement. Featuring both uppercase and lowercase letters, Mandan offers versatility in crafting captivating compositions. The inclusion of numbers and punctuations ensures seamless integration into your design projects, whether it's for digital or print media. Additionally, the font's multilingual support allows you to reach a diverse global audience and communicate your message effectively. Mandan is designed with precision and attention to detail, providing a clean and modern aesthetic. Its PUA encoding enables easy access to special characters and symbols, expanding your creative possibilities. The font's bold strokes and distinct letterforms make it stand out in any design, capturing attention and leaving a lasting impression.

Introducing Intimate Summer Font Duo, featuring a strong and bold sans font alongside a casual handwriting-inspired script font. This duo is a perfect combination that brings harmony and versatility to your creative projects. The bold sans font exudes strength and confidence with its clean lines and thick letterforms. It commands attention and adds a modern and retro touch to any design. Complementing the bold sans is the casual script font, which mimics the relaxed style of handwritten text. This script font brings a unique and free-spirited atmosphere to your typographic compositions. Together, this font duo offers an ideal balance between strength and casualness, making it a versatile choice for a variety of design applications. Whether you're designing logos, branding materials, invitations, or editorial layouts, this font duo is a captivating combination that adds an irreplaceable casual touch to your projects.

Tahoma™ Family is one of Microsoft's most popular sans serif typeface families. The original Tahoma™ Family consisted of two Windows TrueType fonts (regular and bold), and was created to address the challenges of on-screen display, particularly at small sizes in dialog boxes and menus. In 2010 Ascender Corporation added italics, so now the Tahoma font family contains 4 fonts in total: Tahoma regular, italic, bold and bold italic. The Latin, Greek and Cyrillic characters were designed by world renowned type designer Matthew Carter, and hand-instructed by leading hinting expert, Tom Rickner. The Tahoma fonts set new standards in system font design. Tahoma is ideal for use in User Interface scenarios and other situations requiring the presentation of information on the screen. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Nearland is an aesthetic vintage Script font. Inspired from the past, elegant signage, gold leaf art, sign painting, lettering, logo and old label product. Nearland Script comes with tons of alternates characters and special alternate (i) lowercase is a ending swash thats to make more eye cacthy. Finally BOOM..!! you get a great design for your project. Nearland It's suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, badge and more.

Branlerst is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Branlerst comes with alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. You just cobine with the another font like script , serif or san serif font and adding some effect finally BOOM..!! you get a great design for your project.

FA Berlewi is inspired by stencil lettering of a vanguard creator, Henryk Berlewi, who was a precursor of contemporary typography, a painter and a creator of the mechano-facture (Mechano-Faktura) theory. In 1924 he designed a poster for his mechano-facture one-man show in Warsaw Austro-Daimler car salon. An attention-grabbing composition with stencil lettering was doubtless a real innovation and according to Berlewi - the first typographic poster to be made in Poland.

Yee haw! Send me a shot of sarsparilla and let's celebrate a new cowboy font! This time we're pleased to introduce a new, more legible counterpart to Chank's Drunk Cowboy font. The resultant new font has a bit less of a drawl to it and is known as Dry Cowboy. Now you have a choice for smaller text setting when using Drunk Cowboy as the headline font. Wrangle the two together and put a little giddyup in your designs.

Rickslord is an uppercase display font that transports you back in the early 20th century. Some characters show high contrast between thick and thin strokes, creating a dramatic visual impact, while others maintain a more consistent weight for a balanced appearance. This blend of contrasts adds an unexpected dynamic quality to the text, making every word a work of art. Beautiful ornaments are included as a bonus. Rickslord fits in headlines, logos, branding materials, and many more.

Quavo is a round sans font family, including regular and oblique font styles. Round corner of letters show the soft and friendly vibe and some letters for instance: letter a, b and d, they all have a tail at the end. It's sort of personal preference, for I want to add some ornamental elements in this font. Quavo can be applied in lots of areas. Including but not limited in titles, posters, book pages and big display canvas.

Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity. In 2008 its author decided to turn it into a super fat typeface suitable for packaging and mass consumption products. The possibilities of ultra heavy forms are explored in this alphabet; trying to solve the design problems that these sort of forms present. Tomate shows influences from the beautiful Goudy Heavyface Italic which is a design the author admires.

Introducing Civons Serif Display Font A perfect fusion of classic charm and modern allure. Ideal for branding and editorial projects, it effortlessly combines traditional serifs with a contemporary touch, radiating sophistication and uniqueness. So why stop at classic and boring serif fonts when you can add fun and uniqueness with this serif display font? give it a try and you'll love it! Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Jugendstil Kunsthand is based on a sample of late 19th century lettering in a style often associated with artists of the Jugendstil Art Nouveau movement in Germany. The characters are done in heavy outline with a rough-hand drawn look. The style is interesting because it shows the influence of the Arts and Crafts movement on Art Nouveau with many of the characters featuring alternate versions that nest together in a manner typical of Arts & Crafts lettering.

Portsmouth is a strong, sturdy typeface with historical character. Its inspiration comes from the height and strength of the wooden tall ships that sailed into port in their day. With caps and small caps, this typeface is great for headlines or subheads for design projects that need a historical or retro feel, such as from the 1940s and earlier. Seven different styles that can be layered allow for different colored drop shadows, outlines and fill for even more customization.

Brontoburger is defined by its loose, laidback appearance but stops short of being too rough around the edges. Its softened corners produce a warm, friendly look suitable for many applications. This display font is playful enough to be featured on toy packaging but suitable for business cards as well. Try the 3D Extrude version for a book cover or poster. This 3 member family is equipped with Basic Latin, extended Latin, diacritics, Cyrillic, symbols, punctuation, and kerning.

Patterned after cheap neon signage, this face has class, all of it low. Uppercase only, the lowercase positions are filled with an assortment of cheesy neon graphics, intended to be used at twice the point size of the caps. Named after a 70s TV show about a hotel with a defective neon sign. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

This font was inspired by the bricks of my wall, I stared at them all the time thinking, wouldnt be great if fonts live in cooperation with bricks, and then, it came to my mind…A font family that shows naked bricks, like it is RIGHT on the middle of design process. The main features are the informal and wired look that make it worthwhile for bands and informal invitations, flyers, for concerts or infantile designs.

This font take inspiration by the Venetian famous typographers in 1500s. Is a font designed to perform better when used in high dimension like Headline in Ad, Titles in Magazines or Blogs, Logos, Naming, Packaging... Is easy to have great result using contextual & stilistic alternatives, ligatures and other SS alternatives, as show in the posters. Is highly raccomended graphic applications with OpenType tab, such Adobe Illustrator or Photoshop or Quark Xpress InDesign, for the use of OpenType Features.

Overbold is an unapologetic display typeface inspired by an illustration in Eric Gill's Essay on Typography (p.51), in which he demonstrates �how not to make letters�. In particular, he shows that increasing the weight of the downstroke in a serif �A� without structural adjustments yields an absurd, �overbold� result. I found the letter so charming that I decided to blatantly disregard Gill's wisdom and draw an entire overbold typeface. Here is the result. I'm not sorry.