Brutalista is a typeface inspired by the architectural brutalist style, which seeks to use the expression of raw or raw material. In graphic design it has been used to break rules and attract attention. His drawing has its roots in grotesque and neo-grotesque sources from the early twentieth century, but with a current style. It has a medium x height, clear counterforms, low contrast, which give it versatility and functionality. Peculiar cuts and drawings are also used in some characters, which give them personality It is an ideal font for headlines and brands, but also for when you need to present simple and clear information.

The Cannon family is the result of combining the clean aesthetics from a classic sans neo-grotesque with a touch of a geometric design. The result is a simple but dynamic typeface with retro and technological airs. Cannon is ideal for robust advertising, bold brand identities and packaging, also suitable for high impact headlines and short texts. This type family consists of 36 variants and 9 weights (thin, extra light, light, regular, book, medium, bold, extra bold, black), matching italics for all weights and widths, matching small caps for all weights and widths, alternate characters and extended language support. We are proud to introduce: Cannon.

As the name, Clarina Sans is sans serif type family with two weight plus matching italics. Clarina Sans was desinged in 2018/19, influenced by geometrics typeface from handbook and newspapers in 80's during studying that have a good legibility. Clarina sans with medium to high x-heigh and geometric correction and smoothed corner has more elegant visibility, readable, and save space altogether. Its perfect for book, newspaper, web, logos, magazines, posters, and most other design. Equiped with more than 700 glyphs for eachs cut (latin plus, greek, cyrillic), ligatures, kerning, case sensitive for diacritical mark modifier, Clarina Sans has wide range languages coverage.

Segaon Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Hello... this is Cherries, a cute and bounch hand drawn font family. Cherries have 5 weight: light, regular, medium, semibold and bold with 2 styles: regular and slanted also included with pairing font Cherries Display. Cherries included with some alternate character and ligature to make your design awesome. Cherries is fun and very suitable for cute or girly design needs such as cover design, typography, sticker, greetings card, logo, merchandise and many more. Cherries also easy for read and you can use it for quote or caption. Add this beautiful handwritten font to each of your creative ideas and notice how it makes them stand out!

Leonardo Sans is a modern sans serif with a geometric touch. It comes in 10 weights, clean and modern caps, thereby creating more variability. Designed with powerful opentype features in mind. Each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. 10 Weights (Thin, UltraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black, Heavy) Oblique font is available Numbers & Punctuation Extensive Language Support Thanks for looking, and I hope you enjoy it. Check out Newgate which is a great pair for Leonardo Sans.

The concept of M Elle comes from M Hei and M Yuen, with a sense of contemporary graphic design, aims to accomplish a refreshing, harmonious balance of softness and toughness. The combination of regular crossbars (橫) and stems (豎), rounded hooks (勾) and angles (折), as well as dots (點), ticks (剔) and downstrokes (撇、捺) that are ended sharply, makes it a classy but contemporary, clean and affectionate typeface. The font family consists of 3 essential weights to cater for different needs. Xbold appears elegant and magnificent, Medium weight is practical and affectionate, while the Light style is especially clear, legible and flexible in use.

This new script font was based on our previous font ‘Rachele’. Mentha is a very flexible script with a big set of swashes, condensed, strong and with nice loops at the end of some letter shapes. This font script was designed using small brush pens and playing with pressure and release methods. Mentha Medium has a tiny extra stroke, that helps to make this font a bit stronger and solid, specially if you need to use in a very small scale. Mentha is fresh! If you are looking for a new and original script Mentha suits your needs! We recommend to combine Mentha with Turquoise

Basic Sans Cnd: A new sans. Designed by Daniel Hernández Basic Sans Cnd is a narrower version of Basic Sans. It is a family of Grotesque features with a functional, neutral and seeming clean style that looks to keep a neutral (or basic) appearance on paper, but including lots of details that give it a unique personality. Basic Sans Cnd is a sans-serif typeface well-suited for publishing projects, medium-sized text, branding, posters, headlines and more! This font family comes in 7 weights—ranging from Thin to Black—plus matching italics and it has a set of 416 characters that support 206 different languages.

Boegelle, a modern and stylish serif typeface, epitomizes sophistication with its sleek design and distinctive character. The font seamlessly marries traditional serif elements with contemporary aesthetics, resulting in a typeface that exudes elegance and versatility. Boegelle’s letterforms boast a balanced combination of sharp serifs and smooth curves, creating a visual harmony that is both timeless and contemporary. The typeface’s clean lines and thoughtful spacing contribute to its readability across various mediums, making it an ideal choice for both digital and print applications. Whether used for editorial design, branding, or web interfaces, Boegelle stands as a testament to the seamless integration of classic typographic principles with a modern, stylish sensibility.

Elevate your designs with the captivating allure of Makeshift Font. This extraordinary display typeface brings a bold and fun look, infusing your creations with a powerful and distinctive touch. Perfect for designers seeking originality, Makeshift Font is poised to make a lasting impression on logos, headlines, posters, product packaging, and more. Its versatility shines through in both digital and print mediums, making it a must-have for innovative projects. Makeshift Font boasts an extensive range of features, including uppercase and lowercase letters, numbers, punctuations, and comprehensive multilingual support. With PUA encoding, accessing the wide array of glyphs and swashes becomes effortless, empowering you to effortlessly customize your designs.

Fossa is an unconventional serif designed primarily as a display typeface. Its splayed, pinched vertical strokes and pointy wedge serifs give it a distinct flavour. The style for Fossa was initially conceived while studying the forms of Optima – in particular, the subtle taper towards the midpoint of the stems and strokes. Taking the idea of vertical strokes with a nipped waist to the extreme, Fossa was born. The sharper style created by these vertical strokes is echoed within the serifs, resulting in a contemporary wedge serif with an elegant but dramatic character. Available in five weights: ExtraLight, Light, Regular, Medium and Bold. OpenType features including ligatures and fractions.

Enfluence is a modern typeface perfect for titles and short texts. It could worked in print and digital mediums. It depicts a fresh and modern image but with some winks to older typefaces. About the shape of the letter, it was built with a wide “x” height, short ascendants and descendants, a high contrast, angular serif, and some round terminals. Some letters such as “m, n, h” show a light inclination in the right stem. These characteristics give this typeface great readability with a strong attraction to the eye for its cool forms. Not enough? Also includes a set of ornamental capital letters perfect for the creation of awesome designs.

The concept is “Geo-Soft”: characters are constructed from arcs of circle connected by orthogonal straight lines, with few diagonals and nary a sharp corner. The effect has an engaging tension, as soft edges are carefully balanced against rigorous structure. All four of the main weights, including italics, have exactly the same metrics. Beyond these basic styles, suitable for both text and headline, there are additional display fonts—Extra Bold and Black for density, and College, Rust, Rough and Medium Shadow for decorative detail. As options, minuscule-form “a” and “e” are provided at cap height for the classic unicase style, in all 14 fonts.

Galpike Sans is a neat and clean variable font. The typeface is versatile to blend in your design- with 9 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design. Features: Variable Font uppercase & lowercase numbers and punctuation multilingual 9 weight & 18 Style PUA encoded More about variable fonts : https://creativemarket.com/blog/what-is-a-variable-font if you have any questions don't hesitate to send our email at letterhend.com/tutorials/using-opentype-feature-in-any-software/

Linotype Go Tekk is a part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contest. The font was designed by the German artist Critzler and is available in three weights, thin, medium and black. Go Tekk is a cool, constructed with unusual cross strokes, appearing in almost every character at exactly the same height. The capital letters do not end on the baseline, rather drop even farther down than the descenders of the lower case letters, making it necessary to allow for generous line spacing. Linotype Go Tekk is a relatively static font designed exclusively for headlines and displays.

Introducing gimana sans serif display font, meticulously designed with deep inktrap details. Crafted for optimal legibility and aesthetic appeal, this font seamlessly blends modernity and tradition. Its generous proportions and balanced letterforms provide exceptional clarity and readability across various digital and print mediums. With its deep inktraps, this font showcases subtle details that enhance its overall visual texture, adding a touch of sophistication to your projects. Its humanist characteristics ensure legibility and readability, making it an ideal choice for a wide range of applications. The deep experimental inktraps add an intriguing element to the font, creating an interplay of light and shadow that captures attention.

This humanist sans-serif typeface was exhaustively designed, full-featured typeface family that reveals its character and distinctiveness in complex text. It features a large complement of ligatures, lining and old-style figures, expert characters, dingbats (arrows, brackets, and symbols for both Regular weights). In the original Lisboa Pro the forms of the letters are humanist, with hooked headterminals, the characters contains medium contrast with a left-angled stress on the strokes. After ten years from the first version publication, this new version (0.2) is available with Latin (Western, Central Europe) and Cyrillic alphabets. It was selected by Our Favorite Fonts of 2005 (Typographica).

Rimbomba is a freehand style font with long ascenders and descenders and a steep slant making it elegant yet casual. It is inspired by writing letters by hand, as it was done before, with strokes that in the normal style imitate the tip of a pen and in the medium and bold styles they imitate a round pen stroke. It is a font with strength in its movements and finesse in its curves, which creates a homogeneous set that is easy to read and which produces a certain reading speed. It is complemented with stylistic alternatives for the beginning and the end of the words.

Devoid is a sans serif typeface with a no frills stripped down design. The design has all the features of the neo grotesk typeface, horizontally cut endings, modern capitals, oval counters, with a bare bones appearance. The typeface comes in three subtle widths, Devoid Slim, which is spaced most narrowly, Devoid and Devoid Set, which have a wider letterspacing. There are regular, medium and bold weights with accompanying italics. The vertical metrics align across weights and widths, this allows for optical size adjustment as well as adjusting for same size text fit. Dutch designer Pier Taylor designed the typeface in 2020 for use in catalogs, lists and registers.

LiteOn is a lovely sans serif font family with a contemporary feel. The elegant design was achieved by combining modern and minimalist elements. When it comes to choosing the right typographic color for your project, the different weights give you a lot of options. The available Ligatures and alternate glyphs provide a diverse range of characters to make your project design stand out. 6 Weights (Thin, Light, Regular, Medium, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate glyphs Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Nata is a sans serif family with fourteen weights plus matching italics. It was designed by Candi Erwanto in 2019. This sans serif family is based and influenced by geometric styles that were popular during the 1920s and 30s and have been optically corrected for better readability. Nata has a functional look with a warm touch. While thin and black weights are great players in display size, lightweights, regular, and medium are suitable for longer texts. Small x-height and curbed shape provide a distinctive elegance. Nata is equipped for complex and professional typography. This OpenType font family has extended characters to support Central and Eastern European and Western European languages.

The font has a truly futuristic nature. It perfectly conveys the atmosphere of technology and futurism and it's the best choice for sci-fi and hi-tech topics and pictures. The font letters are unrounded, it's build is very simple and straight. The font includes 7 styles: thin, extra light, light, regular, medium, bold, and black. With the variety of font widths, there is the ability to make different combinations in graphic or web design projects as well. Carefully kerned letters look well in paragraphs and titles. Special attention to uppercase headings. The font counts 477 glyphs for each style. The thin style is free to use.

As a spinoff to his Tagesstempel™ design, Georg John created Johnstemp™ in 2008. The Johnstemp family has four weights, as well as a special Mix" variant. Each of the basic fonts (Light, Medium, Bold, and Heavy) contain many alternate glyphs, allowing users to set text that realistically simulates stamped impressions. For even faster design, Johnstemp Mix is the perfect choice; it contains letters with far more stylistic and weight variation out-of-the-box, and was developed to create even livelier impressions. Here as well, many alternates are included in the character set to prevent too much repetition of the same glyphs. "

CONCEPT/CHARACTERISTICS
 The constructed, clear and modern cha­rac­ter of the typeface based on the basic form of the triangle. The motto is geometrically and italic. APPLICATION AREA
 The modern, futuristic and constructed font „slan­ted ITALIC shift“ would look good at dis­play size for poster, flyer, comics and gra­phic novel let­te­ring and logos. Head­lines in maga­zi­nes or web­sites, packa­ging, music covers or webbanner etc. TECHNICAL SPECIFICATIONS
 Head­line Font | Dis­play Font | Geometric Font „slan­ted ITALIC shift“ OpenType Font with & 308 gly­phs & 6 styles (thin, light, regu­lar, medium, bold, black). Alter­na­tive let­ters, symbols and liga­tures (with accents & €) FONT IN USE www.typographicdesign.de/font-in-use-slanted-italic-shift/

Kansas Casual offers a more upright, gothic, and modern alternative to the conventional sign painter's one stroke. Kansas provides a completely unique take on a overdone classic with proportions and crossbar heights inspired by the more friendly Chicago style. This all-caps set provides six weights so that you can adjust size with weight to maintain that authentic single brush weighted look. The proofing process included projecting, tracing, and then painting the letters out to see how true the small details were to the medium. The set also includes wide language support, opentype fractions, and arrows. You can learn more about its development here.

Our Smokum Pro is a western inspired slab-serif font with a little playful swagger to it. It's perfect for headlines and display uses that require a little loosened up country flair, but because of the contrast of thicks and thins, it will perform best as a WebFont at medium to large point sizes. The SmallCaps and extensive figure sets offer a little more serious tone and a wider range of design use. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Introducing Lubeck Display, new generation Typeface with 3 Weights. Lubeck Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Lubeck is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Three Weights. Light, Regular and Medium Features: Numerals, extended punctuation & Basic Symbols(200+ Glyphs). Expert kerning and quality crafting. Uppercase Letters & Lowercase Letters.

Inspired by the medieval print design, the look of the sans serif typeface is strong and beautiful. It brings charming curves and satisfying patterns to traditional thick fonts. I like to use this font for printed material and titles - the height attracts attention and creates a visually attractive modern medieval feel. Graphemic fonts include two fonts - Regular and Light. Graphemic offers broad language support, upper and lower case letters, extended numbers and punctuation. Specifically suitable for: Posters, Blockbusters, films, trailers, headlines, titles, logos, branding, scripts, display & bold 'goods'. Thank you for viewing! (and more thanks for the purchase)

Shadowy Script is modern calligraphy font. It is perfect for branding, cards, gorgeous logos, posters, wedding invitations, blog posts, social media, and more!

Looking for an elegant font? Romile is a elegant and bold serif font. It comes to be a single font all in uppercases. Thanks to the cursive and unique swirls at the end of some characters carries a sense of elegant looks. On the other hand, the weight of the font brings strength to any title or header you apply it to. Features: Stylistic Sets Ligatures Swashes Numerals and Punctuations PUA Encoded It can be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Graphie is a modern geometric sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 16 style: eight weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the clear-cut-corner, vibrant straight lines and large x-heights give them legibility, readability and keenness. The basic skeleton of their letterform was designed geometrically and optically corrected. The sophisticated geometric design gives them universality, neutrality and sense of unity and make it possible to be used across a wide range of applications in all medias, all purposes. Graphie supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

Alien Alphabet is inspired by the ideas of change, transformation, creative deconstruction and mutual penetration of various cultures, languages, and opposing cognitive systems, which seem to be prevalent in our 'globalized' civilization. It appears as various visual constructs -- archetypal symbolism, pieces of the world alphabets, socio-cultural icons, mathematical formulae, etc., -- broke down into pieces and were reassembled in a way that carried traces of previous meanings. However, this contradictory mutation invokes enigmatic meanings and emotions begging for further definition and interpretation. Alien Alphabet shapes arranged in linear sequential manner tend to evoke a sense of written language. The fact that a message cannot be understood does not really change its emotional appeal. Moreover, the less message can be deciphered, the more seems to be the appeal -- for it triggers our imagination. In fact, we may not want to know the actual meaning because deep inside we are afraid that this might be just another alien dry-cleaning receipt.

To Rafaella, a menina dos cachos. We, designers, have grown accustomed to seeing that lowercase letters—not only in calligraphy but also in typography (1)—may be very playful and decorative. Almost every part of them can become a potential swash, ligature or decorative accolade (2) if the designer has some expertise regarding this matter. However, since we are living in an era that elevates the status of handcrafts, lettering has gained a lot of ground in different kinds of mediums, and with it there’s a sort of overuse of capitals. This may be due to the reason that lettering pieces need a high impact to convey their messages and many times why big capitals are the only solution. With this in mind, I started Rafaella: A font consisting entirely of capitals which go from unadorned to very decorative. Rafaella has ductus and forms vaguely based on the 1970s Bookman-like styled fonts. The presence and behaviour of serifs and ball terminals in this style were the perfect excuse to make really attractive aternates which the user can choose from the glyphs panel. The result is a font full of life. Able to be both very playful and formal due to its roman style which can be combined with (and between) a wide range of other styles of expressive scripts or geometric fonts with nice results (3). Also try Rafaella Shade Solo combined with Rafaella or Rafaella Bold for a layer effect to emphasize any given word or phrase. NOTES (1) See my fonts Erotica from 2013 or Dream from 2014. (2) Accolades is a wonderful word that refers to the ornaments made around the words in the spencerian style of calligraphy (3) Combinations often seen in different pieces of lettering were usually a contrast of style is wanted.

Missale Lunea is a calligraphic uncial typeface with a female note. The font offers lots of stylistic alternates, signs, zodiacs & symbols. OpenType features: stylistic alternates signs, zodiac & symbols, proportional, medieval numerals, Roman numerals numerators, denominators and fractions

This narrow neoclassical font is based upon Schelter & Giesecke’s Schmale Mediäval which was originally released in 1840. By typing [alt] + [shift] + p respectively [alt] + p you have access to the framing elements as seen on the posters.

An alphabet of initials and ornaments in the William Morris style. Perfect drop caps to evoke historical tales and medieval manuscripts. Please note: This font is only 30 characters A-Z plus 4 empty decorative initials borders.

Restora Neue is an evolution of its precursor, Restora. While the Restora has an authentic imperfect letterforms, Restora Neue comes with a neater shape and higher contrast. It’s a mix of old-style roman serif styles. Its sharp and longer serif with a bit touch of medieval, makes Restora Neue a versatile type family that can be used in many different themes of design projects, from classic style to modern. It comes in nine weights from thin to black with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph. The set of special ligatures and stylistic alternates can be perfect mates for your brand. It is well suited for book covers, editorial, branding, advertising and more. To see the complete presentation please visit my Behance profile.