Trend , Trend Hand Made & Trend Rough is a font made of layers, taking as a basis a sans and a slab font. It is the result of observation, search and study of the last global trends. Trend tries to capture the aesthetics of fashion or even fashion itself, integrating elements of a very popular and current trend. It is a typeface designed to be used without need to add anything external to it, because it has all components required for this. Trend is trending.

Thinker Justice is a Modern Handwritten Font. Thinker Justice is a trendy and modern handwritten font. Simple and natural, this font will become your top choice for formal and informal designs in no time! Thinker Justice also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Here's a font that would love to play with your designs! Especially the ones where kids toys or packaging is involved - but feel free to play around with the 5 different versions with your other designs!

Want to impress your guests with stunning invitations? Maybe create event posters that will inspire the audience? It all starts with the right font. Introducing Amalia – A Modern Calligraphy Font. A blend of elegance and refinement, this font gives a whole different note to your printed cards, invitations, and promotions. On top of this, it’s fantastic for packaging and clothing, as well as for any project that requires charm and style. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Appelstroop literally means ‘Apple Syrup’ in Dutch, but it is also know as Apple Butter; a slightly sweet & sour goo that you can use to sweeten things, or, as we do in Holland, spread it on a sandwich. It’s delicious, give it a try! Appelstroop font is a chunky, slightly eroded affair. It is mostly all caps, with a few lower case glyphs thrown in for good measure. Use this sticky font for your product packaging, toys and kids book covers!

Little Pea is a cute and fun handwritten font, comes with four family weights: light, regular, medium and bold. the idea in making this font is the wishful thinking of childhood memory, where everything looks so cheerful, colorful and fun. Little Pea font will make your design look modern but still fun. Easy to read and perfect for any design that need a colorful and fun concept like children comic or picture books, greeting cards, toys, posters, song lyrics, website, and much more.

Le Havre Width is the loveable putty of fonts. Stretch it. Squish it. Squeeze it. Whichever way you play with it, you’re bound to find hours of fun ahead. This avant-garde typeface family has six distinct weights--each one including a set of four different widths. It’s randomized rhythm also includes selectable glyphs for customization, enabling you to bounce plenty of ideas around for diverse logotypes as well as for specific looks focused on a single width. Looking for even more fun with this geometric sans? Try adding in some of the alternate ligatures, or use the two different art deco styles included with the font. The all-around whimsical nature of Le Havre Width is perfect for toys, posters, T-shirts, cards, and anywhere else where fun is the name of the game.

Geometric font inspired by shop signs in 4 styles Anisette has sprouted as a way to test some ideas of designs. It has started with a simple line construction (not outlines as usual) that can be easily expanded and condensed in its width in Illustrator. Subsequently, this principle of multiple widths and extreme weights permitted to Jean François Porchez to have a better understanding with the limitations associated with the use of MultipleMaster to create intermediate font weights. Anisette built around the idea of two widths capitals can be described as a geometric sanserif typeface influenced by the 30s and the Art Deco movement. Its design relies on multiple sources, from Banjo through Cassandre posters, but especially lettering of Paul Iribe. In France, at that time, the Art Deco spirit is mainly capitals. Gérard Blanchard has pointed to Jean Francois that Art Nouveau typefaces designed by Bellery-Desfontaines was featured before the Banjo with this principle of two widths capitals. The complementarity between the two typefaces are these wide capitals mixed with narrow capitals for the Anisette while the Anisette Petite – in its latest version proposes capitals on a square proportions, intermediate between the two others sets. Of course, the Anisette Petite fonts also includes lowercases too. Anisette Petite, a geometric font inspired by shop signs in 4 styles So, when Jean François Porchez has decided to create lowercases the story became more complicated. His stylistic references couldn’t be restricted anymore to the French Art-déco period but to the shop signs present in our cities throughout the twentieth century. These signs, lettering pieces aren’t the typical foundry typefaces. Simply because the influences of these painted letters are different, not directly connected to foundry roots which generally follow typography history. The outcome is a palette of slightly strange shapes, without strictly not following geometrical, mechanical and historical principles such as those that typically appear in typefaces marketed by foundries. As an example, the Anisette Petite r starts with a small and visible sort of apex that no other similar glyphs such as n or m feature, but present at the end of the l and y. The famous g loop is actually inspired by Chancery scripts, which has nothing to do with the lettering. The goal is of course to mix forms without direct reports, in order to properly celebrate this lettering spirit. This is why the e almost finishes horizontally as the Rotis – and the top a which must logically follow this principle and is drawn more round-curly. This weird choice seemed so odd to its designer that he shared his doubts and asked for advise to Jeremy Tankard who immediately was reassuring: “Oddly, your new top a is fine, it brings roundness to the typeface, when the previous pushes towards Anisette Petite to unwanted austerity.” The Anisette Petite, since its early days, is a mixture of non-consistent but charming shapes. Anisette, an Art Déco typeface Anisette Petite Club des directeurs artistiques, 46e palmarès Bukva:raz 2001

This typeface comes from a self initiated project called Sápmi, which aims to contribute to keep a group of minority languages alive through solving issues in the education environment. This re-thought edition takes the name of Aanaar and joins our library with a bigger character set and two new weights which complete the typeface providing a big typographic palette as well as adding stylistic two-story a and g for more advanced readers as well as to enable the typeface to be used in other environments. The typeface was originally designed for children’s text books. Analysing kid’s typeface design, we identified some important problems and solved them within the boundaries we had. The main concern in a typeface which will be used by children is letter recognition, as they have not yet fully develop their reading skills. For example, letters like “a” and “g” share a very similar structure in this particular kind of typefaces, where the only distinctive part is the descender of the “g”. It is known that the lower part of the letter is the less important feature when reading, therefore we decided to make a clear distinction between them by having an “a” with a spur on the top right. This also helped distinguishing “a” and “o”. Children typefaces usually have one story “a”, making “a” usually too close to “o”. Additionally we moved the joint in “a” upwards and narrowed very slightly the “a” to make sure they cannot be mistaken. More generally, the x-height is fairly tall and the typeface has a bit of movement which give it a good rhythm helping moving along nicely when reading. Aanaar consists of 5 weights (Light, Regular, Medium, Bold and Black) plus two Italics (Light Italic and Italic).

In most cities during the 1950s and 1960s the corner pharmacy or soda shop was a mainstay of teenage life. It was a place to hang out with friends, hear the latest hits on the jukebox and indulge in everything sugary from malted milkshakes to banana splits. During this time, a popular form of window advertising was supplied by the Coca-Cola Company to promote its product being served by these locations. Specialty window decals designed to emulate drawn (raised) Venetian blinds "bookmarked" by the soda's logo were adhered to the shop's windows, with a space provided to add in customized lettering. The store's name or its specialties were applied to each window pane, and this formed a consistent border at the top of all of the shop's windows. Although few visual images exist of this specific bit of advertising nostalgia, an old record album by a late-1950s singer named Chip Fisher called "Chipper at the Sugar Bowl" provided a somewhat usable sample for what is now Soda Fountain JNL.

Introduction to Monaz – Bubble Font Monaz – Bubble Font, a playful and airy display font, is inspired by the lightness and roundness of bubbles and balloons. Perfect for creating eye-catching headings, logos, and children’s books, this font not only grabs attention but also serves as an ideal choice for fun and whimsical projects. Design and Aesthetics In its design, Monaz – Bubble Font features characters that resemble bubbles, with rounded edges and a bouncy feel. Furthermore, the letters mimic the floating appearance of balloons, thus adding a cheerful and lighthearted touch to any design. Additionally, its rounded forms are easy on the eyes, ensuring readability while preserving its playful charm. Versatility and Usage Monaz – Bubble Font boasts high versatility, fitting a variety of design needs effortlessly. Not only does it shine in party invitations and product packaging, but it also excels in promotional materials. Moreover, its effectiveness extends to educational materials for children, making learning engaging with its friendly appearance. As a result, its readability and unique style make it a top choice for designers seeking to add a fun element to their projects. Accessibility and Appeal Designed for a wide audience, Monaz – Bubble Font features a simple and clear style that is easy to read. It appeals to all ages, capturing the whimsy of childhood while still being sophisticated enough for adult projects. In summary, this font brings a unique joy and playfulness to any design, making it a valuable addition to any font collection.

When Joe Madureira saw the custom font we'd created for Jim Lee, he called us up immediately and uttered the immortal words... "I Want One!" We were, of course, only too happy to oblige. Now, this very font, based upon Joe's own handwriting, is available. Think about it, where else can you get a World Famous Comic Book Artist like Joe Madureira to work for you for under a hundred bucks?

Cupid Hearts is a hand written script, first drawn on paper and then remastered on the computer to give a smooth free flowing script,that looks perfect over the top of photos or as a logo. With 20 alternate style sets this lovely and friendly typeface take the stress out of finding fonts that match together so you can focus on what you want to do which is designing beauty work.

Bubblegum Sans Pro is upbeat, flavor-loaded, brushalicious letters for the sunny side of the street. It bounces with joy and tells a great story. Designed by Angel Koziupa and produced by Ale Paul, this typeface is a loud 21st century shoutout to the kind of the 1930s lettering that sold everything to everyone through every medium. Bubblegum Sans Pro version covers all Latin-based languages and includes some alternates.

Chilloutte is a cute, cool, and friendly display font. A playful all-caps Display font that includes five versions of each letter which can be used separately or on top of each other to achieve a different look. This font is PUA encoded which means you can access all of the glyphs and alternates with ease! (please type the preview to see if I have what you need!)

Thalia Kendrick is beautiful and assertive script font, crafted to give your headlines and logotype projects a stylish touch. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. Feature : - A lot of Alternates ( With a Total of 450 Glyphs ) - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

Gleeeful Bubble, a delightful font that bubbles with joy, featuring a hint of sparkling bubbles in each character. This playful typeface adds a touch of whimsy to your designs, infusing them with a sense of light-hearted cheer. Let Gleeeful Bubble be the choice that brings a burst of happiness and a sprinkle of effervescent charm to your creative projects. If you have any question, please contact us

Backbone is a unique blackletter font. It’s suitable for use in various projects such as gothic letters, tattoos, headlines, posters, magazines, newspapers, t-shirts, labels, and any other designs that you wish to create. Get inspired by Black metal and It will add an edgy feel to any crafting project! Bold and spooky, Ideal for any October project or Halloween party, this font will become your top choice in no time!

Kaluna Script is a lovely font with tons of swashes! Kaluna is perfect for headlines, logotypes, clothing, invitations, branding, packaging, advertising, and more. This typeface comes in uppercase, lowercase, with punctuation, symbols, numerals, stylistic set alternate, ligatures, etc also multi-lingual support. Type _1, _2, _3 to access the underline, example : Kaluna_1, Kaluna_2, Kaluna_3 If you have any question, feel free to PM us or reach us Rillatype@gmail.com

Stonehill is a bold handpainted sans serif typeface for display or packaging use. Stonehill has 3 glyphs for each letter and with contextual alternates activated in apps that supports this it will cycle thru these alternates to keep the same glyphs from repeating too much. Or, you can always pick and choose from the alternates manually to keep it fresh! Stonehill is available in two cuts - regular and oblique.

Piano Keys is a musically-inspired font. It can be used for commercial as well as educational projects. In other versions, I tried to accurately replicate the pattern of black and white keys across the character set. Of course when used, the randomness of text and characters often produced less than realistic results when needed. This version allows black and white keys to be accurately arranged, if desired.

Gothic fraktur inspired design, I wanted to resemble old german calligraphy but making it very geometric, so I used an isometric reticle during sketching. This is a display font, created for BIG sizes, non textual. I recommend it for branding, poster, logos or titles. Its very experimental -- it exists within the limits of legible and illegible reading. I choose the name “Garbancera” because gothic calligraphy has issues that are linked with dark, gloomy, lugubrious things or fear feelings, culturally in Mexico. I related this with death and for mexicans, death is something we celebrate and give us joy and happiness, annoying, the most representative Mexican characters, one of those is “La Calavera Garbancera” or better known as “La Catrina”, a clothes skeleton with only a hat. It was drawn this way to make a critic to all Mexicans at that time, that were poor but they wanted to represent a high lifestyle, “those that where to the bones, but with a French hat with ostrich feathers”. La Catrina was created by José Guadalupe Posada, a Mexican lithographer but also a newspaper illustrator. I think this is a beautiful font that can lead to great results, just use it wisely.

The "Nostalgia" font is a dark, vintage style that includes all the basic characters (letters, numbers, and punctuation) and is very simple to read. "Nostalgia" was inspired by inky handwriting with a natural flow and has fantastic starting and ending lowercase swashes. It works well for a wide range of projects, from wedding stationery to Instagram quotes to contemporary logos to packaging to websites. Consequently, these top-notch, traditionally-styled hand-drawn characters would be an excellent and priceless resource for those who want to write by hand. The headlines and titles you create will look fantastic with this font.

Mouser has been an ongoing project that originated as a geometric sans of the same name before morphing into a similar, but entirely different family called TypoGraphica. It retains much of its earlier character such as limited contrast, high legibility, and tight spacing. Major changes were made for a simplistic, more cohesive look. This was done to maximize its usefulness for body text while keeping characteristics used for display purposes. Slices to top strokes are much more subtle with styling dialed down to a minimum. This family comes in 6 different versions to meet a variety of needs. Mouser is equipped with Basic and Extended Latin/diacritics, Cyrillic, kerning, ligatures, and fractions. Try it for website text, applications, or headlines.

Bonjour! Embryotic is a mystical display font. This font was carefully crafted and inspired by world top fashion brand. In general, it creates a luxurious and elegant look in design. Coming to you with 90+ luxury alternate to create a perfectly mystical, beautiful, classy, elegant design. Use this font for your fashion brand, resort, cosmetics, invitations, wedding, branding, packaging, magazines, boutique, social media, restaurant, spa, greeting cards, headers, headline and many more. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 B.4 h.3 etc. so you don't need special software. To get results like the preview just type E.4mb.2ryot.3ic

Summer flower is a dazzling script font with a lovely atmosphere and spotless form, inspired by a timeless classic calligraphy. Not too thin and not too thick, balanced and varied, summer flower was designed to enhance the beauty of your projects. summer flower will turn any design project into a true stand-out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Aw, aren't they sweet? This lettering is based on a 1950s note a husband wrote to his wife shortly after they were married. His beautifully controlled and strong handwriting knows no lowercase characters; he gets his point across in uppercase only. In today's world of email and internet writings, we know that uppercase means shouting and is considered quite rude, but he didn't know that when he wrote this letter to his lovely wife! Love Ya Honey is very legible and looks beautiful when used for headlines, titling or even long expanses of body copy. Perfect for scrapbooking too!

Mocombo JNL is a slightly modified version of one of the numerous alphabets created by the late Alf R. Becker for Signs of the Times Magazine during the period of the 1930s through the 1950s. Tod Swormstedt of ST Media—who is also the curator of the American Sign Museum in Cincinnati, Ohio—supplied Jeff Levine a wealth of source material from which this font is derived. The angular style of this typeface was originally referred to as “German Poster Lettering” by Becker, but it can represent many styles from 1940s night clubs to African safaris and just about anything in-between.

MY WAY belongs to a genre of fonts which contain the “aesthetic of ugly”. This is a font with a good balance of rhythm and contrast. Its aim is casual, wild and anarchic. Because of the spontaneity this font contains, there are plenty of Standard and Discretionary Ligatures to avoid frequent repetition of letters. If you find single repeating glyphs, you can change that by toggling between Stylistic Alternates. There are ligatures created for Cyrillic too. MY WAY is the perfect choice for all dirty, natural and wild, yet authentically beautiful things such as Blues, Jazz, Punk...

Introducing “Lirzec Font” – Where Playfulness Meets Creativity! Lirzec Font is your gateway to adding a delightful touch of whimsy to your designs. This playful typeface is designed to infuse your projects with a sense of joy and imagination. With its charming and unique characters, Lirzec Font is perfect for children’s books, eye-catching posters, and distinctive branding that demands attention. Let your creativity run wild as you bring your ideas to life with the playful spirit of this font. Whether you’re crafting invitations that radiate cheerfulness or designing logos that leave a memorable impression, Lirzec Font is the perfect choice to make your projects stand out. Elevate your creative work today with Lirzec Font and embrace the delightful charm it brings to your designs. Grab your audience’s attention and spark their imagination effortlessly! – PUA Encoded Characters – Fully accessible without additional design software.

Edhan martine is a unique and very elegant font for brand and logo designs. Based on our experience as graphic designers working in many companies, we are often asked to design a logo with a unique style but with an elegant shape. So, we tried to brainstorm and come up with this font to get ideas out. It is perfect for BRANDING and LOGO DESIGN. You will get a classy, elegant, and of course unique logo with this font. To make it look even more unique we created 150 ligatures for you, so you can create any amazing design you want. Edhan martine also includes the full set: -uppercase and lowercase -multilingual symbol -number -punctuation -stylish alternates Hope you enjoy our fonts and if you have any questions feel free to message & I'm happy to help :)

Check into your local lunatic asylum with this font, etched on the walls of his padded cell by Comicraft's left-handed right-hand man, Dave Lanphear, for Jae Lee's Image comic 'Hellshock'. Artwork from Elephantmen: War Toys by Starkings & Moritat

Belvedere is an Italian word that translates as ‘beautiful outlook’ and describes a pavillion or summer house on high ground with commanding views. It has grace, style and a touch of class, all of which I've tried to incorporate in this font family. The snazzy graphics are by my friend and colleague Dan Austin.

Rushmore is an authentic & organic hand-drawn script font . every single letters have been carefully crafted to make your text looks natural flow. This style is perfect for branding, photography, watermark, quotes, blog header, poster, wedding, Rushmore Featuring a tons of ligatures and alternate. Supports Western European, Central/Eastern European, Baltic, Turkish, Romanian Language.

Air Crush is a modified font of the previous design, I tried to give it a touch of brush, because it will look very strong and bold, and after finishing this boomb the result, looks very energized and very exotic, very suitable for all kinds of designs, titles, books, movies, t-shirts, and much more

Baturet is a whimsical and playful display font that adds a touch of casual charm to any project. The fluid and organic shapes of the letters give this font a unique, handcrafted feel, making it an excellent choice for creative designs, branding, and projects that require a touch of personality. Whether you're working on invitations, posters, or any other design where a playful vibe is desired, Baturet is sure to bring joy and a sense of fun to your typography. **Uppercase

Shows Gracious is taken from the word luxury that underlies this font, a classic theme with a subtle touch in every node of the alphabet, although classic, this font is highly recommended for designers, because of the classic design trend but not too far from ancient when used today. has several ligatures and alternatives that can add to the uniqueness of your design, very suitable for use as logos, branding, headlines, magazines, wedding cards, and others.

This growing family of friendly faces is based on the typeface Bravour, designed in 1913 by Martin Jacoby-Boy for the D. Stempel AG foundry in Frankfurt am Main. The wide stance and very large x-height shared by the family members makes them warm and inviting, and equally suitable for use in headlines or text blocks. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Once upon a time (a.ka. 1984), there was a Goth band who called themselves "Hemingway's Shotgun." As a symbol of his commitment to this band, the bass player acquired a tattoo of a shotgun on his forearm. Unfortunately, this tattoo wasn't very well drawn: the barrel was much too short, and was much thinner at one end than the other. The tattoo rather resembled a small, cordless, rechargeable hand-held vacuum cleaner. Thus, the band "Hemingway's Dustbuster" was born.

Manufactory JNL and its oblique counterpart were re-drawn from examples of a now-antique typeface used within many advertisements found throughout the pages of The American Stationer magazine, circa 1879. The term ‘manufactory’ was popular during this era; the word being a more archaic form of ‘factory’. There is a bit of Western flavor to this type design, as the spurred serifs and the top and bottom strokes are heavier than the vertical and mid-point stroke weights.