Frederic W. Goudy originally designed Pabst in 1902. This lettering was used by the Pabst Brewing Company for their promotional materials. It was later developed into type for ATF. Goudy later licensed Pabst Oldstyle to the Lanston Type Library. Lanston Pabst Oldstyle features several differences from the more familiar ATF version. Some caps are narrower while some lower case characters are wider than the ATF version. The descenders are also shorter in the Lanston version. Logotypes of italic words and, of, and the are included as originally designed as well as ligatures including the unusual tt ligature.

Hi Designers. Everyone will try these soft and sweet typography at least once. All the angles and sharpness are transformed with soft and smooth. Each of these 18 styles has a unique personality and can be combined to showcase the designer's emotion more smoothly. Here is the advantage of being able to stay new without being bored. Of course, it can also be used in typography design for kids. And these soft styles include the following Ligatures. - La, Le, Lo, da, de, do, fi, fl, me, mo, mu, ne, no, nu, ta, te, th, to, tt

Jealousy Heart is a script type family of four fonts. It is inspired by Lovely Fonts and has a soft and welcoming look. Jealousy Heart can be used for branding, packaging and wherever you need a script font that is easy to read and smooth. Jealousy Heart has many ties, strokes, and alternative characters that will make your designs unique and beautiful. You can also purchase Jealousy Heart as a Font Family and adjust the weight of Jealousy Heart seamlessly between Italic and Bold weights. Note that you need design software that supports the Font Family. Thank You...

Introducing Nusara, the contemporary sans serif font that's taking the design world by storm. With its classic typography and modern twist, Nusara is the perfect font for designers who want to make an impact. Whether you're creating text or display materials, Nusara is versatile enough to handle it all. Nusara is also incredibly easy to read. Its clean lines and well-designed characters make it a breeze for your audience to read your message. And because it comes in nine weights—from Thin to Black—with matching italics, you have plenty of options when it comes to customizing your design. Whether you're creating a website, a brochure, or a social media post, Nusara is the perfect font for the job. With its contemporary look and feel, and its classic typography roots, it's a font that's sure to make an impact. So why not add Nusara to your design toolkit today? With its versatility, readability, and nine weights to choose from, it's the perfect font for all your design needs.

Developed from the STP Display Cyrillic, the STP Stencil Cyrillic Typeface follows the same characteristic premise as its sister, in addition to composing the same number of Cyrillic and Latin characters. What distinguishes them it’s that the STP Stencil Cyrillic can be applied more easily anytime, anywhere, increasing the possibility of being used in a more craft and artistic way. Since it has characteristics of a stencil font, it brings a more urban and contemporary look, which makes ideal to use it in public spaces with large circulation of people. In addition, wayfinding, architectural, advertising, packaging, posters, among others projects, are a good request for STP Stencil Cyrillic show its vigor and all its beauty. The STP Stencil Cyrillic is a modular feature source, perfect to use it in major event signaling projects or similar. It can also be useful in any demands that requires improvisation and quick solutions. The STP Stencil has very expressive forms and counterforms, but still counts with the practicality of a stencil source and its infinite possibilities of use.

Melodi is the result of years of working with hand made types on my designs. Every time I draw the letters and words that I need for every design piece. One day I decided to go serious and make a real type of it and “Melodi” is the result of this work. It’s a calligraphic font, built using a regular stroke, and carefully crafted to have nice joins between all the letters. It has some playful but stylish capitals that brings lot of personality to the font. It work super nice either in lowercase writing as in all-caps texts. It looks specially good on lists of words or small sentences. Melodi is a playful but very versatile font, it can be used in lots of different scenarios. From creating a logo, writing the tittles of a catalogue or use it in a poster combined with other types (it work really well as counter point of more classical types) to motion graphics animations or advertising work. It can be cute but it also can do hard work!

Cloveron Media unveils its first serif font that goes beyond the formal nature of typography. It celebrates the artistic expressions of graphic designers within themselves. The Name Mary Anne Remulla is the Master Designer behind the Enchanter Font. She aims to make graphic designers filled with delight and enjoy typography with its extensively artistic alternates and multilingual characters. The Font Style The serif style, known for its formal touch to typographic design, infuses the font with its professionalism as its regular. Using its middle alternate adds a hint of unique touch without losing the serif style's essence. The Enchanter font's start and end alternates are the designer's illustrations of design balance, which elevates its charm and enticing nature that adds to its overall artistic power. "I am fascinated by art and so by design. A font with alternates was my great revelation that I can do typography artistically, enthusiastically, and with freedom. I later found myself fascinated and lost in paper space, which then ended up that I completed my first font creation with extensive alternates for each letter." - Mary Anne Remulla

Because we know that you will never get tired of using them and that you will always need a new tool for Identity Design, we created Identa. Conceived to translate corporate and humanist ideals in its typographic form, it seeks a dialogue between neutrality and contemporaneity. With a pragmatic attention to functionality that does not forget aesthetics. It is a Sans serif model, accessible and well-founded. All-terrain, workhorse that seeks to be reliable and durable. It solves any type of content with efficiency, intelligence and professionalism. Its clean forms and x-height make it a very competent face for both short identifiers and long text bodies, ideal for display use where legibility and personality must match new design needs within a company. It is available in eight styles, ranging from its White version to the darker Vantablack, each optimally set with its respective italic variables, and a Dingbats font designed to solve everyday cases. Each font contains 737 glyphs, macro and micro aesthetic details inspired by current visual communication systems and trends. The dingbats font includes 303 signs and is a set of icons and symbols that can be used in multiple environments, both for print and digital media. This typeface family seeks to meet the needs of brand designers looking to create an assertive appearance, whatever the case. It is a solid and self-confident typeface, without appearing overly constructed; on the contrary, its nuance makes it look fresh.

Comenia Sans was designed in the framework of a unique typographic project for all types of schools. It is a complementary face for Comenia Serif, released by our friends at Storm Type Foundry. Comenia Sans has a lot in common with its serif sister: the height of both upper and lower case, the length of ascenders and descenders, and the general weight. This makes the two perfect partners which work well even when set side by side in a single line of text. Comenia Sans does, however, lack all serifs, ornamental elements and stroke stress variation. All these elements freshen up the feel of long texts, but for shorter texts use, they are not necessary. Despite that, Comenia Sans retains the soft, friendly character of its big sister, as well as a few tiny details which lend it its unique character without compromising legibility or utility. Open counters give all letters an airy feel and permit enough variation in construction. This is why the face works well even in multiple-page texts. All its letters are easily distinguished from each other, so the reader's eyes are not strained. Diacritics and punctuation harmonize with both upper and lower case. As usually, all diacritical marks fully respect conventional shapes of accents and they are perfectly suitable for Czech, Slovak, Polish and other Central European languages, where a lot of diacritics abounds. Similarly to the renaissance italics which refers to the cursive forms, Comenia Sans introduces novel shapes of some characters drawing from the hand-written heritage. This is most apparent in the single-bellied a, the simplified g, and the stem of f which crosses the baseline and ends with a distinct terminal. In the text, emphasized words are thus distinguished not only by the slant of letters, but also by the shapes of the letters themselves. All twelve styles contain set of small caps, suitable for the names, in the indexes or the headlines in longer texts. Legibility in small sizes under 10 points was at the center of designers' attention, too. This is why the counters of a, e and g are large enough to prevent ink spread in small sizes, both on-screen and in print. After all, the font was specifically optimized for screen use: its sober, simple forms are perfectly fit to be displayed on the computer screen and in other low-resolution devices. When used in the context of architecture, the smoothness of all contours stands out, permitting to enlarge the letters almost without limit. A standard at the Suitcase Type Foundry, each style of Comenia Sans boasts a number of ligatures, an automatic replacement of small caps and caps punctuation, a collection of mathematical symbols, and several types of numerals which make it easy to set academic and other texts in an organised, well-arranged way. For the same purpose, fractions may come in handy, too. Apart from the standard emphasis styles, the family also contains six condensed cuts (each set has the same number of characters), designated for situations where space is limited or the need for striking, poster-like effect arises. Comenia Sans is the ideal choice for the setting of magazines, picture books, and navigation systems alike. Its excellent legibility and soft, fine details will be appreciated both in micro-typography and in poster sizes. Although it was designed as a member of a compact system, it will work equally well on its own or in combination with other high-quality typefaces.

Presenting Bones Stone! A Bold Script Font with more than 9 Alternates and Extra. This font made with the perfect combination of each character. You can type by Mix & Match with an alternate version and extra swashes to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Bones Stone looks Authentic on design projects. So, Bones Stone Font can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, logotype, product packaging, etc. Besides that, Bones Stone also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ff, tt, and ll. WHAT'S INCLUDED? 1. Bones Stone Basic • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Bones Stone Stylistic Alternate • The Second version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Bones Stone Stylistic Set • It comes with 12 stylistic glyphs. Just access using Opentype Tools. 5. Bones Stone Swash • It comes with 47 underline swashes. Just type c_1 until c_47 to feature all. Enjoy the Font and Happy Creating! Thank You Azetype Studio

Presenting Alingtone Font Duo! A Display Font with 2 Versions, Alternates, and Extra. This font made with the perfect combination of each character. You can type by Mix & Match with an alternate version and extra swashes to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Alingtone looks Versatile on design projects. So, Alingtone Font can't wait to give its touch to all your design projects such as quotes, poster design, retro design, vintage design, business, advertisment, personal branding, promotional materials, logotype, product packaging, etc. Besides that, Alingtone Script also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ee, ll, oo, ii, nn, yy, ff, rr, tt, and ss. WHAT'S INCLUDED? 1. Alingtone Script • The First Version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Alingtone San • The Second Version comes with ALLCAPS, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Alingtone Script Alternate • It comes with uppercase, lowercase, numeral, punctuation, and symbols. 4. Alingtone Swash • It comes with 21 underline swashes. Just type c_1 until c_21 to feature all. Enjoy the Font and Happy Creating! Thank You Azetype Studio

Baker ST is all caps type family. The family includes 5 styles, from regular to decorative, and includes multi-language support. The decorative uppercase is a bit different to the lowercase.

Mystery Writer JNL is based on the hand lettered title from the cover of a 1947 issue of “Ellery Queen’s Mystery Magazine”, and is available in both regular and oblique versions.

Cuivrerie is a free interpretation of relatively common lapidary inscriptions in Burgundy. Letters fit together. Thus the engraver gains room and we lose legibility. No matter, we have forever to read !

BoldAyres is the heavy version of my Ayres Royal that was inspired by famous calligrapher Ayres and a little bit by a Bavarian King. Your lover of Blackletter typefaces, Gert Wiescher

Sweet, charming and full of authenticity: Harleyquin is a one-of-a-kind typeface with a personal feel. Use titling to give different letter effects, making your project even more elegant!

Lost Land is a horror hand drawn font. The font made for cover design, logos, headlines, apparel design, magazine titles etc. Font includes multi-lingual and currency support, numerals, and punctuations.

The bold serif hand lettering found in the title and credits of the 1961 film “Judgement at Nuremberg” inspired Legal Brief JNL, which is available in both regular and oblique versions.

Designed by Ewen Prigent, Shaking is a set of four expressive hand-crafted titling typefaces ideal for packaging, posters, children's books… and many other media! Shaking one, two, three and four!

A unique semi-sans-serif font specifically designed for all texts in a variety of applications. Recommended for posters, titles, book covers, greeting cards, signage, packaging, invitations, magazine articles and advertising.

A bold typeface with very very extensive cap height, and short descenders. Poster 1492 is suitable for headlines, titles, newspapers, magazines, and advertisements. Poster 1492 is an OpenType/TTF Unicode font.

Osake is a Japanese style decorative font, created by using a brush pen. This font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Mattiface is a modern handwritten font, perfect for both formal and non-formal designs. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Subtle slab serifs and distinctive hooks of this square ultra light type face will add a bit of elegant feeling to your sweet designs. Masherbrum Slab looks better in larger sizes.

The opening movie titles from the 1940 musical comedy “Strike up the Band” (starring Judy Garland and Mickey Rooney) inspired Bandmaster JNL, which is available in both regular and oblique versions.

Re-drawn from a screen capture of a vintage newspaper front page, Late Breaking News JNL is a traditional sans serif that's perfect for headlines, titling and other forms of announcements.

Bastian is a modern handwritten font, organic, dynamic and energetic sytle.Can used for various purposes. such as the title, signature, logo, correspondence, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc.

Solid Serif JNL adds tiny serifs to the letter forms of Parkitecture JNL and changes the look and feel into an Art Deco Roman face for display, titling and period pieces.

Pour ceux qui souhaitent utiliser la famille de fontes Natom Pro en version variable, cette famille se décline en 3 fichiers avec la Roman, la Roman italic et la version Title.

Lagoena Font was designed by Zainul Faozi from San Studio. This was inspired by road markings. This font fits on any project You make, on posters, logos, ads, banners, and more.

A 1949 piece of piano solo sheet music entitled "Playing Jacks" contained the title beautifully hand-lettered in a stencil-like alphabet. Finery JNL is the digital version of this design.

Nagarawa is an Asian style font, very suitable for various logotypes for Asian nuanced products, such as Asian food, martial arts clubs, music, novel and comic titles, apharel clothing and others.

An entertaining typography, dense but at the same time very gestural. "Ding" is a sans font that contains different alternatives of letters, a Cyrillic alphabet and Dingbat, special for children's titles.

Down With the King is a very bold all caps font best used for large titles, headers and logo work. The lower case letters have rounded edges for a softer feel.

Heart Doodles Too is the follow up font to Heart Doodles . This one is a bit fussier and fancier and more detailed. 41 hearts for all your Valentine and Wedding needs.