Valorica is a modern design with a vintage feel. A monoline display font that combines classic & modern styles. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: OTF Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Mogicka is a classic bold serif font with a stylish shape, It has both a modern and retro look. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Fukoya is a bold font with a soft and confident impression, modern with a clean touch. This font is good for logo design, social media, movie and book titles, short text, even long text letters, and good for your secondary text font with the script, sans, or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternates & Ligatures PUA encoded We recommend programs that support OpenType features and the Glyphs panel such as Adobe applications or Corel Draw so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing Elderich is a modern gothic typeface. Strong and geometric with a fraktur style inspired by the blackletter concept. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script, sans, or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing **Dafilea** font, a lightweight elegance in romantic curves with a glitchy and fluid aesthetic. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with the script, sans, or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Geofota is a bold and heavy modern style font inspired by urban street culture. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing Kalvier a horror display font for your Halloween project with sharp and spiky style. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Rieskeda is a luxurious and elegant font influent by both classically elegant and modern. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script, sans, or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Proudly introduce our new font Bogemian decorated with geometric elements inspired by the Boho style. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Nosta is a modern text typeface. It was designed to be easily legible and therefore expressly suitable for setting sizeable lengths of continuous text such as magazine articles, books and essays. It achieves this through, amongst other things, finely balanced proportions, optimal character spacing and an adherence to predictable letter forms. Despite this, however, Nosta manages to retain a contemporary look and feel by using a variety of modern type design devices such as the efficacious wedge serif. The italic avoids using too many of the cursive elements that are often found in traditional italics and has only a modest slant, giving it a modern look that does not overly disrupt the text while still providing emphasis. While designed for continuous text, Nosta can also be used as a display face, making it a good all round typeface, suitable for many applications.

At first glance, Burgstaedt Antiqua looks like an old typewriter face, or rather like a typeface from a typewriter that has gone hopelessly wrong! Only after your second glance will you see this font for what it really is - a thoroughly new text face. Several features of Burgstaedt Antiqua, and its companion italic face, are worth special attention: First, the terminal styles of the letters vary throughout the alphabet. This gives text set in Burgstaedt Antiqua a slightly jittery feeling. A second interesting feature is the lowercase q", which takes the form of a shrunken-down uppercase "Q". Burgstaedt Antiqua Regular and Burgstaedt Antiqua Italic may be used in both text and headlines. For use in text, we recommend employing a slightly larger point size (12 pt or 14 pt and above). British designer Richard Yeend designed this family in 2002.

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

A bold powerful design with a bit of Latin flare, great for headlines yet suitable for text.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text.

Derived from old signage, this serif font is unique and readable in titles and text as well.

Lefferts JNL is a wide, light type face type with a square shape. Perfect for formal text.

Sans serif typeface with calligraphic features and outstanding contrast between curve and line designed for small text.

A revival of one of the popular wooden type fonts of the 19th century; suitable for text.

A contemporary design can be used in all applications from text to Headlines. Very clean and readable.

Since better (larger) text samples were available for Thomas Versalien, this font is closer to it's original.

A revival of one of the popular fonts of the early 20th century, suitable for light text.

A revival of one of the popular wooden type fonts of the 19th century; suitable for text.

Inspired by old manuscript serif font, this low contrast font makes it high legible for long texts.

A revival of one of the popular of the early 20th century fonts, suitable for bold text.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text.

Botanica is a 100% brush written font family with inky texture that was inspired by modern trends in brush lettering and design. The fonts look good both together or separately and possibilities are only limited by your imagination. Two types of initial and terminal swashed makes the Script font a good companion in wedding invitations design.

Proudly Presenting, Rumini Namamu a Handwritten Sans Textured Rumini Namamu is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Rumini Namamu also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Introducing vintage label font named Happy Trip. This font has a wide languages support with west european and cyrillic characters (check out all available characters on previews). The font familty has six styles: Regular, Aged, Texture, Outline and three colorful styles. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Black Willow - is Hand Brush with rough and textured inky. Its has urban, vintage, cool styles and modern look makes it a fantastic choice for fashion, signature, album covers logos, branding, magazines, social media posts, advertisement, and many more. Use this display font to add that special cool touch to any design idea you can think of!

Blossom Riviera is the perfect brush script font for giving your projects a natural, handmade feel. With its cool, awesome texture, it's perfect for creating beautiful, unique logos and headlines. So what’s included : Standard Latin Numbers, symbols, punctuations and ligatures Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!

Developed by Andrea Tartarelli as an extension to Calvino typefamily, Marcovaldo is a heavy condensed wedge serif, optimized for display design. The high contrast and rich texture of the old style letterforms marry digital aesthetics in a typeface that is at the same time impactful and refined, with its nod to the Elzevir and DeVinne tradition.

If you're searching for the perfect beat, let us guide your soul deep into the abyss. Reach higher ground with the ambient textures and boomboy shredder baseline of this funky dope font created by our digital chemist and cerebral craftsman, John "JG" Roshell. Rave un2 the joy fontastic. Rain or shine, you are covered, see you on the dancefloor.

Maghrib Calligraphy typeface is the new font in our collection. This font contains two versions, one clean and textured style and is having a lot of additional swashes. Maghrib is ideal for logos, badges, clothing, product packaging, headlines, T-shirt/apparel, posters, or anything which needs a calligraphic touch. If you have any questions, don't hesitate to contact us.

The Macksen is a new, bold script font which has two styles: Clean and Textured. With those kind of styles, The Macksen will give your designs a vintage and classic look. The Macksen is great for logotype, branding design, logo design, digital lettering arts, t-shirts/apparel, posters, magazines, signs, advertising design, and any vintage design needs.

The three Script fonts: Brush Pro, Ballpoint Pro and Calligraphic Pro were derived from the original Ballpoint design. A custom Brush and Calligraphic texture was added to complete the family and twenty-two clip-art illustrations were created for each style. The 3-font package with illustrations is available in the Buying Choices of any of the three fonts.

Sinami is a chic handwritten font. The authentic texture makes it a perfect choice. It has a bold classic calligraphy look making it perfect for branding and digital designs, logos, invitations, business cards, web, Instagram, social media, quotes, prints, wall decor, Branding projects, and more! Whats you get: Works on PC & Mac Simple installations Supports multilingual

Hansel is a slab serif with 2 styles rough & textured, which can be nicely applied in various products. Complete with multilingual characters and stylistic alternates. It is suitable for quotes, clothing design, vintage logos, labels, posters, packaging and other designs. Features (PUA Encoded) : - UPPERCASE. - LOWERCASE. - MULTILINGUAL. - PUNCTUATION & SYMBOL. - STYLISTIC SET. I hope you enjoy and thank you.

Proudly Presenting, Captain Washington A Textured Brush Font. Captain Washington is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Captain Washington also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!