Thystle is a "font for all seasons". It has six styles ranging from fine to in-your-face, from delicate mono-weight pen strokes to fully calligraphic lines, from delicate, narrow characters to bold, powerful statements. Characteristically, all the styles abound with Anton Scholtz's energetic "creative common" style - extravagant capitals, clear characters, and bursting-with-life swashes. Three Thystle styles are calligraphic. You can use: - Regular for invitations, poems, greeting cards and body text - Black for swing tags, music media, menus and sub-headings - Fat for posters, book covers and headings Three Thystle styles are monolinear. You can use: - Mono1, which is both delicate and condensed in width, for invitations, poems, greeting cards and body text - Mono2, which is of medium weight and condensed in width, for swing tags, music media, menus and sub-headings - Mono3, which is heavier and of standard width, for posters, book covers and headings. Opentype features include alternative upper case characters, as well as a number of ligatures. (These can be used in applications that access OpenType features.) Thystle contains over 283 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters for both Text and Display caps). It has all the accented characters used in the major European languages.

Frutiger® Serif is a re-envisioning of Meridien,a typeface first released by Deberny & Peignot during the 1950s. Working closely with Adrian Frutiger, Linotype's Type Director Akira Kobayashi expanded the original metal type version of Meridien into a new digital family of 20 variants. Renamed Frutiger Serif, this up-to-date Meridien has new weights, widths, and styles that correspond better with several other of Frutiger's designs. Just as Meridien has always been a fine choice for text settings, Frutiger Serif works brilliantly for large amounts of text & also at small point sizes. With its many weights and styles, this family is strong enough for most typographic projects. However, its added versatility is revealed when used in combination with other fonts. Frutiger Serif works well with the original Frutiger, Frutiger Next, and Univers - just to name a few. Paring these serif and sans serif families together is perfect for creating complex hierarchies and clear information design. Working with complicated typographic systems - involving elements such as headlines, captions, pull quotes, multilingual text, etc - is made easy by selecting Frutiger Serif and another of Frutiger's sans serif families. The designer needs simply to mix and match different weights and styles for the various textual elements to create smart and innovative layouts.

Improved kerning of the Updated Version of 2020 - New Features: • Cyrillic language support • Bulgarian Localization • Completely New Nexa Text subfamily • New ExtraLight weight with a corresponding italics • Stylistic Set suitable for Display purposes - ss02 • Tabular Figures Even the most recognizable typefaces of our time, such as Nexa, should be updated sometimes. We proudly present you with the latest upgraded version of the notorious geometric sans serif. The completely refined family design comes with an addition of one more weight—Extra Light—and its matching italic, alongside an entirely new subfamily—Nexa Text, optimized for longer text, and even a futurist stylistic set of Nexa for an alternative display look. The outcome is altogether 9 weights and 36 fonts! The glyph case now covers not only an improved Extended Latin but a new set of Cyrillic with adequate language localization. The fluent functionality of Nexa is achieved with multiple OpenType features, such as case-sensitive forms, contextual and stylistic alternates. The standard numerals set encompasses tabular figures and symbols, superiors and inferiors, numerators and denominators, plus fractions. The unique appearance of Nexa combined with rich variety places it beyond the scope of regular geometric typefaces for all kinds of scales and purposes and designs that speak for themselves.

Jantar Sharp is a text family with flared terminals that eludes the catego­ries of serif or sans. Its most recognisable features are taken from both styles to achieve proper design and high legibility standards. Jantar Sharp performs especially well when used for continuous reading including texts on web platforms. Its personality lies in the flared stroke endings and certain details which make its shapes neither sans nor serifs. Rather than following any particular historical model, it picks up elements from various periods to achieve an organically dynamic look which is entirely compatible with the reading process. Jantar Sharp Italic makes a nice contrast, though the pace and proportions are not drastically different from the upright. This allows for effortless reading of longer passages of italicised text. Jantar Sharp – as well as its teammate Jantar Flow – has been designed in seven weights from ExtraLight to Heavy, all with accompanying italics; it has a tabular and proportional set of figures in both old style and lining options are included together with a special set of hybrid figures sitting between x-height and capitals. Superscripts and subscripts are provided together with a vast collection of diacritics covering all European language and a set of case-sensitive characters.

Felice is an elegant serif font family. The humanistic touch gives a warm aspect to this complete text font. Those italics are perfect to give a refined look to text. Felice consists in a 10 styles family, from Light to Black with their italics. Each font includes Small Caps, OpenType Features such as Proportional Figure, Tabular Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Fractions and many ligatures. The ligatures are a good feature to make an original and creative layout. The range of styles provides flexibility for text and title. Felice family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afar, Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Redshift is sans with 12 upright weights and 12 oblique weights. Its a soft edged, spaced out offering from Rocket Type. It supports most extended Latin languages including English, Spanish, French, Italian, German, Polish and Portuguese. The name redshift means the displacement of spectral lines toward longer wavelengths (the red end of the spectrum) in radiation from distant galaxies and celestial objects. The original concept behind the font was that I wanted to create a massive heavy sans which would give the sense of tranquility within the user not unlike watching an object float through space. Redshift was designed by Dathan Boardman during 2016. Strongly rooted in the tradition of other notable geometric sans faces however much attention was paid to create a soothing experience for reading both large and small bodies of text. Each letter was painstakingly modified for optimal readability and warmth. Redshift was designed with the intent to create the ultimate bold header font. From there I wanted create the lighter weights to be readable when set within large bodies of text. Redshift works great for body headers & text as well as for logo design. It looks great juxtaposed with any number of other Rocket Type Fonts.

Kennerley Old Style was designed by Goudy for publisher Mitchell Kennerley in 1911. Goudy described it as a "book letter with strong serifs, firm hairlines, and makes a solid, compact page." One of Goudy's best text faces, Kennerley is considered an original American classic as it is not based on historical type designs.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Braveold is a serif font family with swashes, making it multifunctional. It is inspired by classic and retro fonts in the 70 and comes with 5 weights which can be selected for body text or headlines. Alternative swashes will be an attractive choice, so that your project becomes more beautiful and dynamic.

Searching for some company? Beat Boy is ready to take action - He wants to put that beat to your designs. I am not sure which category Beat Boy fits in...is it graffiti? Comicbook text? Something for candy labels? Cute posters or hardcore skater flyers? ... the purposes of use could be many!

Firstland-Handwritten Fonts have many alternatives that give you the possibility to make your text almost handwritten with all the imperfections and captivating variations that the original handwriting has. Firstland will work perfectly for fashion, brand e-commerce, blog trends, boutiques, store brands, logos, weddings or any business that wants to look luxurious.

One of the guys is a simple, highly legible, mono lined comic book font. Simple, yes, but full of personality! Use it as it is, or spice up your text by using the extra layer. The extra layer could be ghouly slime, birthday cake cream, snow or whatever your imagination figures out!

Futurist typeface from the programming era, Plau is a sans-serif with rounded corner personality and interestingly deliberate lettershapes. Comfortable in headlines, reads surprisingly well in longer passages of text. Includes the following OpenType features: OT All Small Caps, Small Caps, Fraction, Proportional/Tabular Oldstyle and lining figures, subscript and superscript numbers.

English by influence with an American disposition and modernist details, Steady Sans is a blend of styles from multiple eras. Decidedly expansive letterforms make for an overall lively presence. Fluid italics, multiple weights, and alternate forms provide a variety of tone for headline use and solid construction works well for text settings.

Futurist italic typeface from the programming era, Plau is a sans-serif with rounded corner personality and interestingly deliberate lettershapes. Comfortable in headlines, reads surprisingly well in longer passages of text. Includes the following OpenType features: OT All Small Caps, Small Caps, Fraction, Proportional/Tabular Oldstyle and lining figures, subscript and superscript numbers.

A font based upon my own handwriting (when I am concentrating and making each letter legible!) Very suitable for anything that needs a handwritten feeling. I've added 4 (slightly) different versions of each lowercase letter, and that really helps making your text look more like real handwriting rather than "just a font"

Kianda typeface was created as a non-classic, sport logo typeface. Now it has only one style with Latin and Cyrillic uppercase, numerals and punctuation. Almost every letter have 3-4 alternates, which allows you to feature stylish text for your logo. Also this typeface works good with short slogans, packaging and more.

Jindo font family consists of 16 fonts in total. This family consists of 8 weights and matching italics, and supports a number of OpenType features. Its characteristic wide shape makes the text more legible and readable at small sizes. Recommended for magazines, posters, websites, editorial design, and various range of design works.

Nekst is geometric sans-serif. So it can only seem at first glance. Non-standard forms of some letters, behave unexpectedly and eccentric in a text line. It’s add notes of old grotesques and futuristic aesthetics to the modern-nordic image. Nekst font family includes seven weights supporting Cyrillic and extended Latin.

Ouch! Bishops Stinger is a unique isometric display typeface, perfect for bold headlines and logotypes. The blunt serifs and terminals that appear on select letters help ground the faced-paced look. When used for a block of text at smaller sizes the style resembles old script writing but with a retro futuristic twist.

MD Grotesque is sans serif font family with a modern and minimalist feel with high readability. It’s extremely versatile and can be used for a big variety of design projects. Perfect for any simple text. It comes in 3 weights and its matching italics. Each style includes Latin and Cyrillic character set.

Mecatoque is a sharp, futuristic display font and works best in text and display applications, such as posters, headline, magazine, logos and titles. Mecatoque font has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for Mac and PC, in Open Type, PostScript or TrueType.

We were quite often asked to create heart font with modern letters, stepping back a little from a calligraphic look (Hi, Sophia Ronald!) Palm Honey beautifully works for modern wedding stationery projects. Palm Honey has beginning lowercase, ending lowercase, connecting heart lowercase alternates. You can test your custom text in the box above!

Andesta in a beautiful handwritten style with a touch of love style. Equipped with 391 glyphs Andesta is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything else that needs a touch of elegance.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Witchcraft is a classic Roman font in three weights and corresponding italics. The ‘v’,’w’,and ‘y’, use the old style join at the top reminiscent of Georg Belwe’s Roman design “Belwe”. The large x-height makes for a powerful headline font but excellent for text setting especially in the lighter weights.

If John Baskerville had been born in Seattle in the 1960s his type would have looked like Nirvanium: a wide, extended body with chunky Dr. Martin serifs, an assertive inelegance and a sense of rebelliousness. It�s a display face, too big, too chunky and too rambunctious for text, but always friendly.

Hatmi White is an elegant handwritten font. Every single letter has been carefully crafted to make your text looks beautiful. This modern script will be perfect for many different project such as photography, watermark, quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. Hatmi White has Multi-lingual support.

Courtney is a display font, unicase, with thick and irregular strokes. It contains a varied set of ligatures that makes Courtney a very dynamic font, ideal for short texts, magazines, logos, etc. It also possesses a large amount of connectors like for example: and, the, by, among other, designed to complement the font.

Inspired by food labels, signs and coats of arms, PR-Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. There are several sets of glyphs which work together to make a variety of shapes, or banners of custom length.

Spectre is an allcaps display font. With bold and sharp shapes, this font is able to bring a fierce and bold impression to your designs. Spectre is perfect for editorial projects, Logo design, Music Album, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Youthfully energetic, this unique typeface looks like it came straight from the hand of a skateboarding teenager. The quirky strokes and unrestrained characters convey the essence of early adolescence like no other font you will find. Perfect for children's books or publications appealing to an adolescent audience or for texts portraying unbridled youth.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

When it comes to packaging or friendly logotypes, subtle designs are never enough. Avellana Pro is a bit wild but also smooth and creamy for that ultimate client seduction. From headlines to small text, the possibilities are endless with versatile new font. The majority of Latin languages are covered in this Pro version.

Inspired by the excellent serif fonts of the Basel printer of the 15th and 16 Century, Christian Mengelt designed the Mengelt Basel Antiqua. The typeface is a Renaissance Antiqua with stylistic reference to the historical model, but with the technical and typographic qualities of a modern text typeface with excellent reading quality.

Barricada is a loud-voiced typeface with small counters that gives an interesting strong weight. Moreover, it has a solid structure providing strength. Its curved serifs and swashes give a touch of softness and make the letters a little playful. This is the right option to set a fresh and solid text.

Holokai Typeface is a category of typeface specifically designed for use in larger sizes, typically for headings, titles, logos, and other prominent design elements. Unlike text or body typefaces, which prioritize readability in smaller sizes for extended reading, display typefaces are crafted to make a visual impact and convey a distinct aesthetic

Daragie is a feminine vintage typeface with beautiful alternete, tons of special , ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Diotima was designed by Gudrun Zapf von Hesse in 1948, the italic even earlier, in 1939. Diotima is a festive font particularly well-suited to invitations, programs and poems. The delicate italic draws attention to text which should be emphasized. Zapf von Hesse’s Ariadne Initials and Smaragd are perfect complements to Diotima.

Oksana Sans Narrow is a space-saving addition for Oksana Sans Roman faces. In six weights from Thin to Heavy it works well in long as in short texts. Supports Western, Central, Baltic Latin and European Cyrillic codepages. Old-style digits, some ligatures, alternative characters and Ukrainian hryvnia sign are also included.