Here comes a New font, Golga is Unique Bold Display Font this is strong Font, that is written casually and quickly amazing. Then crafted carefully drawn into vector format. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc.It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.this font is great for your creative projects such as watermark on photography, and perfect for logos & branding.

The symbols in ITC TotSpots include everything from a child's life, except maybe the mess. In this font you'll find diaper pins, alphabet blocks, teddy bears, and even an inchworm-everything a digital baby would need. Polish-Canadian designer Victor Gad has specialized in editorial illustration, and also has extensive experience in poster design. These illustrations maintain his original sketchbook quality, despite being digital renderings. ITC TotSpots offers a clear, new style of symbols, which might be the perfect fit for your next project!

Introducing the new font Roxie rossa Ligature Sans serif!!! Roxie rossa is a modern and elegant Sans serif font. This font is modern and nostalgic and is perfect for logos, magazines, social media. It's matched and ready to be used together for your next design! For those of you who need a touch of elegance, style, classy, ​​chic and modernity to your designs, this font was created for you! Roxie rossa is built with OpenType features and includes ligatures, alternatives, numbers, punctuation, and also supports other languages.

Hello Everyone, introduce our new product font Nutshell is a Natural Handwritten Brush Font with a natural style and dramatic movement. Crafted manually with love and passion, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. Every glyphs are made with Procreate. Then trace down into a vector format, and carefully crafted into a typeface. That is why Nutshell has textured,cool, authentic and strong characteristic more natural look.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 2 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 2 contains 144 fonts. Families included in Volume 2: Hype 0200, Hype 0500, Hype 0800, Hype 1100, Hype 1400, and Hype 1700. If you would like to complete your collection be sure to view and purchase Hype vol 1 and Hype vol 3. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 3 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 3 contains 144 fonts. Families included in Volume 3: Hype 0300, Hype 0600, Hype 0900, Hype 1200, Hype 1500, and Hype 1800. If you would like to complete your collection be sure to view and purchase Hype vol 1 and Hype vol 2. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 1 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 1 contains 144 fonts. Families included in Volume 1: Hype 0100, Hype 0400, Hype 0700, Hype 1000, Hype 1300, and Hype 1600. If you would like to complete your collection be sure to view and purchase Hype vol 2 and Hype vol 3. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

Hanna has its roots in the Plato and Cilantro fonts published earlier by Wilton Foundry. It is an informal roman and very legible at any size - a rare combination for many applications. Hanna was specifically designed to generate additional income for an orphanage in Ethiopia. Hanna Teshome runs an orphanage of roughly 140 children in Addis Ababa, Ethiopia. She is an amazing lady with a deep passion for orphan kids as well as innocent kids that find themselves in jail because their mothers have been imprisoned - they are treated as prisoners and are typically sexually abused - it is not uncommon for them to commit suicide when they are released from jail at age 18. Most of the orphans end up with Hanna because one or both of their parents have died from AIDS. Hanna relies entirely on donations to keep her orphanage running and this font is a small but tangible way for you to help make a difference in the lives of the orphan kids. I am committed to helping Hanna after visiting the orphanage several times and seeing the jails from where the kids have been rescued. Hanna is my hero because she stepped out of her comfort zone, with no financial support, to take care of the kids. My hope is that you will use this font as a messenger of good. All of Wilton Foundry royalties for this font will go to the support of Hanna’s orphanage in Ethiopia. Thank you in advance for your support on behalf of Hanna and the kids!

In B-movie awesomeness, Air began as Grotesk vs. Grotesque. I was trying to unify the prevailing traits of German and English Grotes(que/k)s in order to make something different but familiar. I am NOT trying to reinvent Helvetica (snore), so get that out of your system. From the onset, I intended this typeface to be a true workhorse that offers infinite options and flexibility for the user. At its core, it is the maturation of the Aaux Next skeleton I developed years ago. I worked out Aaux Next to settle my issues and love for Akzidenz. With Aaux Next, I strove to be mechanical, cold and unforgiving with it. I was single, young, cocky and it fit. Now I'm married, kids, dog and have found that I've turned into a big softy. When I look at Aaux Next (and have for the past few years) I see another typeface trying to eek out. I wanted it to avoid the trappings of robotic sans, quick tricks and compromises. The typeface’s DNA needed to be drawn and not just generated on a screen — so I set aside a year. I love type. I love working with type. I hate when my options for a slanted complement is only oblique or italic. I set out to produce both to balance usage — there are more than enough reasons to prepare both and I want the user to feel free to consciously choose (and have the option to choose) the appropriate typeface for print, web, etc. That flexibility was central to my decision-making process. The Oblique is immediate and aggressive. The Italic was redrawn at a less severe angle with far more movement and, as a result, is far more congenial when paired with the Uprights. Condensed and Compressed. Yep, why not? I know I would use them. There are nine weights currently available. The logical progression of weights and the intended flexibility demanded I explore a number of light weights and their potential uses — this has produced a number of ‘light without being too light’ options that really work based on the size. The result is a robust 81-font superfamily that is functional, professional, and highly legible without compromising its personality. Pair that with over 900 characters per font that includes ligatures, discretionary ligatures, stylistic alternates, fractions, proportional/tabular lining and proportional/tabular oldstyle figures, numerators, denominators, ordinals, superiors, inferiors, small caps, case-sensitive functionality and extensive language support and you have a versatile superfamily well-suited for any project.

William Morris (1834-1896) was probably the most influential figure in the decorative arts and private press movements of the late 19th and early 20th century. In reaction to the increasing lack of quality that the industrial revolution brought on, Morris sought a return to the ideals of the medieval craftsman. Dissatisfied with the commercially available typefaces of the day, he undertook the design of the fonts for his books himself. The P22 Morris font set features new versions of Morris's famous type designs for his Kelmscott Press. The two main fonts include full international character sets for Western European languages. P22 created MORRIS GOLDEN with a rough edge to simulate the look of printing on handmade paper. There is a more "refined" recent version of Golden, but its sterile digitization does not approach the effect that Morris achieved in his Kelmscott books. You'll notice the handmade effect less in the smaller sizes but will find it quite decorative in the larger sizes. (Morris cut his Golden type in only one size for the Kelmscott Press, approximately equal to 14 points.) P22's version of MORRIS TROY is more smooth than Morris Golden and is true to the original Morris design. It is based on the Kelmscott Troy type (an 18 point font) and its smaller counterpart, the Chaucer type (a 12 point font). American Type Founders made an unauthorized version of Troy, "Satanick," 189?, contrary to Morris's wish that it not be made available commercially.(Legend has it that the naming of Satanick comes from William Morris telling the agent inquiring about making copies of his fonts available to go to hell) Several digital versions of Troy (and Satanick) have appeared over the years. The P22 version offers a much more accurate rendering than any previous version. Morris designed the original Troy font to be spaced very tightly; our version reflects and honors his intention. The MORRIS ORNAMENTS are based on those Morris designed and used in his Kelmscott Press books. Characters in the positions of the letters A to Z are decorative drop cap initials. Characters in the number key positions reproduce other Morris embellishments. (See the accompanying key chart.) As with all headline fonts and complex dingbats characters, this font is best used at larger point sizes (e.g., 48, 72, 120). Use in body text or at small point sizes on-screen may not achieve desired results. P22 is grateful to William S. Peterson, Steven O. Saxe and the Lightsey-Offutt Library who gave invaluable research assistance to this project.

Coco Sharp is the newest evolution of the Coco typographic project, developed since 2013 by Cosimo Lorenzo Pancini for the foundry Zetafonts, with the help of Francesco Canovaro and Andrea Tartarelli. Influenced by vernacular grotesques sign-painting and modernist ideals, and inspired by the classy aesthetic of fashion icon Coco Chanel, Coco is drawn on a classic geometric sans skeleton but applies humanist proportions and visual corrections to key letters with the aim to create a warmer, subtly vintage texture on the page and on the screen. Coco Sharp drops the rounded corners of previous incarnations (Coco Gothic and Cocogoose) to pair the typeface display and logo capability with a sharper definition for text use. As in the other Coco families, a wide range of alternate letterforms allows to express different historical moods, including elegant, quirky and unexpected designs able to transform a simple word in a memorable wordmark. The other peculiarity of Coco Sharp lies in the wide choice of x-heights given to the user, both by providing a variable version and five graded sub-families, that allows designers to fine-control text readability and space usage. Large and XLarge versions provide big and easily readable lowercase letters, perfect for small point size typesetting or bold copywriting; Small and XSmall provide smaller lowercase letters with the elegant proportions of Futura and its modernist eponyms, optimized for display use or for adding a classy flare to body text; the Regular x-height offers a "one size fits all" solution that works both for texts and for display use. Alle the 60 weights of Coco Sharp come with a full set of open type features allowing faultless typesetting thanks to small capitals, positional numbers & case sensitive forms. Use Coco Sharp out of the box as a solid workhorse family or enjoy discovering the limitless possibilities of its 2000+ latin, cyrillic and greek glyphs covering over 200 languages worldwide. • Suggested uses: perfect for modern branding and logo design, editorial design, web design, packaging and countless other projects; • 62 styles: 6 weights + 6 italics x 5 different x-heights + 2 variable fonts; • 2011 glyphs in each weight; • Useful OpenType features: Access All Alternates, Small Capitals From Capitals, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Small Capitals, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Subscript, Superscript, Tabular Figures, Slashed Zero • 220 languages supported (extended Latin, Cyrillic, Greek alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Irish, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük;

Hello Everyone, introduce our new product Font LOST TRIBES is a Rough Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font LOST TRIBES is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste.

Create a fresh and fun design with the Rekix Black font. This elegant font can be used in any project from fashion to editorial work. Add some whimsy and spice to your next design project with this font. This font takes inspiration from the most popular vintage and retro fonts while bringing its own unique character. The letterforms have been carefully crafted to offer an elegant, yet playful feel. With a wide variety of binders and alternatives, Rekix Black brings a bit of vintage charm to any design project.

Bellarosa is a refined and delicate handwritten font. This lovely script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. It will turn any design project into a true stand-out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs, swashes, and ligatures.

Grace & Hope is a beautiful handwritten font. It features doodles and underlines. This eye-catching font will take your designs to the next level! Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link: http://goo.gl/ZT7PqK

The elegant handwritten font for this brand exudes sophistication and timeless charm. Its strokes are fluid and graceful, reminiscent of a skilled calligrapher's penmanship. The letters are carefully crafted with a balance of curves and straight lines, creating a harmonious and refined look. The font maintains a moderate size, allowing for readability without sacrificing the delicate details that make it elegant. Each letter flows seamlessly into the next, creating a sense of continuity and grace. The spacing between characters is thoughtfully considered, striking the right balance between openness and cohesion.

Still Shine is a script font, smooth, modern and classic, wavy, which was created to meet the needs of your next design project. Still Shine can used for various purposes. such as titles, signatures, logos, correspondence, wedding invitations, letterhead, signages, labels, newsletters, posters, badges, etc. Still Shine Script contains a full set of lower- and uppercase, a large range of punctuation, numerals, and multilingual support. The font also contains several ligatures, Discretionary Ligatures, stylistic alternates, Swash, and Stylistic Set, for you who have opentype capable software (e.g. Photoshop/Illustrator, Corel Draw).

Hello Everyone, introduce our new product Font SANTERIAN is a All Caps Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font SANTERIAN is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste.

Nipon has an affiliation with the Far East. The first character I designed for this alphabet was the capital P. The stepped thin lines are linking to the Japanese characters and the circle shape is a classic Japanese element which means literally: the origin of the Sun, Nippon. So this is where the name comes from, I skipped one P in the name, so my Nipon gets his own identity. Next to this oriental look it also carries a light resemblance with a juwel box. Precious and elegant shapes for the gentle touch in writing.

Angel Koziupa's familiar brush goes upright and narrow with Pinguino. Koziupa's approach to condensed brush fonts makes use of the same elements that have always distinguished his calligraphy from any other. With Pinguino, however, we see him softening his corners and adding a distinctly feminine touch to his exotic brush. Pinguino would feel at home on sobering coffee packaging just as it would on a bouncy mixed-fruit juice bottle. Try Pinguino for your next packaging project, and tell your client an Angel told you to use it.

Stelashild Duo is a majestic, luxurious and impactful handwritten script font, serif font with clean ligatures and alternates making for a harmonious pair. Handwritten scripts come with a large number of ligatures giving you several options for your designs. Stelashild Duo supports western, southern, southern, and southeastern America. Stelashild Duo is perfect for branding, web titles, logos, quotes, movie titles and more... Promote your next project today with this powerful duo and differentiate your message from the rest. I'm so excited and excited to see what you can do with the Stelashild Duo!

The Bratsy Script is a layered bold script with the outline and extrude, inspired by a Retro aesthetic. Made in combination with hand lettering, it comes with dramatic movement and it’s great for any next creative project that needs a retro vibe or modern touch. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Features: Basic Latin A-Z and a-z Numbers Symbols Stylistic Alternate Stylistic Set (ss01-ss08) Swash PUA Encode Multilanguage Support If you have any question, don't hesitate to contact me by email figuree.id@gmail.com :)

Shorai™ Sans balances the subtlety of traditional hand-drawn brushstrokes with clean, geometric outlines. An intellectual-looking sans serif, Shorai’s simplified letterforms and vast weight ranges provide creatives with a holistic branding solution. Shorai Sans was designed as a companion typeface to Avenir® Next, built to work harmoniously in modern global designs, while preserving the essence of Japanese handwriting. Shorai goes beyond existing Japanese sans serifs to provide a wide spectrum of expression and personality for designers to play with. Shorai Sans is opening new horizons in Japanese typography.

Royalite Script is classic script font that contain stylistic alternate, swash, etc to create your own customized signature. You can feel the elegant and luxury from this font. It's time to try a new classic script. Use this font for your fashion brand now! Also Royalite support multi language. This font available in OTF and TTF. Also Support PUA. Royalite contain start and end swash that you can use only by activate opentype. You can try this feature with copy and paste to the font testing -- -3royalite+3

Blog Cube - Display Typeface Blog Cube is a bold and strong display typeface from rectangle shape that is perfect for your work such as posters, logos, branding, covers, banners, t-shirts and headers, or even large-scale artwork. Creative & Decorative Typography Web Design, Try this font on any surface it will look Stunning!. happy creating. hope you like it! well, Blog Cube also has an Outline style, is a strong and bold typeface, it has multilingual language, it is useful for your coolest and coolest project up next. Thanks, Have a wonderful day Say Studio

Fright Hours is a rough handwritten font with horror & freaky vibes! This font contains the regular and the bloody versions that you can combine to get the best result. This font is very suitable for poster movies especially thriller & horror movies. With unique lowercase, this font will make your poster or your craft more creepy and stunning! You also can use this font for any design because of the versatility in this font. Also, this font support multi language. This is your next halloween font for your future event!

ITC Bailey Sans is the first typeface family created by Kevin Bailey, a graphic designer in Dallas, Texas. He was once looking for an understated block serif for a design project and could find nothing suitable. Bailey began working on his own serif face but then found that the basics of his new design worked well as a sans serif and continued on that track. ITC Bailey Sans font is available in four weights: book, book italic, bold and bold italic and even has a companion serif display font, ITC Baily Quad Bold.

Seiston is the New Modern Typeface. This other Serif collection is perfect for your next branding project, great for your business. Gallient has smooth edges, so this font gives this style an authentically handcrafted feel. Seiston also features: - Lowercase - Uppercase - Numbers and punctuation marks - Multilingual Seiston is the perfect choice for people looking for a clean, modern, minimalist, elegant and beautiful design style. Suitable for almost any graphic design such as logos, branding materials, business cards, gift cards, t-shirts, covers, thumbnails, prints, posters, photography, quotes .etc Happy Designing

Introducing Selentingan Script! This font is specially created for those of you who need a touch of elegance to design your next projects with perfect and amazing results. A very beautiful and interesting script with a perfect line for use for various purposes like titles, signatures, logos, correspondence, wedding invitations, letterheads, nameplate, labels, bulletins, posters, badges, Branding, Greeting Cards, etc. Selentingan Script is built with OpenType features and includes start and end. It comes with OpenType Stylistic set, Initials, swashes, ligatures and everything to add a touch to your design. Also supports other languages.

Muliya Tat Is a hand calligraphy, smooth, modern and clasik, calligraphy wavy, which was created to meet the needs of your next design project, hopefully you like it. Muliya tat Calligraphy, Can used for various purposes. such as the title, signature, logo, correspondence, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Muliya tat Calligraphy features 406 glyphs and has given PUA unicode (specially coded fonts), can be accessed easily with the character map, can be accessed in full by the lovers of letters or artisans to increase career in the design world.

Riverstyle is a natural handwritten brush font that is textured and carefully crafted, with clear style and dramatic movements. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, logos, letterheads, posters, clothing designs, labels, etc. Riverstyle is complete with uppercase and lowercase letters, and coupled with upper and lower case letter alternates, and multi-language support, numbers, and punctuation. It also provides some extra ligatures and swash characters. Mail Support: If you have any question, please contact : greatstudio92@gmail.com Enjoy this font. Cheers, Great Studio

Are you looking for a font that can take your horror projects to the next level? Look no further than Witchkin – the perfect font for all your spooky needs! With its unique atmosphere and high-quality design, you’ll be able to create a project that will give your audience chills. Try Witchkin and bring your nightmares to life! 6 Styles Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate Glyphs Multilingual Support for ä ö ü Ä Ö Ü … Thanks for looking, and I hope you enjoy it.

Shorai™ Sans balances the subtlety of traditional hand-drawn brushstrokes with clean, geometric outlines. An intellectual-looking sans serif, Shorai’s simplified letterforms and vast weight ranges provide creatives with a holistic branding solution. Shorai Sans was designed as a companion typeface to Avenir® Next, built to work harmoniously in modern global designs, while preserving the essence of Japanese handwriting. Shorai goes beyond existing Japanese sans serifs to provide a wide spectrum of expression and personality for designers to play with. Shorai Sans is opening new horizons in Japanese typography.

Sittl Pro is a professional version of the style of the same name in our Plaquette package, including 4 weights and true italics (most letters are not simply slanted but carefully crafted for that purpose). The smooth retro look achieved by softly rounded edges and a geometriec appeal is ideal for logos, company identities, menu cards, magazine headlines and the like. There are many choices regarding alternatives – choose the 20 stylistic sets, ligatures as well as initial and final forms to create unique typography for your next stylish project.

Hello Everyone,introduce our new product Random Notes is a Rough Display Font Handmade Font is a Strong Style and classy style, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, cartoon, and comic etc. This font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation. Random Notes a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details.

Hello Everyone, introduce our new product Font Pumpkin Muffin is a Display Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Pumpkin Muffin is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste.

Introducing the Gracella font in the Elegant Sans Serif style. A versatile font that can be used for both formal and casual. Gracela is a regular style font, not too thin nor too thick, and very suitable for the needs of logos, branding, websites, Features. - Supports all languages in the world (37) - Versatile Single Font. - One font for all needs. Make sure you test out the fonts using one of our examples before making any purchases to know what you're getting yourself into. Thank you for taking care when choosing fonts!

Introducing a series of decorative initials with a twist: each font contains two complete alphabets, A-Z, and numerous border elements in the numeral and shift-numeral positions. Classic, ornate, quaint and exotic, these fonts are essential tools for adding style and charm to your next project. Kudos Kaps Five features Jakob Erbar’s eponymous Initials in the uppercase slots, and Aldo Novarese’s Fontasi in the lowercase AND numeral slots. The font also includes three complete eight-piece borders, a two-piece accent set, two single border elements and an elegant penman dingbat.

Here comes our new font Flossy is a Handwritten Brush font with a Rough style and dramatic movement. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. This font are handmade with brushes on Procreate. Then crafted carefully drawn into vector format. Flossy a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.

Introducing our latest modern font collection, perfect for elevating your designs to the next level. Our collection features sleek and versatile typefaces that are ideal for a range of projects, from branding and advertising to editorial design and web design. Our fonts are carefully crafted to provide clean and minimalist lines, bold and stylish curves, and geometric shapes that give your designs a modern and contemporary look. With a range of styles and weights, our fonts are perfect for creating eye-catching headlines, branding materials, and commercial designs.