An unreleased typeface called "Aragón", designed by Enric Crous-Vidal, provided the inspiration for this decidedly retro face. It’s quite useful for distinctive and commanding headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

J. M. Bergling, in his 1914 masterwork Art Alphabets and Lettering, offered this face as suitable for all occasions Greek, and we couldn't agree more. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Bispo is a script typeface family made based on italic chancery calligraphy. After one year of it first launch, Bispo family now has another variant, a Bispo Pro version. The Pro version now contains more than 450 glyphs and new OpenType features, enjoy!

The 1895 specimen book from Barnhart Brothers and Spindler featured this whimsical typeface, originally called Anglo. An unusual combination of elegance and quirky charm. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A fun design, useful for many informal applications. Based on hand-drawn letters. Due to the nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Great sans text font family for all your needs, text, signage, logos etc. Very elegant and suitable for classic as well as formal design.

This is a decorative and steganographic Braille font based on Lorraine Cross pattern. As the Lorraine cross splits space into six areas, it may be used to represent Braille glyphs. Provided Glyphs * Lowercase letters (a..z): a White cross and Black square dots * Uppercasecase letters (A..Z): a Black cross and White square dots * Special characters (e.g. !#$%*+<>{}()[]...) * Decorative glyphs (provided in black and white as well) Glyph code intervals - Codes 48..57: Bullets (0..9 digits) - Codes 130..150: 'White Stars' - Codes 192..233: 'Black Stars', Black border glyphs and other black patterns. - Codes 214..233: Border/Decorative glyphs (Black) - Codes 235..255: Border/Decorative glyphs (White) - Codes for Cross w/o dots: Black (192), White (235) - Codes for Cross and 6 dots: Black (191), White (234) - Code for 'Half-width space' (166) Posters 1. Logo: illustrates usage of border glyphs 2. Meta: Two big Lorraine Braille glyphs drawn with pattern glyphs 3. Stars: illustrates usage of 'Star' and pattern glyphs 4. Bullets: illustrates usage of bullet glyphs (0..9) 5. Human rights - Article 1 NB: - Encoding is: Windows Latin ("ANSI") - Published in two versions: Commercial and Free for personal use

Wonderful writting is a calligraphy script font that comes with beautiful alternate characters. copper calligraphy mix in handlettering style. Designed to convey an elegant style. Wonderful writting is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Its classic style is perfect to apply to all kinds of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Wonderful writting features 450+ glyphs and 254 alternate characters. including multiple language support. It features OpenType with alternative styles, binders and character swashes, which allows you to mix and match letter pairs to suit your design, as well as a touch of ornamentation to make this font look elegant. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. There are additional ways to access swashes, using the Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or a software program such as PopChar (for Windows and Mac).

Ronttsly script brush font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Ronttsly script brush font. Cheers, Maulana Creative

Begalih brush handmade font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Begalih handmade brush font. Cheers, Maulana Creative

Evadare is a decorative text font inspired by the designs of Rudolf Koch and Nicholas Cochin. It has a freehand, calaligraphic look, yet is regular and works well at small sizes as required for text uses. It's a sort of a romantic, rustic alternative to more traditional text fonts.

Slecter Cirus monoline script font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Slecter Cirus font. Cheers, Maulana Creative

Chrinol handmade brush font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Chrinol handmade brush font. Cheers, Maulana Creative

Hogie Rough handmade script font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Hogie Rough font. Cheers, Maulana Creative

Back when shop window decoration was done with a brush, every window designer had his own style. In this vein the sans serif Altrincham was created. But even as a text font, it has stood the test of time, since it is very easy to read even in smaller point sizes, thanks to its relatively large x-height. With the Altrincham Condensed and Altrincham Wide Bold two other fonts have been created to perfectly complement the font family.

Elodie is an Art Nouveau inspired all caps font with some extra quirky characters. It was hand drawn with a brush pen. Elodie is designed for titles, short quotes, product names etc. Use lower-case letters for regular text, and then add a some special quirks to your writing by using the characters in the upper-case section. Multilingual support is included for Western, Central and Eastern European languages. Please test your characters in the font previewer before purchase.

Machete is the hulky, overfed distant cousin of Bayoneta. Enthusiastically in your face and full of humour, Machete is exactly the kind of big alphabet that takes a skinny actress camping at the top of a really tall building downtown. If you don't think this sort of date is interesting enough, try cramming these letters on your next tub of comfort food, road trip comedy, or assault rifle packaging and see. Machete don't text. Machete roars!

Entsha is a gorgeous sans-serif typeface that is both classically elegant and inherently modern. Create beautiful wedding invitations, use it as an elegant solution for your next magazine layout, or choose Entsha for any graphics that require a sleek look with a vintage flair. Entsha is based on classic letterforms for publishing and display graphics, so you can give your text a classic, elegant feel with Entsha's clean, high-contrast lines and alternating thick and thin strokes.

Better Pallet is a charming script font that beautifully captures the essence of continuous handwriting with brush details. The brush details infuse the font with a handcrafted charm. The continuous handwriting style of this font ensures that each letter flows gracefully into the next. For the best legibility you can use this font in the bigger text sizes. This font fits in headlines, logos, posters, flyers, invitations, branding materials, and many more. Thanks for purchasing our fonts.

Off the Wall JNL is a unique typeface that combines graffiti-style lettering with a brick wall background. special keystroke features give you a complete "wall of text": { (left bracket) places a smaller closed end cap on the left side of the text. } (right bracket) places a medium closed end cap on the right side of the text. [ (left brace) places a regular closed end cap on the left side of the text. ] (right brace places a regular closed end cap on the right side of the text. | (vertical bar key) adds a space between words. \ (backslash) adds a larger space between words.

The fastest and easiest way to create original images. It is necessary to take any text and use it with Type Tile. Create pictures, patterns and backgrounds from real texts. Font can be used in various encodings and you can type texts in many languages. Type Tile supports Central European languages that use Latin script, (Polish, Czech, Slovak, Hungarian, Slovene, Serbian, Croatian, Romanian and Albanian), Cyrillic alphabets, Western languages, Greek, Turkish, Hebrew, Arabic, Baltic languages, Vietnamese, Thai and Japanese. You can make the background from the original text for the page on which can print the translated text. This symbiosis can create a feeling of presence in the original text. Decorate the packaging in which the text is written in the form of ornament. Several layers of the texts with Type Tile shows an incredible pictures. Use a pair of letters can give a regular pattern. Type Tile provides endless and fantastic opportunities for design on any surfaces and for different purposes in publish, fashion, textiles, industry, animation, Internet and so on.

The thing is that many sans-serif typefaces are usually intended for universal usage. But sometimes faces that work fine in body text look not so good in large point sizes for display purposes when all the contrast in non-contrast sans-serif, or ink traps, become visible to the naked eye. Every designer solves this problem in his own way. We offer a drastic solution in our Stem: a sans-serif with optical sizing. The first part of the type family, Stem Display, is for use in largest point sizes, from 36 pt indefinitely. Stem Display consists of 12 faces of widths from Hairline to Bold, and it has true italics. The development of Stem type family will include Stem Text for body text and “traditional”, universal use, and Stem Caption for small point sizes. Stem is a geometric sans-serif with semi-closed aperture, large x-height and modern proportions of uppercase letters, like in famous Avenir and Gotham. Its important feature is a professionally designed and carefully tested Cyrillic glyph set.

A new modern calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Klibers Script features 350+ glyphs and 107 alternate characters. It comes with a handy set of OpenType stylistic, use the beautiful ligatures, alternates and swashes. You need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, Microsoft Word 2010. It is perfect for logo, greetings, branding, quotes, prints, invitations and crafting. All lowercase letters include alternates, beginning & end swashes, that makes the font look fabulous! These are all coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.Klibers Script only available for uppercase letters, numbers, punctuation and all fonts are available in multilingual support. Thanks and have a wonderful day :)

Information displays have an aesthetic of their own. Functional design where transmission of information is key — and best in real time. The Realtime Rounded typeface is not meant to recreate the appearance of those applications, instead it takes inspiration from them. The result is a technical yet friendly design with details that serve function and visual impact alike. Its soft edges apply warmth to the otherwise rather technical appearance. As a monospaced typeface it lends itself to tabular designs, sturdy columns and tidy layouts. Nevertheless Realtime comes with a feature for setting continuous text — a proportional design employable through OpenType — it further comes in five weights, from light to black, and with a character set that covers over 200 latin languages. Please see the Realtime Rounded Type Specimen PDF in the gallery. Realtime Rounded is the soft companion to the standard Realtime Typeface which is available separately. Thanks for visiting!

New Kakuji is designed from the Kakuji style of characters originating during the Edo period of Japan. New Kakuji has expanded the historical character set to include the surnames from the ancient Chinese text: Hundred Family Surnames, as well as the most common surnames in Japan, in addition to many other historically and culturally significant words, going well beyond the scope of characters that were used in the Edo period. No other font has expanded the character set of the Kakuji Style to the same extent as New Kakuji. A Latin alphabet expansion inspired by the old Kakuji style has also been included for western audiences and designers. New Kakuji contains over 500 Chinese/Japanese characters along with over 200 additional Latin characters or symbols. The solid and blocky style of New Kakuji is ideal for seal designs or other branding designs and should be used at larger point sizes.

Versina is a display typeface with a unique and expressive yet moderate personality resulted from its organic elegant shapes which are inspired by Spanish transitional typefaces from the 18th century. This font is perfectly suitable for both titles and short text. Versina features a flowing organic stroke and asymmetric bracketed serifs, and its shapes convey rhythm and dynamism. The font has a large x-height and its ascenders are shorter than the cap height, making it look more slender and modern. Calligraphic and crescent-like terminals give the design great formal richness. Versina comes in 5 weights with matching italics plus a set of ornaments, in Regular and Black styles, and also includes old style/lining/tabular figures, fractions, superscripts and subscripts as well as a set of small caps, standard ligatures, historical ligatures, symbols and frames. Versina contains a set of 694 characters that support over 200 Latin-based languages.

Knoedel is a display typeface with three front-weights: light, regular and bold. Although a conjunction of different styles were a reference during the design process; the art deco style left a more noticeable influence in the final design. Knoedel, also has clear references to geometric and slab serif fonts. The design is intended to be applied on headlines or short text fragments. Knoedel offers full coverage for all languages using Latin alphabet: whole Europe, America, Oceania and on a big number of African and Asian countries. Besides the standard ligatures, Knoedel, additionally, has more than 200 discretionary ligatures and a generous number of borders and ornaments. Knödel (Knoedel) is a traditional dish from Austria and the southeast of Germany; made of dumplings of different ingredients usually boiled in salted water. It is not high-end cuisine but still, it accomplishes its aim of soothing hunger.

Edgethorn is a beautiful, italic-only transitional serif typeface that was born after I became obsessed with a few small paragraphs of italic text on a type specimen broadside from 1785. Working on this type revival allowed me to delve much more deeply than I ever have before into type history and typeface classification, and I’ve included some type history for you with your download so that you can play around with the smattering of historical characters I included (like the medial s). Although it is based on centuries-old typefaces, Edgethorn is elegant, timeless, and perfect for 21st century projects. Edgethorn includes approximately 525 glyphs — including 64 standard and discretionary ligatures and a handful of contextual alternates and character variants — and supports over 200 languages. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign.

Tamoth Utamo handwritten display font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Tamoth Utamo handwritten display font. Cheers, Maulana Creative

Sero Aromad brush script font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Sero Aromad brush script font. Cheers, Maulana Creative

Megie Ceyal bold script font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Megie Ceyal bold script font. Cheers, Maulana Creative

Robneys Hut modern display font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Robneys Hut modern display font. Cheers, Maulana Creative

Clowed Rollnow brush handmade font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Clowed Rollnow brush handmade font. Cheers, Maulana Creative

Ratth Cilay brush handmade font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Ratth Cilay handmade brush font. Cheers, Maulana Creative

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

TG Riota Gothic is a brand new digital sans serif typeface in geometric style with many faces and possibilities with good proportions forms. TG Riota Gothic is outstanding for use in small text or even bigger sizes with seven weights, two axes & 14 styles, including the variable font. It comes with three alternative groups (single story alternates, no tail alternates & square dot alternates), which you can combine to maximize your needs—also supplied with a bunch of ligatures (standard & discretionary ligatures), lining figures (proportional, denominators, numerators, fractions, subscript & superscript), case-sensitive forms, symbol & Each typeface contains over 674 glyphs covered more than 90 languages Latin based. Language Supports: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss-German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vunjo, Walser, Welsh, Western Frisian, Zulu. Typeface Designed by Iqbal Firdaus Published by Tegamitype® Foundry Presentation Design by Eunike Agatha & Dennise Nathalie