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  1. Ahoy, typography aficionados and design deckhands! Hoist the main sail and set course for the adventurous seas of fontography with the Captain Kidd Demo by The Scriptorium — a font so dashing and dar...
  2. Flink Neue by Identity Letters, $45.00
    Geometric typefaces are a staple in every typographer’s toolbox since the 1920s. It was a time when iconic faces such as Futura, Erbar, and Kabel appeared on the scene and turned the world of type upside-down. Inspired by those early giants as well as later epigones with a legacy of their own (such as 1970’s Avant Garde Gothic), Flink Neue is the Identity Letters take on this genre, characterized by a clean and focused appearance. With neat shapes and the look of pure geometry, Flink Neue adapts to a vast range of applications and topics, from the fine print in contract to website body copy to logo design to billboard-size slogans. Its x-height is considerably larger than in classic geometric sans-serif fonts; its proportions are harmonized as opposed to strictly constructed. This makes for a more contemporary look, setting it apart from the classics. With three different widths, Flink is a true all-rounder. Geometric fonts are usually quite wide, which often leads to text-settings problems with headlines or small print. The Condensed and Compressed variants of Flink Neue solve this problem easily. This font family comes along in 18 weights from Thin to Black with matching Italics. There are almost 1400 characters per style, including nine stylistic sets that offer variations to the look and feel of Flink Neue, making it even more versatile. Besides the default mood of Flink Neue, there is also a Text and Bauhaus variant, where different letters have been changed to create a new mood. In theory, you just need one single font file to change between all three moods, but to make it easier for you, we also exported each mood within a separate file. Plenty of additional Open Type Features like ligatures, small caps, case sensitive forms, old-style figures, tabular figures and symbols make Flink Neue a valuable tool for the discerning typographer. Flink Neue is the reimagination of a classic genre, designed to suit the needs of our time.
  3. LT Soul - 100% free
  4. Temporarium - 100% free
  5. Averia Serif - 100% free
  6. LT Hoop - 100% free
  7. Old Standard TT - 100% free
  8. Pecita - 100% free
  9. News Cycle - 100% free
  10. Pfennig - 100% free
  11. nineveh - 100% free
  12. Gentium - 100% free
  13. Justus - Unknown license
  14. Averia Sans - Unknown license
  15. Averia - 100% free
  16. Aurulent Sans - Unknown license
  17. Nibby - 100% free
  18. Rambat Campotype - Personal use only
  19. Aurulent Sans Mono - Unknown license
  20. LT Makeup - 100% free
  21. LT Stopwatch - 100% free
  22. LT Sonoma - 100% free
  23. LT Wave - 100% free
  24. LT Superior - 100% free
  25. LT Superior Serif - 100% free
  26. LT Renovate - 100% free
  27. LT Beverage - 100% free
  28. Pencil Caps is a distinctive font that embodies the essence of handmade artistry and the simplicity of pencil sketches. Designed to capture the whimsy and raw aesthetic of pencil-drawn capital letter...
  29. The font "Soul Handwriting" free version, crafted by the creative minds at Fonts Cafe, exudes a deeply personal and authentic touch, reminiscent of a handwritten note from a cherished friend. In a di...
  30. Airport Cyr - Unknown license
  31. Gilded Majestic by Letterhend, $17.00
    Introducing, Gilded Majestic- a high contrast bold script with a touch of quirky looks. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded
  32. Tapas by Fenotype, $20.00
    Tapas is a delicious multi type family with a little something for everyone's tastes and needs. The family consists of four distinct members that share same traits but communicate different aspects. Together they’ll create a bold and effortless mix of various flavors and accents. Naturally, the fonts can be used individually too. Use the Tapas type family in packaging, branding or editorial – wherever some delicious flavors are needed.
  33. Incus by VladB, $20.00
    Incus is a modern sans serif geometric font, includes upper and lower case characters, Latin, Cyrillic, Latin Eastern Europe, Turkish, Baltic and other. The Incus family consists of 6 fonts, divided into 2 subgroups (according to the type of style - St, Cut), and have the 3 types of thickness in each subgroup. Incus fonts will be useful in developing a brand, creating posters and other graphic products, and for word processing
  34. Impacta by Linotype, $29.99
    Linotype Impacta is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Dutch artist Marc Lubbers designed Impacta with little contrast between strokes, rather, he depended on the slope of the strokes to give his font character. Impacta can be used in small or large point sizes and its constructed forms bring a modern feel to graphic design.
  35. Radiance Autumn by Letterhend, $16.00
    Radiance Autumn is organic hand drawn with stylish style. This type of font perfectly made to be applied especially in cartoon or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded
  36. Normative Lt by Green Type, $19.00
    Normative Lt is a sans serif type family by Green Type, a low cost version of Normative Pro, includes only a Unicode Latin 1252 character set. Normative Lt is a font with wide sphere of application, legible from very small size to very large ones. Can be used both in technical documentation, office work, business communication, as well as in advertising, visual communication, magazines and posters, in branding and packaging.
  37. Escript by Linotype, $29.99
    Linotype Escript is a part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Hans-Jürgen Ellenberger designed this handwriting font with fresh, lively forms. Each letter has a slightly different character, yet all fit well together and this lack of concrete rules gives the font a spontaneous feel. Escript is well-suited to headlines, smaller texts, and initials when combined with constructed typefaces.
  38. Lazycat by VladB, $28.00
    Lazycat is a modern sans serif geometric font, includes upper and lower case characters, Latin, Cyrillic, Latin Eastern Europe, Turkish, Baltic and other. The Lazycat family consists of 8 fonts, divided into 2 subgroups (according to the type of style - St, Rg), and have the 4 types of thickness in each subgroup. Lazycat fonts will be useful in developing a brand, creating posters and other graphic products, and for word processing.
  39. Tent Show JNL by Jeff Levine, $29.00
    Call the lettering French Clarendon Condensed, call it circus lettering, wanted poster type or Old West letters, the style of this typeface is one of the most recognizable and evokes all of the above images and more. Tent Show JNL was re-drawn from examples of a vintage set of wood type, and contains all of the eccentricities that are present in these hand-routed classic letter forms.
  40. Old Claude LP by LetterPerfect, $39.00
    Old Claude was drawn by Paul Shaw to simulate an old cut of the classic (Claude) Garamond type designs of the 16th & 17th centuries. The pronounced rough edges and coarse letter shapes create the effect of letterpress printing with old foundry type onto handmade paper. The companion Old Claude Expert includes small caps and old-style figures. This "antiqued" design works equally well for both text and display.
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