Based on the Deberny & Peignot, circa 1925. Originally the inline was a capitals only font.

Displayced JNL is a technology-based font with the look of an LED/LCD Display.

A crisp, geometric semiscript, based on the font Adonis, originally released by American Type Founders.

ABC is based on a set of children's stickers bought in a second hand shop.

Paunchy is a playful and handlettered, calligraphy based font. Especially made for Logos and Headlines.

Rolade is a Rounded Condensed Sans. Designed for Display purpose. Firstly designed on late 2015 as an All Caps typeface based on a personal project. Rolade has a Rounded and cute character with condensed proportion. It also come with some alternates to give more flavour and variation. Supports a wide range of latin based language.

Lunair is a display script layered font. Feature the modern script layered The base layer is regular; add an extrude and extrude shadow to create a dimensional look. the font styles can be mixed and matched together to create different style details. are several fonts with a stand-alone script Base, Emboss And Inline,

FT Giorgio is based on a hand lettering in a movie poster La Dolce Vita by Giorgio Olivetti. FT Giorgio has class-based kerning and around 200 automatic interlock ligature pairs which gives your design a custom look. To use the ligatures you only need to write in CAPS and use an OpenType-aware application.

Decorative font based on XIX century Cyrillic handwriting. Dulsinea is a handwriting-based font, that is why most of the letters are tied to each other. Such handwriting is often seen in documents dated 2nd half of the XIX century. Its special features are rounded lengthy movements and unusual for present days sequence of strokes.

Stereotype is a geometrical font in five weights based on the same square. It's a gradient!

Based on proofs of an early Remington typewriter font from the Keystone Type Foundry, circa 1905.

Boink Scratchy Outline is a new variation in a series based on my classic "Boink" font.

A face designed specifically to complement celtic decorated capitals and based on text from the book.

Ornaments 6 are based on designs for the Curwen Press by Edward Bawden and Percy Smith.

A set of capitals adequate for machine reading only; this barely legible pioneer sees declining use.

Based on a 19th century Toscanienne typeface, Planchette has two hand ornaments accessible by the < and > keys.

Prospector JNL is based on a lettering example found in an old Speedball-pen lettering handbook.

Directory Board JNL is based on the classic plastic letters used on office building directory boards.

Autovia is a condensed sans-serif based on the typeface created for the US Highway signs in the 50s. Autovia comes in 6 weights. Has more than 350 glyphs and 8 stylistic sets, and supports all the Latin based languages. A new and more casual addition for the Highway fonts sub-genre ideal for big headlines.

Flashes is a striking display font based on Enric Crous-Vidal's design from 1953. Unger redesigned the font based on artwork from old font books, and extended the character set to cover not only standard Western but also the Central European character set. It has been a tremendous amount of meticulous work to digitize and edit all the flashes!

Instead of being directly based on classic wood or metal type examples, Mule Train JNL takes a roundabout route in its development. Images of a set of letters and numbers cut from plywood (which in turn were based on a vintage type design) served as the work models. Mule Train JNL is available in both regular and oblique versions.

Designed at ParaType in 1994 by Tatiana Lyskova. Based on Carola Grotesk of H.Berthold and Bauer type foundries (early 20th century) and Boutique of Haas type foundry (Munchenstein, Switzerland). Bold style based on Herkules of H.Berthold foundry (early 20th century) was added for ParaType by Manvel Shmavonyan in 2002. For use in advertising and display typography.

The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St. Petersburg). The bold style based on Herold Heavy of H. Berthold (Berlin), 1904, of the same designer. Advertising and headline typeface in Art Nouveau style.

Every possible character in the standard encoding set has been designed, using a block system which is based on varying shapes, rather than the more common grid or dot-based signage systems. Each font contains 188 glyphs. Next Stop was designed for contiguous flow, and can be made pseudo-monospaced by using spacers in the fi and fl ligatures.

Perfecta Liner is a handwritten organic font that is perfect for branding, signatures, wedding invitations, promotions, product packaging, and more. Perfecta Liner is a modern, clean, authentic font. Perfecta Liner comes with ligatures, alternates, and supports 60+ Latin-based languages. Features: Total 261 Glyph Uppercase & Lowercase Numerals & Punctuation Alternates and Ligatures Multilanguage Supports 60+ Latin based languages

HOLBORN Aptly named after ‘High Holborn’, a high-street in London where the Central School of Art & Design was based. A font, just in capitals, based on the original design and the earlier sketches (1976) by André Toet. The strong optical illusion in this alphabet makes it an outstanding typeface. Concept/Art Direction/Design: André Toet © 2017

MVB Bossa Nova is based on unattributed hand-lettering found in an old book, circa 1946. Yet unlike many scripts based on a vintage source, it feels fresh and dynamic. This is due to the skilled hands of Holly Goldsmith, who gave the forms a contemporary vigor despite their age. Alternate glyphs with extended ascenders offer extra flair.

Based on electrical circuitry, David Philpott's Circles typefaces are oddly legible, even though one might think they were destined for display usage only. The circle is the base form, repeated throughout the design. Originally drafted during his time at the Massey University School of Design, subsequent refinements have turned Circles into two complete fonts with a full character set.

Here's an amalgam of letterforms from two giants of the handlettering pantheon: an uppercase based on the work of Mike Stevens, and a lowercase based on the work of Alf Becker. The two work in perfect harmony to create warm, friendly and engaging headlines. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Bebek is drawn on a classic geometric sans serif skeleton but applies baby moves. 'Bebek' gets its name from the Turkish word 'baby' because the font is as cute as a baby and full of surprises. Suggested uses: perfect for modern branding and logo design, editorial design, web design, packaging, and countless other projects; 2 styles: 2 weights; Useful OpenType features: Access All Alternates, Small Capitals From Capitals, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Small Capitals

Interboro JNL is based on the serif lettering found on an old E-Z Letter lettering guide.

The typeface was created for TypeMarket in 1998 by Natalia Vasilyeva. Based on Lainie of Soft Horizons.

The DF-Daantje is an icon font based on a brisk black creature: our Fell Terrier ‘Daantje’.

An elegant yet down-to-earth script based on the pen lettering of the writer, Christopher Stocks.

Designed by R.H. Middleton. Digitally engineered by Steve Jackaman. Based on the original Ludlow drawings, circa 1938.