Delina is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create!

Darontsky is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create!

Just in time for the Holiday Season, here's a FREE font with word art, clip art and border elements to dress up your next project. Enjoy!

Paine was designed to be a humanistic sans serif with an overall contemporary feel while at the same time evoking the feeling of earlier transitional faces.

A font based on the Germanic rune divination system dating back to medieval times NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Mosca means 'fly' in Spanish - the flying type, not the one in your jeans…). The font is quite lively, loose and elegant at the same time.

Relax and take time to see the benefits of purchasing this neon style font, low weight file, fast and easy run Designed by Pedro Alexandre Teixeira

Albertina was a typeface ahead of its time. It was in the early 1960s when designer Chris Brand, an accomplished calligrapher, aspired to draw a typeface based on the principles of calligraphy. Unfortunately, typesetting machines of that era put many restrictions on designers. Characters had to be drawn within a very coarse grid, which also defined their spacing. Technological limitations meant that italic designs often had to share the same character widths as the romans. Designers were forced to draw italic faces much wider and with more open spacing than what would be typical in calligraphic lettering or hand-set type. Not surprisingly, production of the first Albertina fonts went very slowly. Brand would submit his character drawings, and the Monotype Drawing Office would modify them to be compatible with the company's typesetting equipment. The new drawings would then be sent back to Brand for approval or rework. Most were reworked. The process took so long, in fact, that by the time the face was completed it was once again out of phase with the times: instead of being released as metal type for the Monotype composing machines it had been tailored for, Albertina debuted as phototype fonts for the Monophoto typesetter. The design's first use was for a catalog of the work of Stanley Morison, exhibited at the Albertina Library in Brussels in 1966. Sales of the design were not remarkable. With the advent of digital type technology, Albertina's story took a far happier turn. Frank E. Blokland, of the Dutch Type Library, used Brand's original, uncompromised drawings as the foundation of a digital revival. The Monophoto version had taken a considerable battering from the limitations of Monotype's unit system," recalls Blokland, "but there was no need for me to incorporate these restrictions in the digital version." With the full backing of Monotype and original designer Brand looking over Blokland's shoulder, a new design for Albertina emerged, displaying all the grace and verve of Brand's original drawings. The basic family drawn by Brand also grew into three weights, each with an italic complement and a suite of small caps and old style figures."

Vintage Wedding is a collection of 432 icons, divided into 4 categories. These symbols were selected and created in order to bring to mind the past times, yet at the same time, to retain the modern design. You can find here such rare and beautiful objects as phonograph or cult eyeglasses. The font includes many diverse elements, which will help you create compositions out of flowers, to choose commemorative vases, and even to dress the bride and groom!

I really enjoy making brush fonts. I usually just get my Chinese ink and a bunch of brushes and start drawing glyphs. It took some time to get Studio Brush right, but I think spending that extra time paid off. Studio Brush is quite a neat brush font: the glyphs of this all caps font are of equal height (more or less) and complement each other perfectly. Studio Brush comes with double letter ligatures and some alternate glyphs.

Anker is a super-wide and heavy typeface. At the same time, it has a very large contrast between vertical and horizontal stems. This gives it a certain defiant and aggressive character. The name Anker means anchor in German. That is something very heavy in weight and at the same time has sharp and thin elements in the design. This is reflected in the Anker. Suitable for super large titles, short words, logos or typographic compositions.

P22 Symphony is a romantic decorative script originally called Zephyr featuring extra flourishes on the capitals. Useful for lines of display in advertising, packaging etc. or for small extracts of poetry.

Patricia Rustine is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create!

Burdigala X Serif is an open and spacious typeface inspired by the classic Didones. The X Serif is ideal for larger amounts of (printed) texts in brochures, magazines and books. Being wider than usual, it works especially well in media intended for on-screen reading, such as in Pdf-documents and e-books etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

Life is an elegant roman face, designed by W. Bilz and developed by Francesco Simoncini at Ludwig & Mayer in 1964. It is a contemporary design based on the Transitional designs of the eighteenth century. The Life font can be used for almost any kind of copy. Life is especially suitable for newspapers, both in editorial and advertising due to its high degree of legibility.

Zachar is a Roman typefaces designed for the horror and thriller genre but thanks to its strong distinctiveness it’s also suitable for branding. Zachar is available in Regular and Medium weights in four versions: Regular, Rust, Scratched and Rust Scratched, it also offers a large selection of alternative letters, special glyphs and ligatures. Zachar has a sinister elegance and is suitable for display works, posters and billboards.

BVENAZTRE is a basic serif font, which was modified into an art deco font that looks vintage and classic. With the art deco style, it is very suitable for art-style designs or it could be with Greek and Roman styles. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

I began my work on Emona while still struggling with Birka. I took the superellyptic form as the basic shape, and that gives the typeface some of its characteristics. It is strictly vertical. It is easy to classify it in the same section as Bodoni & Company. Emona is what Ljubljana, the capital of Slovenia, was called in the Roman days. Emona was released in 1992.

Arethusa is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. The standard character set covers many roman-based languages. For extended language support, see Arethusa Pro.

Bague is a classical roman typeface, which was inspired in Old Dutch style, especially in the work of Jan Van Krimpen. Bague family comes with two different lengths of stem (ascenders-descenders), with three weights in each style: Text and Caption OpenType features: Discretional and standard ligatures; Swash, Contextual and stylistic alternates; Case sensitive forms, tabular figures, numerals, denominator, numerator, Small-Caps and Old Style figures.

Furius is a display typeface inspired by the split serif style of woodcut or chiseled letters found in roman inscriptions and later popularized by the western genre in the United States. Created as a display typeface, Furius combines a host of Opentype features and equally incoporates a full extended latin and cyrillic character set to provide a versatile and complete design solution for titles or display settings.

Granville, is inspired by traditional British (and transatlantic) shop signage. It's an elaborate confection, drawing on Roman and Blackletter influences and is ideal to give any project an instant Victorian feel. Granville is offered in Regular, Condensed and Expanded widths as well as an oblique form and a yet more decorative 'Grand' form. These faces are especially suitable for posters, period advertising, Chapter headings and signage.

Peanut is a face full of bounce and playfulness but is based on the traditions of the long revered Roman minuscule. The letters are unique in that they imply “youth” without relying on cliché child-like letterforms. Peanut and Peanut Sans come in a ‘Salted’ style which features many alternate letterforms. Both the Salted and regular styles are combined into in the Pro fonts.

A roman face designed in the early 1980s by Ed Benguiat for ITC, ITC Benguiat shows a strong Art Nouveau influence. As with ITC Korinna, the stress of the ITC Benguiat font family occurs in the upper half of each capital. This distinctive typeface is particularly useful for display and advertising work. ITC Benguiat® font field guide including best practices, font pairings and alternatives.

Veneribe -the Venerable face- is an experiment in what many today might call 'grunge', though we at Greater Albion would probably prefer to talk of rustic (or if we're feeling really old-fashioned rustick) charm. It's a derivative of our Clementhorpe family, and aims to combine a battered antique look with the charm of that decorative Roman family. Regular and oblique forms are offered.

This lettering style is unusual in that combines aspects of several lettering styles. It is essentially a Germanic Blackletter but with many romanized capital letters and also features an italic slant along with some italic lower case traits. It is evocative of “old world” craftsmanship and early 20th century romanticism. The font was developed based on the logo of the Lakin Company of Buffalo, NY circa 1900.

Flavium is the reconstruction of the typographic character used in the engravings of the marble street name sign of Rome from about 1970 until the end of the eighties. It is an uniquely uppercase Roman font whose letters are confined within the space between the baseline and the caps line. Its style is severe but elegant, very useful for expressing authority and officialdom with simplicity.

Missale Solis is an overhaul of my previous font Missale Lunea from 2004. After some usecases and requestes for customized versions I decided to make a redesign that is better suited for screen. The font is useful for headlines and small amounts of text with a distinctive medieval impression. It includes Roman figures, dynamic fractions, zodiacs and an alternate design for T and ampersand (&).

P22 Posies is a six-font system for creating multi-colored initial caps in the spirit of illuminated manuscripts. Four layer fonts can be built upon each other to create any chromatic effect you desire. The Posies Initial font combines all four layers to allow easy one-color drop-caps, while the Solid font features the unadorned roman capitals for setting companion titling text.

Ambergate is a new typeface family redolent of the late 19th and early 20th centuries. It’s a display family of four small capitals roman faces, incised and elaborated with filigree scrollwork. The four typefaces which comprise the family recapture the elegance of traditional flourished sign writing and make and provide ideal lettering for period inspired design work such as posters, signage and book covers.

Spur Wide JNL was modeled from an example of hand lettering from the antique French alphabet book L'Art du Tracé Rationnel de la Lettre. Heavy Roman style letters with spurs (often referred to as Latin) were most popular with sign painters and show card writers in the early part of the 20th century. Spur Wide JNL is available in both regular and oblique versions.

While designing Trajan, Carol Twombly was influenced by the style of carved letters produced by the Romans during the first century AD. Twombly completed the design, adding numerals and punctuation, as well as a bolder version to allow for text emphasis. Most importantly, her interpretation of the ancient style resulted in a font family whose clarity and beauty come across in modern printed materials.

Hedgier - Modern Serif Typeface Hedgier is a modern bold serif typeface called weiss roman. The combination with the width of each letter forms a modern feel and is suitable for various magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. Files Includes: - Uppercase & Lowercase - Numerals & Punctuation - Multilingual - Ligature Drop any message if you any question, Thank you! Fridaytype

Fidel Black Essential is a heavily weighted, condensed, sans-serif typeface with a large x-height. Ideal for short, high-impact headlines, its design is inspired by Russian Constructivism and old Cuban communist posters. Variants include Fidel Black, Fidel Black Italic and Fidel Black Stencil. Fidel Black Essential is an excellent choice for headlines, subheadings, posters and logotypes. Languages: Basic Latin, Euro, Mac OS Roman.

This font provides a typical set of characters for the ancient Nabataean language, used in what is now Jordan and adjoining regions during the period of the Roman Empire, based on lapidary letter-forms of the first century of the present era. It includes a full set of alphabetic characters as well as the ancient numeral forms, with ligatures and variant shapes for some numerals.

Matita Geometric is part of a larger type family developed from 2005-2019 with handwriting and teaching in mind. A humanistic geometric sans serif in five weights containing mathematical symbols, roman numerals, fractions, superior-& inferior numerals, tabular & proportional figures. The family share proportions and weights to ensure all fonts (family members) work together well. Matita Geometric is also a very basic typeface suitable for many purposes.

The “XXII Totenkult” is inspired by the classical letterforms of old roman/renaissance typefaces and an ode to the decay. This is an allCapitals-font and the lowercase glyphs contain a variation of the uppercase. With activated “calt”-feature every second lowercase will be replaced by an alternate, this will give the font a more natural look. Detailed information here: XXII Totenkult on Behance.

Baldwins was inspired by the beauty lettering of ephemera prints. Ideal for product names, packages, labels, old fashioned signs and everything with specific characteristics of past times.