Flaminia is a typeface family of 4 members designed by Carlos Fabián Camargo G. The central idea started as Dingbats and titles labeled with fine-tipped brushes and flat tip for graphic design related restaurant menus, instructions, packaging, food containers and labels. Thus began the process of drawings and letters integrated by shapes and counterblocks that seem inaccurate yet but at the same time clean and attractive. For this reason each variable suggests fresh brushstrokes that combine ideas from Roman and italic calligraphy. Flaminia members work separately or together by solving needs in different scenarios. This will enhance its properties in order to control and diagram titles, subtitles and short paragraphs with an effusive and manuscript character. Flaminia is useful for generating a flavor of "hand lettered by skilled artists lettering." In conclusion, Flaminia Regular and Italic are used to write short paragraphs. His ascending and downs are lower that the X height. Its width is imperceptibly condensed to save horizontal space. Its smooth lines and finishes simulating a crescent moon have been made with fine-tipped brush. The contrast between thick and thin has medium intensity. Its complement is an ideal italic to emphasize words and phrases. Its conceptual characteristics are similar with foundation's handwriting, except for his companion who takes ideas from the ornamental italic calligraphy. Flaminia Black is compact and ideal for ranking information such as words and titles. Its personality is based on ornamental penmanship italics mixed with humanistic ideas outlined with contrast-type, flat-tipped brush thickness. Its overall width is slightly condensed, rising and falling are short compared to an exaggerated X height. Its smooth lines and terminations as in a crescent moon simulate the path of a broad brush. Its amount of contrast between strokes have average intensity. In brief, push to the limit parameters such as the type and amount of contrast, size, backward, forward, overall width, etc. And finally, Flaminia Dingbats offers three sets of different illustrations, a total of almost 90 drawings useful in communications related to: Food, Clothes and Sketchy. Each carefully wrought through research, testing, analytical design, visual strategy and high-definition of Bezier paths, optimizing time and work to their users. And in conclusion, I have plans to continue expanding the family with more complete versions in the future.

IMPORTANT – Please consider the superior Carrig Pro before making a purchase decision. Carrig started its life in 1998. I was working for a design agency in Cork, Ireland and was given a new brand identity project for a lakeside hotel in County Kerry. While visiting the hotel I made various sketches of the surroundings and upon returning to the studio, it was clear that my strongest ideas for the identity would be based on these freehand drawings. I wanted a classic, rough, hand-drawn typeface to complement this style but at that time, the studio didn’t have anything suitable, so I decided to draw my own. I found a Trajan-esque typeface that I really liked the look of in an old calligraphy workbook. I set about drawing my own version and then digitised it. Once the client had seen and approved my design, I began working on creating a complete all caps typeface to use for the hotel’s stationery. With ‘carrig’ being the Gaelic word for ‘rock’, my new typeface was all the more appropriate as it had the appearance of letterforms that had been carved into stone and weathered by time. With the project completed and the client happy, Carrig then sat in my unused fonts folder for several years... but there was always a nagging feeling at the back of my mind that I should do something more with it. So, in the autumn of 2014, I finally set about doing just that and created the font family you now find at MyFonts. Carrig’s form and structure was influenced by a hybrid of Classic Roman and Garalde typeface designs. The original calligraphic elements from the 1998 version of Carrig have been retained to add personality—as can be seen in the serifs, strokes, spurs, terminals and open bowls. Perhaps its most distinctive trait is a high x-height combined with relatively short ascenders. I wanted Carrig to immediately resonate with the reader and have designed it to be familiar and friendly. I imagine designers might choose Carrig as an alternative to such typefaces as Trajan, Garamond and Baskerville. I see Carrig as primarily a display typeface for titles/headlines in printed materials. I would also love to see it being used for branding, packaging and promotional material and am keen to hear from designers who use it in their own work.

Morris Sans is a newly revised and extended version of a small geometric family of typefaces originally produced by Morris Fuller Benton in 1930 for ATF. His initial design consisted of an alphabet of squared capital letters with a unique twist that characterized its appearance: corners with rounded exteriors and right-angle interiors. The types were intended for use in the fine print found on business cards, banking or financial forms, and contracts. But over the ensuing decades, this design became a popular element in all sorts of design environments, and several foundries revived the typeface in digital form. Since digital fonts are bicameral, with slots for both upper and lowercase letters, new cuts of the type opted filled the lowercase slots with small caps. In 2006, Linotype commissioned its own version of the typeface-an extension for 21st century use. Under the advisement of Linotype's type director Akira Kobayashi, Dan Reynolds redrew the uppercase and added an original lowercase for the first time. Additionally, a number of extras were brought into the fonts, including six figure styles (tabular and proportional lining figures, tabular and proportional oldstyle figures, and special tabular and proportional small cap" figures). Small caps, which have become an iconic element over time, are accessible in each font as an OpenType feature. To differentiate this version from the original, Linotype's new family is named Morris Sans, in honor of Morris Fuller Benton. All fonts in the Morris Sans family are OpenType Com fonts; they include a character set capable of setting 48 European languages that employ the Roman alphabet, including all Central and Eastern Europe languages, those from the Baltics, and Turkish. This glyph coverage extends to the small caps as well. Morris Sans is a wide typeface, especially in its regular widths; the condensed faces set a more conventional line of text. The new lowercase letters are less geometric than the uppercase, except for those that share the same basic forms (e.g., c, o, and s). Instead of following this geometric trend, the new lowercase tends to strengthen the humanist elements that were present in several characters from the original type, including the uppercase D and the figures 5, 6, and 9. Morris Sans also sports a number of glyphic flares, like the stroke found on the original uppercase Q. Morris Sans is a clean, modern design best suited for headlines, advertising, posters, expressive signage (especially on storefronts), and corporate identity work."

Designed by Francesco Canovaro with help from Andrea Tartarelli and Maria Chiara Fantini, Kitsch is a typeface happily living at the crossroads between classical latin and medieval gothic letterforms. But, rather than referencing historical models like the italian Rotunda or the french Bastarda scripts, Kitsch tries to renew both its inspirations, finding a contemporary vibe in the dynamic texture of the calligraphic broad-nib pen applied to the proportions of the classical roman skeleton. The resulting high contrast and spiky details make Kitsch excel in display uses, while a fine-tuned text version manages to keep at small sizes the dynamic expressivity of the design without sacrificing legibility. Both variants are designed in a wide range of weights (from the almost monolinear thin to the dense black), and are fully equipped with a extended character sets covering over two hundred languages that use latin, cyrillic and greek alphabets. Special care has been put in designing Kitsch italic letterforms, with the broad-nib movements referencing classical italian letterforms to add even more shades to your typographic palette. The resulting alternate letter shapes have also been included in the roman weights as Stylistic Alternates - part to the wide range of Open Type features (Standard and Discretionary Ligatures, Positional Numerals, Small Caps and Case Sensitive Forms) provided with all the 32 weights of Kitsch. Born for editorial and branding use, Kitsch is fashionable but solid, self-confident enough to look classic while ironic enough to be contemporary.

Touch Tone introduces a condensed lowercase and oblique italics to the uppercase font inspired by the "Dr. Strangelove" movie titles – designed by Pablo Ferro. Touch Tone's naive hand-drawn strokes rely on a quirky variable width-brush. They are looser, more textured, tactile, more informal, with quirky nervous lines. A family of four fonts: it includes two weights, light and medium, and both with roman and italics. All the fonts include the same patterns and ornaments. However, many of the “medium” font weight ornaments are beefed up to visually match. Touch Tone utilizes OpenType features. It imitates handcrafted lettering by including 2 glyphs for each U&lc letter (4 sets) – all kerned with care. This medley avoids a repetitious appearance so each sentence looks original and hand-drawn. The uppercase includes two widths – extra condensed and extended. Add whimsy and eccentricity by mixing the extra condensed caps with extended caps and the lowercase alphabet. Use the Contextual Alternates, or Stylistic Alternates features panel, or select the alternates in the Glyphs palette. Touch Tone includes oldstyle numerals, a variety of retro patterns, dingbats, speech bubbles, icons, banners, graphic arrows and ornaments. Each font includes 403 glyphs. Suitable for display or text and many European alphabets. Purchase both weights, roman and oblique italics to emphasize words. Touch Tone combines cool graphics and patterns with OpenType. Generously apply Touch Tone for added warmth and a "Rat Pack" groovin' message.

Orto is a type family of sans serif fonts in eight weights. It's a humanist typeface with real cursive, containing both Roman and Italic styles. The letters are designed to look good on screen, they have a bit narrower proportions and simple shapes. Their structure is based on flat horizontal and vertical strokes, which are emphasized wherever possible. That’s where the name comes from: Orto is an abbreviation of the word orthogonal. Thanks to its narrow width, the typeface is less space-consuming and adapts well to the screens of smaller devices. It is legible in small sizes, thanks to the larger x-height. The characteristic details, like bent ends of diagonal strokes, stand out when used in larger sizes. Orto can be used equally good in print and its overall neutral look fits different contexts. However, its character is pretty recognizable. Orto contains Latin and Cyrillic script and covers six codepages: Latin 1, Latin 2, Cyrillic, Turkish, Windows Baltic and MacOS Roman. It has basic OpenType features like ligatures, oldstyle numerals, proportional and tabular lining figures, fractions, superiors, etc. Capital German sharp S shows up when the lowercase is typed between two uppercase letters, and the Contextual Alternates feature is turned on. The Stylistic Set 01 changes the shape of the Cyrillic b. The Stylistic Set 02 is a shortcut for using Serban Cyrillic alternatives that differ from Russian in cursive.

Iranica is a new creation of Naghi Naghashian. It is extremely legible even in very small size. "Iranica" is reminiscence to my birthplace and my cultural root. Iranica is a modern Sans Serif font family. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Iranica supports Arabic, Persian and Urdu. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography. It also includes proportional and tabular numerals for the supported languages. Iranica design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Iranica's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Iranica was developed for multiple languages and writing conventions. Iranica supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.

Double Nines JNL is a dingbat font containing fifty-five glyphs for the tiles found in the second level of domino games. Sets of dominoes can be of either double six, double nine or double twelve. In this font, the double blank tile is located on the zero keystroke, while the one/blank and 1/1 tiles are on the 1 and 2 keystrokes. The rest of the tiles (in numerical order through 9/9) are located on the A-Z and a-z keystrokes respectively. To use any or all of the images contained in Double Nines JNL in any manufactured products or services, please refer to the software license agreement provided when purchasing this font. A separate royalty license must be secured from Jeffrey N. Levine for such purposes. The images are NOT licensed for use in proprietary logos or service marks.

1769® Display is an elegant and modern serif typeface inspired by the history of France and more particularly the Romantic movement (1700s and 1800s). The roundness of its characters and its numerous ligatures reflect the grace, refinement and sensitivity that were omnipresent during the 18th century. Its name refers to the birth of Napoleon Bonaparte, the fascinating or revolting emperor, the emblematic figure of this period.

Fendysa is a script font with beautiful romantic calligraphy style. Whether you’re looking for fonts for calligraphy scripts for DIY projects, Styll Love will turn any creative idea into a true piece of art! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of special features including stylistic alternate glyphs and ligatures.

If Sewing Patterns wasn't quite vintage enough for you, Sewing Patterns 2 is the answer to your early twentieth century wishes. Spanning the years 1910 to 1949, it's more Downton Abbey than Mad Men, more Katharine than Audrey, and definitely contains more hats. Like the original, the upper and lowercase letters feature what the well-dressed woman was wearing and the numbers are popular children's fashions.

This pretty font is called hello Valentine. This font is very easy to use, and to bring out a pretty tail is not difficult because there are guides included. This font is perfect for expressing your happiness with your partner. This font is very beautiful and elegant that can be used for Valentine's Day, weddings, capturing romantic stories, quotes, branding, logos, banners, and more.

Claudie is a stylish script font suitable for wedding invitations, logotype, and product branding. Fall in love with its authentic and romantic feel, and use it to create outstanding designs! So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Ligatures Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations works on PC & Mac Thank You!

Brillianissa is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards, logos to headlines and is guaranteed to add a romantic or casual feel to your next project. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all the beautiful glyphs and swashes with ease!

Calligraphic font born from mixing chancery cursive strokes with some copperplate gestures. Kyrenia is the italic counterpart of Agony TTW. You can combine Kyrenia’s four different styles to create the illusion of handmade, along with a lot of ligatures and some alternate endings. This four styles are Quill (the basic one), Broad (taller and stiffer), Swash (ornamental and romantic) and Monster (a hypnotic strange blend).

Lockhart is a romantic, modern script font family available in 3 weights- light, regular and bold. Lockhart is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, and invitations. It includes custom swashes, opentype features and ligatures to make your projects more unique and customizable. Language Support: English. Danish, Finnish, French, German, Italian, Portuguese, Spanish, Swedish, welsh, Icelandic

Valley Country is a Modern Script Font. Valley Country Script is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. Valley Country also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Oraghon is a modern script font that comes with beautiful alternative characters. a mixture of copper modern with handleting style. Designed to bring style elegance. Oraghon a feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms like invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels.

Our Valentine is a unique blend of a classic and modern font. It has a perfect style with a romantic touch. It’s perfect for wedding invites, events, invitations, escort cards, table numbers, header menus, displays, logos, slider blogs, custom addresses, stamps, packaging, greeting cards, and much more! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

sterlington is an ornamental font, with a hint of Victorian style that can be seen in every form of the letter, this font is also accompanied by additional free ornaments and floral illustrations that you might use to add a more vintage impression and feel of royal romance, very suitable for design such as logotype, headline, label design, coverbook, business card, and many more

Tropical Harmony is a Modern Calligraphy Font. Tropical Harmony Script is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. Tropical Harmony also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Bittersoni is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards, logos to headlines and is guaranteed to add a romantic or casual feel to your next project. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all the beautiful glyphs and swashes with ease!

Young Generation is brush script font. The shape is modern and unique and the writing style is very natural. You can create many beautiful typographic designs in an instant like branding, web design and editorial, prints, crafts, quotes, It's great for logotypes, wedding invitations, romantic cards, labels, packaging, spelling of names and others. Add to your most creative ideas and watch how they bring them to life!

Eugenia is a font for display and poster needs. Each stroke reflects the strong nature of a woman who hates what she loves. This font is suitable for posters with the theme of art and enthusiasm. The name Eugenia reflects the glory and the figure who likes to do good, we hope that people who use this font can make something that is good for others.

Java Coffee Script Font is an adorable and visually elegant signature script font. Comes with alternatives and ligatures. Perfect for editorial projects, branding, weddings, social media, product design, stationery, advertising other romantic projects, or simply as a stylish text overlay to any background image. Features : Uppercase and Lowercase Stylistic Alternates & Ligatures Numerals & Punctuation PUA Encoded Contact me If you have any questions. Thank you!

Birdland is a sweet and romantic handwritten font featuring a unique up and down flow. Use it for wall displays, product packaging, wedding invitations, social media post logos, and any project that requires impressive typography. It will add a splash of luxury to any design project you want to make! This font is PUA encoded which means you can access all the amazing glyphs and binders easily!

Blackletter fonts are timelessly beautiful and still very popular. At some point, it seems that every type designer discovers the beauty of these forms and the great pleasure in creating blackletter characters. Like also Dutch designer Coen Hofmann who, after designing Caxtonian Gothic, has designed yet another Blackletter font: Holland Gothic. Holland Gothic reminds of the 18th century »Duytsch« typefaces of Joan Michael Fleischmann and Christoffel Van Dyck. But Hofmann was mainly inspired by the Dutch calligraphers from the 17th and 18th century. Holland Gothic develops its full charm and beauty at larger sizes because of the hairlines in the upper case characters. To enable users composing texts in the style of our ancestors, Coen Hofmann added a series of pre-composed ligatures, also in combination with the long s, plus an alternate form for the lower case r which was used in combination with letters b, d, g, o, p, v, and w.

FF Mutual is a friendly geometric sans serif full of subtle, unexpected details. Designer Luis Bandovas drew inspiration from an unlikely source—the credits from one of his favorite childhood shows, Space 1999—and turned that spark into a typeface that is warm and approachable, but contemporary. Bandovas built FF Mutual on a geometric skeleton, but the typeface has enough humanist touches to offset the rigidity usually found geometric designs. These touches are most apparent in the italics, where curved strokes on the “a” and “l” bring a softness to text. Generous spacing, angular details on letters like the “r” and “t,” and flared terminals on the “e,” “s,” and “c,” add further character to the design. FF Mutual’s bold shapes and retro-inspired warmth make it ideal for headlines, where the subtle details can really shine. The typeface is similarly well-suited for small blocks of text such as captions and call-outs, packaging design, and branding.

This font is the result of my play with letters. Inspired by Indonesia's great cultural heritage, Batik. I wanted to create a font that has an alternative that highlights a small part of Indonesian batik culture by taking a shape like a bird's feather which is often applied to Batik. A simple, yet distinctive, elegant font that can be applied to many areas of design. Sinerva is a quilly display typeface. Coming with 130+ stunning and super easy to use alternates. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 R.3 h.5 etc. so you don't need special software. To get results like the preview just type S.4INERV.3A.8 Thanks for checking out my font. I really hope you enjoy using it!

The Core Sans B Family is a part of the Core Sans Series, such as N, NR, N SC, M, E, A, D, G, R and BR. The family has very small x-heights and large ascenders(descenders) which give an elegant feeling in body text. It is a sans-serif family but it’s structure is similar to serif fonts, so you can make paragraphs beautiful with this font family. It is very legible and readable even in small size because of its open counters and distinctive shapes. This font family consists of 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) and Italics for each format. Core Sans B supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

The Wild West meets Russia and India in this heavy duty display face. Although it's uppercase only, most of the characters vary between the uppercase and lowercase alphabets, so it's easy to give your text a hand-made feel by mixing up your cases. OpenType savvy applications can really exploit the extra features of this font. Engage contextual alternates, and G, C, L and alternate form of E will change when placed before a letter with a crossbar to create some cool effects (see the CK and LE combinations in the poster). There are standard ligatures for ff and FF combinations, and discretionary ligatures for 'and', 'the', 'No', 'Mc' and 'Co'. Engage stylistic alternates for a reversed 3 version of E, and the obligatory backwards R for that faux-Russian effect. Also included in the font is a host of ornaments. This font is perfect for wanted posters, heavy metal band logos, Communist propaganda leaflets and no doubt a load of other things too.

Modern Grotesk with attractive Display set Gallinari has it. . Gallinari is an attractive Grotesque suitable for all kinds of design needs. Starting from the Heading - Body font is reliable, Has a humanist and geometric character makes it a universal grotesque. Gallinari is equipped with very complete size variants, thin to black, not only that, this font has a condensed style which is paired with Oblique style for a total of 36 fonts in a complete family. What makes it interesting Gallinari has the Uppercase Display set on ss05 bold and sharp, for the letters C, G, O, Q, S, Z completely changed from their basic shape to meet the wild and cool type of display, ss01 ss02 ss03 ss04 is used to give alternative forms of the basic letters (A, P, R, Q, W, Y, a, w, y). Each Gallinari style has more than 680 glyphs and supports various Western European and Cyrillic languages.

Pedantic it's a classic, delightful and charming, sounds like a perfect melody, flows like water,working with her is a pleasure. This font duo includes a monumental serif and a calligraphy script. The Serif font is contracting and elegant, will emphasize your taste and impress with its sophistication and simplicity. The calligraphic Script is elegant, beautiful and carefully assembled, he includes many alternates for uppercase and lowercase as well as swashes. Script and Serif looks great both separately and together and they will be a wonderful addition to your font library.This font is easy to use has OpenType features and all characters in this font have PUA encoding. Includes: Full alphabet with Uppercase and Lowercase A-z for Script Full Capital alphabet A-Z for Serif Numbers, fractions for Script and Serif Punctuation and symbols for Script and Serif Alternates for Serif "Q, K, R, ampersand" Alternates uppercase for Script Alternates lowercase for Script Ligatures for Script "ff, oh, ol, ok, or, os" Swashes for Script

Typeface Laborat™, designed by Kristína Jandová, is a Grotesk typeface that combines the geometry of a circle and a square. The visual message of geometry is applied to stylistic sets and modified by special characters, including abstract forms or symbols, that turn the typeface into a visual “graphic” language. The basic character of the typeface lies in the default set based on the circle-like shapes of letters. The stylistic sets 01 to 03 are characterized by different geometrical modifications of the growing character and the idea “from circle to square” applied on the letters a, f, g, l, r, t, u, y. By using these different alterations of consistent letterforms, it offers a playful space for everyone. The first inspiration of the typeface origins in Paul Renner’s Futura sketches, that were a celebration of geometrical playfulness of modernism meeting constructivism. It is modified into a new contemporary “wave” of typography as a graphical method. Laborat comes in six weights, from Hairline to Heavy.

Jim Parkinson's Diablo typeface is a single weight display design. The look comes from samples found in early 20th century books on hand-lettering books, as well as general poster lettering styles from that same of the period. Diablo has a touch of the Arts and Crafts" movement in its appearance, and it also looks rather heavy. It is a unicase design, in that there is no real "lowercase." Some glyphs on the uppercase keys are alternates to the capital-style forms found on the lowercase keyboard, like A, E, F, H, J, K, M, N, Q, R, V, W, and Z. In fact, the uppercase itself is a bit more decorated and round than the lowercase. Nevertheless, the upper and lowercase letters may be freely interchanged with each other to create the best possible image for the text. The name of the typeface, Diablo, is another term for the devil, or Satan."

This typeface is based on lettering by Carl Marx (1911?1991), designed during his first semester at the Bauhaus in Joost Schmidt?s class, in 1932. Although the letter proportions are based on Schmidt?s teachings, the forms are not constructed from compass and ruler, but drawn with brush and marker, lending the words a warm and lively touch. Hidetaka Yamasaki redrew the letters from scratch and added all missing characters for today?s needs. A set of hanging figures, alternates for some critical letterforms (such as f, r, and t) as well as several ligatures make CarlMarx especially suitable for use in body text. As suggested by Marx, Yamasaki captured two weights from the original drawing and perfectly adjusted light and bold to highlight words and create hierarchy in headlines ? without losing or adding space. True to the original, Yamasaki captured the wobbly contour in CarlMarx, preserving warmth in the condensed geometric style of the early 1930s.

For 138 years, the Milton Bradley Company (of Springfield, Massachusetts) has been the leading producer of board games, toys and educational/instructional materials. The company was acquired by Hasbro in 1984. It was merged with the also-acquired Parker Brothers in 1991 and became Hasbro Games until both brand ID's were dropped in 2009. “The Moving Picture Game” was a 1920s-era board game created by Howard R. Garis (credited as ‘the author of the Uncle Wiggily game’) and capitalized on the still-new motion picture industry. On top of the storage box is the game’s name – hand lettered in a free-flowing Art Nouveau sans serif that more closely resembles the titles found within animated cartoons or in the ‘bubble letters’ a school child doodles on notebook paper. Recreated as a digital typeface, Pratfall JNL (named after the slips, trips and falls taken by silent era film comedians) is available in both regular and oblique versions.

Core Sans AR Family is a rounded version of Core Sans A that is clean, simple and highly readable. It is a part of the Core Sans Series such as Core Sans N, Core Sans M, Core Sans E, Core Sans A, Core Sans D, Core Sans G, Core Sans R and Core Sans B. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans AR family consists of 8 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy) with their corresponding italics. Core Sans AR contains complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

The new typeface family Vida was specifically designed for Czech Television in the framework of a competition for a new logo in summer 2006. The drawing of each letter form differs finely in its logic, which is a feature invisible at first. It is constructed on a puristic base, but it doesn't reject the natural anomalies already known from ages of experience with latin alphabet. That's why e. g. upper left section of 'n' is constructed differently from that of 'r', similarly as 'd' doesn't repeat right-bottom ending after 'u', '9' is not inverted '6'. Such details improve reading in continuous text. The behavior of all weights is consistent on CRT, plasma or LCD screens due to monolinear design; the lightest weight doesn't fade, the darkest isn't blurred, all is legible and clear in smallest sizes. Stem connections and endings were adjusted to avoid undesirable optical darkening. The goal we desired was to achieve balance appearance in both electronic and printed form.

The Bilcase font family is a layered condensed font family that comes from vintage logos, labels, packages, and signage. This collection of styles has 5 type layers and vintage scrolls, panels, and ornaments. Combine these to create label designs, headlines, logotypes, signage, posters, greeting cards, letterheads, T-shirts... the applications are endless. This font family is available in 2 styles. Bilcase has font layers with contextual, stylistic alternates and ligatures. You will get special capital letters when you activate the contextual alternate feature. Bilcase Extras is the expanded version of the main font with panels, ribbons, and ornaments. You can access the ornaments by activating the ligature feature. Type the letter “p” for the panel, “r” for ribbon and “o” for ornament and add numbers to each code, e.g. “p1, p2, p11, r2, o2”. Complete information is in the pdf file. http://bit.ly/2OClGjY. You can also try it in the font tester below.