Jan Tschichold designed Sabon in 1964, and it was produced jointly by three foundries: D. Stempel AG, Linotype and Monotype. This was in response to a request from German master printers to make a font family that was the same design for the three metal type technologies of the time: foundry type for hand composition, linecasting, and single-type machine composition. Tschichold turned to the sixteenth century for inspiration, and the story has a complicated family thread that connects his Sabon design to the Garamond lineage. Jakob Sabon, who the type is named for, was a student of the great French punchcutter Claude Garamond. He completed a set of his teacher's punches after Garamond's death in 1561. Sabon became owner of a German foundry when he married the granddaughter of the Frankfurt printer, Christian Egenolff. Sabon died in 1580, and his widow married Konrad Berner, who took over the foundry. Tschichold loosely based his design on types from the 1592 specimen sheet issued by the Egenolff-Berner foundry: a 14-point roman attributed to Claude Garamond, and an italic attributed to Robert Granjon. Sabon was the typeface name chosen for this twentieth century revival and joint venture in production; this name avoided confusion with other fonts connected with the names of Garamond and Granjon. Classic, elegant, and extremely legible, Sabon is one of the most beautiful Garamond variations. Always a good choice for book typography, the Sabon family is also particularly good for text and headlines in magazines, advertisements, documentation, business reports, corporate design, multimedia, and correspondence. Sabon combines well with: Sans serif fonts such as Frutiger, Syntax. Slab serif fonts such as PMN Caecilia, Clairvaux. Fun fonts such as Grafilone, Animalia, Araby Rafique. See also the new revised version Sabon Next from the Platinum Collection."

P22 ST.G Shrift is a font series based on the type designs of Stefan George with an italic version designed by Colin Kahn. Stefan George (1868-1933) was a German poet who led the revolt against realism in German literature. All of his works were privately published and the typefaces that were used reflected his neo-classic and anti-industrial (progessive) aesthetics; oftentimes consisting of his own hand lettering designs. The original font was cast in 1907 by a small foundry in Germany and was used primarily for the works of George as well as other books including a monumental edition of Dante's Divine Comedy. The ST.G Shrift Fonts contained in this set are derived from 3 known variations of the original roman typeface, St.G., found in various books published in Berlin in the early 20th century. ST.G Shrift One contains the most idiosyncratic characters, while ST.G Shrift Two uses more familiar characters as well as a redesign of characters including the t and the k to be more in keeping with modern san-serif designs. The OpenType version of the roman contains both one and two and expands on them by including central European characters, small caps, and small caps titling figures. The Small Caps titling figures are derived from the first version of the typeface. Below is a features list (accessible through the type palette in Adobe programs) and their functions: ST.G Shrift Opentype Features: Small Caps: Changes Lowercase to Small Caps Titling Figures: Changes Uppercase to Titling Caps, and Small Caps to Small Caps Titling Figures Contextual Alternates: Changes Character Set to match ST.G One and changes Small Caps to Titling Small Caps Ornaments: Changes < > and ? (greater, less and bullet) to ornaments ST.G Shrift Italic is an art nouveau version of the roman. The OpenType version includes central European characters, small caps, titling caps, titling small caps and ornaments.

Gattermoon Script takes you away for romantic rendezvous with your love of signature handwritten scripts. Slightly slick, slightly classy, ​​Gattermoon is a must-have for any signature handwritten font collection. Gattermoon adds a different nuance because of its different slope. It's a little more cheerful and relaxed and tends to be more elegant. Perfect for: elegant branding, wedding stationery, romantic book cover designs, classy packaging, album covers, handwritten quotes, greeting cards, quirky social media posts and more.

Economica Pro is a font especially developed for design in complex situations: It is ideal for use in small sizes on screen and in print. It has been tested successfully for use in very small sizes without losing legibility. Its ink traps ensure smooth operation even on low quality papers. It is an ideal font for newspapers, news portals and all designs requiring space saving. Now also in Cyrillic!

Didot LP is a very elegant rendition of the 18th-century French typeface -- Didot. This design took the earlier Italian neo-classical model (Bodoni) to a new level of refinement, with fully rationalized shapes and delicate hairlines. Didot LP accentuates these qualities, providing a classical text face with a clear and modern voice. The companion face -- Didot LP Display -- optimizes the proportions, spacing and hairlines for use at very large sizes.

Introduce Jodith gladyse! Jodith gladyse a new handwritten font with a style natural, sweet and simple. Made with great care to provide the natural and modern elements. The great thing about this font is you can find some style when you use it, examples such as natural handwriting style, unique, simple, elegant, and luxury. Very suitable to meet your various design needs that are trending now. Please try it!

This is a relaunch version of Joost, a milestone of the Type-Ø-Tones catalogue. This revival of Joost Schmidt’s typeface now has a capital set, a new weight and some OpenType features. Not to mention alternate glyphs for M, N, Ñ, and W characters. The inspiration came from the 'bauhaus dessau im gewerbemuseum' basel exhibition poster, designed in 1929 by Franz Ehrlich after a sketch by Joost Schmidt.

Introducing new Morgini Serif Typefaces with lots of alternative characters, SWASH and unique ligatures. It appears regularly and boldly with lower and uppercase letters, numbers, punctuation marks plus multilingual letters. A must have for every modern graphic designer now! Morgini is a very versatile font. Perfect for branding projects, logos, magazine imagery, wedding invitations, posters, apparel, packaging, website headers, or simply as a stylish text overlay onto any background image.

Cralione Script Now Comes with updated neater glyphs, more stable kerning size, new punctuation & numbers. Cralione is a beautiful modern calligraphy script font that is suitable for branding, invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, CorelDraw and Microsoft word.

I like the letters on the Peitago goulya because each letter is curved and rounded at the edges, it looks unique and has characteristics. Peitago goulya is handwritten, intentionally made with indentations. This font looks very pleasant.. !

This typeface has been beloved throughout history. Bodoni used it to print his first masterwork, but it has never before been publicly available. Now available for the first time, CAL Bodoni Casale has been painstakingly crafted from hi-res scans of 4 original Bodoni printings. Unlike many Bodonis drawn from computerized straight lines, this Bodoni follows the original contours of the master himself. With small caps, old style numbers, special options for $, %, £, €, Bodoni Casale allows you to make elegant pricing, sales signs, or logos. Besides it's authentic origins, Casale's 21st century debut includes Features & Alternates never seen before, including Frankenfont (giving the font 6 fun alternative uses with 1 click!). Other alternates, such as the $ and €, give the user options when styling their work. Various word and letter spacing options are also automatically included so the user can choose to preserve Bodoni's original spacings or go with a more modern look. The Bodoni for White on Black Most Bodoni fonts will start to disappear on black. Bodoni Casale’s robust strokes don’t disappear, even when set to smaller sizes. The robust strokes of this Bodoni font also lend visibility and legibility at large sizes with dark background, such as on signage. What You Get ✓Bodoni's original font, Roman + Italic and small caps ✓Style Sets for quick and beautiful formatting ✓5 Unicase Options ✓An army of percentage signs, dollar signs, and money symbols. ✓Punctuation Options for any reading situation ✓A Realistic and Inky look ✓Designed by Bodoni Himself For a Full Tour of Bodoni Casale, here's a video!

Tatline Neue is a serif font family of 14 fonts encompassing a wide range of weights — from Thin to Heavy. Tatline Neue was modelled after the original Tatline display font, but this major overhaul resulted not only in updated and tweaked shapes and smother curves, but also in addition of 13 new weights, making Tatline Neue a perfect tool for designers and typographers alike. Each font contains 450 glyphs, multiple sets of numbers, stylistic alternatives for certain glyphs, ligatures, numerators, denominators, old style figures, and other symbols. Tatline Neue can be freely used across Western European, Central European, South Eastern European languages. Tatline Neue was designed from the scratch to keep glyphs consistent across all weights. Thinner fonts are more uniform, with little to no variation in the weight of the strokes. Bolder fonts, on the other hands, are chunky and somewhat comic —in a good way. Tatline Neue was born out of a display font, losing none of its original quirkiness and vibe. While serif fonts are often seen as vintage and orthodox, Tatline Neue strikes a livelier note: one of cheekiness, bizarreness, quirkiness, and expressiveness. Thanks to a wide range of weights, Tatline Neue is a great tool for a variety of projects: whether it's used for plain text in a larger body of text or as a headline font, or even as a key element in a logo creation or brand identity. Tatline Neue is a serif font for those who are tired of seeing the boring in the typography and design; it's a font for explorers, for adventurers, for those who seek to find their own voice.

Sweet Charlie is a fun, quirky and authentic font that will easily embody any romantic craft idea. It will turn any creative idea into a true standout.

Shepherd is a beautiful calligraphy font with an incredibly luxurious feel. It will add a romantic touch to any crafting project! Get inspired by its whimsical charm!

New York to London via Europe The hardworking FS Koopman is a crossbred workhorse which draws inspiration from Swiss and Germanic grotesks, American gothics and early British grotesques, but refuses to fit neatly into any of these categories. Its neither one nor the other, but all of the above. Fontsmith designers Andy Lethbridge and Stuart de Rozario decided to take the characteristics they admired from each category and distill them down into one functional family. Neo meets Neue FS Koopman aims to swim against the tide of Helvetica-ish derivatives by bringing some personality and soul to a genre that all too often ends up feeling bland and sterile. FS Koopman subtly embraces the quirkiness and charm often seen in early twentieth century designs but pairs this with the functionality of later pioneers of the genre. It’s a grotesque isn’t it? The term grotesque surfaced around the early 1800s and refers to the early sans serif designs that many initially believed were strange or ‘grotesque’ due to their lack of elegant serifs. Later variations became known as neo-grotesques and this moniker stuck around even after they gained mass popularity. Some American variants became known as gothics. FS Koopman takes cues from all three categories and blends them into one cohesive design.

Originally drawn in 1999 as a college project with the ambition to make the ‘most beautiful’ alphabet in the world. After these heroic beginnings Spaghetti lay dormant in the VLNL vaults for many years, appearing to silently peter away. Now look at it! Ten years hence, it is finally being served up in glorious OpenType, precisely al dente. As automated special sauce, each lowercase character before or after a space receives a nice little ball ending to round things off. And finally, the parmesan cheese sprinkled on top is like a tasty bunch of ligatures – enough to make your mouth water.

Alex Kaczun, originally designed BottleKaps for Linotype-Hell, in 1992, as a QuickDraw GX multi-master font series. A few new GX applications, like 'Unicorn', where able to utilize these unique fonts. The GX application allowed the user to adjust weight and proportions, on the fly, including glyph substitution for small capitals, old style figures, swash and alternate endings. The technology was never successfully deployed by Apple, so the individual fonts, 21 styles and variations in all, where sold in the Linotype Font Library as separate Truetype fonts up until 1998. Unfortunately, the fonts collected dust for many years thereafter, but now have been reworked and rejuvenated by Alex in OpenType format for both Mac and PC. 'BottleKaps' is a 'unique', 'playful' and 'decorative' font series. Use it for those bold headlines to stimulate interest and show off your 'unique' individual style.

Alphabet primarily used for writings with magical purpose in ancient times NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Alternates, ornaments, ligatures and two casual stylish faces. This is Outside. Where we'd absolutely rather be. * Released during the inside times of 2020 *

Odd and funny script for happy, fun time. There are two other fonts designed by in the same concept. -Ekistra -Deluta Black -Xesy

Here’s a collection of border elements taken from the pages of nineteenth and early twentieth century type specimen books of various American foundries. Download the PDF provided for each font for simple guides to constructing various borders. All characters have identical widths, so use spaces between left and right-side elements. For best results, set solid (no extra leading) and use flush left, flush right or center justification to assure proper alignment.

Laureen pro typeface Laureen pro is an Arabic typeface that has a very particular appearance. It combines the characteristics of different genres; most notably the contrast of serif faces. While its design is influenced by Kufic and the Naskh style. Laureen pro consists of two typefaces, text and display, and 4-weights. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc.

Roter Hoody font is a retro serif and bold display font. You will get three types of fonts in this pack, Regular, Outline and Shadow version. Use this display font to add that special retro touch to any design idea you can think of! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

Glastone is a modern serif typeface that seamlessly blends beauty and a feminine touch, infusing a sense of class and contemporary sophistication. Its graceful lines and modern aesthetic make it the perfect choice for projects seeking a balance of elegance and modernity. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Introducing Blonden: A condensed sans-serif font that fuses modernity with streamlined efficiency. Blending style and compactness, Blonden brings a dynamic edge to any design. Experience the sleek versatility of Blonden's condensed form, perfect for making bold statements in tight spaces. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Result, a grotesque sans-serif, is a typeface well-suited for multiple purposes. It’s easy to find a suitable weight of Result for all kinds of needs, being very suitable for packaging and identity design, magazine and newspaper headlines, signage, you name it. Result fonts have an extended character set to support Central and Eastern European as well as Western European languages, as well as OpenType features such as fractions and ligatures.

Funky decorative display typeface with a curvy eye catching character. Choowee can solve many graphical problems. Features and alternates add personality and let you create unique logos, rad graphic identitys and stunning headlines! Package design for food or any kind of products. Posters or music covers. Prints on sweatshirts or t-shirts. Children’s book-covers or comics. Features: ligatures, alternates, case sensitive punctuation. Support: cyrillic, cyrillic extended, latin, latin extended... 1000+ glyphs! Have fun!

Introducing Megatrans: A font from the future, where innovation and design meet. With its sleek lines and visionary style, Megatrans embodies a sense of futuristic aesthetics. Transform your projects with Megatrans' cutting-edge presence, adding a touch of tomorrow to your creative endeavors. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

GMBH SANS The architectural sans-serif in sharp junctions silhouette. Designed as a display typeface for headline sizes. Typeface maintains it's unique identity even in all lowercase letters due to 21 degrees slanted stems (vertical strokes of letters). Variable typefaces provides subtle gradation of 6 weights. Each weight retains the same character width (except character i and l). Typeface supports: Latin characters with diacritical marks; Cyrillic characters (Ukrainian, Russian); Hebrew; Contains additional monetary symbols (₿Ξ₴₹₪)

Presenting Gamilia: A stylish serif font that exudes elegance and sophistication. With its refined lines and contemporary charm, Gamilia adds a touch of class to your projects. Elevate your designs with Gamilia's timeless style, perfect for capturing attention with a dash of refinement. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Introducing Becham: A bold sans-serif font that commands attention with its strong presence. With its impactful lines and modern appeal, Becham adds a bold touch to your projects. Elevate your designs with Becham's assertive style, making a striking statement that can't be ignored. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Chevane Dream is a decorative serif font, this font is inspired by starlight. The characteristic of this font is its sharpness and light weight, which makes this font look more elegant and luxurious. Chevane Dream can be used for various projects such as branding & identity, posters, magazines, logos, albums and much more. Chevane Dream also has several features including multilingual support glyphs, alternative glyphs and ligatures, this feature can make your writing look more stylish.

Introducing Sazzle - Compressed Sans Serif: A sleek typeface that demands attention with its tightly compressed design and minimal white space. With its clean lines and modern appeal, Sazzle adds a touch of sophistication to your projects, making an unignorable, bold statement. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Care Dairy is a cute and fun display font with an original comic style. Use these display fonts to add to your design library in an easy way to find custom comic display variations on any design idea you can think of! Great for any type of logo, Sticker, Packaging design, Cricut Project, headlines, brand identity, t-shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites or your creative design projects. Enjoy!

Introducing “Black Brownies,” a font that serves as a canvas for the artistry of monoline handcrafted strokes. “Black Brownies” is your key to unlocking a world of creative possibilities. Perfect for curating captivating magazine layouts, infusing quotes with an irresistible and distinctive charm, carving out a memorable and influential brand identity through logos, and embarking on a multitude of imaginative design projects. If you have any questions, don’t hesitate to contact us

Gerova is a serif display font that is aesthetically pleasing and has beautiful curves. Gerova font also gives the impression of luxury with a sleek and sharp serif. This font provides a unique collection of glyphs that are perfect for completing a variety of projects, such as logo designs, identities, product labels, fashion, magazines and more. Gerova font features Open Type Format (OTF), alternative styles, ligatures, kerning, uppercase & lowercase letters, numeral, punctuation and multilingual support.

If you like a bold and powerful all-caps sans-serif font to make your message stand out, Toner can be the choice to maximize your goals.иThis type family furthers the angular design by styling characters like O, R, P, etc. to be rectangular. To make it more attractive, Toner also provides opentypes features such as stylistic alternates and a stylistic set. Best for expressive headlines, posters, billboards and of course brand identities.

Modern simple typeface expressing sharp and bright words without need for writing something really smart. Made by Dusan Jelesijevic one day when he left without anything smart to say or write, so he just grabbed a pencil and forced the paper to be cooperative. Someone said that this typeface looks like the ancient Greeks went in present future and used contemporary equipment for writing those letters. It is ideal for branding and avantgarde identities.

Nevoa is a typeface inspired by the vernacular calligraphy from the streets of Brazil. While walking in the streets of some small towns, I felt so inspired by those rounded letters painted on the walls. That is what inspired Nevoa. Nevoa is a soft and smooth serif typeface, with dynamic curves. It is available in Condensed, Semi Condensed, Regular, Semi Extended and Extended to adapt to various uses, such as visual identity, magazine, branding, ...

Amstir is a timeless classic among serif typefaces, perfectly tailored for editorial use. With its elegant lines and refined presence, Amstir brings an air of sophistication to your content. Elevate your editorial projects with the grace and tradition of Amstir's distinguished design. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!