For usage details feel free to download the technical Specimen document https://peggofonts.com/pdf/PGF-Orqquidea-Manuscrita_Specimen.pdf PGF Orqquidea Manuscrita is a font mainly based on the calligraphy hand- made by the Chilean designer, calligra- pher and teacher Marcela Aguilera (Lanascribe) complemented by the il- lustration and type design work made by Pedro González (Peggo FontsTM). As part of the creation of the “Orqquidea family”, which contains a Sans, a Script, complemented with an ornaments and decorations sets, in addition to a huge set of typographic resources de- signed to enrichyour layouts in the cre- ation of graphic pieces such as labels , packaging, editorial work, retail graph- ics and branding design.

Lovely Heart Font Duo is a sweet and elegant font. It has an authentic feeling and a lovely touch. It is perfect for any design project, such as wedding invitations, valentine's day, logos, branding, social media, stickers and so on. Lovely Heart includes 2 script and sans fonts. Features: + Can be used in any software, such as Adobe Photoshop, Illustrator, SIlhouette Studio, even Microsoft Word, PowerPoint and others. + Multilingual glyphs. HOW TO ADD EXTRA GLYPHS: PC: Uses a character map. It's easier to use the UWP Character Map (Free Download from Microsoft store) https://www.youtube.com/watch?v=uXqN6UY8ZMg Mac: Using Font Book https://www.youtube.com/watch?v=Rs85wbS59T8 Greetings Skinny Type

Neotoxic Font Family has been published since 2022, and can be downloaded for free on the dafont website. This font supports interesting features such as small caps, ligatures, salts, etc. also consists of 6 font styles including thin, light, regular, bold, black, outline. WHAT YOU GET Features : Small Caps, Ligatures, Ligatures Contextual, Salt. 6 versions normal & italic (ttf + otf) 24 types of font files include Regular, Bold, Light, Hollows/Outlines, thin, Italic, light PUA Encode Characters, fully accessible without additional design software. Includes a range of multilingual characters. Neotoxic is suitable typeface for various purposes like logotype, signage, label, poster, dropcap, titles, letterhead, book cover and etc. Thank you!

Waverly CF combines the tone and flow of art deco with updated, clean letterforms and a modernized construction. Variation in letter width creates a pleasant rhythm perfect for artwork and logos. Waverly CF offers wide language support across Latin and Cyrillic glyphs, and includes a host of swashes and alternate letterforms. Waverly CF is an expressive display typeface and pairs well with simple, elegant serifs like Artifex CF and Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Criteria CF is a geometric sans, efficiently built from lines and circles. Its strong, thoughtful construction allows for cleanly-stacked lowercase text and stunning headlines and logotypes. Criteria CF pairs nicely with any serif. Typefaces designed for body copy, such as Artifex CF and Addington CF, are a great match. It also looks great with bold display serifs like Wayfinder CF, or a humanist sans, like Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Flowing like warm honey, Mielle® CF is a playful cursive script perfect for logos, signage, and posters. Automatic ligatures and contextual letters flow across Mielle's six weights. Mielle® CF pairs well with simple, elegant typefaces that won’t compete for visual attention, such as Artifex CF and Artifex Hand CF. Please note that some contextual glyphs may not appear in the generated previews, but will work correctly in the full typeface. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

About the Product The Cartel is a elegant serif font . This typeface has been made carefully to make sure its premium quality and luxury feel. The ligatures makes this typeface unique and stands out rather than the regular serif font. Very suitable for logo, headline, tittle, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual ligatures alternates PUA encoded FAQ's : Where are the TTF's? They are included in a download link( in a text file) in your main download file. 1 user 2 computers installation (Desktop License) You may NOT use for broadcast or Cinema/Motion Picture. You may NOT resell this font in any platform without further permission from designer. Do NOT embed font files in app/game/e-pub (for desktop license) You may NOT use the fonts in templates for sale/free. ( web/print/app ) For other license use please contact us. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Go beyond the basics with this cool font. Create one-of-a-kind scrapbook lettering and titles. Download it for groovy or retro flyers, announcements, and invitations.

LTC Italian Old Style is not to be confused with the English Monotype font also called Italian Old Style, which is an earlier design from 1911 based on William Morris’s Golden Type that is based on Nicholas Jenson’s Roman face. Goudy went back to Jenson’s original Roman and other Renaissance Roman faces for his inspiration and the result is what many consider to be the best Renaissance face adapted for modern use. Bruce Rogers was one of the biggest admirers of Italian Old Style and designed the original specimen book for Italian Old Style in 1924 using his trademark ornament arrangement. These ornaments are now contained in the pro versions of the Roman styles—Regular Pro and Light Pro. With most digitizations of old metal typefaces, one source size is often used as reference (as was Goudy’s method for his own cuttings of his Village foundry types) so that all sizes refer to one set of original artwork. The original hot metal fonts made by Lanston Monotype (from Goudy’s drawings) and other manufacturers used two or three masters for different size ranges to have optimal relative weights—smaller type sizes would need proportionally thicker lines to not appear thin and larger sizes would require thinner lines to not appear to bulky. The variations in size ranges can also be affected by the size of the cutter head in making the master patterns. The light weights of LTC Italian Old Style were digitized from larger display sizes (14, 18, 24, 30, 36 pt) and the regular weights were digitized from smaller composition sizes (8,10,12 pt). The fitting for the regular weights is noticeably looser to allow for better setting at small sizes. Very few font revivals take this approach. Italian Old Style, originally designed by Frederic Goudy in 1924, was digitized by Paul Hunt in 2007. In 2013, it has been updated by James Grieshaber and is now offered as a Pro font. The newly expanded Pro font includes all of the original ligatures, plus small caps and expanded language coverage in all 4 Pro styles.

Milady script font was inspired by romance, lightness and modern calligraphy. It will not leave indifferent those who are looking for a font in an elegant and modern handwritten style. This font fits perfectly into your project, with it you can easily give your design a more classic look or make it more elegant and romantic. All this can be done thanks to alternates. In this font I prepared many alternates so that you could make your project unique and choose what suits you! All characters of this font are PUA encoded.

Music Sheets is a font that will produce blank music manuscript sheets, giving the main Clefs, Time Signatures, Stafflines, Guitar Tab, plus other useful symbols - in fact all you need to make simple manuscript of your own design, so you can put in the notation yourself. You can use it with ordinary Word Processors or top-end graphics programs equally easily. Using it is extremely simple - for instance into the text-box below type TBA for Treble Bass Alto Clefs, or 234567 for the basic Time Signatures from 2/4 up to 7/4, or L for the Lines. Essentially it’s a cut-down and slightly modified version of our Blank Manuscript font, (which is fairly comprehensive for more advanced scoresheets but obviously a bit more complex) and uses a similar intuitive method for inputting characters. There’s plenty of examples provided, plus a short guide explaining the character layout, which is extremely easy. Download the zip to get the guide and examples, and only install one version - either OTF or TTF, but not both.

The TYMA Garamont Roman was inspired by the Berner-Egenolff type sample from the 1560s. The Italic was inspired by a sample from Robert Granjon, also from the 1560s. The name TYMA is short for AB Typmatriser, a Swedish company founded 1948, because the Second World War stopped all import of matrices for Linotype and Intertype typesetting machines. It took until 1951-52 before the import was up to speed again. Until then, Sweden had to fend for itself. TYMA produced all technical equipment needed for type production, including the pantograph to cut the matrices, a complete set for each size and version. The templates for Garamont Roman were initiated by Henry Alm 1948. Bo Berndal was hired the following year, and continued the work by drawing and cutting templates for the rest of Garamont Roman, as well as for the remaining Garamont family. Bo Berndal stayed at TYMA until it went bankrupt in 1952. At that time Bo Berndal had already kick-started his career as type designer by drawing the typeface Reporter for one of the big daily newspapers, Aftonbladet, a version of Cheltenham for another daily, Dagens Nyheter, and copied several old typefaces for other customers. Librarian Sten G. Lindberg at The Royal Library of Stockholm, Kungliga Biblioteket, procured copies of original type samples. Henry Alm started the work in 1948, and Bo Berndal completed it - finally in this OpenType version.

Halena Jordan is a beautiful script that's perfect for branding, wedding invitations, and other romantic projects. This love centered look makes it perfect for use in all your design projects be it logos, labels, packaging designs, blog titles, posters, wedding designs, social media posts, Instagram designs, etc. Contains full set: -Uppercase -Lowercase -Alternative -Ligature -Punctuation -Number -Multilingual support. I hope you enjoy this font. If you have any questions, feel free to message me.

Morris Sans is a newly revised and extended version of a small geometric family of typefaces originally produced by Morris Fuller Benton in 1930 for ATF. His initial design consisted of an alphabet of squared capital letters with a unique twist that characterized its appearance: corners with rounded exteriors and right-angle interiors. The types were intended for use in the fine print found on business cards, banking or financial forms, and contracts. But over the ensuing decades, this design became a popular element in all sorts of design environments, and several foundries revived the typeface in digital form. Since digital fonts are bicameral, with slots for both upper and lowercase letters, new cuts of the type opted filled the lowercase slots with small caps. In 2006, Linotype commissioned its own version of the typeface-an extension for 21st century use. Under the advisement of Linotype's type director Akira Kobayashi, Dan Reynolds redrew the uppercase and added an original lowercase for the first time. Additionally, a number of extras were brought into the fonts, including six figure styles (tabular and proportional lining figures, tabular and proportional oldstyle figures, and special tabular and proportional small cap" figures). Small caps, which have become an iconic element over time, are accessible in each font as an OpenType feature. To differentiate this version from the original, Linotype's new family is named Morris Sans, in honor of Morris Fuller Benton. All fonts in the Morris Sans family are OpenType Com fonts; they include a character set capable of setting 48 European languages that employ the Roman alphabet, including all Central and Eastern Europe languages, those from the Baltics, and Turkish. This glyph coverage extends to the small caps as well. Morris Sans is a wide typeface, especially in its regular widths; the condensed faces set a more conventional line of text. The new lowercase letters are less geometric than the uppercase, except for those that share the same basic forms (e.g., c, o, and s). Instead of following this geometric trend, the new lowercase tends to strengthen the humanist elements that were present in several characters from the original type, including the uppercase D and the figures 5, 6, and 9. Morris Sans also sports a number of glyphic flares, like the stroke found on the original uppercase Q. Morris Sans is a clean, modern design best suited for headlines, advertising, posters, expressive signage (especially on storefronts), and corporate identity work."

A casual and fun-loving font based on the work of showcard artist Albanis Ashmun Kelly, from his 1911 book “Expert Sign Painter,” and named for a long-running comic strip. Both versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

Duck! There’s a cream pie headed your way! This wild and wacky face is based on the title card lettering for the original Soupy Sales TV show, a lasting testament to my misspent youth. Both versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

This font family is based on original Roman capitals created by Ludovico Vicentino Arrighi in the 16th century.

A mix between tradition and innovation, Basil is a unique humanist slab serif well suitable for broad range of design projects - editorial, logotype, poster, etc. With its tall x-height and generous internal spaces, the type family was especially designed with legibility in mind and is well suitable for body text at small sizes. In the same time Basil is equally able as titling and headline font due to numerous distinctive visual features that shape its attractive appearance. A true workhorse, packed with lots of OpenType features and full multilingual support, the type family consisting of six weights, with Regular available for free! Basil type family received Special Mention in Cyrillic text Typeface category at 7th International Type Design Competition for non-Latin typefaces - Granshan 2014. It also was exhibited at New Bulgarian Typography exhibition part of Sofia Design week 2013 and then took part in several travelling exhibitions.

Dharma Gothic is an antiqued sans serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. There is new rounded verision - Dharma Gothic Rounded Family This condensed font family with 42 styles will be the best solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, g, r and y have alternative glyphs that are available with the OpenType salt feature and tabular figures are available with tnum feature. Be sure to check out the slab serif style of this Dharma series named Dharma Slab and Distress version Dharma Gothic P. When you need more modern gothic, please try our Kaneda Gothic and Fairweather.

Are you looking for a new casual and organic script font? Please, take a look to the Aprilis! In times of early Roman calendar, "Aprilis" followed and preceded "Martius" "Maius" when spring came, was green nature and flowers burst into colours to greet the sun. And Aprilis font was conceived in April... The Aprilis font is the perfect blend of elegant and casual. (It is best used in OpenType-aware software). With the total number of 625 glyphs, is equipped with plenty of OpenType features. Uppercase letters can alternate between at least two different forms and lowercase letters have leastways four choices more to avoid repetition. These effects include start and end forms of lowercase letters, which are automatically substituted in at beginnings or ends of words. To activate the optional glyphs you may click on Swash, Contextual, Standard Ligatures, Stylistic or Discretionary Ligatures buttons in any OpenType savvy program or manually choose the characters from Glyph Palette. Also, there’s a set of 50 ornaments designed to support the font (access the ornaments through the Glyph Palette). The Aprilis font might be the choice to use on creating headlines, logos & posters for branding and packaging purposes. Hope you enjoy.

Dimensions is redesigned font family based on Blackout font released as free font in 2005. The original blackout has been used especially for company or brand logo of fashion and music label in the world. In 2011, Blackout had evolved into this Dimensions font family of seven weights with roman and italics. They are one of the most condensed, black and skinny font in the world. All weights and italics have upper and lower cases, accented characters and small capital glyphs that can be used with OpenType smcp feature. There is high contrast version called Speedometer.

This cool techno font is easily recognizable with its quite unique stroke endings. I have increased the ascenders and descenders slightly (so they would work better with the new diacritic letters) and introduced a few alternate letterforms in addition to generally expanding the character set. A totally enjoyable reworking of an original design. Now also with a Bold and a brand new Light variant! Please note that these variants are made by adding/removing from the regular shape, so the letters no longer sits on the baseline. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This serif typeface was designed to be simple and neutral on text sizes, there descender proportions are short and the x-height is large. The lowercase italics contain different structure from roman characters, but the most differentiation detail is the fact the ascender and descender strokes don’t contain serifs. Italics characters are slightly more narrow and condensed than roman letterforms.

Miller, designed by Matthew Carter, is a “Scotch Roman,” a class of sturdy, general purpose types of Scottish origin, widely used in the US in the last century, but neglected since & overdue for revival. Miller is faithful to the Scotch style though not to any one historical example — and authentic in having both roman & italic small caps, a feature of the originals.

Inspired by Edward M. Catich’s seminal thesis on the origins of the Roman inscriptional style, such as that found on Trajan’s column, Richard Lipton’s Canto traces the path from an expressive, preparatory Brush (with Brush Open to preserve gestural details at smaller sizes), through informal Pen, to the formal Roman. Classical capitals are accompanied by Lipton’s own calligraphic lowercase, small caps, and swashes.

Caskey is a unique font with a graffiti motif, outdoor activities, and an abstract display with gorgeous graphics. We put all of it into this typeface, which we dubbed Caskey. We also include alternates, ranging from thin to thick, to make it easier for you to use; you are free to choose whichever suits you best. Now is the time to use this typeface to bring your specific project to life. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Nono is the nickname of my oldest son, Konstantin. His little brother could not really speak yet, but he was always looking for him and said something to the tune of, "wea is a nono". From that time on I call Konstantin Nono. I designed a handwritten script with his real name, that i named Konstantin. Now I made this slick version of that script – hence – Nono! I made three basic sets of characters plus a smallcaps version. To top things off, I designed a set of endletters that I throw in for free. Everything can be mixed! I sell single cuts but the best deal would be the entire packet, it goes for a very fair price. Your generous typedesigner, Gert Wiescher

Torus Pro is a rounded monoline typeface. As its name suggests, this is a more professional version of my original Torus family released in 2017. Each glyph has been scrutinised and redrawn where necessary. In addition, there are now italics, small caps, old style figures, and numerous other improvements. Torus Pro includes many new decorative alternates and ligatures that will add distinctive flourishes to your typographic compositions. With up to nine alternates for some glyphs, these additional styles include stencilled, simple dots, looped and smooth swashes, plus a more aggressive angled option for those looking for something a little different. When used subtly, these alternates and glyph combinations will add flair and personality to your own creations. Perfect for titling and branding, Torus Pro also packs a punch without these features activated, as well as being a comfortable read in long runs of text. There are 12 fonts altogether, ranging from Thin to Heavy weights in both roman and italic. The variable font versions of the family allow you to define the weight exactly to your liking. Torus Pro has an extensive character set that covers all Latin European languages. Key features: 6 weights in both roman and italic Variable fonts included with full family 212 Alternates 20 Ligatures Small Caps Full European character set (Latin only) 1450+ glyphs per font.

Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood's 'Elston' typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new design quickly took on a life of its own, and we decided to call it ‘Creighton’. Originally released as a four font family, we have now added eight more weights and made the entire family into 'Pro' versions for good measure.

Handsome in its own way, More versatile than one could say. Four alternates to each letter, Because in this family Spontaneity do matter. (And just in case someone wonders, Yes, there are alternates for numbers!) Seven cuts the family holds. Six of them Are for saying with words. And the very last, (Before someone asks) Holds some very cool dingbats. ​Books, app​s​, ​mags, To just name a few, ​Now go with Somehand And try something new​ :)​

Introducing the new Handwritten Script Font by Aestherica Studio. Proudly Present, Vintage Painting Vintage Painting is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This font includes multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Introducing the new Fun Handwritten Font by Aestherica Studio. Proudly Present, The Gloves The Gloves is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. The Gloves also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

DUPLICITER is an experimental display sans serif font which has two typefaces for comfortable and experimental use. DUPLICITER is a (latest) part of new school in type design that could be called like mind-free and geometric direction in the world. Sans serif, condensed, sharp edges, geometric, experimental, these are the main attributes of DUPLICITER.

This family is inspired from the set of two styles, Roman normal and Italic, and the ornaments used by an unknown printer working around East Switzerland, circa 1750's. It is a Dutch style font, slightly bolder than usual Fournier's or Caslon's Roman fonts, with some emphasized serifs and finals parts and special letters as capital "U" for example. A set of initials, fleurons, ornaments and frame elements is joined to the family as a supplement. The two styles, Normal and Italic, are containing standard ligatures, a few alternative characters and titlings (who are more preferable than enlarged capitals). They are "small eye" or "Small x-eight" fonts. The standard characters set is completed with accented or specific characters for Western (Including Celtic) and Central Europe, Baltic, Eastern Europe and Turkish.