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  1. Bromley Hatch by Attract Studio, $12.00
    Bromley Hatch & Extras is a modern scripts with handwriting, decorative characters, and basic dance lines! designed to perfectly combine informal, sassy, romantic, sweet scripts, and hand-drawn design elements allow you to create many beautiful typographic designs in an instant, just in time for branding, logos, web design and editorial, branding, prints , invitations, crafts, quotes, and more.
  2. Still Love by Creaditive Design, $10.00
    Still Love is an exquisite handwritten font, masterfully designed to become a true favorite. Smooth, modern and strong characters at the same time looks stunning on wedding invitations, cards, books, quotes, logos, and business. Special Characters are available for lowercase letters with added beginning & end swashes, also Ligatures that can make your design more smooth and looks natural.
  3. Dubuffet by SAMUEL DESIGN, $19.00
    The name of this font is Dubuffet, named after a famous artist. The font style is distinct and unforgettable at the same time, showing a simple temperament. The extra thick strokes bring readers a warmer visual experience. The overall shape is artistic and literary. The serif uses a sharp shape that adds a youthful, modern vibe.
  4. Supremely Luxurious by TypeClassHeroes, $15.00
    Introducing Supremely Luxurious, Access your OpenType features to access the large selection of alternate letters and ligatures. Use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time Hope you enjoy it.
  5. LD Franks Friends by Illustration Ink, $3.00
    Do the Monster Mash with DB Frank's Friends! Makes great Halloween party invitations, spooky adornments or fun additions to any scrapbook project. LD Frank's Friends Distressed is just in time for Halloween! This spookified font and it's distressed style makes it perfect for your Halloween party invitations, journaling, or adding a nice touch to your scrapbook pages.
  6. FS Siena for Walbusch by Fontsmith, $80.00
    Siena is a luxurious type. A modern contrasted sans serif. Over 25 years in the making, FS Siena is tailor made for high-end brands. Sumptuous, elegant and eclectic, a nonconformist typeface with classical roots. It’s been a long time coming, but with its heady mix of elegance and quirky charm, FS Siena is worth the wait.
  7. Squared Off JNL by Jeff Levine, $29.00
    In an 1896 specimen catalog for American Type Founders there is a design called Geometric Gothic. The lettering style looks as if it’s ahead of its time; foreseeing the 1980s. With its squared characters, some pointed overhangs and modified character shapes, this type design is now available as Squared Off JNL, in both regular and oblique versions.
  8. Girlstory Script by Alterspieler, $18.00
    Girlstory is a font that inspired the story of a woman who tries hard for her children, never giving up in order to achieve and keep happiness together. This font has simple and interesting style characters for various design needs at this time, you can use it for embroidery, screen printing, business cards, cutting, branding, etc.
  9. LiebeGerda by LiebeFonts, $29.00
    Go out into the wilderness. Cut down a tree. Stop and smell the roses. And then treat yourself with this unplugged, hand-lettered typeface. LiebeGerda is an effortless-but-refined, spontaneous-but-elegant brush font. She is ready for your next project, and she wants to add that little crafty something that makes the difference. Her natural breath of fresh air lets you escape those same old monotonous script fonts you’ve been using. After our successful first brush font, LiebeDoris, and our first interconnected script, LiebeLotte, we’re combining both genres and taking them to the next level: an interconnected brush script. OpenType magic varies LiebeGerda’s letterforms: Most characters have no less than three different variations that are automatically shuffled and inserted as you type. Plus, the “All-Caps” OpenType feature exchanges uppercase letters with less-swashy variants. Now you know why every one of the four styles contains more than 1,200 characters! Ulrike of LiebeFonts painted LiebeGerda’s four styles individually from scratch and carefully adjusted every detail by hand. Rather than being one typeface with different weights, LiebeGerda is a package of four individual fonts that go together really well. Ulrike’s high level of type-nerdy craftsmanship shows. When you use LiebeGerda, your designs will easily convince your audience that they’re looking at a hand-crafted piece of lettering. Feel free to add a few of the stacked ligatures like “the”, “for”, and “new” to round off the illusion. Last but not least, LiebeGerda has a lot more detail than most other brush fonts. That means there’s no ugly, lazy bézier artifacts in the brush traces. You can print words at billboard size, and people will still believe they smell the paint from your brush!
  10. KR Sword In The Stone - Unknown license
  11. Luciferius - Unknown license
  12. KR A Ferret for Angel - Unknown license
  13. Chizz High - Unknown license
  14. Zipple - Unknown license
  15. Space Gimboid - Unknown license
  16. Barbarello - Unknown license
  17. Scriptina - Alternates - Unknown license
  18. GF Gesetz - Unknown license
  19. Chizz Wide - Unknown license
  20. Frigate - Unknown license
  21. Blogh by Eko Bimantara, $19.00
    Blogh is fat and quirky display font. Its heavy weight and sturdy letterforms with characterized by extreme artificial inktrap, make it uniquely perfect for headlines and titles.
  22. Blighty by Ali Hamidi, $12.00
    Blighty is simple and sweet handwritten font display. This font is suitable for handwriting logos, T-shirts, merchandise, quotes, social media posts, advertising, and a lot more!
  23. Revorioum by Seventh Imperium, $35.00
    Revorioum has a classical bold contemporary typeface with a dynamic and flexibility touch, it is equipped with lots of opentype features making it easy to play with.
  24. Flogert by Oleg Gert, $30.00
    With the display typeface Flogert, you can create stunning headlines that will grab attention. Let Flogert impress your viewers and help deliver your message with strong impact.
  25. Novela by Jonahfonts, $42.00
    Novela is a chisel flat pen style written with overtones of Uncial, from century old scribes. Very suitable for greeting cards, headlines, packaging and many other applications.
  26. Baldur by Mad Irishman Productions, $12.00
    Baldur is an uncial TrueType font with elements of late Roman manuscript lettering. The font includes both upper- and lowercase letters, numbers, punctuation and miscellaneous mapping symbols.
  27. Scriptofino by Wiescher Design, $39.50
    Scriptofino is a very fine and elegant script with lots of contrast. It is based on traditional American letterforms of Jefferson's day. Your fine typedesigner, Gert Wiescher
  28. Rosedal by Del Alma, $15.00
    Rosedal is the right choice for those who love decorating their works. Lots of frames are ready to embellish your cards, webpages, invitations, book covers, and more.
  29. SPENGLER by AdultHumanMale, $10.00
    SPENGLER is a new inline font with over 180 GLYPHS, lots of Foreign Characters brand new and ready to be abused for a stupid price of $10.
  30. Hardwatt by Gleb Guralnyk, $13.00
    Hello! Presenting a calligraphic font with natural scratched texture effect. It's a script with connected letters, lots of characters including West European languages support and few ligatures.
  31. MB SIXTYTHREE by Ben Burford Fonts, $20.00
    A heavy black display face with lots of retro 'cool'. Modernist to the extreme MB SIXTYTHREE oozes 'mod' culture. Great for magazines & headlines, logotypes, posters, album artwork.
  32. Inside The BOX by Gleb Guralnyk, $12.00
    Hi! Introducing this conceptual modern typeface "Inside the BOX". It's a two-in-one font - big letters are made bold and fat :) and small letters are thin.
  33. Algeko by Sakha Design, $12.00
    Algeko is a simple, adaptable and vintage syled sans serif font. Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.
  34. ITC Aspera by ITC, $29.99
    ITC Aspera is the product of graphic experimentation. Olivera Stojadinovic, who designed the face, recalls, Over the last 15 years, I have made several small prints using Cyrillic characters. Often, I made my first sketches with a special pointed brush which was difficult to manipulate well, but once tamed, gave me interesting results." Stojadinovic decided to see if she could reproduce the unique brush quality in digital form. "The idea was to preserve the look of strokes made by my brush, so I kept the scanned shapes as close as possible to the originals, making interventions just to maintain consistent proportions, slope and weight." While this typeface is not a connecting script, Stojadinovic did create a number of letters, such as the 'o' and 's' that are natural connecting characters. She also drew a set of ligatures and matching ornaments to accompany the design."
  35. Manises by Eurotypo, $32.00
    Located in the Valencian Community, Spain, Manises is very famous for its pottery. In the Middle Ages and the Renaissance, Manises was the most important production center for Spanish-Moresca ceramics, which was exported throughout Europe. At the beginning of the 16th century, Manises tiles were very commercially successful, especially of the heraldic type. Much appreciated by the Aragonese crown, Manises ceramics was also exported to France, Italy, and especially to Naples. As a big fan of Paterna and Manises ceramics, Naples influenced other Italian courts. Calixto III and Alejandro VI continuously commissioned Valencian pieces and tiles for the halls of the Vatican. The export also extended to Sicily, Venice, Turkey, Cyprus and even Flanders and the Baltic countries. The palaces of all the courts of Europe were enriched with this art. Many painters reproduced it in his paintings. It can be seen in the work of Hubert and Jan Van Eyck, and in the central panel of a triptych by Hugo Van der Goes (Uffizi Gallery, Florence). In this city there are also some frescoes by Domenico Ghirlandaio in which the Arabic-Valencian earthenware appears. Manises font is inspired by a text written on a 16th century tile, but adapting it to our times and giving it a very modern air. It is characterised by being able to combine uppercase and lowercase letters in a conventional manner, or use only capitals, or only lowercase letters, or, a random combination of both. It comes with an extra of many ligatures, stylistic alternates, and a set of very useful catchwords, to give more modernity to your text. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Manises looks lovely on wedding invitations, greeting cards, logos, posters, labels, t-shirt design, logos, children's material, in ink or water-colour based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds!
  36. Amazónica - Personal use only
  37. Cal Roman Black by Posterizer KG, $19.00
    Cal Roman Black is one more font from the PKG “Cal” (Calligraphic) group. This time for calligraphic sketches we used a wide brush instead of the iron pen. Instead of minuscule letters, there are Small Caps (which are almost the same weight as capitals). There was an intention to keep the spacing as small as possible, because of that, there is no obvious difference in the stroke thickness of the capitals and the lowercase capital letters. The difference in height is only one-third of the brush-width. Cal Roman Black font is rhythmic, informal, dark and hefty... romantic and strong at the same time (just like Ferdinand). As such, this font is widely used in the typographic creation of shorter and closely packed text forms such as magazine headlines, brochures and book covers, t-shirt designs, logos, posters, movie spots, banners...
  38. RadioTime by John Moore Type Foundry, $24.95
    A funny look with the spirit of the radio’s golden age, RadioTime is a typeface based on the handwritten alphabets of the ’30, ’40 and ’50. RadioTime comes with two styles: Regular and Tooled, in standards connected letters to imitated continuos handwritting and it’s provided with specials characters like swash, terminals, lower case numbers as well as an unlinked set of characters. RadioTime comes also with a wide kind of icons and ornaments. All this features provides the Word with the fun spirit and speed of those times of bustle. Radio Time was a winner in "Tipos Latinos 2010", The Fourth Biennial of Latin-American Typography. RadioTime Icons offers a thorough and well drawn vintage collection of 63 icons that tells the story of the glory days of radio, charts, dials, automobiles, airplanes and people who set the mood of those days.
  39. VLNL Duct by VetteLetters, $35.00
    Duct tape is one of the most versatile adhesive materials known today. From fixing the bumper of your car that keeps falling off, to creating a sturdy wallet. From alternative wrapping to sticking a friend to the wall, Duct tape is there. And it will stay there. It will stick to anything and hold for a very darn long time too! The cloth-backed tape was invented some time during World War II, and also proved itself useful as a base material for lettering. VLNL Duct was originally designed by DBXL as a logo for temporary Amsterdam restaurant BAUT. DBXL imagined an owner taping the name on the window of his shop using Duct tape. The font was used for all communication of the restaurant. Duct is a sturdy, rough all-caps typeface that will stick to anything.
  40. Wreath by insigne, $25.00
    Haul out the holly. Insigne’s font Wreath has hit the shelves just in time for the holidays. Wreath is a script face drawn with a pointed brush. Designed by the elves of the insigne workshop, its unique forms were created to dress up your gift labels and a wide variety of other holiday collateral. With five different weights and five different variants that allow for a distressed appearance, Wreath is no Scrooge. Its numerous alternates help to make your designs happy all the way. They allow for varying the ending characters of the lowercase to give your designs an automatic handwritten appearance. In addition, there are ligatures that extend the handwritten appearance and alternate options, including randomized alternates to create a unique appearance every time the font is used. There’s over six-hundred fifty glyphs in every font.
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