Really excited to introduce Blackiron is a classic vintage blackletter font, made with a stylish impression and supported by alternative with references to various letters that I combine. There's come with 2 style font and suitable to create any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

'Dizengof' is a Display Typeface, design to deliver a humanistic quality with a unique interpretation for the latin type. The Bold look of 'Dizengof' gives a magnetic visual impact, that is thanks to the strict attention of spaces within and between the letters. Can be used for logos, posters, on video, and of course - branding. The Bold look of 'Dizengof' gives a magnetic visual impact, that is thanks to the strict attention of spaces within and between the letters. Has 2 Stylistic sets.

The American Family Font is a bold and thick lettered display font that exudes strength and versatility. With its robust and confident character, this font is perfect for various branding projects, including logos, t-shirt printing, creative products, and much more. The American Family Font makes a powerful statement, adding a touch of boldness and impact to your designs. Its carefully crafted letterforms ensure readability while making a lasting impression. Unleash your creativity and elevate your projects with The American Family Font.

Yet another san serif typeface, Yassitf is a generic sans, a font meant to blend in rather than stand out. It has little contrast and is almost monoline. It includes three widths: condensed, narrow, and regular. The widths have four to six weights: ultra thin, thin, light, plain, bold, and extra bold. Further, each width and weight combination has both upright and italics styles. The thirty fonts in the family contain several open-type features, including both proportional and tabular (monospaced) numbers.

Routerline Rough is a script monoline with 4 styles, nice applied in various products. Complete with multilingual characters, ligature and alternate. It is suitable for quote, clothing design, vintage logo, label, poster, packaging design and other designs. File Include (All Styles) : Routerline Rough.otf Routerline Rough.ttf Routerline Rough Slant.otf Routerline Rough Slant.ttf Routerline Rough Bold.otf Routerline Rough Bold.ttf Routerline Rough Bold Slant.otf Routerline Rough Bold Slant.ttf Features (PUA Encoded) : UPPERCASE. LOWERCASE. MULTILINGUAL. PUNCTUATION & SYMBOL. STYLISTIC SET. LIGATURE. I hope you enjoy and thank you.

Hallo Aluyeaholic! Introducing Manverse, a bold manly typeface. Inspired by the things that make up the world of men. With a bold, strong, and firm vibe. Coming with 2 styles, all caps and multilingual support. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Thanks for checking out my font. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Introducing Kungfoo Fighter typeface, created by ikiiko. This typeface is inspired by the asian character brush strokes. This font has a bold & bold character, with flexible curves. This typeface is perfect for poster design, food & beverages, asian stuff, community logo, magazine, quotes, or simply as a stylish text overlay to any background image. What's included? 2 Weights : Regular & Oblique Uppercase & Lowercase Number & Punctuation Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Astronika Font is a retro bold script style font. Inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. This font perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Whats Include: Multilingual Support Alternates, Extrude/Shadow Thankyou

Here's a deluxe comic book dialogue font with a vintage feel! Nerves of Steel BB comes with Regular, Italic, Bold, and Bold Italic. Contextual Alternates and Auto-ligatures enable six versions of every letter, and three versions of each number, the exclamation point and question mark. Barred-I correction is included as well as bouncy baselines when three or more duplicate letters are typed. To top it off, you get glyphs included for manga letterers, and a large European set of characters!

Hello, I'm back with my best product. This product is a serif font family because there are four style options, namely regular, italic, bold and bold italic. This font is also equipped with several alternates and ligatures so that you have the best choices for your work. This font can be used for wedding invitations, advertisements, web designs, quotes, banners, presentations and more. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Introducing "Cringe": a captivating typeface that draws inspiration from the mesmerizing world of psychedelic pop culture and combining it with a uncial letter form and calligraphy approach. Each character exudes a sense of whimsy and free-spiritedness. Cringe Font Family contains 5 style regular, medium, semi bold, bold, & Expanded. It comes with Stylistic set & ligatures. Ayr Cringe Font Family is best used for headings, logotype, quotes, apparel design, invitation, poster, flyers, greeting cards, packaging, book cover, printed quotes, cover album, movie, & etc

The Knight is a bold script font. This font is inspired by magazine titles and posters as well as streetwear lettering styles. This font has bold and modern characteristics, so it's also perfect for logos. Also ideal for logos, badge, label, apparel, club, event, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. The Knight come with opentype feature like a lot of alternates. Its help you to make beautiful lettering. This font is also support multi language (áâàäåãæçéêèëíîìïıðñóôòöõøœšúûùüýÿžþÁÂÀÄÅÃÆÇÉÊÈËÍÎÌÏÐÑÓÔÒÖÕØŒŠÚÛÙÜÝŸŽÞ)

"Introducing 'Marlos,' a serif font that marries the elements of grace and boldness seamlessly. With its graceful serifs and commanding letterforms, 'Marlos' leaves a bold and lasting impression. Ideal for projects that demand a perfect balance between sophistication and impact, this font brings a touch of timeless elegance to your designs, making it a go-to choice for creating a powerful visual presence." Features: - Ligatures - Alternate - PUA Encoded - Multilingual support - Simple Installation - Work both on Mac and Windows Thank you very much :)

Brigker is a bold, distinct and elegant blackletter font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch. Use it for product packaging, branding, or other projects that need bold and daring typography! It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your projects, and you will love the results.

Sambosa - Modern Serif Font is a stylish font It has both modern look. Comes with Bold and Bold Italic, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more. Containing full set of punctuation and numerals Files for all fonts are included. That's it! If you have any questions at all , feel free to pop me a private message , I'm always more than happy to help you along :) Happy creating! Hanief Studio

Say hello to Joules et Jacques! A stylish modern font duo consisting of a natural handwritten script and a refined, elegant serif font. Perfect for making bold stylish statments - or adding a touch of class to your designs. The script has a multitude of natural looking ligatures in its OpenType features - making the font look as close to natural handwriting as possible. The Serif includes two weights - regular and bold - and built-in OpenType kerning features for a professional touch.

Steelkold is unique bold handwritten display font, with bold stroke, slant and fun character. It has Opentype features ligatures of character and extra swash, To give you an extra creative work. Steelkold font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Steelkold font. Cheers, MaulanaCreative

Introducing Grandtown - retro bold script style font. Inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. With this font will bring you back to 70s feel. Grandtown is perfect for vintage and retro design, badge, logos, t-shirt, poster, branding, packaging, signage, book cover and so much more! Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Qiduwy is a futuristic and stylish font perfect for designing labels, retro, stamps, badges, Oktoberfest posters, packaging, titles, beer, logos, barbershops, whiskeys, tattoos, music, movies, or certificates. This font is perfect for a dark and mysterious look. Bold black lines make this font perfect for a classy and stylish look. The wide, bold typeface gives this font an upscale look. Sharp corners and edges add a touch of class. This is the perfect font for a dark and mysterious look.

Browking is a bold, distinct and elegant blackletter font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch. Use it for product packaging, branding, or other projects that need bold and daring typography! It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your projects, and you will love the results.

Introducing the "SG-SUNBLUM" font, a modern sans-serif typeface that stands out from the crowd with its extraordinary design elements. This font features sleek, elongated lines and bold, asymmetrical letterforms that give it a dynamic and eye-catching appearance. It also includes an extensive range of special characters and multilingual support for added versatility. Whether you're looking for a font for a headline, logo, or any other design project, SG-SUNBLUM is sure to make a bold statement and capture attention.

The School font family is a popular design based on a grade school alphabet. The School fonts allow teachers to create custom hand-lettered exercise sheets and classroom signage. Five variations are available. The plain style and its corresponding bold will create hand-lettered stand-alone text. The lined style and its corresponding bold superimposes a set of three guidelines on the plain style. A dashed style is also provided in case a teacher prefers the centerline to be dashed instead of solid.

Cyberank techno display typeface is a bold geometric with sharp angles typeface to unleash creativity and transform your designs! Strong and impactful characters with a futuristic look create a powerful visual impact that will leave a lasting impression on your audience. Features : Bold, Unique & Strong Techno Display Typeface Futuristic Character Design Alternates, Ligatures & Multilingual Support with PUA Encoded Note : To be able to access ligatures and the alternate letters, please make sure the software you are using can support opentype features.

Nachel Victoria is a simple, yet aesthetically beautiful typeface. It has a modern script look which can be used for business cards, logos, packaging, branding, magazines, quotes, and much more! What's included: 1. Nachel Victoria (OTF) 2. Style in this font include: Regular, Bold, Italic, and Bold italic 3. Works on Mac & PC 4. Simple installations 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡

Heroliga is an elegant & modern sans serif font with special alternative letters and with multilingual support. Heroliga is perfect for logo design, magazine headers, product packaging, branding projects, clothing or simply as a stylish text overlay to any images or websites. WHAT’S INCLUDED? • Comes with regular, italic, bold and bold italic font styles. • Uppercase & lowercase letters. • Numbers, punctuation. • Ligature & Huge Stylistic alternate. • Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

Introducing TF Nukes – the boldest display style font that will capture the attention of your audience and make your message stand out! This bold, strong font is perfect for headlines, titles, and any other text that needs to make a statement. A bold and striking font style will make your message impossible to ignore, while the bonus illustrations will add an extra layer of creativity to your design. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual & Alternates. For any questions please contact me 🙂 Thanks!

For everyone wishing for a modern serif that’s as clear and readable as a sans in restrictive digital environments, meet Portada by Veronika Burian and José Scaglione. Sans serifs are commonly used on small screens to save space and carry a modern tone. Serifs may appear fickle and unsteady, pixel grids change from one product to another, and space is at a premium. Portada now provides a serif option for these restrictive digital environments, putting that old trope to rest. The screen has met its serif match. Portada was created from and for the digital world — from e-ink or harsh grids to Retina capability — making it one of the few serifs of its kind. Portada’s text and titling styles were engineered for superlative performance, making great use of sturdy serifs, wide proportions, ample x-height, clear interior negative space, and its subservient personality. After all, words always take priority in text. It’s not all business, though. Portada’s italics contain an artefact of calligraphy in which the directionality of the instrokes and the returning curves of the outstrokes give the family a little unexpected brio. Yet even the terminals are stopped short of flourished self-absorption to retain their digital clarity. When printed these details are downright comforting. Portada’s titling styles enact slight changes while reducing the individual width of each character and keeping the internal space clear. Titling italics have increased expressiveness across a few characters rather than maxing out the personality in each individual glyph. Digital magazines, newspapers, your favourite novel, and all forms of continuous screen reading benefit from Portada’s features. This family can also cover many of the needs developers have: user interface, showing data intensive apps on screen, even one-word directives and dialogs. And, as a free download, an exhaustive set of dark and light icons is included to maintain Portada’s consistent presence, whether as a word or an image. The complete Portada family (eight text styles, ten titling styles, and one icon set) is designed for extensive, clear screen use — a rare serif on equal footing with a sans.

Rian Hughes’ 15th collection of fonts, “112 Hours”, is entirely dedicated to numbers. Culled from a myriad of sources – clock faces, tickets, watches house numbers – it is an eclectic and wide-ranging set. Each font contains only numerals and related punctuation – no letters. A new book has been designed by Hughes to show the collection, and includes sample settings, complete character sets, source material and an introduction. This is available print-to-order on Blurb in paperback and hardback: http://www.blurb.com/b/5539073-112-hours-hardback http://www.blurb.com/b/5539045-112-hours-paperback From the introduction: The idea for this, the fifteenth Device Fonts collection, began when I came across an online auction site dedicated to antique clocks. I was mesmerized by the inventive and bizarre numerals on their faces. Shorn of the need to extend the internal logic of a typeface through the entire alphabet, the designers of these treasures were free to explore interesting forms and shapes that would otherwise be denied them. Given this horological starting point, I decided to produce 12 fonts, each featuring just the numbers from 1 to 12 and, where appropriate, a small set of supporting characters — in most cases, the international currency symbols, a colon, full stop, hyphen, slash and the number sign. 10, 11 and 12 I opted to place in the capital A, B and C slots. Each font is shown in its entirety here. I soon passed 12, so the next logical finish line was 24. Like a typographic Jack Bauer, I soon passed that too -— the more I researched, the more I came across interesting and unique examples that insisted on digitization, or that inspired me to explore some new design direction. The sources broadened to include tickets, numbering machines, ecclesiastical brass plates and more. Though not derived from clock faces, I opted to keep the 1-12 conceit for consistency, which allowed me to design what are effectively numerical ligatures. I finally concluded one hundred fonts over my original estimate at 112. Even though it’s not strictly divisible by 12, the number has a certain symmetry, I reasoned, and was as good a place as any to round off the project. An overview reveals a broad range that nonetheless fall into several loose categories. There are fairly faithful revivals, only diverging from their source material to even out inconsistencies and regularize weighting or shape to make them more functional in a modern context; designs taken directly from the source material, preserving all the inky grit and character of the original; designs that are loosely based on a couple of numbers from the source material but diverge dramatically for reasons of improved aesthetics or mere whim; and entirely new designs with no historical precedent. As projects like this evolve (and, to be frank, get out of hand), they can take you in directions and to places you didn’t envisage when you first set out. Along the way, I corresponded with experts in railway livery, and now know about the history of cab side and smokebox plates; I travelled to the Musée de l’imprimerie in Nantes, France, to examine their numbering machines; I photographed house numbers in Paris, Florence, Venice, Amsterdam and here in the UK; I delved into my collection of tickets, passes and printed ephemera; I visited the Science Museum in London, the Royal Signals Museum in Dorset, and the Museum of London to source early adding machines, war-time telegraphs and post-war ration books. I photographed watches at Worthing Museum, weighing scales large enough to stand on in a Brick Lane pub, and digital station clocks at Baker Street tube station. I went to the London Under-ground archive at Acton Depot, where you can see all manner of vintage enamel signs and woodblock type; I photographed grocer’s stalls in East End street markets; I dug out old clocks I recalled from childhood at my parents’ place, examined old manual typewriters and cash tills, and crouched down with a torch to look at my electricity meter. I found out that Jane Fonda kicked a policeman, and unusually for someone with a lifelong aversion to sport, picked up some horse-racing jargon. I share some of that research here. In many cases I have not been slavish about staying close to the source material if I didn’t think it warranted it, so a close comparison will reveal differences. These changes could be made for aesthetic reasons, functional reasons (the originals didn’t need to be set in any combination, for example), or just reasons of personal taste. Where reference for the additional characters were not available — which was always the case with fonts derived from clock faces — I have endeavored to design them in a sympathetic style. I may even extend some of these to the full alphabet in the future. If I do, these number-only fonts could be considered as experimental design exercises: forays into form to probe interesting new graphic possibilities.

Introducing Bandaland – Stylized Serif Font When it comes to fonts, Bandaland – Stylized Serif Font stands out as a bold and unforgettable choice, designed to captivate and demand attention. Let’s explore what makes this font a standout option for those aiming to make a lasting impression. Bold and Unforgettable At the core of Bandaland is its bold, strong serifs, shaping a distinctive and highly memorable look. With this font, your message remains vivid and unforgettable, avoiding easy oversight. Versatile Across Design Projects Bandaland showcases remarkable versatility, effortlessly fitting into various design projects. Whether you’re working on branding, crafting eye-catching headlines, or designing impactful posters, Bandaland injects a dose of strength and character that sets your work apart from the rest. The Fusion of Strength and Captivation What sets Bandaland apart is its remarkable fusion of strength with captivation. Its powerful and memorable design ensures your message takes center stage, making it a perfect choice for designers seeking to create a bold statement. Regardless of your level of design experience, Bandaland – Stylized Serif Font equips you with the perfect tool to draw attention and make a lasting impact.

Fifties is a mix of classic geometric and a bit of humanistic grotesque. The goal was to create the font for present with look to the past. In other words, I tried to came back the Modernism aesthetics of XX century into nowadays. The result gives you 60 styles including Italic (Slanted). Your typography may be airy and elegant with Expanded Thin, catchy and expressive with Condensed Bold or dynamic and sharp with Expanded Bold Italic. You will find your way to use this family certainly. Theatre posters or party flyers, vintage t-shirt or modern web service, movie titles or magazine header and even infographic – Fifties will suit you everywhere. You may use the completed styles or may use a Variable Font. To make it as you want to. Weights: Thin / Light / Regular / Medium / Semi Bold / Bold. Widths: Condensed / SemiCondensed / Medium / SemiExpanded / Expanded OTF and Variable Font (TTF) OpenType features: Stylistic alternates for A, G, K, M, N, R, W, a, e, g, j, m, n, r, t, u, w, y; Fraction figures; Subscript and Superscript figures; Tabular figures; Typographic spaces: Em / En / Third / Quarter / Thin / Sixth / Hair

Beni is a bold & strong sans serif font family beautifully crafted to perform in short headlines in posters or contemporary interface design. Each character has been optically adjusted for maximum effect in the space between; as such, this is a strong contender for movie posters, titling, album artwork, and any design project that needs a clean sans serif that makes an impact wherever it is applied. This type family is available in four unique weights that stand well apart from one another in visual style. Beni Light is the runway model of the family, standing with a narrow posture and towering height. It’s a fantastic choice for conveying a message in a limited horizontal space. Beni Regular and Beni Bold are shorter in stature but both pack a punch, carrying bold strokes that speak with confidence and offer great legibility. The heaviest of the heavy, Beni Black is the super-bold, go-to type design for projects that need an impossibly strong type design at the helm. Beni extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Igbo Onwu, and Basic Greek for design projects intended for an international audience.

Linotype Zapf Essentials is the modernized version of Zapf Dingbats and was also designed by Hermann Zapf himself. Over 372 characters and symbols are included within six fonts and make life a little more communicative, a little more informative, and a lot more interesting. The fonts contain symbols for both professional and everyday uses. With their markers, ornaments and arrows they are informative as well as versatile, timeless and lively. An interesting note to the story of Zapf Essentials: in 1977, Hermann Zapf created about 1000 sketches of signs and symbols. ITC chose those which became known around the world as Zapf Dingbats. For a typesetter, dingbats are the characters in the corner of the type box which can be used for just about anything. The last decade has seen the appearance of new symbols for e-mail, fax, mobile phones and other developments. These are now part of Linotype Zapf Essentials, just as they are now a part of everyday life. For a quick overview of the different Linotype Essentials variations, see the keyboard layout PDF in the Gallery section. It shows the keyboard layout of each font. A helpful hint from Hermann Zapf: Linotype Zapf Essentials should be used sparingly so that the characters retain their emphasis.

Aure Nox inspires the chill whimsy of a haunted forest. The roughhewn forms of this decorative, sans-serif font engage the reader with a subtext of rakish charm. Surprisingly legible, Nox adds a bit of rebelious sass to text and titles, and a daring stance to astrological expressions and chartwheels. Nox is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. Though Nox stands well on its own as a text font, the more traditional sans-serif forms of Aure Jane pair well as an innocuous foil to Nox's brazen presence. Give Aure Nox a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

A condensed and bold obround sans inspired by 60s condensed inserat faces, with a more pronounced thick/thin stress as seen on the titles of the Avengers TV show.

Wolvins is a funny, bold and cute display font with a unique twist. Get inspired by its unique feel, and turn add a lovely charm to any crafts project!

ovalive is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, ovalive has a unique style with stylistic, alternates, ligatures and supports multilingual languages.

Runik Futhark is a modern font incorporating the earliest Germanic-Norse runes, known as the Elder Futhark. It's a bold rendition ready for all your Viking raiding party needs!

An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.

Bonita is a bold handlettering style based on movie poster lettering from the early 20th century. It's similar to the typeface Broadway, but much bolder and far less formal.

Introducing Umami, a playful bold font. It's quirky construction is inspired by the flavour of all things tasty and good. Perfect for headlines, title, display, logo and many more.