Mercurius Script font was designed by the Hungarian wood engraver and type designer Imre Reiner in 1957 for the Monotype Corporation. The expressiveness of this bold script typeface is the result of Reiner's use of a bamboo pen for Mercurius Script's elemental shapes. Used sparingly, Mercurius Script font gives even the dullest headlines genuine spirit and excitement.

A modern geometric typeface evolved from a systematic grid. The consistency of form lends itself to a wide variety of applications and used at large scale creates a powerful impact. Also the characters have compact widths allowing for a great economy of space across layouts. Details include 4 weights, a complete character set, manually edited kerning and Euro symbol.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web. Matthew Carter designed the original ITC Galliard. Carl Crossgrove created this eText version.

Burdigala X Sans is an open and spacious typeface, ideal for larger amounts of (printed) texts in brochures, magazines and books. Being wider than usual, it works especially well in media intended for on-screen reading, such as in Pdf-documents, e-books, applications and so on. Burdigala is the ancient Roman name of the city of Bordeaux France.

Designed by Paul Renner and published in 1929. It shows an alternative method of giving maximum thickness to a font by being designed to resemble the use of a stencil. It was a very fashionable typeface during the avant-garde period. It is still an excellent typeface for display use. Futura is a Trademark of BauerTypes SL

Pontif is a typeface based on the inscriptional lettering work of Luca Horfei, the Vatican scribe who designed the major inscriptions for Pope Sixtus V's Baroque-makeover of Rome in the sixteenth century. Garrett Boge modeled the design on a Horfei manuscript and on-site research in Rome in 1996. Pontif is part of the LetterPerfect Baroque Set.

Indulge in the romantic allure of Romantica Vibes, a captivating script font that weaves passion and sophistication into your designs. Infuse your projects with the timeless charm of love, as this font adds a touch of grace and warmth. With PUA encoding, explore its versatile features effortlessly, ensuring your Valentine's creations are both enchanting and memorable

Caracas Stencil Pro is a new family of stencil sans serif fonts, looking friendly, sweet and comfortable to read. Where text flow between straight lines and round by becoming transparent in the interest of readability. Caracas Stencil is ideal for working in small letters and texts of a technical nature. Caracas is a humanistic approach to reading sans forms.

Introducing Bespoke Display, a font that captures the essence of elegance and creativity by seamlessly merging the classical charm of a modern serif with the flowing grace of an elegant script. In Bespoke Display, you'll find a font that defies convention, creating a harmonious symphony between serif and script letters, crafting a unique visual language that speaks volumes.

Satisfaction Pro is the vastly expanded and improved version of the popular font Satisfaction, inspired by cigarette ads from the 1930s. This new OpenType version has over 600 glyphs, including a full set of small caps, lining and oldstyle numbers, and numerous discretionary ligatures and contextual alternates to help create the look and feel of real handwriting.

Designed by Wilhelm C. Pischner, Neuzeit-Grotesk first appeared in 1928 with the font foundry D. Stempel AG. In 1966, Neuzeit S was introduced by Linotype-Hell AG, intended for large bodies of text and predecessor of Siemens corporate design. Neuzeit S is timeless, combining strength of form and objectivity and legible even on inferior papers.

Styla is a refined romantic sans, in the best tradition of Didot and Bodoni. The combination between Styla’s feminine grace and sharp endings creates an air of seduction, ideal for magazines, ads and books on fashion, fine arts, philosophy, luxury goods, women and love. A typographic jewel, Styla brings romantic sensuality and refinement to the world of sans-serifs.

Unleash your creativity with the all-caps captivating Hai Brush Font. This unique typeface effortlessly combines the raw energy of hand brush strokes with a touch of elegance, making it an exceptional choice for a variety of design endeavors. Whether you're crafting logos, posters, or branding materials, Hai Brush Font adds an authentic, artistic flair to your projects.

Soapy Feelings is my slightly rough-edged handmade fantasy (or perhaps even fairytale) font. I've added several swashes, which can be used for both starting and endings of words. I've also added 4 slightly different versions of each letter (and they automatically cycle as you type!) and lastly, of course Soapy Feelings has multilingual support! Caps Only Fonts

Ramen Sans is a friendly grotesque type family with the warmth of serif types and a little bit of the edginess of geometric sans! Designed with body text in mind, it offers 5 weights (and their italics), small caps, tabular figures, fractions, numerators, denominators, and supports the Adobe Latin 3 character set (most western and central European languages).

Its name, CrippledFont, might lead you to think that this font was missing important characters. It is not. Rather it is a letterbat font composed of crutches and canes. It is caps only, with the lower-case keys having an alternative set of capitals. It has an extensive set of accented letters that will support most European languages.

Export Drive is a bold condensed stencil font of the kind traditionally used to mark tea chests, packing cases and other goods in transit. Nowadays of course its applications are universal, although it is particularly well suited to branding or publishing projects which strive for a sense of freshness, urgency and immediacy, or a rugged, rough-and-ready feel.

Nick Curtis has created this stylish, Deco inspired design, packed full of quirky features and characters. Some of the letterforms, like the uppercase K, appear to be walking. And dig that lowercase ‘g’! There is a lot of lively design happening here, so much so that its a battle not to be stylish when you are Steppin Out.

Figural is the work of Michael Gills, developed under the direction of Colin Brignall. It is based on an original 1940 design of Czechoslovakian designer Oldrich Menhart. All original characteristics were carefully retained in this distinguished typeface family. Figural is highly legible, making it perfect for both short pieces in advertising text or larger applications in magazines or books.

Hiroshige was designed in 1986 by Cynthia Hollandsworth (now Batty) of AlphaOmega Typography, Inc. The typeface was originally commissioned for a book of woodblock prints by the great nineteenth-century Japanese artist Ando Hiroshige, whose work influenced many Impressionist artists. The typeface has a gentle calligraphic flair that creates an interesting page of text as well as elegant headlines.

Gistany Font is an exquisite handwritten signature script font that exudes elegance and sophistication. Whether it's a logo, invitation, or branding materials, Gistany Font brings a sense of refinement and style, making every word appear like a work of art. Elevate your designs with the captivating charm of Gistany Font and let your words speak with elegance.

Ambatah is a sans serif font family that comes with 18 styles. Specially designed to be your favorite font of choice. Add it to any of your creative projects, and it will make it stand out! Ambatah has a set of expanded alternate characters, and all is PUA coded, which means you can access all glyphs and swashes easily!

DF Staple Mono is a personal answer on the archaic and ‘middle-of-the-road’-forms of typewriter typefaces like ‘Courier’ and ‘American Typewriter’. The form of a staple (office supply no. 1) and its transformations inspired me during the design process. The first four weights are all monospaced and are completed with a real italic.

Grand Sword is a wide serif and high contrast display font, which is inspired by the swords of the antique ages. There are two styles which are regular and outline. This font family also includes lots of eye-pleasing ligatures and alternatives. By using these opportunities of Grand Sword Typeface, you can create unique and stylish designs.

Canterbury is named after the English cathedral city in the county of Kent, chiefly because its sculptural qualities are reminiscent of ecclesiastical architecture. It's a monumental font in the sense that it is well suited to plaques, certificates and other formal inscriptions. It's also suitable for any application that strives for a sense of elegance and dignity.

Luisa is a typeface with two weights: regular and inline. Its design responds to the calligraphic principle of pressure. It combines the elegant qualities of the calligraphy with the unstructured and informal layouts of modernity. It is suitable for striking composition in words and short sentences and for shaping dense and deep textures when applied into paragraphs.

Startup is a nine style type famaly. It combines the aesthetics of gothic sans and Neo-grotesques. Created specifically for the creation of startup identity. When you need something that doesn't scream, but has personality. This type family can be used in the design of the logo, as well as apply it to headlines and secondary texts.

Scrawny is a long-legged beanpole of a font. Quirky, a little retro — and most certainly smile-inducing — Scrawny sports tall and thin characters with high horizontal crossbars to give a feeling of "cute shyness" and "warm fuzziness." Scrawny works great for banners, announcement text, labels, and anything else that requires something with a bit of whimsy.

Goudy Titling was designed by Steve Matteson. It is based on the 2" wood engravings Frederic Goudy made for his book ‘The Trajan Capitals’ - a seminal book about the history of the Roman letter. These letterforms predate the work of Father Catich’s exhaustive study of the Trajan Column and, while remarkably faithful to the inscription, have Goudy’s interpretive fingerprints.

Based on the all caps decorative face Fournier le Jeune of 1768 by Pierre Simon Fournier for the Peignot Foundry. This version uses more elaborate "Vouge Initials" caps which were offered by ATF in 1920s. Because of the decorative nature of this design, a full character set is not included, but accented characters and basic punctuation are included.

In designing Minion font, Robert Slimbach was inspired by the timeless beauty of the fonts of the late Renaissance. Minion was created primarily as a traditional text font but adapts well to today's digital technology, presenting the richness of the late baroque forms within modern text formats. This clear, balanced font is suitable for almost any use.

One of the type examples found within the pages of “Lettering” by Harry B. Wright (1950) is a bold hand lettered serif typeface with a unique twist – the slab serifs had rounded corners, looking very much like show card lettering of the early 1900s. This design is now available digitally as Maybrook JNL, in both regular and oblique versions.

Yasuragi means ‘Peace of Mind’ or ‘Tranquility’ in Japanese. It is something I do not have a lot of since the corona lockdown…the ;-) Yasuragi is a handmade script font. It is quite neat, quite elegant and quite useful (in a tranquil, peace-of-mind kinda way). Yasuragi comes with double letter ligatures and all the diacritics you want.

Drakkar is a Latin typeface based on runes, the medieval script of the Vikings and Northern Europe. It imitates letters carved in wood with flared strokes. Just as the actual runes, it is a single-case font; instead of lower case letters, Drakkar has a set of slightly changed caps to enable the user to express handmade lettering.

A self made bamboo or reed stick nicely cut down to a broad edged nib must have been the tool with which the designer Andrew Weed wrote his letters for the typeface Pine.Its irregular outline is the result of the flowing of the ink. Ideal for a headline or a poster which reflects the personal touch of the tool.

If it's at all possible to "Deco-ize" an Art Deco font even more, it's been done with Roney JNL. Named for one of the classic hotels built during the heyday of Miami Beach, this font is a stylized version of Jeff Levine's Metalet Modern; a design derived from an actual 1940s home movie titling set.

Movie Night JNL was modeled from one of a number of ceramic home movie titling kits on the market that were popular during the 1950s and 1960s. The camera buff would set up the letters against a colored background and photograph clever titles to describe their 8mm home movies of vacations, sightseeing or their darling children (or grandchildren).

The Larryline family contains 6 stroke thicknesses and a proper italic, also in 6 thicknesses. It is suitable for a wide range of applications and can be readily combined with other fonts. The x-height of Larryline is identical with the x-height of Lunaquête font. Erwin Krump, typograph and sculptor, developed the Larryline font in 2016—2020.

Orient is a elegant and feminine sans serif with a touch of modern look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

The Pasta Script Family is a delicious script typeface inspired by the Italian spaghetti movement. For display use on every kind of support, choose between Spaghetti or Spaghettini according to the size of your text, and if Fettucine is your choice – get pleased by it’s generous curves. The Cuccina Dingbats are free to use on any kind of work =)