Decorative, Display, Headline, Serif, 1920s, Hand Lettered, Engraved, Incised, Bold, Extra Bold, Retro, Vintage, Nostalgic An ad in the July 27, 1928 issue of The Film Daily for FBO Pictures was an encouragement to all theaters to accept the emergence of 'talking pictures' and "Don't be Panicked by Sound". The headline text was hand lettered in an extra bold serif type face with engraved [incised] lines. The lettering has been redrawn as the digital type face Movie Usher JNL, and is available in both regular and oblique versions.

RealScore Script was inspired from the old west-coast music copyists. It is a handwritten font coming in 8 weights: Realscore Script Light Realscore Script Light Italic Realscore Script Light Oblique Realscore Script Regular Realscore Script Italic Realscore Script Oblique Realscore Script Bold Realscore Script Bold Italic Realscore Script Bold Oblique RealScore Script fonts can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun!

Motherline Reguler : a monoline vintage script typeface which is created based on manual hand lettering with many features such as ligatures, stylistic set alternate, swashes, etc with total 650++ GLYPHS! which is obviously support multi language characters! Provided in both OTF and TTF. Motherline Bold : The bold version of the Motherline Reguler, looks awesome to be used as logotype, badge, emblem which is needed a strong and bold text. Motherline Sans : A complementary sans type font which is perfectly matched with the main font. Motherline Sans Rough : The rough version of the Motherline Sans.

Introducing Inure Typeface - 6 weights Inure is bold, vintage typeface with 6 weights and multilingual support. It's a very versatile font that works great in large and small sizes. Inure is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Hairline Light Regular Bold Extra Bold Black Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Qualux is a versatile high-contrast serif font family. Qualux comes from the words Quality and Luxury. This font has vintage characteristics with a luxurious style in light, but also has a friendly and playful style in bold. Each glyph has a soft, rounded tip. This font is suitable for many various projects such as logos, branding, magazines, signage, fashion and many more. Qualux consists of 8 styles: Light, Light Italic, Regular, Italic, Semibold, Semibold Italic, Bold, and Bold Italic. These fonts feature Kerning, Standard Glyph, Stylistic Alternate & Ligature, Numeral, Symbol, and Multilingual Supports.

Inspired by the 70's design, specially on Herb Lubalin's work, the typeface Garoa is a rounded mechanical display font without optical compensations, ideal for large bodies. The medium weight has lower case for short texts, and the Bold versions have singular upper case glyphs, with some alternates (at least one alternate per letter – some with OpenType features some using caps on the keyboard). The Garoa Hacker Clube Bold version is free and contains no OpenType features, but the glyphs have the same design as on Garoa Bold.

I have always been frustrated when looking for a bold condensed face. The choices were the usual? Helvetica Bold Condensed, Univers Bold Condensed or Alternate Gothic #2... all rather dated. I was looking for a really unique, clean, uncluttered sans serif face, so I decided to design one. I have since adapted it to many logo designs. So, in my terms and conditions, I decided to permit the modification of the letter forms for logos and monograms, but logos and monograms only, not the typeface in normal usage.

A versatile compressed font for film posters, credit blocks and trailers, Due Credit is a display font specifically designed for the film and television industry. A versatile typeface that’s suitable for bold headline titles and small credit blocks, with an additional horror genre inspired extra style. Watch Due Credit in action in this showreel: https://youtu.be/2XeoqG17wo8 Contents: Due Credit Version One and Two Uppercase Characters Lowercase Capitals Light, Regular, Bold and Extra Bold Weights Additional Cast and Crew Glyphs (simply drop in crew titles in one click) Additional "Horror" genre style with Alternatives

Part of the Zoot Suite of offbeat handwriting fonts, Herringbone is based on a fast and sloppy formal script the designer has been using since he was a child. For use when handwriting fonts are too informal and script fonts too formal. Herringbone is a happy medium. For a bolder look, try Houndstooth.

This type family is the lighter, more open companion to the eye-catching Sliced volume, a masculine display face with boldly sliced terminals and angles, available in 3 widths. The complete Sliced volume numbers 14 styles, a versatile modern suite of fonts with extended European language coverage, available in OpenType, TrueType & web formats.

Thin strokes, an Art Deco feel and useful in both text and display work... that's Stylor JNL by Jeff Levine. Inspired by various designs of the past, this is Jeff's personal take on a classy form of Deco lettering. Stylor Demi JNL is a bolder weight version of this popular monoline font.

Say hello to new serif font, Enigmatic Pandora! Enigmatic Pandora is a serif font that combines a psychedelic uniqueness with bold boldness in each letter. With its eye-catching psychedelic characteristics, Enigmatic Pandora exudes an aura of mystery and magic that is hard to describe. Enigmatic Pandora offers a great typography experience with bold bold characters. Its bold and striking design makes each letter a centerpiece in the design. Combining stunning psychedelic elements with strong, compelling contours, this font provides a unique and compelling visual dimension. Enigmatic Pandora is suitable for use in design projects that want to express visual uniqueness and tension. This font is ideal for titles, posters, illustrations, album designs, and other creative projects that need an extraordinary and bold look. Here's what you get: Enigmatic Pandora Regular All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Hey! See Reina Neue in action here! INTRODUCTION When I designed the first Reina¹ circa 2010, I was at the dawn of my career as a type designer. The S{o}TA, short for the Society of Typographic Aficionados, described it as complex display typeface incorporating hairline flourishes to a nicely heavy romantic letterform². And it was like that; that’s what I was pursuing at that time since I was very passionate about ornaments and accolades of Calligraphy. Why? I felt that Typography, in general, needed more of them. These subtle flourishes could breathe life into letters. Maybe, I thought it was the only way I could propose something new into the field of type. However, after some years, I came across a very interesting quote: –Beautiful things don’t ask for attention– Wow! What did this mean? How could something be attractive if it’s not actually showing it. Could this be applied to my work? Sure. I think every type-designer goes through this process (aka crisis) regarding his or her career. At the beginning we love everything. We are kind of blind, we only see the big picture of a project. And that’s not because we are lazy. We actually can’t see the small mistakes nor the subtleties that make something simpler beautiful. We are not able. But, the small subtleties… They are actually everything: With experience, one puts more attention into the details and learns that every single decision in type has to be first meticulously planned. Here I am now, introducing a new Reina, because I felt there was a lot of it that could be improved, also the novelty of Variable Fonts caught my attention and I had to take that to my type library. THE FONT A thing of beauty is a joy forever Now, a decade later, I’m presenting Reina Neue. This font is not just an update of its predecessor: –A thing of beauty is a joy forever– is the first line of the poem ‘Endymion’ by John Keats, and despite the meaning of “beauty” may vary from person to person, and even from time to time (as read in the last paragraph), with Reina I always wanted to bring joy to the eye. In 2010, and now, in 2020. I believe the font is today much better in every aspect. It was entirely re-designed: Its shapes and morphology in general are much more clean and pure. The range of uses for it is now wider: While the old Reina consisted in just one weight, Reina Neue was converted into a big family of many weights, even with italics, smallcaps and layered styles. The idea behind the font, this kind of enveloping atmosphere made out of flourishes, is still here in the new Reina. This time easier to get amazing results due to the big amount of available alternates per glyph and also more loyal from a systemic point of view. However, and as read in the introduction -Beautiful things don’t ask for attention-, if none of the flourishes are activated the font will look very attractive anyway. Reina Neue is ready to be used in book covers, magazines, wedding cards, dazzling posters, storefronts, clothing, perfumes, wine labels and logos of all kind. Like it happened with the previous Reina, I hope this new font satisfies every design project around the world if used, and can be a joy forever. SOME INSTRUCTIONS Before choosing the right style for your project, hear my advice: -Reina Neue Display was meant to be used at big sizes. If you plan to print the font smaller than 72pt, I suggest using Reina Neue, not Display. Otherwise, if the font will be BIG or used on a digital platform, Reina Neue Display should be your choice. For even smaller sizes, use Reina Neue Small. This style was tested and printed in 12pt with nice results. (Note for variable fonts: Print them in outlines) -Reina Italic is not a slanted version of the roman, and this means some flourishes are different between each other. The Italic version has other kind of swirls. More conservative, in general. -All the styles of Reina Capitals have Small Capitals inside. -Reina Capitals Shine should be used/paired ONLY with Reina Capitals Black. The engraved feeling can be achieved if Reina Capitals Black and Reina Capitals Shine are used as layers, with the same word. Variable fonts instructions: -For more playful versions, choose Reina Neue VF, Reina Neue Italic VF or Reina Neue Capitals VF: With them you can adjust between 3 axes: Weight (will change the weight of the font) – Optic Size (will thicken/lighten the thin strokes and open/close the tracking) – Accolades (will modify the weight of the active flourishes). SOME VIDEOS OF REINA NEUE VF https://youtu.be/8cImmT5bpQM https://youtu.be/1icWfPmKAkg https://youtu.be/YC9GkJDL1a8 NOTES 1. The original Reina, from a decade ago: https://www.myfonts.com/fonts/argentina-lian-types/reina/ 2. In 2011, Reina received an honourable mention by S{o}TA. “Great skill is shown in the detailing, and an excellent feel for the correct flow of curves and displacement of stroke weight.” https://www.typesociety.org/catalyst/2011/ Reina was featured in the “Most Popular Fonts of the year” in MyFonts in 2011 https://www.myfonts.com/newsletters/sp/201201.html In 2012, the font was also selected in Tipos Latinos, the most prestigious competition of type in Latinoamerica. https://www.tiposlatinos.com/bienales/quinta-bienal-tl2012/resultados Also, chose as a “Favorite font of the year” in Typographica. https://typographica.org/typeface-reviews/reina/

Alpha is a modern Sans Serif design, very elegant and readable but still also economic. Alpha is offered in regular, bold and italic, with the bold italic still in the works. Alpha is strikingly clear and without any flourishes. Its pretty large x-height guarantees excellent readability, and the design is easily recognized.

Spectre is an allcaps display font. With bold and sharp shapes, this font is able to bring a fierce and bold impression to your designs. Spectre is perfect for editorial projects, Logo design, Music Album, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

is a font from the sans serif family that is bold and bold and has character, an update from the previous “Akira Monoletter” font. This font was made to support the languages ​​of countries that require a dialogue arrangement of letters that have special marks. thus forming this special font. thank you

Cathedral is a display typeface with regular, semi bold, and bold weights with alternate glyphs for select characters. This font comes with bonus vector graphics that accompany the font. The bonus vector graphics have editable stroke weights, so they can match each type weight, or any other need you have in mind.

Introducing Prosa GT is a condensed sans serif which has styles from thin to black to make your design more variative and unique. Good for bold branding, titling and headline who has come to be seriously and fun. This typeface can be so serious, fun, and bold it depends on for what purpose.

Nugetto is a font with a groovy theme. This font has bold, pointed, and circular strokes so it looks very bold but still has a lot of flexibility. This font is very suitable for non-formal writing such as party celebrations, Halloween, food, holidays, and is also suitable for writing on logos...

Mooncrack is a brush-style font with bold, masculine strokes. This typeface captures attention with its thick and bold letterforms, making it an ideal choice for design projects that require a strong visual presence. It is suitable for various design projects such as logos, branding, posters, quotes, packaging design, labels, and much more!

Introducing Throne Serif Typeface: Unleash Masculine Elegance Experience the epitome of masculine sophistication with Throne Serif – a font designed to embody strength and refinement. From commanding headlines to timeless logos, its bold serifs exude confidence. Elevate your designs with a touch of masculine charm – explore Throne Serif and make a bold statement today.

Gremlin is a modern sans-serif font designed with an extended width for a bold and impactful presence. Its clean and sleek lines contribute to a contemporary aesthetic, making it suitable for a variety of design applications. The bold weight of Gremlin ensures that your message stands out with confidence and authority.

Matroos, translated as "Full" in English, is a new bold Arabic typeface created to be used for bold titles. It comes in two weights in a display way to make it legible for contemporary use in various creative projects including branding, headlines and posters. Features 25 bonus stickers in the glyph set.

Madison 01 is a bold, powerful and sporty font, perfect for sports logos, branding, posters, clothing designs with a bold and confident look. and also suitable for editorial / web titles. by adding some very detailed illustrations, of course this is very helpful to add elements to the design that you will make.

Escato is a modern sans serif font family with a simple design and a little break-rule, consisting of 5 styles ranging from Regular, Bold, Round, Bold Round, and Outline. Escato is suitable for products with simple but sophisticated and equally creative designs, such as magazine, book look, business card, logo, branding, etc.

Introducing a new Layered bold script called Stonekids. Stonekids inspired by handlettering, bold script logotype and kids fonts. Stonekids comes with open type features and multilingual accent good for logotype, poster, badge, book cover, t-shirt design, packaging and any more. Multilingual accents: ŽžŠŒšŸÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ Features: - Uppercase - Lowercase - Number - Punctuation - Multilingual - PUA Encode - Opentype

The Scrivano family was designed by Ricardo Esteves Gomes, inspired by some handwritings from the Middle Ages and Renaissance period. There are four elegant organic font styles (Regular, Italic, Bold & Bold Italic) that can be very useful to compose long or short texts in graphic standards that need some 'old style' feeling.

Rigide is a clean, contemporary, geometric, condensed font family. There are 6 fonts in the Rigide family, Rigide Light, Rigide Light Oblique, Rigide Medium, Rigide Medium Oblique, Rigide Bold and Rigid Bold Oblique. The Rigide fonts are ideal for headlines, titles, branding, small blocks of text or wherever a fresh font is desirable.

This typeface has its roots in the Egyptienne-family which became popular in the beginning of the 19th Century. To make the family more unique and personal, ”twists” have been crafted throughout the design. All together a family of 6 weights, including: Medium, Medium Italic, Bold, Bold Italic, Black and Black Italic.

Nalom is a modern sans serif typeface font family . The family consist of 8 weights; light, regular, bold, rounded, italic, light italic, bold italic and rounded italic. It comes in uppercase and lowercase with special alternate and ligatures. This modern family font are great for user interfaces, logotypes, short text, long text, magazines etc. Features; 8 Weights; Nalom Light, Nalom Light Italic, Nalom Regular, Nalom Italic, Nalom Bold, Nalom Bold Italic, Nalom Rounded, Nalom Rounded Italic. Uppercase, Lowercase, Number and Punctuation Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word Fully accessible without additional design software. Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy with our font and this font usefull font your projets!

Buddy is the new companion sans for Contenu, the book font family designed for my book on font design design. Originally, I called it Compagnon, but that seemed to pompous. Then I called it Aide, but that was too formal and dry. It's a loose, free, easy to read sans, so when my wife suggested Buddy, it clicked. This is the 4-font Buddy family of Regular, Italic, Bold, & Bold Italic. I made a new, more limited feature set for these fonts due to their designed usage, but there are still small caps, small cap figures, oldstyle figures, numerators, and denominators. The bold is closer to a black, and the italics are only slightly slanted obliques. If you need a strong black in caps, use the small caps of the bold.

Gutters Butter! A handwrittent marker font with 8 styles, Gutters Butter Regular, Gutters Butter Regular Italic, Gutters Butter Regular Bold, Gutters Butter Regular Bold Italic, Gutters Butter Rounded, Gutters Butter Rounded Italic, Gutters Butter Rounded Bold, Gutters Butter Rounded Bold Italic. Gutters Butter font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, advertising, etc. Whats Include? Uppercase and lowercase characters Supports international languages Opentype feature: ligatures, alternate Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you’re unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don’t hesitate to drop me a message if you have any issues or queries.

Radiate Sans is a Humanist - Geometric Sans Serif fonts, Simple geometric letters shapes, medium contrast character style, It was designed lately 2018. and published on April 2020. Radiate Sans is a neutral typeface, have stroke modulation (strokes that clearly vary in width along their line) or alternating thick and thin strokes. Radiate Sans intended as a display typeface that could be used for posters and advertisements, as well as for the text of documents that need to be clearly legible at small sizes or from a distance, such as book blurbs, timetables and price lists. The family include 5 font weights, with a bonus 4 Widths in the OpenType version. It supports ISO Adobe 2, Adobe CE, Latin Extended characters, Standard Greek, and Standard Cyrillic. OpenType features include small caps, old style figures, superscript and subscript, ordinals, proportional lining figures, and case forms.

Inspired by the graphic spirit of old packaging and store signs of Portugal, this font seeks to transmit the warm and sunny sound of Portuguese language in a visual way. Portuguesa has 3 partners, designed to work nicely together and to complement one with each other. Portuguesa Script, with friendly and rhythmic personality, great for titles and short text, Portuguesa Caps, with small caps and ligatures that perfectly match (and contrast) with the script version. And Portuguesa Icons, that recalls the legendary blue tiles. This last version was specially designed to mix signs up with delightful combinations for creating patterns, borders, stationary, tableware and all kind of commercial products and projects that needs a memorable strike. The possibilities are numberless. As a mantra, Portuguesa is always in a positive mood, spreading the “Portuguese art of welcoming people”. Seja Bem-Vindo!

Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli, Kabrio is a sans serif typeface for the lovers of minimal design, and great curves. Kabrio features four different corner treatments to offer variation in display and logo use: the "alternate" variant features slightly rounded corners, that become even more round in the "soft" variant. "Abarth" features cut corner for a more mechanical, cold look. Each variant comes in seven weights with matching italics, for a grand total of 56 weights to add to your typographic palettes. All Kabrio weights feature an extended character set with accents to cover over forty European languages as well as Russian and Bulgarian Cyrillc. OpenType features include stylistic alternates and a wide arrange of numerals (oldstyle, tabular, tabular oldstyle, superior, inferior, fractions) to allow you maximum flexibility to use Kabrio in number-heavy documents: spreadsheets, tables, timetables.