Ivà by Joan Barjau / OpenType, 2 styles.   Ivà, a very personal script based on the handwriting of the cartoonist called Ramón Tosas "Ivà, digitised by Joan Barjau in two plain weights. These fonts were set for the credit titles of a film in 1994 and remain in our collection as an icon of those times.

The logotype lettering of a 1927 issue of Motion Picture magazine provided the inspiration for this playful romp through the alphabet. Named after an expression of the same time whose origin and meaning are shrouded in mystery. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Nure™ is a variable font family designed in 3 axes (Weight, Optical, Width) to cover all the graphic design needs. Thanks to 11 OpenType Stylistic Sets, Nure™ is one of the most flexible typefaces of all times. Every weight' set is composed by more than 1300 glyphs from Latin and Cyrillic encodings

Old Earthy is a hand drawn font inspired by the mid 19th-century art movement with William Morris and the Pre-Raphaelite Brotherhood in the front line. The art and the patterns from that time is reflected in Old Earthy. It comes with a set of basic English/Latin letters and some west European diacritics.

Kittle Round is a robust display font, with a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Round features a full upper and lower case character set and an extended set of accented characters for Central European languages. It is also available as Kittle Rough, with a time-worn look.

Shaken, Not Stirred. A famous line from just about every James Bond movie (yes, we're talking Martini-time). The font is also quite shaken (and not stirred). It looks like someone scrawled something onto paper, or etched the letters in metal. Shaken, Not Stirred comes with a set of diacritics befitting a Secret Agent.

This time we designed a font of ink streaks on paper and named it Sketching. We loved creating it because this is a work of art in itself, making it through a long process. Every letter we made has always maintained its distinctive style. We hope you are all happy with our latest font.

Autumn is my favourite time of the year: I love the colors in the forest, the colder temperature and the stormy winds. Autumn Voyage is a very nice set of hand made fonts: a fat one, a thin one and a lovely autumn leaves doodle pack. Comes with a heap of diacritics as well.

Sometimes you want to go unnoticed, sometimes you don't. This font is definitely for the second option. Pedrita is a generous type, a bit bold, somewhat showy, quite authentic. When you need that extra-something, go with caps and turn on the stylish interlocking pairs: added eye-catchingness guaranteed. And let the good times roll!

Do you enjoy bicycles? So much that when you aren't riding them you spend your time on bike related design? Then this font is for you. BIKES is a dingbat font that lives up to its name. The capital letters are detailed silhouettes of cycles while the lowercase are simplified versions for smaller uses.

Introducing Brskovo is a modern uppercase serif, use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature - Uppercase & Lowercase - Number & Symbol - International Glyphs - Multilingual support - Alternative - Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.

Trick or treat! The spookiest time of the year will be here soon! Spread the Halloween spirit with this chilling, creepy, and scary typeface, Freich Monsta! Freich Monsta is an evolution of my previous font - Freich. It's mutated from a clean, strong, and bold font to a spooky display font with a vintage horror twist.

Introducing Bemsod Decker is a casual handwritten font and will be perfect for book, title branding, product packaging, invitation, quotes, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.

It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there. Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds. Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff. Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well. This is one quill script that no large bird had to die for. A few technical notes The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on. Awards During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.

Based on a specimen of an obscure and uncredited old face called Kitterland, Hamlet is one of those curiosities hardly ever noticed in the world of modern fonts, the kind that infuses a variety of historic Blackletter and calligraphy traits in an otherwise Roman alphabet. Such typefaces, what few of them exist, are almost always classified by typophiles as traditional decorative Roman alphabets. We beg to differ. We think such hybrids are fascinating enough to deserve a classification of their own. And we think today's aspiring letterers and type designers would benefit from paying special attention to this kind of hybrid alphabet, not only because it has much more hand than machine in it, but also because it is a prime example of how to succeed in mixing different lettering techniques into one self-contained and distinctly functional alphabet. As in any efficient mixture of lettering methods, Hamlet ended up with characters that are uniquely its own, such as the cupped A, M, V, W and Y, the very luscious and inviting curves on the arms of E, F, L and T, both single- and double-story forms of the a, and the humblest, friendliest g and y ever. A dozen alternate characters are sprinkled throughout the character set, so check out the map for a few pleasant surprises. We also made the Handtooled and Headstone styles because we thought these friendly forms were just crying out for such treatments. The Handtooled version turned out quite lovely, if we may say so ourselves, perhaps even better than the main font. The Headstone version is available as a free bonus to those who purchase the complete Hamlet package. All Hamlet styles come with lining figures as well as old style ones. Hamlet comes in all popular font formats. The OpenType fonts contain push-button swapping alternates and figures, which come in handy in software programs that support this kind of thing.

Chaweng is a coastal region on Ko Samui, an island in the Golf of Thailand, about 20 miles off the mainland. The design of Chaweng is based on some 'Latinese' characters Peter Rosenfeld detected while celebrating Chinese New Years Eve with people from Thailand and China on the beach of Chaweng. Ralph M. Unger took on the idea and developed a completely new typeface, very beautiful, very 'Latinese'. Chaweng obviously shows some of the typical characteristics of Chinese ideograms, still keeping a high level of legibility. To add something really special, Unger digitized the Chinese signs of the zodiac which change annually, on the occasion of the Chinese New Years Eve.Chaweng is perfect for signs and small texts, e.g. for any Asian restaurant and shops, menues, displays, China towns etc.

Neubau is a condensed geometric display typeface, designed in 2009. The inspiration for this face came from Joost Schmidt lowercase letters developed during 1925-28 in Bauhaus Dessau. Schmidt was one of the proponents of New Typography – a movement advocating the use of only lowercase letters which were constructed strictly geometrically using only ruler and compass. Neubau Pro is the new edition of Neubau fonts. The new typeface is an upgraded version of an old fonts (2009), with careful refinements to glyph shapes, and the extension of glyph amounts which enabled support of more Latin languages as well as Greek and Cyrillic languages. Neubau Pro is released in six styles with small caps, and true italics, and contains OpenType features. This typeface can be used for editorials and print designs.

Dueblo is a font family in serif, sans serif and semi serif with variability in weight and serifs. It's a classical antiqua with a sans serif basis, a semi serif version, two decor styles for headlines and initials and the italics in sans and in serif. The small caps, alternates as well as other useful optional and contextual open type features are included in the fonts. It has been in development since 2012 and in use for several projects and publications since 2015. It was worked on until 2020, the cyrillic and greek letters were added, and it was built up in a new and modern way. Now it's really ready for building words and paragraphs.

Laskey, a new retro serif, is now available! Laskey is a stylish font that is both retro and sophisticated. The serifs bring it back to tradition, while the smooth curves give it a 70s groovy vibe. Laskey is a perfect match for those vintage moodboards and logos. Numbers, punctuation, and multilingual letters are all included, as well as a distinct lower and uppercase. The ligature and italic fonts will come in handy for anything your imagination can think of! Laskey (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates & Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Toothpaste Two is a reworking of Toothpaste . The new font has all the features of the original Toothpaste, but is now even crazier, with the line twisting and turning over and under itself, making a tangled string of text bordering on the edge of legibility. As in Toothpaste, every letter and number connects and there are numerous contextual alternates and ligatures to keep it all running smoothly. This is a fun, decorative font. It would look good on kids' websites, scrapbooks, party invitations and the like. It works best in brighter colors on darker backgrounds, which give the characters a neon light quality. Also, try it with a stroke for a cool cartoony effect.

Cloister Initials™ have become FontHaus's most popular decorative initials font since we began selling it in 1993. First released in 1919 for ATF, Goudy's "Cloister Initials", sometimes called Goudy Initials is recognized as "one of the most beautifully designed set of initials ever made". We agree. Our digital revival is historically accurate because it was referenced from the actual ATF 144-point brass matrices acquired at the now legendary and final ATF auction in Elizabeth, New Jersey in 1993. The exquisite design of each character inspire it's use. Perfect for holiday invitations, elegant note pads, as drop caps or in period design. We've even sold these initials for use as company logos.

France 1727, the book Le chemin Royal de la Croix is published. Centuries later the historical publication comes into the hands of Josep Patau, who uses its printed pages as a reference for a new digital typeface. Previously created for printing, those shapes adapt now to the screen and show the sophistication and authenticity of true Garalde types. Frenchute is a multipurpose typeface with 3 optical sizes. All the shapes were modified to cover different typographic needs. The diagonal axis and the moderate stroke contrast are taken further in the italics letterforms, where the design is far more expressive. The character set includes decorative forms and italic capitals with swashes, so the text looks prettier.

Please welcome a new Combinado Font Family that has it all: elegant display sans serif and serif fonts in three weights each; a modern calligraphy script that looks beautiful next to them; a sans serif font designed specifically for the best on-screen reading experience, which comes in two weights (for now! more to come); and the last but not least - Design Elements font that has more than 70 elements to compliment your designs. This font family is very universal and you can use it everywhere: websites, instagram ads, magazines, books, cards and invitation designs, as well as in all possible personal design project that do not fit in any of the listed categories! Enjoy!

Celebrity is a new execution of a film type concept put forth by Willy Wirtz in 1971. The original idea, called Latus, had many irregularities and unfit characters that are now fixed and expanded in this digital version. Celebrity's construct combines extreme thicks with hairline thins to build forms that contribute to a type totality that is at once modern and techno, as well as retro-deco. Eye catching and memorable, Celebrity is ideal for use on posters, book covers, media sleeves and packaging. It also has enough geometric appeal to inspire unique logos and set attractive titling. Celebrity comes in all popular font formats, and includes a very expanded Latin character set.

Introducing Kelaskin, a classic serif font that exudes elegance and sophistication. Its timeless design is perfect for any project that requires a touch of old-world charm. Kelaskin features a stylistic set that alternates on both uppercase and lowercase letters, giving you more options to customize and create unique designs. This font is versatile and perfect for a wide range of applications, from branding to editorial design. Its multilingual support ensures that your message can be conveyed across various languages and cultures without any hiccups. With Kelaskin, you can bring a touch of timeless class to your design projects. Get Kelaskin now and elevate your design to a new level of beauty and professionalism.

Motoring at top speed calls for your own high-performance machine and a special racetrack font to run it on. Speedway was built with blacktop smooth caps to ease you through those short and dangerous curves. And its sleek, aerodynamic lowercase linking makes getting your speedy cruiser to the checkered flag a breeze. Developed in typeface alley for discriminating designers. And for the more adventurous, Speedway SG is now available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Elizabeth ND is known for being the first typeface designed by a woman: Elizabeth Friedlander. It was engraved in 1938 by the Bauersche Gießerei. It has two styles: roman and italic. Its grace, delicacy and beauty allow many compositional possibilities, making it an ideal choice for use as a display and headline typeface. Elizabeth is a Trademark of BauerTypes SL

ITC Humana Sans font is the work of British designer Timothy Donaldson, an extended and versatile font family with a large array of variations. Donaldson first created ITC Humana Script with a broad-tipped pen and then went on to design the corresponding roman. ITC Humana Sans is the perfect font for anything requiring both clarity and a touch of personality.

Humaira is a modern Sans serif font that embodies elegance and charm in every character. It is perfect for luxury logos, branding, classy editorial designs, women magazines, cosmetic brand, promotional designs, the fashion industry, and more. Humaira is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects

Qoodara is a Display sans serif typeface that suitable for strong and modern looks on your works. Qoodara is perfect for sport product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Qoodara Font - Ligatures - Multilingual, US Roman, Latin 1 Support --- Hope you enjoy with our font! Attype Studio

Rileno Sans is sharp with geometric forms and strong personality. It is constructed in a geometric manner and inspired by the constructivist typefaces of the 1920s with a humanistic quality. It comes in 6 weights, 6 uprights and their matching italics. Rileno Sans is equipped with opentype features like Alternate charates, Fractions, Monospace Numbers, Superscript/subscript, Arrow, Roman Numbers, Ligatures and More.

Arioso was a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. The calligraphic style of Arioso stems from an early form of Old Face developed in the 14th and 15th centureis in Italy. It is a mixture of Roman capitals and Carolingian lower case.

Arunika Lavanaa Feminine Script, inspired from Women ornament with beautiful curly. Bold and Otline style from monoline hand lettering, really Easy to make it your own style typography. Good for your Lettering, Signature, Typography, Magazine, Branding, Poster, wedding invitations, Quotes Lettering, and more your project design. - Unique glyphs - Multilingual Characters - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Ligature - SS01, SS02, SS03, SS04 inumocca type

Jazz font is the work of British designer Alan Meeks and brilliantly captures the sophisticated elegance of the 1920s and 30s. The bold roman style is enhanced with an interior design almost like a piano keyboard or the lit windows of a skyscraper. Jazz font is a good choice for any headline or display which should have a refined, Art Deco look.

Nightmark BB is a roman-inspired, all-caps calligraphy typeface, hand lettered by Nate Piekos. Intended for comic book dialogue lettering, it features contextual alternates for six versions of each letter, three versions of each number, exclamation point, and question mark, serif-I correction, manga-specific characters, bouncy baselines for three or more consecutive letters, and a ton of European characters!

Alan Meeks originally designed the Champers typeface in 1991. Champers is a robust, classic Roman-style display typeface whose nature includes an underlying handwriting twist! A distinguishing feature is the mixture of a condensed lowercase alphabet with more regular capitals. Both are best used with close-fit letter spacing. Champers is perfect for almost any headline, display, or logo application.

Gaudí ND was designed in 1962 by Ricard Giralt Miracle and awarded with a Delta d’Or from ADIFAD. It combines the constructive spirit of the lapidary Roman with the modern sans serif. The rectangular endings constitute a recurring rhythm, resulting in a futuristic character that refers to a digital context and the interior life of computers. Gaudí is a Trademark of BauerTypes SL.

Anori is a playful sans serif. Inspired by handwriting and the playfulness of the italic sharp, Anori is a dynamic, high contrast and smooth typeface. It will bring originality to your designs and the large variety of glyphs will give you freedom for all of your projects. Anori is available in 10 styles, from light to black, in roman and italic.

Specimen | Graphic presentation | Customization options TT Firs Text includes 23 font styles: 11 roman, 11 italic, and 1 variable font. Each font style consists of 898 characters, counting in the characters of the expanded Latin and Cyrillic writing systems. The font has 31 OpenType features, among which are localization features for various languages, circled numerators, and stylistic alternate for the ampersand.

Qipao is a display monospace handwriting font. The typeface is a distinct hand drawn font using a felt marker. The Qipao name is derived from the traditional Chinese dress that Manchu women wore in China in the 17th century and became known as the qipao (旗袍), meaning “banner gown”. Qipao is great for display work, invitations, writing, architecture, posters, logos and headings.