Introducing our newest font, "Million Smiles", a casual bold script font with hand-letterred style. Million Smiles is an upgraded version of our previous font, "Billion Dreams". In this new version, we've rounded the edges a bit for a softer look, compared to the sharp edges of the old one. This enchanting font is the perfect choice for design projects that aim for a fun, urban, and classy vibe. It adds a touch of cool to your creativity without losing its elegant charm.

Hello Everyone, Introduce our new collection Kartun - A Cute Cartoon Font - Bold Display , Inspired from Modern logos of brands that have very strong characteristics, very suitable for posters,card to kids cute,and guaranteed to add a sweet touch to your next design,packaging, branding, logotype and more. Kartun is font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

MURQAS by Holyline is a Retro serif and width variable typeface, have 5 style condensed to expanded . It's very unique, elegant, bold and have beautiful shapes from each character . MURQAS perfect for headline, custom logo, merchandise, packaging, wedding designs, invitations, watermark,social media posts, label, and anything for your creativity and MURQAS is perfect typeface if you want something new with your project. And you can play and choose the width axis, for make your project more awesome! Happy creating!

Hello Everyone, introduce our new product The Mezirane - Bold Sans Ligature inspired by the title of the sports poster,We make it very energetically, taking into account the thickness and density of each gliph, along with a ligature that makes this font look unique. The Mezirane font with strong and challenging nuances. very suitable for the title, typography, clothes, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional. Caps Only Fonts.

According to Wikipedia, Tin Pan Alley is the name given to the collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. The name originally referred to a specific place: West 28th Street, between Fifth and Sixth Avenues in Manhattan. With this in mind, Tin Pan Alley JNL, a typeface based on the bold hand lettering from a vintage piece of sheet music is aptly named.

This is a new modern calligraphy font in casual and simple style. This font is italic and semibold that is made slowly and thoroughly which aims to convey the character of writing that is elegant, neat, simple, bold and still stylish. With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Alternox fonts is a new futuristic multipurpose sans serif font family with sophisticated geometric shapes. You can use it in a modern, clean and professional design. This font is perfect for your various projects such as logos and brand identity, technology, business cards, web, stationery, displays, sports and more. Alternox fonts feature opentype, kerning, ligatures and alternates packed in 6 fonts: ExtraLight, Light, Regular, SemiBold, Bold, and ExtraBold. Alternox fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

Comicraft first created this font, based on the unique European lettering style of Ladronn, for the Marvel X-book CABLE in 1998. It was later upgraded for THE INHUMANS mini-series, and modified again for the HIP FLASK mini-series in 2002. In 2018, we Remastered it for the new LOST IN SPACE series from Legendary, with improved spacing and kerning, an additional Bold weight, and our patented Crossbar I Technology to automatically place the crossbar I in the right spots.

Would you like a legible, professional, prominent font? Well, if that is what you want, you will probably have trouble finding one as it is a time-wasting process and is a hard challenge. Let us introduce you to a perfect font for any project, the Poppy Spoor. Poppy Spoor, unlike the other display fonts, is a display font with rather square letters to show you fun, soft, modern impressions due to the thin line designs in low contrasts. This font type, giving you a clipart as a bonus, is legible and is better applied for big text sizes. You can maximize your designs with Poppy Spoor’s features to remain the best in every design at any time. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Poopy Spoor fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Ostad Pro is designed by Naghi Naghashian. It is a headline font, as a modern interpretation of classic Sans Serif Roman characters in 2 weights: Regular and Bold. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

A Roman typeface with emphasized triangular serifs. A font like this one could have been designed in 18th century France. To some extent, Auxerre is a precursor of “Etienne,” which later became popular as an advertising typeface of the 19th century. Auxerre is available in five font weights: light, regular, semibold, bold and black. Auxerre supports Western and Central European languages including Scandinavian languages. Plus, the font includes lots of ligatures, tabular figures as well as a “Capital German Double S.” Auxerre fits perfectly with any topic related to the past two centuries. It also works amazingly well on technical issues. And of course it fits very well with topics of fine art and art history.

Mermer font family is a contemporary take on Roman capitals in six weights. The font name is the Serbian word for marble, and the inspiration for its creation comes from chiseled street signs in Istria. With lowercase and Cyrillic added, it gets a broader range of usages. Mermer is bold and versatile, can be both sporty and high fashion, looking sharp in more than 40 languages. Thin is thorny and Heavy feels like a block of concrete. Make it LOUD by setting it in large sizes and choosing Mermer Heavy for posters, magazine headings or logos, or you can make it cosy and friendly setting it smaller in Mermer Regular for menus, book covers, invitations or business cards.

Bonita is a bold handlettering style based on movie poster lettering from the early 20th century. It's similar to the typeface Broadway, but much bolder and far less formal.

The "Jack Knife" font is a unique, handcrafted font that perfectly captures the spirit of the medieval time period. With its spiky, pointy design, this font exudes strength, courage, and boldness – making it the perfect choice for anyone looking to add a touch of daring to their brand. The sharp, jagged edges of the "Jack Knife" font give it a rugged, rustic feel that is both timeless and modern. Its bold, thick strokes make it easy to read even from a distance, while the intricate details and delicate curves add a touch of elegance and sophistication. Whether you're looking to create a bold, daring logo for a whisky brand or add a touch of adventure to your design, the "Jack Knife" font is the perfect choice. Its unique design and versatile style make it suitable for a wide range of projects, from branding and packaging to advertising and social media. So if you're looking for a font that embodies the spirit of the medieval period and exudes strength, courage, and boldness, look no further than the "Jack Knife" font – the perfect choice for anyone who wants to make a bold statement with their design.

"Kicked Display" is a display font with a unique and bold contrasting style. It is this bold and thin that makes this font memorable. Designing with pastel colors also looks more maximal with this font. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks!

Iwan Stencil is a new revival of an old display typeface. Based on type originally designed by Jan Tschichold in 1929, the style was revived by Klaus Sutter in 2008. The letterforms in this peculiar design are very high contrast; all of the thin bits are much thinner than the thick parts. They have a modern, upright axis. All in all, the creation has a bit of a Bodoni-gone-crazy touch. The thin elements are the unique part of the design that binds this face together. They almost naturally fade away in the stencil gaps (or pylons), making you wonder if you are really looking at a stencil face at all. These thins contribute greatly to the typeface's overall serif-style, making the design at least a semi serif typeface, if not a full serif one. The lowercase n, for instance, has no serifs of its own, but many of the other letters have clear ones, or serif-like terminals. A serif stencil face is a peculiar variety, especially in this day and age, but in the past they were much more common, if not the norm, The Iwan Stencil typeface has only one weight. Naturally, this is just for display. Use Iwan Stencil to cut real stencils, or only to create the effect of stenciled type in your design work. Ivan Stencil includes all of the characters that you have come to expect in a font. Just because this design was originally made in 1929 does not mean that is has a 1929 character set. Instead, it includes a 21st century, with extended European language support Jan Tschichold, who we have to thank for today's Iwan Stencil inspiration, was a man of many faces. A trained calligrapher who went on to codify the New Typography, would go on to become a teacher, a classical book designer, and the creator of the Sabon typeface. Like all young designers, he was occasionally in need of money. Before his emigration from Germany in 1933, he took on many kinds of commissions. In the late 1920s, a time full of waves of economic turmoil within Germany and across the world, he began designing a typefaces for different European companies, mostly display things like this. For a time during the mid-1920s, Jan Tschichold went by the name Iwan" "

1769® Display is an elegant and modern serif typeface inspired by the history of France and more particularly the Romantic movement (1700s and 1800s). The roundness of its characters and its numerous ligatures reflect the grace, refinement and sensitivity that were omnipresent during the 18th century. Its name refers to the birth of Napoleon Bonaparte, the fascinating or revolting emperor, the emblematic figure of this period.

Fendysa is a script font with beautiful romantic calligraphy style. Whether you’re looking for fonts for calligraphy scripts for DIY projects, Styll Love will turn any creative idea into a true piece of art! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of special features including stylistic alternate glyphs and ligatures.

This pretty font is called hello Valentine. This font is very easy to use, and to bring out a pretty tail is not difficult because there are guides included. This font is perfect for expressing your happiness with your partner. This font is very beautiful and elegant that can be used for Valentine's Day, weddings, capturing romantic stories, quotes, branding, logos, banners, and more.

Claudie is a stylish script font suitable for wedding invitations, logotype, and product branding. Fall in love with its authentic and romantic feel, and use it to create outstanding designs! So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Ligatures Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations works on PC & Mac Thank You!

Brillianissa is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards, logos to headlines and is guaranteed to add a romantic or casual feel to your next project. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all the beautiful glyphs and swashes with ease!

Calligraphic font born from mixing chancery cursive strokes with some copperplate gestures. Kyrenia is the italic counterpart of Agony TTW. You can combine Kyrenia’s four different styles to create the illusion of handmade, along with a lot of ligatures and some alternate endings. This four styles are Quill (the basic one), Broad (taller and stiffer), Swash (ornamental and romantic) and Monster (a hypnotic strange blend).

Valley Country is a Modern Script Font. Valley Country Script is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. Valley Country also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Oraghon is a modern script font that comes with beautiful alternative characters. a mixture of copper modern with handleting style. Designed to bring style elegance. Oraghon a feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms like invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels.

Our Valentine is a unique blend of a classic and modern font. It has a perfect style with a romantic touch. It’s perfect for wedding invites, events, invitations, escort cards, table numbers, header menus, displays, logos, slider blogs, custom addresses, stamps, packaging, greeting cards, and much more! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

sterlington is an ornamental font, with a hint of Victorian style that can be seen in every form of the letter, this font is also accompanied by additional free ornaments and floral illustrations that you might use to add a more vintage impression and feel of royal romance, very suitable for design such as logotype, headline, label design, coverbook, business card, and many more

Tropical Harmony is a Modern Calligraphy Font. Tropical Harmony Script is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. Tropical Harmony also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Bittersoni is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards, logos to headlines and is guaranteed to add a romantic or casual feel to your next project. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all the beautiful glyphs and swashes with ease!

Young Generation is brush script font. The shape is modern and unique and the writing style is very natural. You can create many beautiful typographic designs in an instant like branding, web design and editorial, prints, crafts, quotes, It's great for logotypes, wedding invitations, romantic cards, labels, packaging, spelling of names and others. Add to your most creative ideas and watch how they bring them to life!

Java Coffee Script Font is an adorable and visually elegant signature script font. Comes with alternatives and ligatures. Perfect for editorial projects, branding, weddings, social media, product design, stationery, advertising other romantic projects, or simply as a stylish text overlay to any background image. Features : Uppercase and Lowercase Stylistic Alternates & Ligatures Numerals & Punctuation PUA Encoded Contact me If you have any questions. Thank you!

Birdland is a sweet and romantic handwritten font featuring a unique up and down flow. Use it for wall displays, product packaging, wedding invitations, social media post logos, and any project that requires impressive typography. It will add a splash of luxury to any design project you want to make! This font is PUA encoded which means you can access all the amazing glyphs and binders easily!

These symbols were used for the production of the timetables from the Deutsche Bundesbahn

Designed by Malou Verlomme of the Monotype Studio, Macklin is a superfamily, which brings together several attention-grabbing styles. Macklin is an elegant, high contrast typeface that demands its own attention and has been designed purposely to enable brands to appeal more emotionally to modern consumers. Macklin comprises four sub-families —Sans, Slab, Text and Display— as well as a variable. The full superfamily includes 54 fonts with 9 weights ranging from hairline to black. The concept for Macklin began with research on historical material from Britain and Europe in the beginning of the 19th century, specifically the work of Vincent Figgins. This was a period of intense social change--the beginning of the industrial revolution. A time when manufacturers and advertisers were suddenly replacing traditional handwriting or calligraphy models and demanding bold, attention-grabbing typography. Typographers experimented with innovative new styles, like fat faces and Italians, and developed many styles that brands and designers continue to use today, such as slabs, serifs, and sans serifs. Verlomme pays respect to Figgins’s work with Macklin, but pushes the family to a more contemporary place. Each sub family has been designed from the same skeleton, giving designers a broad palette for visual representation and the ability to create with contrast without worrying about awkward pairings. With Macklin, Verlomme shows us it’s possible to create a superfamily that allows for complete visual expression without compromising fluidity.

The December, 1935 movie poster for James Cagney in “Public Enemy” has its title hand lettered in a bold, squared, slab serif type style. Now digitally recreated as Lawbreaker JNL, it is available in both regular and oblique versions.