Angelin Love is a gorgeous script font, beautiful and romantic. This font looks perfect for Valentine’s Day designs, or for other romantically inclined styles and projects. To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

De La Croix font was inspired by the works of Eugène Delacroix, leader of the Romantic School. De La Croix is a strong yet romantic font that plays well in a wide variety of placements like posters, signage, advertising, fashion, display, wayfinding, publications, packaging, logotypes, and more.

Barbiel is a romantic and festive handwritten font with beautiful monogram. It is ideal for holiday-themed greeting cards and for any crafting project that requires a romantic touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Ritafurey is an extended sans in seven weights, with characteristic low bowls on the P and R. Modern, sleek and corporate, but with a dash of character. It has been used on tech logos, summer blockbuster movies and Playstation skateboarding games. This new version reinstates the original Unicase versions of the M and N (available through the Glyph palette or Opentype options), adds extensive international character support, redrawn and respaced glyphs, a new Regular weight for better weight flow distribution, and many other additional glyphs. (Note the the new weights differ slightly from the old of the same name, so may change the appearance of existing files.)

Bramante™ is an original display font by LetterPerfect Fonts, designed by Garrett Boge in 2020. It is modeled after a fifteenth-century inscription in the church of Santa Cecilia in Trastevere, Rome. The name is a tribute to the pre-eminent Renaissance architect Donato Bramante, whose Tempietto (1502, San Pietro in Montorio) marked the beginning of the High Renaissance in Rome. In 1503 he was named lead architect for the new St. Peter's Basilica, which was completed by Michelangelo, Maderno and Bernini a century later. Based on the pervasive use of Adobe Trajan as a classical-inspired titling face, LetterPerfect offers this Renaissance revival of imperial Roman capitals as an alternative with additional refinement and personality. (The full size capitals are complemented with small capitals in the lowercase positions.)

This font family based on vintage German book called “Der Raupen wunderbare Verwandlung und sonderbare Blumennahrung.” by Merian, Maria Sibylla and printed in Frankfurt am Mayn in 1683. I manually redesign initials and regular style fonts from this folio. Also, I’ve added some modern symbols. I'm happy to present to you my new font family. Blumen font family has Initials and Regular styles. It's all you need to precisely imitate medieval style text. Use Drop cap style as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in Regular style. You’ll get: * Initials & Regular styles * Uppercase and lowercase * Multilingual support * Numbers * Symbols * Punctuation * Ligatures Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman. Thank you!

Hey! I'm happy to introduce to you my new initial's set. These drop caps I found in the "Introductorium in astronomiam" manuscript. It was printed in Augsburg in 1489 by Erhard Ratdolt. I've added some lost letters and assembled a full alphabet. Augsburg is a medieval gothic style font. Set of dim colored and monochrome grunge style emblems. Engraved initial drop caps. Perfect for vintage premium identity, Middle Ages posters, luxury packaging. If you want dark and strong medieval style concepts, please try it. --- *You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, macOS 10.14 Mojave* *Please note that the Canva & Corel doesn't support color fonts!* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman. Thank you!

I was playing around with an old brush I found in our kitchen: it had fallen under the stove and it had probably been hiding there for quite some time! I dusted it off, got my Chinese ink and set to work. The result is a scary-ish font. Mortal Coil comes with discretionary ligatures for double lower case letter combinations.

Majestic Mishmash is inspired by old times, patterns, ornaments and Eduardo Recife's work. Majestic Mishmash is totally hand drawn and every letter is unique. There’s even double version of A-Z and a-z to prevent identical characters being side by side. It’s suitable choice for flyers, posters, and headlines and advertisement whenever you need to have a distinguishable visual style.

The Penman fonts are partially based on the 19th century penmanship of one of the designer’s ancestors, and originally created for a personal mailing with an “old-times tradition” flavor. The fonts are lightly pair-kerned, in order to control punctuation and numeral spacing. Auto-kerning should be turned on, and tracking should be checked to make sure all characters join well.

The Penman fonts are partially based on the 19th century penmanship of one of the designer’s ancestors, and originally created for a personal mailing with an “old-times tradition” flavor. The fonts are lightly pair-kerned, in order to control punctuation and numeral spacing. Auto-kerning should be turned on, and tracking should be checked to make sure all characters join well.

Arcadian was first produced in wood type around 1870 by William H. Page & Company. It is a semi-ornamented face based on a French Clarendon, with dots added to the median and the tops and bottoms of the letters. It has a distinctly “Old West” feel, and was likely used to add a little pizzazz to advertising and broadsides of the time.

Charles Rennie Mackintosh's artwork has an art deco feel that has been reproduced on fabrics, jewellery and all sorts of household items. Now, with this font, you can add Mackintosh icons and letter tiles with just the touch of a key.

Kinlock is a new elegant stencil serif font featuring a regular & italic version. Its luxurious lines will work perfectly for any sophisticated design project. Perfect for luxury product packaging, labels, branding, advertising & much more. Kinlock includes all standard glyphs plus a few essential ligatures as well as multilingual characters.

NewJune is a very strong unique character. It is already used in many magazines all over the world. Like Harvey Nichols magazine in London and later W magazine in New York. NewJune Serif was actually the basis for NewJune Sans. And now NewJune Serif is available on MyFonts!

Haggard Nova is the new edition of Haggard fonts (designed in 2011). The new typeface is an upgraded version of an old wedge serif font, with careful refinements to glyph shapes, and the extension of glyph amounts which enabled support of more Latin languages. Haggard Nova is released in eight styles with small caps, and true italics, and contains OpenType features. This typeface can be used for editorials and print designs, as well as text and headlines.

A poster for the 1932 film “Shanghai Express” starring Marlene Dietrich has the films name is a semi-Asian lettering style. This bold poster font is now available as Asian Railway JNL in both regular and oblique versions.

Introducing Camera Obscura - ClassyType, created by ikiiko. Camera Obscura was inspired by typography from a vintage New York City newspaper. In particular, this typeface is designed to give a formal yet old style look Camera Obscura has a serif typeface with bold to light contrast. A style commonly used in magazines and mass media in his era. This typeface is perfect for an formal layout, newspaper, magazine cover, and also good for vintage product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Pure romantic and personal with lots of grace and tender designed curves.

Fligerish is a true romantic font, without being too fancy or swirly.

Veto® Sans is both highly legible and handsomely distinctive – a rare blend in a typeface. It’s a design that stands out and fits in. Veto Sans is equally competent on screen and in print. It’s four carefully determined weights in both normal and condensed proportions, each with an italic complement, give the family an exceptionally deep range of applications. All the designs in the family are valuable design tools. None are superfluous. Advertising, brand, corporate, editorial and interactive design are all in Veto Sans’ wheelhouse. It also shines in wayfinding and other signage projects. And to all these, it brings a warmth and personality. An ample x-height, open counters, vertical stroke endings and subtly condensed capital letters enable Veto Sans fonts to perform with grace in print and digital environments while being space efficient. An added benefit is that all-capital typography set in Veto Sans is not only space saving, it’s also easy to read. Drawn as a complete reimaging of his earlier Veto design, Swiss designer Marco Ganz worked to create character shapes distilled to their purest forms while maintaining a relaxed and natural demeanor. Ganz, who is also a three-dimensional artist, is acutely aware that the negative space between letters and the internal space within letters is as important as the positive shape of the letters themselves. This dynamic balance between the negative and positive aspects of character forms gives Veto Sans a sense of immediacy without looking hurried. Ganz also took great care to draw a suite of italic designs that not only complement the roman weights perfectly, but also give the family a dynamic verve. A large international character set also ensures ease of localization. “Veto Sans,” says Ganz, “is a typeface for designers that search for a new and different solution to age-old typographic challenges.”

Novantico is an all capitals typeface, influenced mainly by roman inscriptional capitals and renaissance typefaces. Classicly designed forms give text a noble and elegant feel. It is intended to be used for relatively short and important texts, titles, headings, quotes, etc.

Columna is an all-caps, Classical Roman-inspired typeface designed by the renowned Swiss typographer Max Caflisch (interesting fact: Columna is Caflisch's only typeface). Caflisch's Columna adds a stately elegance to any application, and is best used in large sizes.

Semi-Serif Roman and Italic for typefaces for setting legible children’s reading books. A gentle introduction for young readers to seriffed letterforms they will encounter. Free to download resources: How to access Stylistic Sets of alternative letters in these fonts

Linotype Monticello was designed by C.H. Griffith in 1946. Its design is based on James Ronaldsons Roman No.1 and Oxford Typefaces from American Type Founders and was revised by Matthew Carter while he was working at Linotype between 1965 -1981.

Central Type Foundry of St. Louis issued this quirky little gem under the name of Quaint Roman around the turn of the twentieth century. This version is a little less gnarly than the original, but retains all of its eccentric charm.

In 1932, Xanti Schawinsky (1904?1979) designed an alphabet that combines two styles: a neo-classic stroke contrast paired with characteristics of stencil lettering. This mix is a child of its time and seems to reflect the Swiss and Italian biography of Schawinski. Luca Pellegrini took on the modern look and re-drew the letterforms, interrupted by subtle spaces where thick and thin strokes meet. Although Schawinsky had already designed a complete alphabet and figures in the early 1930s, Pellegrini took the character set to another level, adding currency signs, mathematical symbols and all kinds of punctuation ? anything needed to set more than just headlines. Xants is a blend of Swiss elegance and exclusiveness with Italian charm and imperfection, a combination that never gets old.

In May of this year, I went to Japan with my (then 11 year old) son Sam. It was his dream to visit Japan, probably because of my tall tales, stemming from the time I was a tour guide! Sam really wanted to try all kinds of Japanese delicacies and one day, when walking around Tokyo, we came across a little stall selling Taiyaki. Taiyaki are fish-shaped waffle/cakes with a red bean or sweet potato filling. They are really delicious! This nice ‘oriental looking’ font was made with a broken popsicle stick and Chinese ink. You are now wondering why I always use Chinese ink and not Japanese ink. Well, I have a stash of the Chinese stuff and it’ll last me a lifetime!

Buffet Script is based on fantastic calligraphy by Alf Becker, arguably the greatest American sign lettering artist of all time. The Alf Becker series of nameless alphabets published by Sign of the Times magazine in 1941 has attracted letter digitizers for a few years now, so it’s really a wonder that a few of those alphabets are still in the non-digital realm. It is understandable, though, that the basis for Buffet Script was not digitally attempted until now. The page presenting this alphabet shows a jungle of letters running into each others and swashes intertwining. The massive amount of work involved in digitizing such lettering, where scanning is nowhere near being an option, is quite obvious at a mere glance. If anyone was going to commit this particular alphabet to a digital form, it would have to be redrawn stroke by stroke and curve by curve on the computer. And don't we love a challenge! But seriously, the challenge was not the main attraction. In a way, the Becker approach to lettering is so far from digital that the imagination is almost forced to work out possibilities and letter combinations to solve problems presented by the scant showings in that magazine. After a few imaginative visualizations, the digital potential becomes clear in the mind, and the eye and hand follow. The result with Whomp (another Alf Becker-inspired work) was an enormous font with a lot of alternates and ligatures. With Buffet Script the imaginative process was no different, but the result particularly shines here, because this is some of the most fascinating flowing calligraphy ever seen. Calligraphy is where the accountability of all the little extra touches, such as alternates and swashes and ligatures, is raised to a higher level than in most other type categories. Buffet Script’s OpenType programming contains discretionary ligatures, stylistic and contextual alternates, interacting with each other to allow the composition of just the right word or sentence. This font is best used where lush elegance is one of the design’s requirements.

Roxborough CF is a dramatic serif, influenced by calligraphy and hand lettering. Built around a distinctive single-storey 'a' and full of rich detail, Roxborough pairs well with its expressive italics, lending an artful touch to text across print and digital. Roxborough CF pairs nicely with simple, bold headline typefaces, like Greycliff CF and Articulat CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Hello Everyone, Introduce our new collection, Keawneta - Authentic Display - Bold Display With 15 Ligatures, Inspired from Modern logos of brands that have very strong characteristics, very suitable for posters, t-shirt, packaging, branding, logotype and more. Keawneta font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Claycozoa is a versatile, bold and unique display font. Was inspired by Psychedelic and Art Nouveau style, Claycozoa has a unique style with stylistic, alternates, ligatures and supports multilingual languages. The organic feel of Claycozoa evokes a psychedelic vibe which you can use to take your designs to a new level. The font is great for posters, flyers, apparel, quotes, greeting cards, product packaging, album covers, movies, and more.

Neon LED V2 is a New Version of Neon LED Light font, It is a bold, chunky lettered and retro display font. Perfect for quotes, retro style design, logo, logotype, badges, packaging, branding, sign, craft needs, mockup, merchandise, and many more. Add this neon font to your creative ideas and notice how it makes them stand out! Main Features: Uppercase & Lowercase letters Punctuation and special characters Multilingual support OTF

Hancock Bold Condensed is slab serif typeface. The original Hancock design was produced by the Keystone Type Foundry, circa 1903; a condensed version was added circa 1917 by Lanston Monotype. Steve Jackaman (ITF) designed and produced a digital version of Hancock in 1994, and completely redrew the typeface for its 2017 release. The new version has a 40% larger glyph set, and supports Latin 1 plus Central/Eastern European languages.

Introducing the majestic "Kingstone Sans" a typeface that exudes power, elegance, and timeless appeal. With its commanding presence and exquisite details, this font is designed to make a bold statement in your designs. Let the "Kingstone Sans " reign over your projects and elevate them to new heights of sophistication. Its sturdy serifs and balanced letterforms exude a sense of authority, making it ideal for prestigious branding, editorial designs, and luxury packaging.

Romina is a neoclassical font family with a hight contrast, developed for numerous uses, ranging from news to magazine and catalogs to corporate design and web. The Romina family consists of 7 weights from extra light to extra bold with matching italics. Romina provides advanced typographical support with features such as ligatures, small capitals and case sensitive forms but also some dingbat, special glypfhs and the others opentype features.

Livemono is a new monospaced sans serif. It looks clean and and very suitable for coding style. The typeface is versatile to blend in your design- with 6 weight, ranging from bold, light, medium, regular, semibold, and thin. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design. Features: Variable Font uppercase & lowercase numbers and punctuation multilingual 6 weight PUA encoded

NEW! Includes a set of 54 connecting word character glyphs! COIFFEUR is a bold vintage-style sans-serif display font that works great for logos, packaging, branding, menus, advertising, and posters. The lowercase letter set is a reduced version of the uppercase set for small caps use. In Illustrator, the custom connecting word set can easily be accessed in the "Type → Glyphs" panel and in Photoshop through "Type → Panels → Glyphs Panel".