Beckinslade is a lovely elaborate blackletter face, released just in time for Christmas, but useable at any time of the year. It is in the best traditions of Victorian Gothic revival, drawing inspiration from a range of sources and marrying them into one homogenous whole. The emphasis is on aesthetics rather than historical accuracy. Great fun though for anywhere ‘ye olde’ look is desired.

Elegant and idiosyncratic, AB Ticena is a display and extended typeface inspired by the ancient forms of Lombardic capitals. The sometimes quirky and capricious letterforms take their inspiration from medieval forms found in inscriptions and manuscripts where latin Roman capitals were taken to new stylistic and even extreme expressions. The ultra-wide horizontal proportions and its modulated, humanistic strokes gives it a more refined and contemporary edge. AB Ticena works best for logotypes, short and striking headlines, and editorial purposes. A set of ligatures and stylistic alternates is also available for selected characters and pairings.

HWT Aetna is a revival of the sturdy Roman style of wood type most often called simply Aetna. This new digital version by Aaron Bell features four widths all based on the various widths commonly offered by 19th Century wood type manufacturers. In addition, there is a four-layer all-caps version Aetna based on the the famous Wm. Page Chromatic Types, that allows the user the ability to easily create these chromatic streamer and shadow effects. Both the multiple width Aetnas and Streamer component fonts support full Western and Eastern European languages.

Manifold® CF is a utilitarian typeface inspired by the precision of a computer terminal, softened by contemporary design and rounded corners. Manifold's unified letterforms and tall x-height are great for user interfaces, or track it out for a sophisticated look. Manifold also offers wide language support, including Cyrillic script, Vietnamese, and Pinyin Romanization. Manifold® CF excels as a headline or display typeface, and pairs well with contrasting simple serifs like Artifex CF and Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Ormond JNL and Ormond Inline JNL are two Deco-inspired Roman typefaces with rounded serifs.

Lucky Dream is a handmade font bold, new fresh & modern script with a calligraphy style. Lucky Dream can used for anything from promotional material and handwritten quotes, to product packaging, signage, labels, newsletters, posters, merchandise and branding projects.

Take a bit of Brooklyn attitude, add a dash of hand-lettered appeal and mix in a slightly Art Deco flair... Your result is Canarsie JNL; a bold sans serif face that would make any New Yorker proud!

Linoset was created from cut and printed linoleum. The lettering is based on Helvetica Neue Condensed Bold – it has been cut, printed and re-drawn to take on a completely new life – it's rough, tough and downright nasty!

Tagline is a Fun, Bold casual font that was born from the New York graffiti style. Good for all your entertainment projects. Though "Tagline" is radical in style it's still very readable and calls attention to your message.

The bold round point pen lettering on the cover of the 1934 sheet music for “New England in the Rain” was the model and inspiration for Poster Pen JNL, which is available in both regular and oblique versions.

Alipe Script is a new script typefaces family. Alipe Script family has light, medium and bold fonts, all with ligatures, alternates and a set of ornaments. It can be used for text as well as for titling applications.

“First love” has hard strokes and signature style that speak to instant romance sensation. Take your creative projects to the highest level with this font. “First love” will help you to create special and touching typographical design for your loving and romantic projects, for every day or the happiest day in life, wedding party, wedding card,valentine day, greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, and many more. It is really universal and modern font. The owner of endless possibilities!

This font provides a typical set of characters for the ancient Nabataean language, used in what is now Jordan and adjoining regions during the period of the Roman Empire, based on lapidary letter-forms of the first century of the present era. It includes a full set of alphabetic characters as well as the ancient numeral forms, with ligatures and variant shapes for some numerals.

Dharma Gothic P font family is designed based on Dharma Gothic and a distressed offshoot from the original. The glyphs that damaged by printing the original had been tweaked by hand work with great care. This family contains basic Roman, Italic, Bold and it’s Italic to suit a wide range of creative works. g, r & y have their alternative glyphs that can be used with OpenType salt feature. This font will be one of the most powerful solutions for printing and web.

Madrone is an Adobe Originals typeface designed by Barbara Lind in 1991. Madrone was digitized from proofs of the woodtype collection in the National Museum of American History of the Smithsonian Institution in Washington, D.C. A fat face roman, Madrone is typical of popular early nineteenth-century styles. Fat face types are characterized by their squatness and extreme letter width. One familiar version of this design is Bodoni Ultra Bold. Madrone is eye-catching for display uses in advertising and packaging.

Incognia is a sharp and high-contrast long-serif type family of 10 fonts inspired by classic roman typography. Ranging from light to bold with matching italics, Incognia offers many possibilities to be applied in many graphic or editorial projects. The lighter weights are suitable for short paragraph, and the heavier weights are perfect for display purpose such as titling or headlines, branding, editorial, book covers, and packaging. Incognia has extended latin character set that supports 200+ latin-based languages.

Formal yet light-hearted, Loure is an ideal font for the best of times. Modest Art Deco influences imbue a century of history behind Loure's fresh 2022 gaze, while a few unexpected swoops deliver intrigue alongside clean legibility.

I can’t remember when I had a true lazy morning.. I was a looong time ago, before I had children! Even now, when I’m down with the flu, I can’t stay in bed for too long - it really seems like a waste of time! Lazy Morning is a nice handwritten font. I made it with a Sharpie pen. It comes with all diacritics and double letter ligatures for you to play with.

Salud is hand-drawn typeface based on light and bold slab serif. It has 8 font styles and supports extended latin. It may be used in presentation for a big company or in flyers for a birthday party. Other words it plays at both sides: can be formal and at the same time funny.

Kittle Round is a robust display font, with a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Round features a full upper and lower case character set and an extended set of accented characters for Central European languages. It is also available as Kittle Rough, with a time-worn look.

Sometimes you want to go unnoticed, sometimes you don't. This font is definitely for the second option. Pedrita is a generous type, a bit bold, somewhat showy, quite authentic. When you need that extra-something, go with caps and turn on the stylish interlocking pairs: added eye-catchingness guaranteed. And let the good times roll!

Trick or treat! The spookiest time of the year will be here soon! Spread the Halloween spirit with this chilling, creepy, and scary typeface, Freich Monsta! Freich Monsta is an evolution of my previous font - Freich. It's mutated from a clean, strong, and bold font to a spooky display font with a vintage horror twist.

Those who have grown tired of text typefaces insensitively blown up to the size of a poster or a building facade should from time to time try out extreme display styles, which are designed precisely for this purpose. They look best in dimensions from around 32 point out to infinity, and they rise to the occasion when a strong impression is necessary. This is especially true for the extreme weights Hair and Black, which don’t allow for any compromise. The sharp hairline and brutal contrast of the strokes test the most extreme possibilities, without having readability suffer in continuous text, as is characteristic for all the typefaces of the Tabac superfamily. Tabac Big Sans has the distinction of having most of its styles hold up not only in giant sizes, but also in smaller texts, where it’s an obedient little doggie. It actually works like a narrowed linear grotesk with an increased x-height. There’s no limit to fantasy.

Since its foundation in 1901, the iconic building in the Rotterdam neighborhood Kop van Zuid, is shining. Where previously the Holland America Line was housed, you will now find Hotel New York. A building with a tremendous history. We’re glad to take you back in time with captivating memories. In 1991, catering entrepreneurs Daan van der Have, Hans Loos and Dorine de Vos refurbished the at the time vacant property into a hotel/restaurant. To honor its 25 years existence, we celebrate this happening with a brand-new font, ‘America Line’. A tribute to Wim ten Broek, the multi-talented Dutch Graphic Designer. As early as the 1930’s before the Second World War, Wim ten Broek made the famous posters for the Holland-America Line. The influence of A.M. Cassandre here in, is clearly recognizable. Wim ten Broek also worked for HAL with large surfaces and fixed lines in which primary colors dominate, accentuated with shadows acquired by spraying technique. He also made graphic works for, among others, the World Exhibition in New York, the Dutch railway company ‘Werkspoor’ and the royal Dutch steel factory ‘Hoogovens’. His drawings and lettering gave me a love for the trade and naturally gave me a completely different view on fonts. That’s how I slowly but surely made my way to the trade. Based on the letters I had at my disposal from the Holland – America Line poster, I started to complete the alphabet in the same style as the original text. I digitized everything in order to acquire a usable and modern font. The Holland America Line Font comes with uppercase and lowercase with all the needs of modern times to create a good digital font and to be able to use it for all graphic purposes. The font is ideal for headtext, posters, logos, etc... Don't hesitate and use this unique historical font! It will give your work that glamour that you will find in few fonts. Enjoy the Holland America Line. The Holland America Line Font comes with uppercase, lowercase, numerals, punctuations so you can use the Holland America Line font to customize all your designs. The Holland America Line font is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry. The Holland America Line Font can be used for all graphic purposes. It is ideal for headtext, posters, logos,  logos, letterhead, apparel design, package design, label design etc... Don't hesitate any longer and enjoy this unique historical font! It will give your work the glamour that you will only find in a few fonts. Enjoy your journey with the Holland America Line!

Isis is the work of type designer Michael Gills, an all capital, classical looking display roman typeface with an open engraved effect. It can be used alone or in combination with most established classical roman typefaces. Isis is ideal for a wide range of headline applications and gives text a look of quality and excellence.

Please welcome, KEHLIN!, a time machine font for you to get back to those magnificent era for the sake of old retro and vintage stuff. An implementation from the old store sign and vintage advertising. Perfectly fit for your headline content, logo, branding, posters, anytime - anything, oldsport :)

Nature Boy was born in a fantasy world of old, where you can find magic, elegance, dreams and fun all together... just like nature in its purest form with its leafy curves and shapes that make it peacefully enjoyable. Soft and simple yet fairly ornamental, attributes that create an enchanting atmosphere but keep the texts legible at the same time when combined. Nature Boy can bring life and magic to every design, from editorial to posters, brands and packagings. Just picture this font on any product intended to move your soul and take you on a journey into a different and most beautiful place and time and let the adventure begin. This font family is made up of optically corrected regular, italic and bold types. All of them contain functional ligatures with alternative glyphs for texts and words to be dynamical and fluently graphed.

Low stroke contrast, generous spacing, and fine-grained weights from Light to Extra Bold make FF Hertz a workhorse text typeface which holds up well under today’s widely varying output conditions from print to screen. The quite dark Book style works well on e-ink displays which usually tend to thin out letters, as well as in print when you want to evoke the solid letter image of the hot-metal type era. Two sizes of Small Caps are included: A larger size for abbreviations and acronyms, and a smaller size matching the height of the lowercase letters. FF Hertz is a uniwidth design, that means each letter occupies the same space in all weights. This feature allows the user to switch between weights (but not between Roman and Italic styles) without text reflow. Jens Kutilek began work on FF Hertz in 2012. From a drawing exercise on a low-resolution grid (a technique proposed by Tim Ahrens to avoid fiddling with details too early), it soon evolved into a bigger project combining a multitude of influences which up until that point had only been floating around in his head, including his mother’s 1970s typewriter with its wonderful numbers, Hermann Zapf’s Melior as well as his forgotten Mergenthaler Antiqua (an interpretation of the Modern genre), and old German cartographic lettering styles. Jens likes to imagine FF Hertz used in scientific books or for an edition of Lovecraftian horror stories.

The Modesto Text Family is text in name only. It’s called Text because it has a Lower Case, and also to distinguish it from the rest of the Modesto clan. Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Baily Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 seven new Italic fonts and two Chromatic families were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

Motopica was born when I watched a show, namely "the pickers". At that time I realized that there were still many communities or people who really loved Western culture (Cowboy), Vintage Style in the 40s - 60s era and Classic Motorbike style (Caferacer). So I intend to combine these three concepts into a single font, and Motopica was born, which brings the spirit of the three styles, namely Western Cowboy, Vintage, Beer and motorbike. Motopica can be used as a Vintage Poster, Vintage Signage, Vintage badge What's Included Motopica Reguler Motopica Italic Motopica College Motopica Bold How to install your new font This font can be used with all software that can read standard fonts. Check out my instagram for update: https://www.instagram.com/anomalikreatif/ Thanks so much for checking out my shop! All the best, Krisna

Hudson NY is a display font that gives you strong and bold typography with three different styles that make up the family, a regular, serif and slab serif. Hudson NY is an adaptation and progression of Roper Font, and like Roper font it comes in regular and a press versions, giving the user some cool options when creating artwork. The golden thread that ties this family together is its American sports and college styling, it gives Hudson NY an authentic look but at the same time there is a modern approach to the character set. I would like to thank the talented Kurt Dee for allowing me to use his awesome pictures of New York City to create this the overall theme for this project, please go check out his instagram @kurtdee.

BILLIARD was born from the numerous sketches André Toet did for the design of a series of postage stamps in 2011. It’s a capital monospaced and ‘fun’ alphabet, based on the classic billiard play with two white and one red ball. Actually snooker and pool were derived from this rather old sport! In Europe it used to be a sport played by elderly people, practiced in traditional bars, including the smell of beer and the at that time prevalent smell of cigarettes and cigars. These days billiard, snooker and pool are quite popular once again with young people. Hopefully our new font will get the same attention the ‘old sport’ deserves and who knows it might even be used in a sportive way. Concept/Art Direction/Design: André Toet © 2017

The future of Neo-Grotesques is now! Introducing TT Neoris—a new ambitious font from TypeType. TT Neoris is an ideal sans with: 21 font styles: 10 upright, 10 italics, and 1 variable font; 1832 characters; 41 OpenType features; 14 stylistic sets with Soft character and Upright cursive in Latin and Cyrillic character sets; 230+ languages support; Special condensed italics designed to create a 'highlighting' effect when used in specific text segments.

Big Country is a versatile bold new font that is great for headlines or product logos. It is an elegant design but can also be used playfully. "Big Country" is easy to read even at fairly small point sizes.

Introducing of our new product the name is Black Blast a Bold Comic Font, Black Blast inspired by playful style with a fun theme very good for kids theme design. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype