Vintage Wedding is a collection of 432 icons, divided into 4 categories. These symbols were selected and created in order to bring to mind the past times, yet at the same time, to retain the modern design. You can find here such rare and beautiful objects as phonograph or cult eyeglasses. The font includes many diverse elements, which will help you create compositions out of flowers, to choose commemorative vases, and even to dress the bride and groom!

I really enjoy making brush fonts. I usually just get my Chinese ink and a bunch of brushes and start drawing glyphs. It took some time to get Studio Brush right, but I think spending that extra time paid off. Studio Brush is quite a neat brush font: the glyphs of this all caps font are of equal height (more or less) and complement each other perfectly. Studio Brush comes with double letter ligatures and some alternate glyphs.

Anker is a super-wide and heavy typeface. At the same time, it has a very large contrast between vertical and horizontal stems. This gives it a certain defiant and aggressive character. The name Anker means anchor in German. That is something very heavy in weight and at the same time has sharp and thin elements in the design. This is reflected in the Anker. Suitable for super large titles, short words, logos or typographic compositions.

About family “SaetaPro” Wind games… The name is taken from an old paper toy made by someone who makes paper planes with teasing messages. But there are also songs with a strong feeling in flamenco style. It is also a way of expression in order to give way to emotion and interpersonal communication. They are wind games that people have been playing for a long time ago!!! This series is composed and includes twelve fonts with 632 glyphs each, with true italics, true Sloping and supports of course: Latin, Greek & Cyrillic.

Taler is a serif typeface is represented by seven weights. It was conceived as a continuation of the sans-serif Nekst. In the process of design it became clear that it is a completely different typeface. The rectangular, slightly elongated serifs, the plastic stiffness, and the combination of different styles make Taler a true representative of contemporary. It's old-fashioned and modern, it's for a display titles and for plain text, it's rough and elegant — it's all present in design at the same time. The duality of it nature is it peculiarity.

This family was created -- inspired from the engraved typeface (Two styles : Normal & Italic) used in the pack of 52 playing cards who was describing the 52 counties forming a small Atlas of England and Wales and depicting English roads for the first time, published by Sir Robert Morden in 1676. Our OTF and TTF versions are covering Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, containing historical and standard ligatures plus specific Old English abbreviations. The MacTT Classic version is containing the basic standard 256 glyphs including some extra ligatures.

The Alitun incanor font is inspired by Gothic style typography and calligraphy. It has clean, sharp lines making it easier to read by combining old and new. If you are looking for a font with these features, Alitun incanor can meet your needs. This font is equipped with natural calligraphy - characteristic of gothic synthesis and multilingual support.Font; ideas for headlines, flayers, greeting cards, product packaging, book and magazine covers, logo types, clothing designs, tattoo designs, album covers. With this font you can create your own unique design. Have a good time.

Drama Queen is a remake of the very first font I ever made. At the time, I was thirteen years old, and this was my handwriting. This font fully supports the following languages: Bulgarian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, Ukrainian. If your language is not listed, or if I've missed a character in a language I claim to support, please contact me! I will be happy to add characters as needed, and will consider supporting more languages if there is interest.

Inspired by butcher shop and supermarket window advertising, Beefcakes™ emulates "big brush” style lettering – with a contemporary twist. Not for the typographically timid, this is a design that makes a powerful and friendly statement in print and on screen. Advertising headlines, posters, cover art, menus and packaging are all in Beefcakes’ wheelhouse. While it would be a little crowded on small screens, big type in web sites and games are also part of Beefcakes kit-bag. Drawn by Jim Ford, Beefcakes’ big, sassy and playful shapes are sure to grab attention. Its letterforms are dense and sturdy – yet soft and welcoming as your mom’s old couch. The suite of Beefcakes fonts is available as all-caps designs with small caps, in roman, italic and shadow flavors. As a nod to the typeface’s inspiration, Beefcakes fonts also include a set of decorative abbreviations (lb, oz, kg, in, etc.) for bold signage and showcard-style displays.

Destra is a contemporary, narrow serif family, suitable to save space and legible at small sizes. Its shapes are the result of a mix of styles. "Destra" is the Portuguese word for "right hand". The font has several OT features - fractions, old style-, lining-, tabular numbers, superiors/inferiors, alternative glyphs, dozens of ligatures (standard + discretionary) and an exclusive feature to convert Arabic to Roman numerals up to 1000 (download the “OT Features Guide” pdf). Moreover, Destra has an impeccable technical finish, with a systematic review of nodes, curves, spacing and internal data, eliminating the possibility of errors when using it. The family consists of 8 styles, 4 weights - Regular, Medium, Bold and Black, plus their respective italic versions. The fonts are available in OpenType PS/TT and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Destra downloading the free trial font in Medium version (TT only). This trial file supports only Western languages.

ITC New Winchester is a revival of a typeface that never really had a first release. The original Winchester was an experimental design created by the American type designer W.A. Dwiggins in 1944. Dwiggins was interested in improving the legibility of the English language by reducing the number of ascenders and descenders; to do this, he gave Winchester very short descenders and created uncial forms for a number of letters. The result was a distinctive text typeface that was occasionally used by Dwiggins and Dorothy Abbe in handset form. Fifty years later, Indiana type designer Jim Spiece has turned Dwiggins's experiment into a new family of digital text types. Spiece gave New Winchester a bold weight, as well as small caps (both roman and italic) and old style figures; he also created two forms of the lowercase f, one with and one without an overhang (in metal type, a kern), and a full set of f-ligatures.

Arioso was a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. The calligraphic style of Arioso stems from an early form of Old Face developed in the 14th and 15th centureis in Italy. It is a mixture of Roman capitals and Carolingian lower case.

Gayatri is sans serif font with high contrast and smooth lines. Its large variety of glyphs, including accents, old-style numbers, ligatures,... will give you freedom for all of your projects. It offers a large choice of uses such as magazine, branding, edition and so on. Gayatri is available in 16 styles from thin to black, in roman and italic.

Synopsis draws inspiration on the classic proportions and letterforms of old romans. In addition to this a new modern twist has been infused to it, giving it a dimensional double stroke or virtual inline that makes the round parts twist in and out. Specially gorgeous in big sizes it brings the best from the past merging it with new ideas.

London Court is a family of three 'Tudor Revival' display faces, inspired by an inscription seen underneath a clock in a splendid Tudor revival arcade in Perth, Western Australia. The resulting typeface designs are similarly 'Tudor Revival' or if you prefer 'Tudorbethan'- Roman with Blackletter details. Ideal for creating headings and posters which have an 'Olde-Worlde' feel with modern legibility.

Jump back to the future with both faces of the Used Servers family. This blocky titling font comes ready with ligatures and diacritics for all of your English, French, and German retro-future needs. Art Deco density combines with subtly-weighted horizontals for a slight 3D effect. As a retro omni-technical font with roots in OCR and n-segment displays, Used Servers is equally at home as: Titling in an 80s cassette-punk text adventure Environmental advertising in a cyberpunk megalopolis Art Deco filigree worked into a sacred orb Glyphs holding secrets from before time

Why you little Numbskull! Nitwit! Visigoth! Dimwitted Jackass! Interplanetary Goat! Highwayman! Sea-gherkin! Jellyfish! KnowNothing! Filibuster! Cachinnating cockatoo! Artichoke! Two-timing Troglodyte! Bald-headed budgerigar! Odd-toed Ungulate! Autocrat! Carpetseller! Duck-billed platypus! Dunderheaded coconut! Ectoplasm! Steamroller! Iconoclast! Kleptomaniac! Raggle taggle ruminant! Orangutang! Rapscallion! Ten thousand thundering typhoons! Whippersnapper! Billions of billious barbecued blue blistering barnacles -- you-you... YOU BLOCKHEAD! With its sturdy stance and over 100 friendly interlocking letter pairs, this font was made famous in the logo and branding for the video game CLASH OF CLANS, and infamous in the logo and branding for the Image comic THE BEEF.

Petras Script, the first digital script font created by the calligrapher Petra Beiße, has, for many years, met with worldwide success. Now the font is complemented with an alternate character set, which gives designers more flexibility and adds a personal touch to the font. Petra Beiße has resided for a long time in Wiesbaden, Germany, where she is working as a renowned calligrapher. It is rare that any of her scripts are transferred into digital format and sold worldwide as fonts. Because Petras Script became such a huge success, she decided to release Casanova Script Pro.

Back to the future! NT Brick Sans is a pixelated sans serif. Inspired by the Pixel Art phenomenon and Lego bricks, bringing back the good old 16-bit era with open-type features. It's bold, soft rounded, supports multi-language, featuring low caps option. Brick Sans will make your project special. Grab it now.

Inspired by the beauty and elegance of Old Style typefaces, Regatto was created in high-contrast and bold style. It comes with a lot of alternates and ligatures with their own variants for any purposes from headline to poster. This font also has some letters with diacritics accent to support some other non-English languages.

Strongbox JNL is based in part on an incomplete sample of an old wood type alphabet seen on an image sharing site. Commonly known as a grotesk (or grotesque) face, this style of sans serif lettering is well-suited for headlines, display work, price cards or anything where a bold, condensed typeface is needed.

An old Art Nouveau typeface named "Daphne" provided the inspiration for this decidely different font. This version is upright, but the linocut treatment employed visually suggests the slight rightward slant of the original typeface. Bold, unusual and distinctive. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).