A design on classical lines with subtle but effective calligraphic touches, by Arthur Baker for VGC. The Bold version is used for the Coke logo all over the world.

Made with a cute shape, making this font suitable for use in graphic designs related to unique things. This font is available in 2 styles namely bold and black.

Hardy Mind is a simple, organic and bold display font. Simple but with a strong visual effect, this font will instantly make your creation more appealing than any others.

Lemans is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, Lemans has a unique style with stylistic, alternates, ligatures and supports multilingual languages.

Pantra is a minimal and clear geometric sans. Pantra is clear, approachable, and effective in both headings and paragraphs and comes in 4 weights: light, regular, medium and bold.

A bold, handmade stencil alphabet from the book “Lettering” by Harry B. Wright (1950) served as the model for Obscure Stencil JNL – available in both regular and oblique versions.

Sketchetik Fill – brother of famous Sketchetik – is a hand-drawn font in four styles: Light, Regular, Bold and Black. Sketchetik Fill is recommended for use as a display typeface.

Corbby is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, Corbby has a unique style with stylistic, alternates, ligatures and supports multilingual languages.

Dreamland is a bold, top-heavy style inspired by mid-20th century poster lettering. It has a lower case and is quite informal. Featured in: Best Fonts for Logos

Boxana is a cool and bold display font. It will look stunning on any poster, flyer or print. Use this font for your designs and explore its endless possibilities.

Brooklyn Syndrome is a modern, cool, squared lettered and bold display font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more.

Sidethree is a quirky bold display font with a unique letterform. With its incredibly interesting and whimsical vibe, this font is perfect for a wide pool of design ideas.

Positively bold, Cachalote was drawn by subtracting negative space. The resulting glyphs show unexpected, original forms, packed in an unicase font. Suited for impact. For the coolest looks. Positively.

Mollandia is a romantic typefaces. bold, elegant & fun vintage script font. Can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc.

Negative sans-serif capitals in squares with rounded corners, looking like tiles, pushbuttons or computer keys. The font can be used for logos, signs and labels, and for markings on maps and charts.

You are on the page of the old display version of the TT Supermolot font. In 2019, we released an entirely new, completely redesigned and significantly expanded version of the typeface called TT Supermolot Neue. In addition to 54 styles, TT Supermolot Neue has stylistic alternates, ligatures, old-style figures and many other useful OpenType features. Before you buy the old display version of the font, we suggest that you pay attention to the new superfamily TT Supermolot Neue and study it in more detail. - TT Supermolot Condensed is the narrow version of the TT Supermolot font family. Thanks to its open forms, TT Supermolot Condensed fits perfectly into any contemporary technological design and navigation systems. We've already seen this font family in the sports theme (as the main font for hockey teams branding), we've seen TT Supermolot as the main font inside the gameplay of a popular 3D-shooter. Information transfer in the high-tech areas is the ideal environment for this font family, also TT Supermolot Condensed fits well into army, space, and innovation themes. We've tried to create a maximum number of convenient weights (Thin, Light, Regular, Bold, Black) for you to be able to use this family anywhere, from mobile apps and web pages to big state fairs branding.

You are on the page of the old display version of the TT Supermolot Condensed font. In 2019, we released an entirely new, completely redesigned, and significantly expanded version of the typeface called TT Supermolot Neue. In addition to 54 styles, TT Supermolot Neue has stylistic alternates, ligatures, old-style figures and many other useful OpenType features. Before you buy the old display version of the font, we suggest that you pay attention to the new superfamily TT Supermolot Neue and study it in more detail. - TT Supermolot Condensed is the narrow version of the TT Supermolot font family. Thanks to its open forms, TT Supermolot Condensed fits perfectly into any contemporary technological design and navigation systems. We've already seen this font family in the sports theme (as the main font for hockey teams branding), we've seen TT Supermolot as the main font inside the gameplay of a popular 3D-shooter. Information transfer in the high-tech areas is the ideal environment for this font family, also TT Supermolot Condensed fits well into army, space, and innovation themes. We've tried to create a maximum number of convenient weights (Thin, Light, Regular, Bold, Black) for you to be able to use this family anywhere, from mobile apps and web pages to big state fairs branding.

Arabetics Latte is a Latin Serif typeface with a comprehensive support for the Arabetic scripts, including Quranic texts. While its seemingly-idiosyncratic Latin design eliminates the excessive usage of serifs and offsets the visual effects of several geometrically-intense glyphs, its Times Romanesque proportions gives a full nod to the beginnings of Latin types and produces an overall stable look-and-feel of a classical Serif style, making it suitable for both text and display applications. Liberal spacing is maintained throughout to match that of the Arabic text and is further supplemented by a careful implementation of a typical Latin kerning. The overall design of this font, including metrics and dimensions, was intended to make its Latin harmonize well with most other Arabetics foundry fonts. Arabetics Latte fully supports MS 1252 Western and 1256 Arabic code pages, in addition to all the transliteration characters required by the ALA-LC Romanization tables. Users can either select an accented character directly or form it by keying the desired combining diacritic mark following an unaccented character. For Arabic, it fully supports Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks. The Arabic design of this font family follows the Mutamathil Taqlidi design style with connected glyphs, emphasizing vertical strokes to bring added harmony, and utilizing slightly varying x-heights to match that found in Latin. The Mutamathil Taqlidi type style uses one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Arabetics Latte includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph. Keying the tatweel key (shft-j) before Alif-Lam-Lam-Ha will display the Allah ligature. Arabetics Latte includes both Arabic and Arabic-Indic numerals, in addition to generous number of punctuation and mathematical symbols. Available in both OpenType and TrueType formats, it includes two weights, regular and bold, each has normal, Italic, and left-slanted styles.

Vintage, country, distressed or just plain worn out. The Texas general store on the side of the highway that has been there since 1954 and they're still selling old fashion bottled soda. A renovation/excavation at a downtown urban construction site reveals the old ad on exterior brick. Barn Owl provides the headline in your project with the ultimate in aged retro visualization. It is a basic minimal font set which includes only uppercase letterforms. It is a headline font best used above 36 points in size. The first of our “Trifonictype” (Tin Sign is the 2nd) there are three components to the font, Barn Owl Outline, Barn Owl Fill and Barn Owl Shadow. These can be used in different combinations for different effects, copy and paste type then indicate a different font each time. Paste in the front or back in application to see effects in combination. Fill and Shadow could be used with irregular letter spacing for various effects. Outline could be used with just Shadow for a another effect. Use your photo manipulation program to overlay and change the transparency of your headline. There are a few extended glyphs and barn(ding)bats in the lowercase letter strokes indicated in a poster sample, these are found only in the Barn Owl Outline. Download PDF manual for complete showing.

Letraset’s talented type designer Vince Whitlock was inspired by the elegant Caslon series when he created Academy Engraved. The exquisite letterforms of this traditional Roman typestyle make it ideal wherever an elegant and classical titling face is desired.

Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Available in four weights (with italics), it has a healthy compliment of OpenType Features and the character set covers most Roman-based letterforms and Cyrillic.

The origin of Quirky lay in the Duke Ellington number It don't mean a thing if it ain't got that swing. For some time I had wanted to create a font from expanded stroked lines. I wanted to produce a light-hearted font, but with some classic touches. One day, whilst doodling in Adobe Illustrator, Quirky’s letterforms just appeared on screen as if from nowhere. First I drew the test word ‘hamburgefonts’ and then just kept going, unable to stop. Character after character appeared as if by magic. From the start, Quirky had a life of its own. The letterforms are rather more sophisticated than merely outlined stroked lines. Subtle adjustments to compensate for optical effects have been been incorporated. For example, horizontal stems have thicknesses slightly less than vertical stems and where stems join together, the thickening effect has been reduced by cutting into the joint. Being almost monoline, Quirky works well reversed out of a solid background and for TV credits. The Quirky fonts are fun fonts, so set, laugh and enjoy! I hope Quirky will give you as much pleasure in using it as I got in creating it! Shortly after the roman version was born, an italic version and then a thin version were created to form a family of three fonts.

Please note: Sindelar webfonts are exclusively available at willerstorfer.com Sindelar is a capable, contemporary text face addressing today’s news design requirements. Its large x-height, low contrast and robust serifs grant a high legibility in small sizes. The balanced, well chosen proportions make the typeface economic (i.e. space saving) without giving it a too narrow appearance. These characteristics make it the ideal choice for extensive text setting in newspapers and magazines – on paper and on screen. Named after famous Austrian football (soccer) player Matthias Sindelar (1903–1939), one of the best players of his time, the typeface shares two major qualities with its namesake: their technical brilliance and their way of performing aesthetically to the last detail. The football player’s nickname »Der Papierene« (the Paper-man) elegantly refers to the media too. Although optimised for small sizes, Sindelar’s low contrast and robust serifs give the typeface a strong impact and an unmistakable personality in larger sizes. Sindelar’s calligraphic influences can be noticed in the Italics best. The italic letters are inclined by slightly different angles, respecting the letters’ shapes and proportions and resulting in a balanced, yet vivid appearance. Sindelar comes in 18 styles – nine weights in Roman and Italic each. Each font is equipped with a huge character set of about 980 glyphs and various OpenType features.

Trajan The original template for this one-weight, all-caps font was the inscription on Trajan’s Column, carved in AD 113 to celebrate the emperor Trajan’s victory in the Dacian Wars. College student Jason Smith copied the stone lettering from the cast on display in London’s Victoria & Albert Museum. In Roman times, the signmaker would paint letters onto stone with a wide brush for the stone mason to chisel out later. The signwriter would end each stroke with a flick of his brush, which the mason would also carve into the stone. Ecce (as they would have said in Rome): the serif was born. Hand-crafted “I first drew this typeface when I was 17,” says Jason. “I drew it with a very sharp 9H pencil on polydraw film. “Then, using a Rotring pen, I inked the letters in and scraped back the serifs so they were perfectly sharp. These letters were then reduced on a PMT camera. I’d designed my first typeface, although it wasn’t digitised till much later.” Digitised Years after Jason had drawn the original typeface, its transfer into digital form made further refinements necessary. The serifs and weights needed thickening slightly, creating a crisp, new version whose delicate elegance is best appreciated in larger sizes. A classically-inspired font, timeless and perfectly-proportioned, to reflect the refinement of premium brands.