Hi, Introducing the latest styles Chelson Brush with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic.

Kirens is a brush font made in a modern, bold, classic and textured handwriting style, suitable for all your design needs that require display typeface to make your design appear bold and stylish. Kirens brush is equipped with: - Allcaps Font - Alternate - Numbers - Symbols - ligatures - Multilingual

Wilford Brush is a handmade brush style font with stunning characters. Ideal for logos, name tags, handwritten quotes, product packaging, merchandising, social media & greeting cards. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. The font also contains several alternatives for lowercase characters, accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu. But if you don't have any opentype specific software, you can still use Wilford Brush as it is with its standard lowercase and uppercase letters. If you have any question, don't hesitate to contact me by email ijemrealmad54@gmail.com Thank you!

Dirty Brush combines attractive curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise & social media posts

Real Brush hand-brush font combines attractive curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise and social media posts. - Simple installation - Works for PC and MAC - Multilingual Support (available for 23 Language) - Detailed dry brush - Support for Adobe Illustrator, Photoshop, Corel Draw, or Procreate (New Updated)

Through Brush consists of sophisticated handwriting, elegant, classy and modern. With a little bit of dirty curves it is made from the new trend typefaces now to look as close as possible to the natural brush writing, Through Brush is perfect for adding a modern and classy touch to your project.

Say Ciao to Bellissimo Brushed! A trendy, hand-brushed font, designed with branding in mind. Bellissimo Brushed looks gorgeous on logos, websites, invitations, greeting cards, magazines, business cards, packaging and more!

Billa Brush is a thin and clean handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Sellyna Brush is a handwritten script font, based on free-flowing, friendly, and organic signature style expressions. hand painted with love. Sellyna Brush is available with alternative ligatures and characters in the Open Type Feature. Perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm. How to access all alternate characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all the alternate characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Sellyna Brush is coded with Unicode PUA, which allows full access to all additional characters without special design software. Mac users can use Font Book , and Windows users can use the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Thanks a lot for viewing and let me know if you have any questions.

Organic Brush, the epitome of green design, seamlessly blends handwritten finesse with organic charm. Its strokes mimic flow of nature, creating an unmistakable authenticity that resonates with eco-conscious consumers. Each letter exudes a raw, unprocessed feel, making Organic Brush the go-to font for brands committed to conveying an earthy aesthetic. With Organic Brush, the typography becomes a celebration of sustainability, mirroring the values of eco-friendly and natural product lines. The font's organic cadence is like a visual symphony of growth, perfectly harmonizing with labels, packaging, and promotional materials, as it weaves a narrative of authenticity and environmental consciousness. Elevate your brand's identity with Organic Brush, where the language of design speaks fluently in the dialect of the earth."

Hello Everyone, introduce our new product font Bad Brush It's A Simple Brush Font.font is a Signature Style and classy style with a clear style and dramatic movement. This font Bad Brush is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is why Bad Brush has charming, authentic and relaxed characteristic more natural look to your text.

Benedictus Brush is a stylish, fresh new layered brush script font family. With lots of alternate characters (415+) and more than 340 realistically created standard ligatures. The letters are made with brush pen and scanned thereafter carefully drawn into vector format. Benedict Brush is a versatile multilungual font family and comes with several of OpenType features: - 340+ Standard Ligatures - Stylistic Set - Character Variant - Terminal Forms - Proportional Figures - Tabular Figures - More than 1140 Glyphs - Multilingual To make you more better eye-catching and colorful designs, Benedictus Brush is a layered font! There are 7 variants of Benedictus Brush, to add even more flexibility to your designs: Solid Base, Shine Solo, Shadow Solo, Combo One, Combo Two, Combo Three and Complex. These are features that offers virtually endless variation. Enjoy!

"Kids Brush" is a playful font that is cute and unique. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. Very suitable for posters: 4th of July, summer, back to school, classmate, camping, father's day, teacher, Christmas, and others.

Shadow Brush is a strikingly versatile and charming brush script font, hand-brushed with care. With organically flowing letters and a real brush pen texture, Shadow Brush provides a perfect balance of casual yet captivating lettering for your design projects. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean Design, Branding Design, Sign, Merchandise and Social Media Posts.This font contain of Uppercase, Lowercase, Number, Symbol, Punctuation, also already PUA encoded.

Acorn Brush is a handwritten font with a bold and rough style in a dry brush texture. This texture is very detailed. Very suitable for logos, product branding, printable templates, posters, flyers, shirts, or for text overlay to any background image. Acorn Brush font comes in All caps, with punctuation, numerals and also has multilingual support. Enjoy

Eddieth Handbrush is a best-handwritten brush that is written casually and quickly. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Stylleda Brush with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Stylleda Brush come with 250+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Shirleya Script Features : Uppercase & Lowercase International Languange Symbols Support Punctuation Number PUA Unicode Range Standard Ligatures Discretionary Ligatures Stylistic Alternates Stylistic Set 01-07:

Hi...Thank for your visit :) Jacky Brushes all caps textured brush typeface. It features ligatures characters that will take your projects to the next level! This font is PUA code which means you can easily access all the glyphs that are full of brush! It also features many special features including glyphs. font designs that are made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... so it can make your product look brush and attractive, and also Multilingual support!!! Happy design ...

Here’s a novelty font emulating the plastic pennant streamers that were popular in the 1950s and 1960s used to decorate a store parking lot or used car lot for a sales event. The typeface inside the individual pennants is Manufacturer JNL, which can be used for body copy associated with titles made by this font. Parking Lot Sale JNL is available in regular (black letters on white pennants) and black (with white letters). A blank pennant for word spacing or end caps is available on the backslash key.

Point of Sale JNL is a specialty font for producing retro-style price cards, tags, stickers, labels and similar items. Within this design are a large set of numerals and two smaller sets of numerals. Both of the smaller sets are centered against the larger ones with one set also having underscores. In addition, there are a number of price card designs provided for those who want a truly nostalgic feel to their price marks. The layout of Point of Sale JNL breaks down as follows: A through J = 1 through zero in large numbers K = a decimal point L = dollar sign M = cents sign N through Z = various price cards a through j = small centered numbers k through t = small numbers with underscores

I drew this font on the computer, and added a few effects for the finishing touches. I named it "Bush!!" just because that is kind of what it looks like.

Bushing is a quick serif experiment going for open light display type. For years I have always stopped and really liked what I saw with fonts like the original Cushing from the turn of the 20th century. This time the desire for a font was stirred by Felici's article in CreativePro on fonts from the beginning of the 20th century, especially his captures of Cushing No. 2 and the version commissioned for Norwood press from ATF. I'm not interested in historically accurate reconstructions. My desire is for the general feel I get when I see a font. As a result, Bushing has little to do with Cushing (other than the last six letters). But it is a Serif font with small serifs and a huge x-height with a very open feel. I like it. I hope you do also. I made it into a limited display version of OpenType Pro. I added small caps and oldstyle figures, as I can hardly work without them. But ligatures seemed silly for this one.

Follow us to the future. It is in your face. It is fashionable. It is friendly. It is fly, far-out, funkadelic, fun. But first of all, the future is fast and full. Named after the most famous Canadian rock group of all, Rush is a typeface that wants your full attention. It is square like a bodybuilder's jaw, round like a football player's muscles, and tight like an abdomen after a thousand sit-ups. It gives you plenty of attitude. It commands your respect and lets you know that if you've been thinking of giving up on macho in this brave new world, think again. It tells you that everything has an underlying engine, that every engine hums clockwise, that adrenaline is the name of the game, and if you don't like it, get your sensitive self back to your silly scripts. Rush comes in two fully interchangeable variations: Rush One and Rush Two. While Rush Two is the somewhat predictable, determined pedal-to-the-metal contemporary brute, Rush One is sharper, smarter and more sophisticated in the way it affects a design. While Rush Two's message is a straight-forward one of strength and speed belonging in an overall design, Rush One calls attention to itself first then turns on the wonder about everything surrounding it. Expertly mixing shapes from both fonts in the same word or line can achieve just that perfect form a design needs for its message. Such flexibility and distinction in character design and degree of message relay makes Rush the perfect font package for any design that has anything to do with speed, strength, and proud pursuit of adrenaline.

The symbol family Tips, (which stands for “Type-Image-Piktogramm-Schrift” in German, or type-image-pictogram-font in English) contains six different fonts of pictograms and stylized icons. Tips Active is full of sports pictograms, which are similar to those that were designed for the 1972 Olympic Games in Munich. Tips Astro contains astrological signs. Tips BCom depicts icons for use in business communication or web design. Tips Count is a font featuring numbers inside of various circles. Tips This Way and Tips Travel are both collections of pictograms for use in navigation and other signage systems.

New, slightly calligraphic sans family with seven weights, Roman and Italic, all with Old Style Numerals and Small Caps, for both headlines and body text use.

Zim is a bold, earthy font, named for the Great Zimbambwe ruins (a World Heritage site). Its solid silhouette represents the timelessness of this ancient structure. The font is very readable, and its bold, rugged shape make it ideal for display purposes, for posters and headlines. Fully professional, it contains a complete set of 255 characters — Upper and Lower case, all numerals, punctuation, symbols and accented characters. It is suitable for layout work in all major European languages — Spanish, Portuguese, German, French, Swedish and Italian (to name a few). The characters are spaced for readability and have been carefully kerned.

In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply "Times," was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times™, Times™ Europa, and Times New Roman™ are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers. Linotype offers many versions of this font: Times™ is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, Old style Figures, phonetic characters, and Central European characters. Times™ Ten is the version specially designed for smaller text (12 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as several weights for Central European, Cyrillic, and Greek typesetting. Times™ Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer. Times™ Europa is the Walter Tracy re-design of 1972, its sturdier characters and open counterspaces maintain readability in rougher printing conditions. Times New Roman™ is the historic font version first drawn by Victor Lardent and Stanley Morison for the Monotype hot metal caster."