The Richie™ typeface grew out of a lettering experiment inspired by the work of Czech type designer Oldrich Menhart (1897-1962). Menhart’s typefaces were primarily text designs with a strong personal calligraphic influence. Monotype Studio designer, Jim Ford, wondered what a display typeface from Menhart might look like, and began drawing bold script characters with a broad-tipped chisel marker. “It was a familiar but laborious exercise,” explains Ford, “I tried to achieve an authentic – yet controlled – randomness that would serve as the foundation of a typeface.” Ford first drew a large suite of characters using the marker. All the drawings were then carefully adjusted, and scanned. Ford then pieced together a typeface from the best versions of letters, and refined those further. The result is a rugged, somewhat eccentric and playful script built on an obvious hand-drawn foundation. In a world of smooth scripts, the Richie design is heavy, chunky and rough. Its hand-made feel and vigorous rhythm put the power of raw brush lettering into the typographer’s hands. OpenType® fonts of Richie include standard, contextual and discretionary ligatures, in addition to contextual and stylistic alternates, old style, lining and superior figures, plus a large complement of swash characters. The name “Richie”? It grew out of Ford’s original premise for the design. “I wondered what it might it look like if ‘Old Richie’ had designed a heavy display face or script.”

Asmiyati Script Font - A Handwritting script with a unique character! It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Kenzira - A Hand Drawn Art Deco Font and minimalist character! It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Kumachi is an ultra condensed font with a stamp style, and is perfect for logos, name cards, magazines layouts, headers or oven large scale artwork.

HeartMatrixed is based on a matrix of dots in the shape of little hearts. It uses the same design pattern for placing dots as Dottie.

This Dingbat font is designed to work well with the Van Condensed family. The dingbats in it have the same round treatment like the typeface.

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. Architype Catalogue’s soft ‘padded’ letterforms were originally created by Wim Crouwel for the Stedelijk museum’s 1970 exhibition of sculptor Claes Oldenburg.. Crouwel said, ‘When you look at Oldenburg’s work, with all those soft objects, it gets into your system, so you try to integrate that feeling in the design. Claes was very taken with the catalogue's typeface, and asked me if I would do the whole alphabet for him, so I did. I cut it all out in pink paper and pasted it together’.

Arnold Therhoernen. (Arnoldus ther Hornen, Drucker des Dictys , Arnold ter Hoernen, Arnold ther Hoernen, Arnoldus TherHornen.) Who was this guy? He was a printer active in the city of Cologne, having graduating from the university there. He learned his craft under Ulrich Zell. He printed books from 1470 to 1482 when the plague carried him off. Was he just another printer of the era? No, he brought out the first edition of the "Fasciculus temporum'' (The most popular work by a living author at that time.) And he was the first to use both a title page and page numbers. His page numbers, an idea probably suggested to him by Werner Rolevinck, were interesting in that they were centered half way down the page on the outer margin and were set in Roman Numerals.

Grafema LC was designed by Jacklina Jekova & Todor Georgiev and published by Letter Collective. Grafema LC contains 16 styles and family package options. This Font Family Features: • 578 glyphs in 7 variants – upright, italic, textured, filled, rough, traditional contrast and inverted; • Handwritten with a calligraphic flat brush in 2 brush angles – 35° and 85°; • Extended Latin and Extended Cyrillic; • Coverage of multiple OpenType features – ligatures, stylistic alternates, and contextual alternates; • Suitable for web, print, motion graphics, etc; • Perfect for headlines, posters, packaging and greeting cards, etc. Grafema LC is a system of display typefaces consisting of 7 variants – upright, italic, textured, filled, rough, traditional contrast and inverted. Grafema LC started off as handwritten calligraphic works using a flat brush and variable angles of writing – 35° and 85°. It supports Extended Latin and Extended Cyrillic – more than 120 languages all together. The balanced natural texture of Grafema LC with unique details makes it perfect for headlines, but also suitable for long text. It is perfect for graphic design projects, like packaging, posters, events, blogs, social media and greeting cards. Grafema LC comes with a range of OpenType features – including old-style numerals, typographic features such as ligatures, stylistic and contextual alternates. The typeface is suitable for web, print and motion graphics.

Thank you for waiting. Finally, Bebas Neue has got lowercases! Bebas Neue is a world wide, the most popular font family with all caps released in 2010. Bebas Neue has been used from by big companies to by startup designers for many projects. In spite of the fact that Bebas Neue has only Uppercases, it became very popular font for these 10 years. At the same time, we received many requests for adding lowercases. To be honest, we had been developing whole new Bebas Neue with lowercases secretly for long time. Thinner Uppercase from thin to regular weights were redesigned for Pro. New lowercases were designed to match the Uppercases very carefully. You can access Tabular figures by using OpenType tnum features. Almost all European languages are supported by Pro. One more big thing is... Bebas Neue Pro has Italics! Please don't use sloped Bebas Neue. Pro has proper Italics! Bebas Neue “Pro” can extend your possibilities. Be the first to use this professional and premium Bebas Neue!

Blaze Stanley is a casual, fun handwritten font, created by using a brush pen. Clean and a little bit quirky, this font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects. Featured : Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Full Support Dita Type

Hello Everyone, introduce our new product Font Grasstrack This Is Rough Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate 29 Ligatures and 5 Alternate glyphs OpenType panel.

HT Trattoria is a lovely brush script with authentic and organic feel.It works best for packaging, magazines, marketing, labels, film and clothing. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Reinkey is a neat and clean brushed display font. It has alternate characters, which will give you convenience when choosing a character for each design project. It is suitable for logotypes, banners, brochures, branding and more. It is PUA encoding which means you can access all of the glyphs and swashes with ease.

Introducing Calingham is a brush font with a which gives a vintage and retro style but still with elegant and classy touch to your projects. Features: - ligature - 7 Stylistic set - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. - Multilingual Support

Abrupt is a textured brush font, a contemporary approach to design, naturally handmade and with underscores. It also has alternatives and ligatures that make your design more attractive.Suitable for use in title design such as clothing, invitations, tittle books, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

Steel leg is a font that was scratched with a brush pen, to get a natural texture, this font will show the characteristics of the hand.This font is perfect for various places such as clothing, posters, title books, stationery designs, quotes, branding, logos, invitations, greeting cards, t-shirts, packaging designs and more.

I am creating new fonts for my Halloween collection and Gallows Hill is the latest one. It was made using a cheap brush, gouache mixed with Chinese ink and paper. The result is a very messy, rough and scary font. As a bonus, I have added double letter ligatures for the lower case.

Office Squeeze was made with a Japanese brush pen. I kind of like the fact that, despite its roughness, Office Squeeze still maintains a very neat appearance. Office Squeeze can be used for just about anything, but product packaging, logos and posters spring to mind. Comes with a generous square footage of diacritics.

LeBeau is a new display typeface designed by Steve Matteson. LeBeau is an all capital letters font, and is based on brush-lettering from the turn of the 20th Century. The Lebeau font has an amusing, art nouveau attitude and can be used for festive posters and fliers, greeting cards or invitations.

Morning’s spirited, bouncy cursive letterforms feel like a painter’s signature; it’s a familiar style but with something of a twinkle in its eye. The style of Morning looks to imitate wet brush and ink lettering, and dances between seriousness and play. You’ll find a mix of letter connections here, and some ligatures, too.

Cherie Bomb is a handmade brush font with a punk-rock feeling, but with personality and heart. It will allow you to create stunning hand-lettering quickly and easily. Cherie Bomb includes over 350 characters, uppercase and lowercase, basic punctuation, numerals and works great with a lot of international languages besides english.

Murisa Rania is our next very attractive font. Have you ever imagined a font that is formed from brush strokes whose ink is almost dry? That's what this font is made of. Murisa Rania combines elements of art and high technique in its creation to create a unique, attractive and beautiful font.

The title and credits for the 1951 Dick Powell and Rhonda Fleming film “Cry Danger” were hand lettered in a freehand brush lettering often seen on store signs and show cards. Serving as the model for Show Card Freehand JNL, this pleasant and casual typeface is available in both regular and oblique versions.

Fourties is an elegant bold hand-brushed display font with capital letters. With a cool style, it will add a bold and powerful touch to your projects, inspiring you to create something bold too. Fourties is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, and album covers.

There are many fonts inspired by Toulouse-Lautrec. I felt this one was needed and tried to get that loose brush-stroke appearance typical of Toulouse’s style of his famous French Cabaret posters. Aristide Bruant a dancer and comedian made famous by Lautrec’s posters can now be further immortalized with this font.

Hanasobi is a Japanese bold handwritten font. It is made with the best brushes to become a true favorite. it appears wonderful, readable, and, ultimately, incredibly versatile. it is very helpful for various projects. what you get: · Alternative letter · Number and Punctuation · Lettering script format font · Include Multilingual support in Latin simple.

Black Future typeface is a new calligraphy script font combined with street art calligraphy and blackletter, that results in a wide range of calligraphy brush to achieve a typeface with sharp edges that looks brave. Contains almost 480 glyphs with opentype features. Stylistic alternates, swash and more. Can be used for various purposes.

Introducing, Daviton! Daviton is a new handmade font. You can use these fonts for various purposes such as making realistic handwriting, for promotions, or other purposes that will make your design more real as handmade. This font also contain ligatures and underline. What will you get: Daviton Solid Daviton Brush Happy Creating!

The Scary font is a large, very friendly brush font, with a hint of a grainy style. It would be perfect for posters, packaging, advertising, news headlines, branding, signage and anything else you want from an urban look and feel. This font will turn any creative idea into a true work of art!

Raegan is a handwritten Brush. This font perfect is for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Feature: - Uppercase - lowercase - Numbers and Symbol - International Glyphs - Alternative Uppercase - Alternative lowercase If you need anything else please contact me by message.

Better Wednesday is a handwritten script with brush textured. This type of font perfectly made to be applied such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose Features : - Uppercase & lowercase - Numbers and punctuation - Alternates & Ligatures - Multilingual - PUA encoded

Mooncrack is a brush-style font with bold, masculine strokes. This typeface captures attention with its thick and bold letterforms, making it an ideal choice for design projects that require a strong visual presence. It is suitable for various design projects such as logos, branding, posters, quotes, packaging design, labels, and much more!

Aldenburg is a natural brush font. Aldenburg would be perfect for sports, music festivals, quotes, special events, or anything. What’s Included : - Works on PC & Mac - Easy to use ( Installations ) - Compatibility Windows, Apple, Linux, Cricut, Silhouette, and Other cutting machines Thank you for purchasing this font. Please appreciate, if you like this. ENJOY it :)

Sundae is a brush script drawn with a naïve hand-made twist. The flow of curves, contrast in stroke and variations in letter heights add a human touch while the consistency in design allows for semi-extended setting. Sundae is best suited for large, confident headings where a personal impact is desired.

Hello Everyone, introduce our new product Font Fanditta This Is Rough Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate 20 Ligatures and 21 Alternate glyphs OpenType panel.

For once the name of this font corresponds with the way it looks: Fat Inker is a fat, inky font. I made it with a Chinese brush and ink, Fat Inker is a nice poster font and it comes with extensive language support and some cool discretionary ligatures for double letter combinations.

Dark Blow Brush Font is a new font with textured stroke detail, also provided some ligatures and swashes extra. Perfect for projects posters, logos, product packaging, invitations, greeting cards, brands, news, blogs, everything including personal charm etc. Thanks so much for looking and please let me know if you have any questions.

Rushbold inspired by the old brush style that has a fat body, it will really help to bring out a warm, retro, vintage, classic, playful feel. Has 2 Stylistic Sets (Upper & Lowercase) and other Alternate Characters. Each section has a smooth line so that for large prints it will still look good.

Proudly Presenting, Orleymore a Cool Brush Font. Orleymore is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Orleymore come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!