Octagonist JNL is based on ‘Octagon’ [which was introduced in the George Nesbitt 1838 specimens of wood type] and is available in regular, oblique, solid and solid oblique versions. The font’s name is partly an homage (to the original type name) while at the same time making a pun on the word ‘Antagonist’.

The Cholla typeface family was designed by Sibylle Hagmann in 1998-99 and named after a species of cactus she encountered in the Mojave Desert. Cholla was originally developed for the Art Center College of Design in Pasadena, California. There, art director Denise Gonzales Crisp and associate designer, Carla Figueroa, collaborated with Hagmann to create a series of fonts that would offer a great deal of variation. The variety was needed to echo the school's nine different departments, yet together the fonts had to exude a unified feel. It was first used in the radically designed 1999/2000 Art Center catalog which won a honorable mention in I.D. magazine and was featured in Eye No. 31. Originally Hagmann set out to design a typeface that, as she recalls, "I could feel comfortable making, first of all, and one that would serve a purpose and had a clear idea behind it, and something that I would want to use myself." Stylistically Hagmann set out to create "12 cuts with slightly different personalities, with different ideas applied. For example the bold weight isn't simply the Regular with weight gain, but has bold letterforms with their own peculiar details. What all weights share and what is the necessary unifying detail is the tapered curve - marked out, for example, in the lowercase b's left top and bottom of the bowl." Gonzales adds: "The forms seemed classical as well. This combination could have a long life, and be timely. I also saw - at least in the beginnings of Cholla - forms that connoted hybrid, of inter-connection, of human and machine growing together. These notions seem appropriate for a school that teaches design and art." Greek version by Panos Haratzopoulos.

Have you Enquired lately? It's time...so choose the thick lines and slightly uneven character placement of LD Enquirer...perfect for light-hearted scrapbook pages, journaling, greeting cards, and tags.

Pen drawn in line, outline typeface originally designed for embroidery application. Boott was designed for print media in a wide point size range. Boott requires subjective display kerning and compensation.

An unconecting script face that closely resembles hand written with a fountainpen. It was expressly designed for informal applications such as invitations, notations, side boxes and hand written personal cards.

Moonlander, a modern bold and wide sans serif font.This clean and sharp typeface is inspired from the lively urban lifestyle and can be perfect as a headline, title, logo, branding.

Small family called Bartender, for the lovers of retro style typefaces. Ideal for product names, packages, labels, old fashioned coffee shops, bars and everything with specific characteristics of past times.

British designer David Quay originally created Titus Light in 1984. A serif design, Titus Light is a wide, curvy, and round typeface that is best used in larger point sizes.

Rosette Ornaments was inspired by the wide spectrum of ornamental styles produced during the Victorian era. There is an assortment of 47 ornaments all located under the character set keys.

Geometric Patterns JNL offers a large and varied assortment of interesting design variations in a 'tiled' (square) format that can be adapted to spot embellishments, running borders or repetitive patterns.

Once again we have added a lowercase to a caps-only type from late Victorian times. We made quite a few changes from the original to make words flow better.

Latino is the work of British designer David Quay, an unusual, condensed, wedge-serif roman typeface. The characters can be set normally or widely spaced. Latino exudes grace and elegance.

Trigomy is a proportional pixel font designed on a 5 pixel grid. It is intended for either very small text or as huge display font for posters and the like. To get a crisp look this font should be used at 10 pt or multiples of 10 pt. (A tip for Adobe Creative Suite applications is to change the standard anti-aliasing method from “sharp” to “crisp” and to align the text to whole pixels. Also avoid centered text.) To get started with type design I thought it was best to start with a pixel font because you don't have to focus much on the design itself, but rather have to focus on how kerning and spacing works and the various features you can implement with OpenType. And of course I wanted to have a pixel font that had all that I was missing from other pixel fonts. We were learning trigonometry at the time I started designing Trigomy, and most of the time I misspoke it “trigometry”. So, when I had to come up with a name for my first font I thought: "Why not go with Trigomy?"

Have you ever played with Lego™ and built letters? With Billund Side and Billund Top you can do it again and create colourful headlines on your Mac or PC. Billund is a font-system consisting of the two base-fonts Billund Side Outline and Billund Top Outline, extended by layer-fonts for one or five colours. Use the Outline-fonts alone to get »transparent« letters in one colour, use it with the Fill-fonts to fill the whole letter with one colour, or use the five Colour-fonts to get colourful letters in every colour you want. Billund contains cyrillic and greek glyphs and can be used for nearly a hundred languages. To expand the typographic possibilities, small caps, old style figures, numerals for small caps (c2sc), three stylistic sets, different symbols, forms, standard- and discretionary ligatures have been added, furthermore contextual alternates to avoid colliding letters. Each Billund-font contains 870 glyphs and more than 1600 kerning-pairs. Billund is named after the city of Billund (Denmark), where Lego™ was invented, the Lego™-headquarter still resides and the first Legoland™ theme park was opened in 1968 and still exists today.

Introducing “Lovingly Friends” - a community of fonts that get along together as good as best friends do. All of the fonts - Sans, Serif, Notes, Script and Extras are packed with stylistic alternates and ligatures, you can combine them the way you like - they will look balanced together as well as individually. Script and Engraved fonts also have a Shadow style - to add more personality to your designs. You can download the Specimen & Instructions pdf here http://bit.ly/2x975US Since the Christmas is not that far away (time flies!), the Extras font has a set of Winter Holidays elements - so you could create and send your best wishes to your friends in no time. While all the fonts are fully unicode mapped so you can use them in ANY application, they are still best used in an OpenType aware application. If the application you are using doesn’t support OpenType features, you can use Character Map (Windows) or Font Book (Mac) to select the glyphs you need. Hope you enjoy the fonts as much as I enjoyed creating them! P.S. The flowers used in the preview images are from Liza Glanz 4 in 1 Elegant Watercolor Collection https://crmrkt.com/do4Wpb

Discover the versatile and stylish Abraham Font Family at MyFont. With 8 unique styles, including Regular, Italic, Rough, Stamp, Shadow, Outline, and Rounded, this modern sans-serif modular family offers endless creative possibilities. Perfect for a wide range of design projects, Abraham is suitable for logos, greeting cards, quotes, posters, branding, business cards, stationary, blog headers, and more. Each style of the Abraham Font Family features both uppercase and lowercase letters, ensuring flexibility in your designs. Additionally, it includes stylistic alternates, standard ligatures, and numerals & punctuations in OpenType format for seamless typography. Enhance your artwork with the multilingual support of the Abraham Font Family, which includes a wide range of accents and characters to accommodate various languages. The font family is PUA encoded, allowing for easy access and usage across different platforms and software. With the Abraham Font Family, you'll receive the following fonts: Abraham Regular, Abraham Regular Italic, Abraham Outline, Abraham Outline Italic, Abraham Rough, Abraham Stamp, Abraham Shadow, and Abraham Rounded. Whether you're designing greeting cards, package designs, brand identities, or art projects, Abraham Font Family will add a touch of sophistication and creativity to your work.

Introducing Linefeed, the retro-inspired monospaced typeface that transports you back to the 1960s and 1970s era of computer band printers. Drawing inspiration from the revolutionary technology of the time, Linefeed captures the essence of the clunky yet iconic machines that were responsible for producing some of the most important documents of the time. Imagine a row of hammers, one for each column, smacking the paper against the ribbon and raised characters embossed on a constantly revolving steel band. This is the heart of the Linefeed font, paying homage to the technology that paved the way for the digital age. Most band printers of the time were restricted to uppercase, digits, and a little punctuation to ensure maximum efficiency, but Linefeed brings this beloved typeface to life with added lowercase letters, extra punctuation, and accents. Linefeed was once one of the most widely used computer fonts during the 1960s and 1970s. It could be found on a plethora of documents, including driver’s licenses, magazine subscription labels, report cards, invoices, and auto dealership window stickers, among other things. In a world where sleek and modern designs dominate, Linefeed offers a refreshing throwback to the golden age of computing. Its technical design, inspired by the machines of yesteryear, is a testament to the ingenuity and creativity of early computer designers. With its monospaced layout and vintage charm, Linefeed is sure to bring a touch of nostalgia to any design project. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Hollenbeck JNL is the Art Deco, all-caps cousin of Jeff Levine's Hallandale JNL typeface. This version utilizes the thick-and-thin stroke weights so popular during the Art Deco era, while retaining the look of hand-lettered copy. Best suited at larger point sizes, this font is a nice alternative to the over-used display faces reminiscent of that time period.

Violitta is an elegant minimalist signature handwritten font package with a personal charm. With a style that I feel is the first time being blended with a different brush so it has a natural hand. Violitta Regular contains upper and lower case letters, numbers and various complete signs. Violitta Minimalis includes alternative characters, with capital letters and small that is completely new.

Cowboy Rhumbahut is an old-timey script the drips with a twang and tradition that you can practically hear. If you've been wandering the range, searching for the perfect cowboy alphabet for you, you might wanna wrangle up this old-time original. My goodness that's one kooky cowboy font. Now get to work and start makin' something with it, ya lily-livered varmint!

A festive, elegant script, Corinthia flows with perfect connections and beautiful curves. It’s a delightful design that offers wide usage... Available in OpenType format, this award winning font comes with over 500 glyphs, and character sets for European languages. All three weights are perfect for creating elegant design work from packaging and romance novels, to invitations and social expression products.

Kittle Rough is a robust display font with a time-worn texture. It has a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Rough features a full upper and lower case character set and an extended set of accented characters for Central European languages. It is also available as Kittle Round, with a smooth, clean look.

Bizmo font family is meant for display, it's characteristic is in it's wide letterform which is suitable for use in large or long spaces. Bizmo consist of 9 weight with each matching obliques. Several uppercase glyphs can be stretch wider by double or triple typing the letter and using discretionary ligature. It's contain 420 glyphs which covered broad latin languages.

A clear and simple sans serif typeface. Straight lines are combined with precision curves to form a functional and versatile font best suited for a wide range of applications. Developed to meet the needs of the professional user, details include 9 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.

Lucilee is a full featured, OpenType script font from Michael Clark. It is a sweeping italic with many alternates, including ligatures, beginning and ending swashes, and a full Central European character set. It is a joining script that is fluid and also suitable for titling. Lucilee was designed with packaging in mind, but can be used for a wide variety of uses.

Stephen Type is a realistic handwriting and signature font. Please see all of the additional pictures to see how it looks and view the glyphs (includes some Latin glyphs). It can be used for a wide range of projects, such as book design, logo designs, online signatures, email signatures, tattoos, t-shirt designs, signs, magazine design, greetings cards, poster design and much more!

The Charta family of fonts draws its inspiration from the letter styles used in early manuscripts and printed books. Charta is also remarkably versatile: it’s equally at home in a traditional or modern context and can be used for a wide range of applications from an automobile badge to a newspaper masthead and from a fashion label to a candy bar wrapper.

Ye-As-Ta is a unique interpretation of traditional brush drawn oriental calligraphy. A caps only font, the characters type English style left to right but appear laid on their side. When the text box is rotated 90 degrees clockwise the text reads top right to bottom left, oriental style. A fun typeface, though reading can require a little practice!

Working as a graphic designer for a long time, I realized importance of alternates. Riveruta is a modern typeface designed especially for those who like to experiment with letters. Lots of alternative letters help in creating logos or names. Create your own unique combination using different options. Suitable for any business, this font is gender neutral and should appeal to most people.

It’s Art Deco “thick and thin”… It’s wide… It’s quirky… It’s a hand lettered sign over the lanes of the Bryant-Lake Bowl – a landmark bowling alley in Minneapolis, Minnesota… and it was spotted in an amazing YouTube video from a “drone tour” of the facility! The sign inspired the font Pin Spotter JNL which is available in both regular and oblique versions.

Gift Wrap JNL takes a classic wood type display font and cuts it into diagonal striped lines to emulate package wrapping paper. An interesting side effect of the lettering is that at first glance you might perceive the style as being an oblique, but the letters are actually vertical. This typeface is perfect for holidays, birthdays and special events featuring a festive theme.

Introducing Nagissta is a cute handwritten font with a matching script and regular will be perfect for book, title branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.

Authentic Sheldon is beautiful and lovely script font with many alternative styles, ligatures, swash and multilingual glyphs. Authentic Sheldon can be used for wide ranges of application, such as wedding design, logo, poster, name card, invitations, social media posts, and others. Files include: + PUA-Encoded + Can be used in any software, like Adobe Photoshop, Illustrator, even Microsoft Word, PowerPoint and others. + Multilingual glyphs.

Gyanko is one of a kind display font. With tight and equal side bearing, bold weight, and rhyme! It comes with Regular and Stencil version. Use it with tight space for the best result. Of course it's support multilingual. I also add some alternate, so you can have more option when you using the interlock feature. Have fun with Gyanko!

Walter Foster art books strike again, this time with a bouncy script based on the work of Al Mack, from his Lettering: Brush & Pen in the Single Stroke. Light and lively, this typeface proves that it don't mean a thing if you ain't... The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

It's all about these subtle nuances that make a neutral sans typeface different. Pure geometry with a human touch is a recipe that works in every generation. Inspired by classical fonts from the early 20th century, General rides the line between traditional and modern styles. With its 5 light weights, the General family is a strong tool for a clean design.

Pluton, a mono-spaced font, is designed to be versatile and easy on the eyes, with over 1400 defined glyphs. It has wide coverage comprising several different alphabets (Western European, Cyrillic, Hebrew, Runic, Ogham), mathematical, and physical symbols. Pluton Regular has been upgraded to contain over 2600 glyphs. A pluton is a igneous mass of rock formed at considerable depth.

Yes, it is a clear reference to one of my all-time favourite movies: “The Wedding Singer”, but it is also a handmade, rough, organic looking ALL CAPS font. The letters are simple and legible, but vary in roughness and because of the Contextual Alternates, you get 5 different versions of each letter - leaving the text more lively and organic!