Cal Uncial Rough is a calligraphic font based on sketches written with cane calligraphy pen and ink on coarse-textured paper. Because of the fact that the Uncial don't have lowercase letters, there are small capitals instead of the lowercase. As the Latin version of the Uncial was created from the Greek Uncial script (translating the Bible from Greek into Latin), in addition to the standard Latin graphemes, the font contains the Greek alphabet (and also the Cyrillic letters (Ustav), derived from the Greek Uncial too). Regardless of the stylistic connection, there is a difference between the morphology of related Greek, Latin and Cyrillic letters. Most of the graphemes are based on traditional roman and insular uncial calligraphy. Cal Uncial Rough is suitable for the preparation of calligraphic sketches as well as an application in typography that should bring us closer to historical topics (European literature, quotes, history, film ...).

Legatum is a new look at a classical serif Roman font and inspired by Roman sycamore, columns and architectural details of the Eternal City. The shapes of the letters and perfectly balanced high-contrast makes each sign look elegant, sophisticated and eye-catching. Looks great in headlines of posters, text in magazines, books. Also can be used in logos and blog posts. Each font has Latin multi-lingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations and all necessary ligatures and alternates.

Tapa is a classical old roman typeface family which has been cut with sharp serif; Its stems, proportions, serif and elegant angles, may induce into a new view of the "Old roman faces" by our contemporary digital age. The kerning pairs were carefully controlled to ensure a good readability and nice page tone contrast. The Tapa font family is completed with true italics (without compression). And enriched with a full set of OpenType features containing ligatures, discretional ligatures, old style numerals and swashed letters.

Stylish, elegant, and alluring, Sekhmet got its name from the lion-headed war goddess of ancient Egypt. And the typeface does possess a kind of feline, forward-directed energy - a result of its calligraphic detailing combined with a very slight slope in the roman. Sekhmet is essentially a display face; still, it's as carefully crafted as any of the designer's text fonts and so also works well in reasonably large text blocks, especially at larger point sizes. Comes with a book-weight roman and calligraphic italic.

Since its initial release in 1989, Trajan has risen to international popularity as a distinctive and versatile display typeface. First released as a Roman, and later a contemporary and stylish sans.

Solid Serif JNL adds tiny serifs to the letter forms of Parkitecture JNL and changes the look and feel into an Art Deco Roman face for display, titling and period pieces.

Since its initial release in 1989, Trajan has risen to international popularity as a distinctive and versatile display typeface. First released as a Roman, and later a contemporary and stylish sans.

Arsis Regular Font was designed by Gerry Powell in 1937. It is a Serif (Antiqua) Modern Style font. Arsis Regular font attributes include roman serif, Didone, elegant, formal, modern style, feminine.

This display stencil typeface is extension from Gazeta font family, where the letterform cuts are more mechanical without loosing their own natural structure. Italic versions are not available, only roman characters.

Moving Van JNL is a classic sign painter's block Roman with angled [instead of rounded] corners and slab serifs. This style of lettering was most popular in the 1920s and 1930s.

Duesenberg was designed to be similar to turn of the century fonts used primarily in newspapers. It has roman characteristics, yet is clearly not, and really doesn't fall under any category.

Inspired by a famous vampire movie. This font is based on the character shapes of Free Serif, a sample font bundled with FontLab applications; it is quite similar to Times Roman.

Introducing TT Norms® Pro Serif, version 1.100! The updated font now has new OpenType features and localization for the Serbian and Bulgarian languages. TT Norms® Pro Serif is a functional serif based on our studio's main bestseller—the versatile sans serif TT Norms® Pro. Together, they form an ideal font pair. Although these typefaces are made for each other, they can easily be used independently and paired with other fonts. So, TT Norms® Pro Serif is a self-sufficient and elegant serif, neutral at the same time. It is easy to recognize due to its gentle proportion dynamics, open aperture, slanted oval axis, and low stroke contrast. Another distinctive feature of this font is brutal serifs that adjust in length according to the weight of the font. As well as TT Norms Pro, there are Italic font styles in TT Norms® Pro Serif. However, for this serif, we have designed true italics instead of simple slanted font styles. Their key feature is the ability of the lowercase letterforms to change in reference to the roman font styles. They become more rounded, moving towards handwritten shapes. The nature of the italics turned out sharper than that of the roman font styles. It can be used to place accents that would attract attention without interfering with the process of reading. TT Norms® Pro Serif is capable of solving multiple design tasks. It is highly readable, which makes it convenient for small point sizes. This serif's application range is broad and diverse: it can be used for websites, printed materials, and packaging design. The font is well-suited for projects in the domains of culture, art, history, or literature and can be implemented into the designs of signs, posters, or premium products and services. TT Norms® Pro Serif, version 1.100, consists of: 24 font styles: 11 roman, 11 italic, and 2 variable fonts (one for the roman font styles and another—for italics); 1380 glyphs in each font style; 31 OpenType features, including options for localization.

Hamerslag is an ultra-condensed serif type family with uncomplicated, regular appearance, large x-height, relatively high contrast and modern glyphs shapes. Available in four styles, contain fraction- and scientific numerals, standard ligatures, currency symbols, proportional and tabular lining figures. Its wide character set support 200 Latin-script languages, 50 Cyrillic-script languages and 190+ romanizations/transliterations, e.g. The United Nations romanizations, Chinese official romanization (Hanyu Pinyin), BGN/PCGN (United States Board on Geographic Names and the Permanent Committee on Geographical Names for British Official Use), American Library Association / Library of Congress romanizations and others. The OpenType PostScript CFF (.otf) and OpenType TrueType TTF (.ttf) support encodings: Windows 1250 Latin 2 (Eastern European), Windows 1251 Cyrillic, Windows 1252 Latin 1 (ANSI), Windows 1254 Turkish, Windows 1257 Baltic, ISO 8859-1 Latin 1 (Western), ISO 8859-2 Latin 2 (Central Europe), ISO 8859-3 Latin 3 (Turkish, Maltese, Esperanto), ISO 8859-4 Latin 4 (Baltic), ISO 8859-5 Cyrillic, ISO 8859-9 Latin 5 (Turkish), ISO 8859-10 Latin 6 (Scandinavian), ISO 8859-13 Latin 7 (Baltic 2), ISO 8859-14 Latin 8 (Celtic), ISO 8859-15 Latin 9, ISO 8859-16 Latin 10, Macintosh Character Set (US Roman). Supported OpenType features: Acces All Alternates, Capital Spacing, Case-Sensitive Forms, Denominators, Fractions, Glyph Composition/Decomposition, Historical Forms, Kerning, Localized Forms, Numerators, Ordinals, Proportional Figures, Scientific Inferiors, Slashed Zero, Standard Ligatures, Stylistic Alternates, Subscript, Superscript, Tabular Figures. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Sapphire Script is a hand-lettered modern calligraphy font based on the signature script of Design by Laney. Made with wedding invitations in mind, this font with over 500 playful, romantic characters is perfect for branding, stationery, packaging, social media templates, magazine layouts, artist prints, and more! With 3 or more characters for each uppercase letter and 35 stunning standard ligatures, you'll be able to create that perfectly imperfect calligraphy style. Sapphire Script contains over 500 unique, coded features for a realistic, handwritten look: 35 standard ligatures, full Western European language support, over 100 stylistic alternates, ordinals (1st, 2nd, 3rd, etc.), 2 alternate number sets including 1-10 Roman Numerals, and a few word glyphs (for, to, from, and). Sapphire Script was named for the street where Design by Laney began, and where I moved in downstairs from my future husband!

Axia is a robust sans serif of concise letter forms. It comes in ten weights from Light to Black with extended language support, a host of OpenType features including Small Caps, multiple figure styles, and more. Each, the roman and italic weights harmonize perfectly in line width. Text set in Light or Black results in the same fit. Stencil display weights with a unique aesthetic and perfect for captivating type sizes add further distinctive options to the typographic palette. The stencil display weights consist of abstract floating parts that seduce the eye and form nicely proportioned type when united. Originally designed for the Rice University School of Architecture in 2011, this contemporary sans found some inspiration in the TwinCities™ typeface family created by Sibylle Hagmann for the University of Minnesota in 2003. Orchestrated from scratch, the inner arched strokes off the stem on the lowercases 'n' or 'd', for example, progressively open the letter forms and express conceptual clarity throughout the system. A feature doing double duty that contributes to great legibility in the heavier weights and attributes to the versatility of individual weights.

Norwich is a grungy version of the font Tenison and provides real blobby pen handwriting.

Mister Dorky is a grungy, jumpy and warm handwritten font made with an inky pen!

This is Resalaty added Arabic features with a pen handwriting style, for more fun text

"Heart on a string" is from a song by Paul McCartney, and is one of his romantic ones. I tried to do the same by creating a font that has the same romantic feeling.

Sienna is a soft serif typeface designed for both text and display purposes. Its soft and sharp structure creates an unusual, yet pleasing appearance. This leads to a comfortable reading experience with enough personality to create impactful titles and headlines, and Sienna will really shine in your branding projects. Variable versions of the fonts are available allowing you to fine tune the weight to your exact liking. Small Caps are included (along with their matching diacritics) – adding another layer of versatility to this typeface. Proportional Lining figures are an option if you prefer them to the default Old Style figures. A number of swash alternates enhance Sienna, giving you the opportunity to add more flair and personality to your title and branding designs. Simply activate Stylistic Sets to start adding flourishes to your typography. There are 14 fonts altogether, with 7 weights in roman and italic from Thin to Black styles. Sienna has an extensive character set (800+ glyphs) that covers every Latin European language. Key features: 7 weights in both roman and italic Variable fonts included with full family 59 Alternates 8 Ligatures Small Caps Full European character set (Latin only) 800+ glyphs per font.

Rodia is an Oddball Geometric Sans Typeface consisting of nine weights in both roman and oblique. It’s a geometric sans with a twist that’s perfect for branding and identity projects – it will also give your body text a unique voice. Inspiration came from the iconic “RADIO” signage that was once in place at 5041, Pico Boulevard, Los Angeles in 1985 (documented at https://tinyurl.com/y2krt2ox). With its distinctive leg, the /R/ provides a personality trait to define the style of the character set. You can clearly see how this characteristic separates Rodia from other geometric sans families – the /k/v/w/x/y/K/R/V/W/X/Y/ glyphs all display the distinctive ‘feet’ and ‘hands’ as terminals to legs and arms. Then there is the /A/ with its triangular crossbar – this triangular motif has been used to embellish alternates in Stylistic Set 1 for /A/E/F/G/H/Q/S/ glyphs. These will add another layer of versatility for your typographic projects. Rodia features an extensive character set covering all Latin European languages. Key features: 9 weights in Roman and Oblique Full European character set (Latin only) 400+ glyphs per font.

Arepo is a display typeface inspired both by the Imperial Roman letter and the forms of Giambattista Bodoni. Together with Stone Print, SFPL, and Cycles it makes up a superfamily of typefaces.

This beautiful roman style typeface is inspired from an E.C. Matthews book. Although the book we have is dated 1967, the style appears to have been created in the 1920s or 30s.

Notebug looks like there was a bug playing around with an inky pen. Notebook with a bug = Notebug! Made with a hefty inky pen and quick strokes. You got 3 layers to play around with: Regular (the outline) Fill (The "inside" of the Regular version and Layer (best used as a background layer for Regular)

Goma Mono is a display monospaced rounded sans serif font built in ten styles. This family, with five weights, covers a wide variety of character due to the large difference in thickness. The typeface can be used perfectly in display sizes and logos. Goma Mono is released with 414 glyphs and includes Open Type features.

Roman-style stencil fonts have been around for much longer than most people realize - from the interlocking brass stencils of the 1880s to the laser-cut plastic stencils of today. A 1 inch Roman lettering guide [die-cut from oil board with spacing holes for correct alignment] made by the now-defunct Zipatone Corporation in the 1970s was a clone of an existing design of another company; but with variations in certain character shapes. This then became the working model for Classroom Stencil JNL, which is available in both regular and oblique versions.

Clear Prairie Dawn is an original humanist sans serif family based on the designer's own printing. Designed for use as a text face, as a humanist sans it shares some of the characteristics you might notice in other such faces as Optima, Gill Sans or Stone Sans. The italic is a designed italic, rather than merely a slanted roman, and incorporates many of the ideas that the designer found too lively for the roman fonts. The complete CPD package consists of three weights with italics, and a set of original ornaments.

In the early years of the twentieth century a number of romans with a soft and slightly script like quality were evolved. Although they did not represent the future in terms of the major design influences that were to appear after the First World War, they were a break with the past, and were developed further in the nineteen twenties and thirties. Monotype Bernard Condensed is closely associated with this period, a condensed roman evoking an easy charm. The Monotype Bernard Condensed font offers many display applications where warmth and friendliness is required.

Prospector JNL is based on a lettering example found in an old Speedball-pen lettering handbook.

Debugger is a futuristic, sicentific, digital family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Debugger has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have somewhat large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Octagonal and diagonal letterform is good for sci-fi, digital projects. Common elements for each letterform makes harmony and a sense of unity. Debugger supports almost all Latin languages. Try this all-new experiment.

Senpai Coder is a family of typewrighter-style monospaced font for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Senpai Coder has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have somewhat large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Typewriter letterform (serif) is good for reading. Common elements for each letterform makes harmony and a sense of unity. Senpai Coder supports almost all Latin languages. Try this all-new experiment.

Bloque is a heavy slab font family which contains six fonts. It has three layers for both roman and italic styles, including an inline and a shadow versions to make different color combinations

Glosilla Castellana is a classic font design remastered by the type foundry Intellecta Design. The letter forms of this traditional Roman type style make it ideal wherever a refined, classical appearance is desired.

This roman face is suitable for text and captions. Designed for the graphic designer that is looking for a new and different text font as well as captions. It can be closely kerned.

MYTHICA is a slightly condensed roman with spur serifs, derived from incised lettering on early twentieth century memorial stones and monuments. The typeface is available in 3 weights each with a complimentary italic.

Deseada is a blurred roman face with a small x-height —actually a modified Caslon— that fits perfectly into retro environments. Use it as a parody, it's just a sort of Catalan custom.

Inspired by early 20th century hand lettered display advertising, Good Taste is a traditional, elegant roman face best used at larger sizes where its well rounded character can be shown off to advantage.

Stencil Work JNL was re-drawn from a vintage paper stencil with one inch high Roman letters and numbers, often found in stationery, drug and variety stores in the 1950s through the 1980s.

A font that can be used to simulate old dot-matrix style printing, older receipts, or even as marquee light lettering. Includes extended Latin diacritics, Roman Numerals, and Greek, Hebrew, and Cyrillic Alphabets.