As you can see, Nefertiti is a font based on ancient Egyptian hieroglyphs and could be classified as a fun-font. I've always been really interested in Egyptology and a couple of years ago I thought it would be great to be able to write in hieroglyphs. I started to study them but soon realized it would take me a long time to be able to do this. Still, I was determined to find a way around this problem. At some point I came up with the idea of rearranging and reforming the hieroglyphs so as to resemble the English alphabet. During this process I tried as much as possible to preserve their ethos and appearance. However, since they are designed to write in English with, it's obvious that they are not always going to look like the real thing. Despite this, I'm really happy with the final result and I think many Pharaohphiles who just want to have some fun will be also. The only difference in this font between lower and upper case characters, is that the latter are set between two parallel, horizontal lines. These are for use with brackets (motif ends) to form cartouches - elongated ovals for names and/or titles. Try typing the following using the upper case in the sample text box. e.g. (JOHN} The zigzagged vertical lines at each end, separate the motifs from the hieroglyphs. Note the three types of ends/brackets. These lines are also used to separated words from one another and to give a more authentic appearance. So pressing the space bar gives a zigzagged line - not a space. They can also be used at any point within a cartouche to separate first and last names or titles. e.g. ; (JOHN;BROWN} walked straight home after work. Notice the eye glyph (period/full stop) at the end of the sentence. This is the only punctuation mark which can be used within a cartouche, e.g. after Mr. or to add a more Egyptian appearance to a name or title. e.g. (MR>;JOHN;BROWN} Parallel lines dividing hieroglyphical inscriptions and writing into rows or columns are very common. To incorporate these in a body of text, simple use the underline U. e.g. (OSIRUS) and {ISIS} were important gods of the ancient Egyptians. (HORUS) {HATHOR} and [RA],the sun god, were also highly revered deities. The punctuation marks available are shown below. . , " " ' ! ? "where is the king?" The font also includes the numbers 0-9, the following mathematical symbols and the hash sign(Scarab beetle). Once again, I've tried to make them look as Egyptian as possible; whether I've succeeded or not is open to debate. e.g. + - x / = # This font is named after Akhenaten's beautiful wife, Nefertiti, who's image can be seen in the graphic on this page.

TT Fellows useful links: Specimen | Graphic presentation | Customization options There can't be too many universal fonts! Meet TT Fellows, a new workhorse whose functionality allows you to comfortably use the font in a variety of projects. Calm and neutral at first glance, the mood of TT Fellows can change. Working with the typeface, you can reveal its soft and friendly nature, or even the brutal one, for example, by typing the text exclusively in capital letters in the bold style. TT Fellows is easy to use and perfect for setting large text arrays. Thanks to the font's uniwidth and versatility, the font is ideal for use on websites or in periodicals. Bold styles will work harmoniously in headlines or as accents in print or on packaging. TT Fellows is a humanist sans serif with a mechanical touch. With its open shapes, the friendly neutral character of thin weights and an even softer character in bold weights, the new typeface differs in character from the classic TT Norms® and TT Commons sans serifs, while still offering the same functionality. Calm regular styles differ from bold, deliberately display and more expressive ones. By the way, TT Fellows is a unwidth typeface. It was important for us that the user could change the styles, knowing that the layout will not suffer. The typeface features equal width proportions, open apertures, and slightly squared ovals, which associatively brings it closer to other popular modern fonts. Since the idea of the typeface was focused on it being a uniwidth typeface, we needed to fit the bold styles into the regular em squares, which led to interesting graphic solutions that are noticeable, for example, in the k and ж characters, in which the branches are cut directly into the stems. TT Fellows consists of 19 styles: 9 upright, 9 italic and 1 variable, each with over 700 glyphs. The font has 26 useful OpenType features. For example, there is a switch to single-part versions of letters a and y, fractions, tabular characters, case versions of punctuation, and localized versions of characters for different languages. There is a ligature for a combination of two characters of a complex design fl. TT Fellows font field guide including best practices, font pairings and alternatives.

The core design of Pepper family, designed by VIDI Visual Design Studio, is the fingertip handwriting style inspired by children’s writings on windows. This distinctive low-contrast typeface combines characteristics from neo-grotesque and organic models. Warmer than most Helvetica inspired typefaces, Pepper has organic shapes, playful strokes, rounded endings, and a generous x-height which makes Pepper easy to read. This family could be used well for food packagings, content aimed for children, book covers, branding, high-impact titles and small body texts, advertising, editorial design and more. What makes Pepper Sans Vol.1 competent and more spicy then some other fonts is that it contains a set of more than 900 characters for each of 5 weights that support many Latin-based languages, Greek and Cyrillic. As the weight decreases, the typeface gains impact with becoming elegant, giving titles in (Hair, Thin or Light) a breath of fresh air. We derived a typeface family consisting of Hair, Thin, Light, Regular, Semi Bold in this Vol.1 edition. Typeface features: • 5 weights: Hair, Thin, Light, Regular, Semi Bold • Latin, Greek & Cyrillic multilingual support • More than 900 characters for each of 5 weights Font Specs: • Created: August 2020 • Files type: .ttf

Based on some script in the 19th century. Inky texture gives realistic handwriting appearance. Smooth writing feeling creates antiqued and nostalgic atmosphere. Big flourish and elegant script! There are two other script designed by in the same concept. -Daisy Lau -Lily Wang -Pansy Bo

Mono Seahorse is a display font with a monoline graffiti style, there is some swash for your awesome design. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

Impossible Ornaments was inspired by the designs of Swedish artist Oscar Reutersvärd and Dutch artist M. C. Escher whose drawings may initially appear feasible yet cannot be physically constructed, therefore impossible. There is an assortment of 47 ornaments all located under the character set keys.

Hubba is a modular geometric typeface. Its heavy weight is excellent for headlines and display. There is a plain, oblique, and opposite oblique styles. The variable version will give you the opportunity to be more free in design and not limited to standard styles.

The Sans serif companion to Astoria. Based heavily on Gill especially in the mid weights and with a consistant series of condensed weights. Designed specifically as a text face it still works very well as a headline font. There are 6 weights with accompanying Italics.

Broken Sunday is a display font with a monoline graffiti style, there is some swash for your awesome design. It will elevate a wide range of design projects to the highest level, be it branding, headings, designs, invitations, signatures, logos, labels, and much more!

This is an unusual family of 3D designs that will add impact to your design. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 100 pt and above).

Haarlem, designed by Leslie Cabarga, was inspired by the sort of marks you get when you write with a flat-headed magic harger. There are two fonts in the Haarlem family, White and Black. Haarlem White is an outlined, shadowed version of Haarlem Black.

Negen is the dutch word for the number nine. This big and bold font is based on a 9 connected squares, hence the name negen. The squares not used in the characters are left in place so there is almost no space in between.

A European font from Bauer's foundry was the inspiration for the caps in the font. There was no lowercase, so we designed one. Although the original font was intended for display lines in advertising, our version reads quite well in smaller point sizes, too.

Joe Shmoe is the regular guy, the one who doesn't attract too much attention, but is always there when you need him. So is Joe Shmoe font: it is an easy-going, regular, nothing fancy kinda font and it comes with all the accents!

Based on some script in the 19th century. Inky texture gives realistic handwriting appearance. Smooth writing feeling creates antiqued and nostalgic atmosphere. Rising Star on March 2007. There are two other script designed by in the same concept. -Daisy Lau -Lily Wang -Pansy Bo

Robot OS CORP AI Wrote version: 2.0 is the first version, including 340 characters, there are 4 types of handwriting that are: Regular (Regular); Italic (Italic); Bold (Bold); Bold Italic (Bold Italic). The sturdy, strong, robot-like design is the idea to design this typeface

Cantebriggia 1207 is Greater Albion’s Christmas Black Letter typeface for 2017. It’s a weathered calligraphic ‘English’ perpendicular. There isn’t a specific significance to the year 1207 - it’s just a reversal of the current year, 2017. Why not try Cantebriggia 1207 in your seasonal design projects?

Based loosely on a square, this hair line design works best at 24pt and above. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

TF Silence - The awesome bold display font is back for your design projects. There are 2 styles available (Regular & Outline). Suitable to be applied to clothing designs, posters, logos etc. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. For any questions please contact me 🙂 Thanks!

The Lutontown font is a font with a unique style inspired by triangles, there are several triangle shapes in the letters. This font has a opentype simple but elegant. This font is also equipped with Multilingual. This font is perfect for branding, logos, etc

Thishub Graffiti is a display font with a monoline graffiti style, there is some swash for your awesome design. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

Mathelo is a modern semi geo-humanist sans font. With three different weight stroke, fun character with a bit of ligatures and stylistic alternates. To give you an extra creative work. Mathelo font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Mathelo font. Cheers, Maulana Creative

Open, outline or inline faces became very popular in the 1940's. By removing the usual weight, a clear-cut letterform is achieved. In Caslon Open Face, the right-hand strokes are accentuated, providing a slightly three-dimensional effect. The ascenders of Caslon Open Face are large and the overall design of this version does not relate to Caslon 3 Roman. This Caslon Open Face font is good for personal stationery, or sentences where a decorative but distinguished result is sought.

Wonderhand is a new extensive family of scripts designed in seven widths and three weights. It also introduces a third design axis, the slant, presenting an upright 0° cut, a 20° cut and a 40° cut for each. Like written by different hands, each cut has a unique appearance and character. Wonderhand contains two sets of alternate characters and automatic features that imitate the natural flow of handwriting. It is loaded with icons and decorative elements that allow multiple possibilities in layout design.

Basika is a Display proto-typeface, a bridge from the past into the future of experimental typeface design. It’s a powerful communication tool for designers who want to create unique projects. The concept of Basika has been developed over many years and became a typeface throughout 2019. Basika was released in December of the same year. Basika comes in three styles, includes discretionary ligatures and stylistic alternates. Don't hesitate to get in touch at nos.ink. Basika current version: 1.2 - released in April 2022.

Retail Script was designed by Vince Whitlock in 1987. It is a font with strong, dynamic base forms and very small ascenders and descenders, which makes a closed, solid overall image. The fine white lines which are traced within the figures make the font a bit more cheerful and the shading makes the figures look three dimensional. The energetic Retail Script is best used in headlines in larger point sizes in order to preserve the look of its fine details.

SF Saggar is an Arabic typeface for Print and screen. Inspired by an alphabet written by the calligrapher and artist Mohamed Said Al-Saggar 40 years ago to simplify Arabic printing. Saggar is from Naskh style and contains 3 weights: Regular, bold and black. SF Saggar is a simple and little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.

Whichit contains typefaces designed with a hexagonal motif. The opposite sides of the hexagon are parallel but two of them are longer than the other four. It does not have reflective symmetry so flipping it over a vertical line returns a different appearance. One of these appearances is the basis for WhichIt and the other for WhichItTwo. Each has three weights and each weight has an italic style. The result is a quirky sans-serif family of a dozen faces.

Basecoat is a handcrafted, geometric sans serif inspired by sign painting and influenced by modern gothics. It has a subtle organic feel without sacrificing legibility. The design of the uppercase began with chalk marker lettering for a side project and eventually grew into a small type family. Basecoat comes in three weights and includes more than 500 glyphs with European language support. It has popular OpenType features plus catchwords in multiple languages and arrows for all your sign making needs.

Albemarle is a distinctive text font based on hand lettered text from the turn of the century. It's designed to work well at text sizes, but to have some of the flair and personality of a calligraphic font. The result is both attractive and readable and doesn't look much like any other text font. We've been working on expanding the Albemarle family so that it now includes not just Albemarle, but also three swash variations and a new italic version of the font.

Homerun script typeface font with three alternative reguler, stamp and gradient. Homerun perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Whats Included? - Homerun Reguler.otf - Homerun Stamp.otf - Homerun Gradient.otf - Homerun Reguler Bold.otf - Homerun Stamp Bold.otf - Homerun Gradient Bold.otf Feature - UPPERCASE - lowercase - Number & Symbol - International Glyphs - Alternative UPPERCASE - Alternative lowercase - Ligature - Swash If you need anything else just shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

Barracuda Script is a bold and vibrant brush family of three weights and matching ornament sets. Barracuda Script is packed with alternate characters, each basic letter has at least four variants to allow you create customized headlines. To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates in any OpenType savvy program or manually select the characters from Glyph Palette. Turn on Small Caps to access a complete set of capital letters designed for writing in all caps.

Open, outline or inline faces became very popular in the 1940's. By removing the usual weight, a clear-cut letterform is achieved. In Caslon Open Face, the right-hand strokes are accentuated, providing a slightly three-dimensional effect. The ascenders of Caslon Open Face are large and the overall design of this version does not relate to Caslon 3 Roman. This Caslon Open Face font is good for personal stationery, or sentences where a decorative but distinguished result is sought.

Introducing Fortune Vintage Font set. This typeface has an old school look with classic western shapes. Fortune Vintage Font has three "layers" for more convenient recoloring. All of the small letters has one or two alternates with bottom expanded shape*. Fortune Vintage Font supports most of the European languages and also has Ukrainian Cyrillic characters. *Make sure that "Contextual & Stylistic Alternates" features are supported & enabled in your software. Also please consider that this feature is available only for English alphabet.

Aglaia is an elegant geometric sans serif typeface that comes in three weights. Designed in part inspired by Art Deco, but with a modern minimalist approach that makes it a versatile and excellent contemporary display font for titles, editorials and short texts. Font features: Uppercase & Lowercase Numerals, Punctuation & Symbols Alternates & Ligatures Multiple Languages Support (Latin characters + Diacritics) How to access Alternate Characters: The alternate characters can be accessed via the glyphs panel in your favorite software. Or with OpenType features turned on.

Based on Corradine Fonts font Emblema 65, Emblema Headline is a powerful tool for modern designers who need a vintage art deco style font with personality and high quality. The Emblema Headline family has four layers, each one with three or four different looks, for a total of thirteen different variations. Non-OT-users can select a font from these thirteen variations, also with specific flavors: Basic, Deco, Swash or Extraswash. Explore the great possibilities of Emblema Headline in your next project.

Introducing Singa is a three distinct classic casual family comes with 9 variable weight to get more stunning. Use this font family for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Character Set Uppercase & Lowercase Number & Symbol International Glyphs Alternative & Ligatures Multilingual support Feel free to shoot me on email at: dedukvic@gmail.com any time and follow my shop for upcoming updates And find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en Hope you enjoy it.

GIBEon Display Serif Family- Basically, it seeks a psychedelic groove and freedom. For its evolved balances, the heights of uppercase(cap) and lowercase(x-) evenly arranged to eliminate the sense of imbalance. Glyphs are designed by reflecting their characteristics to preserve individual originality. The three master styles are complementary to each other, and the It enhances the imagination of designers. Ligatures and Alternates can also help with more natural layout editing. And, enjoy the freedom and groove of Italic Instants!

Elaborate high-quality three-dimensional initials, with shadows, in various styles including numerous exotic letters, incorporating vignettes, flourishes, stems, flowers, vines, and other decorative elements. These masterpieces of typographic art were inspired by Italian hand-etched designs dating back to 1839. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Perfect for starting off the beginning of paragraphs in artistic publications, storybooks, fairy tales, and texts conveying the feel of the 1800s.

Geometric dimensioning and tolerancing (GD&T) is a system for defining and communicating engineering tolerances. It uses a symbolic language on engineering drawings and computer-generated three-dimensional solid models that explicitly describe nominal geometry and its allowable variation. This highly specialized symbol font is designed specifically to be used by engineers to describe CAD produced outside the CAD environment. Included is a chart featuring character names and keyboard placement. Complies with ASME Y14.5M-1994. Updated to include 2009 addition of ‘unilateral’ symbol.