The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

Blank Manuscript allows you to produce sophisticated musical scoresheets even on basic Word Processors - anything from simple plain staves to complex full-page orchestral scores of your own design, to write in the notation yourself. The basic stuff is really easy and straightforward, but there's some quite advanced things you can do as well. So Copy and Save these Instructions. • The main stuff is simple and tends to follow the initial letter. Treble, Bass and Alto clefs are on upper case T B A (there are more clefs, below). The 5 Lines for the clefs are on L or l. • A small v will give a small vertical line (like a bar line) and a Big U will give a Big Upright - these can start or end a line or piece. • Time Signatures - type the following letters: Think of W for Waltz and it's easy to remember that 3/4 time is on W. Then from that they go up or down together like this: V=2/4 W=3/4 X=4/4 Y=5/4 Z=6/4 Compound Times are on H I J K like this: H=3/8 I=6/8 J=9/8 K=12/8 Common Time and Cut Common symbols can be found on semi-colon and colon respectively (all begin with Co- ). 2/2 3/2 are on lower case a and b, 7/4 and 7/8 are on lower case c and d, 5/8 is on small k (think POL-k-A) • Flat signs are on the numbers. Flat signs on LINES 1 to 5 are on numbers 1 to 5. Flat signs on SPACES 1 to 5 are on numbers 6 to 0 (space 1 being above line 1, space 5 being above the top line of the stave). Sharp signs are on the letters BELOW the long-row numbers. Which is q w e r t for the sharp signs on Lines 1 to 5, and y u i o p for sharp signs on spaces 1 to 5. Doing it this way means it works the same for all clefs, whether Treble, Bass, Alto, Tenor or any other. Sharp and Flat Signs always go in this order, depending on how many sharps or flats your key signature requires: Treble Clef Sharps t i p r u o e Flats 3 9 7 4 2 8 6 Bass Clef Sharps r u o e t i w Flats 2 8 6 3 1 7 = Alto Clef Sharps o e t i w r u Flats 7 4 2 8 6 3 1 • Guitar Chord Boxes are on G and g (G for Guitar) Upper Case G has a thick line across the top Lower case g has an open top, for chords up the fretboard TAB symbols are available: Six-string Tablature is on s & S for Six. Four-string Tablature is on f & F for Four. (Lower case has the "TAB" symbol on it, Upper Case has just the lines to continue.) Five-string tablature, is on lower case "j" (as in BAN-j-O) and of course L or l will continue the 5 lines. •RARE CLEF SIGNS including Tenor Clef, are on various punctuation marks, i.e. dollar, percent, circumflex, ampersand & asterisk, above the numbers 4 to 8. NOTE: The important symbols were kept on the letter and number keys, which are fairly standard all over, but some of the less important symbols are on various punctuation keys, which in different countries are not the same as on my keyboard. If it comes out wrong on your system, all I can say is it's right on the systems we've tried, and they'll be in here somewhere, probably on a different key. CLOSING THE ENDS OF THE LINES and BAR-LINES is done with the 3 varieties of brackets - brackets, brace and parentheses - Left/Right for the Left/Right end of the line. Parentheses L/R () which are above 9, 0 give a clef with a small vertical upright (the same as a bar line). Brace L/R and Brackets L/R (both on the 2 keys to the right of P on my keyboard) will close off a staff line with tall upright bars. Brace gives a double upright - one thick, one thin. Brackets give a single tall upright. A Big Upright is on Big U, (Big U for Big Upright) and a small vertical line is on small v (small v for small vertical). The Big Upright is the maximum height, and the small vertical is exactly the same height as a stave. And there's a tall upright Bar, on Bar (which is to the left of z on my keyboard, with Shift,) which is the same height as the bar on upper case U but twice as broad. • There's a staff intended for writing melodies, which is a little bit higher up than an ordinary treble clef giving a space underneath to put lyrics in - on m and M for Melody line. Lower case has the Treble Clef on, Upper case M has just the higher-up staff lines with no clef. (Use mMMMMMMM etc.) However this clef will be in the wrong place to put in sharp and flat signs, key signatures and so on, so if you use this clef you'll have to write the sharps, flats and key signature yourself. There's also a clef that's smaller (less tall) than the ordinary clef, but with the same horizontal spacing so it will align with other standard-sized clefs - on slash (a plain clef) and backslash (with a Treble Clef). • There are some large brackets for enclosing groups of staves, such as you'd use on large orchestral scores, on Upper Case N O P Q R, which can aid clarity. N and O on the left, Q and R on the right. P is a Perpendicular line to be used on both sides to increase the height of the enclosure, in this way but with the staff lines in between: N Q P P P P P P O R OTHERS —————————————— • Repeat marks are on comma (left) and period/full stop (right). • Hyphen is left as a sort of hyphen - it's a thin line like a single staff line, with the same horizontal spacing as ordinary staff lines - in case you want to draw a line across for a Percussion Instrument, or a Title or Lyric Line. • Space is a Space, but with HALF the width or horizontal spacing as ordinary staff lines, so 2 space symbols will be the same width as a clef symbol or line. • Grave (to the left of 1 on the long row, or hold down Alt and type 0096 then let go) gives a staff line that is one eighth the width of an ordinary staff line. • If you want manuscript in a clef and key which requires a flat or sharp sign in the space underneath the 5 lines, they’re on = equals and + plus . SYMBOLS • Many of these symbols will only be useful if you have worked out in advance which bars will need them, but they are here in case you've done that and wish to include them. • Symbols for p and f (piano and forte) are on 'less than' and 'greater than' < > (above comma and full stop) and m for mezzo is on Question, next to them. They can be combined to make mp, mf, ff, pp, etc. These signs -- and other signs and symbols like Pedal Sign, Coda Sign and so on -- can be found on various punctuation mark keys, including above 1, 2, 3 in the long row, and others around the keyboard. There's a sort of logic to their layout, but in different countries the keys are likely to give different results to what is stated here, so it's probably best to just try the punctuation and see if there's any you might want to use. (But on my keyboard a Coda sign is on circumflex - because of the visual similarity. Pedal sign is on underscore. A "Sign" symbol is on exclamation mark.) They were only included in case you really need them to be printed rather than handwritten. • However, a Copyright symbol is deemed necessary, and also included are a "Registered" symbol and a TradeMark symbol. They are found in the conventional places, and can be accessed by holding down ALT and typing 0169, 0174 or 0153 respectively in the numberpad section and letting go. • Staff lines with arco and pizz. above are on capital C and D respectively ---C for ar-C-o. • An empty circle above a staff line (to indicate sections by writing letters A, B, C or 1,2,3 inside for rehearsal marks) is on n. The actual signs for an A, B, C and D in a circle above the staff line can be produced by holding down ALT and typing 0188, 0189, 0190 and 0191 respectively and letting go. • The word "Page", for indicating page numbers, is on the numbersign key. • The two quotes keys, (quote single and quote double) have symbols representing "Tempo is", and "play as triplets", respectively. • INSTRUMENT NAMES There's a whole lot of Instrument Names built in (over a hundred) which can be printed out above the clef, and you do it like this. Hold down Alt and type in the given number in the numberpad section, then let go. For Piccolo it's 0130, for Flute it's 0131, Cornet is on 0154, Violin is on 0193, and the numbers go up to over 0250, it's a fairly complete set. There's also a blank which is used to align un-named clefs on 0096. Put them at the very beginning of the line for the best results. Here they are: WOODWIND Piccolo 0130 Flute 0131 Oboe 0132 Clarinet 0133 Eng Horn 0134 Bassoon 0135 Soprano Sax 0137 Alto Sax 0138 Tenor Sax 0139 Baritone Sax 0140 Saxophone 0142 Contrabassoon 0145 Recorder 0146 Alto Flute 0147 Bass Flute 0148 Oboe d'Amore 0149 Cor anglais 0152 Pipes 0241 Whistle 0242 BRASS Cornet 0154 Trumpet 0155 Flugelhorn 0156 Trombone 0158 Euphonium 0159 Tuba 0161 French Horn 0162 Horn 0163 Tenor Trombone 0164 Bass Trombone 0165 Alto Trombone 0166 Piccolo Cornet 0167 Piccolo Trumpet 0168 Bass Trumpet 0170 Bass Tuba 0171 Brass 0172 VOICES Vocal 0175 Melody 0176 Solo 0177 Harmony 0178 Soprano 0179 Alto 0180 Tenor 0181 Baritone 0182 Treble 0183 Bass 0197 (see also PLUCKED STRINGS) Descant 0184 Mezzo Soprano 0185 Contralto 0186 Counter Tenor 0187 Lead 0206 BOWED STRINGS Strings 0192 Violin 0193 Viola 0194 Cello 0195 Contrabass 0196 Bass 0197 Double Bass 0198 Violoncello 0199 Violin 1 0200 Violin 2 0201 Fiddle 0252 PLUCKED STRINGS Harp 0202 Guitar 0203 Ac. Gtr 0204 El. Gtr 0205 Lead 0206 Bass 0197 Ac. Bass 0207 El. Bass 0208 Slide Gtr 0209 Mandolin 0210 Banjo 0211 Ukelele 0212 Zither 0213 Sitar 0214 Lute 0215 Pedal Steel 0216 Nylon Gtr. 0238 Koto 0239 Fretless 0244 KEYBOARDS + ORGAN Piano 0217 El. Piano 0218 Organ 0219 El. Organ 0220 Harpsichord 0221 Celesta 0222 Accordion 0223 Clavinet 0224 Harmonium 0225 Synth 0226 Synth Bass 0227 Keyboards 0228 Sampler 0249 PERCUSSION and TUNED PERCUSSION Percussion 0229 Drums 0230 Vibes 0231 Marimba 0232 Glockenspiel 0233 Xylophone 0234 Bass marimba 0235 Tubular Bells 0236 Steel Drums 0237 Kalimba 0240 OTHERS Harmonica 0246 Mouth Organ 0247 FX 0251 Intro 0243 Verse 0245 Refrain 0248 Chorus 0250 un-named 0096 (this is a small spacer stave for aligning clefs without a name) ALSO copyright 0169 registered 0174 TradeMark 0153 Rehearsal marks 0188-0191 (giving A, B, C, D in a circle, an empty circle is on n ) Clef signs for Treble Bass Alto without any staff lines 0253-0255 An Alphabetic List of all signs: a 2/2 time b 3/2 time c 7/4 time d 7/8 time e sharp sign, centre line f Tab sign for 4-string tab g Guitar Chord Box, no nut h half-width stave I sharp sign, third space up j Tab sign for 5-string tab k 5/8 time l Lines - 5 horizontal lines for a stave m Melody Clef - a standard clef but placed higher up, with Treble sign n Stave with an empty circle above o sharp sign, fourth space up p sharp sign, space above stave q sharp sign, bottom line r sharp sign, fourth line up s Tab sign for 6-string tab t sharp sign, top line (fifth line up) u sharp sign, second space up v vertical line (bar-line) w sharp sign, second line up x Fretboard, four strings y sharp sign, first space up z Fretboard, five strings A Alto Clef B Bass Clef C “arco” above stave D “pizz.” above stave E Double Vertical Lines F Four Horizontal lines (for 4-string tab) G Guitar Chord Box with nut H 3/8 time I 6/8 time J 9/8 time K 12/8 time L Lines - 5 horizontal lines for a stave M Melody Clef - a standard clef but placed higher up, plain N Bounding Line for grouping clefs - top left O Bounding Line for grouping clefs - bottom left P Bounding Line for grouping clefs - Perpendicular Q Bounding Line for grouping clefs - top right R Bounding Line for grouping clefs - bottom right S Six Horizontal lines (for 6-string tab) T Treble Clef U tall, thin Upright line V 2/4 time W 3 / 4 time X 4/4 time Y 5/4 time Z 6/4 time 1 flat sign, first line up (the lowest line) 2 flat sign, second line up 3 flat sign, third line up 4 flat sign, fourth line up 5 flat sign, fifth line up (the top line) 6 flat sign, first space up (the lowest space) 7 flat sign, second space up 8 flat sign, third space up 9 flat sign, fourth space up 0 flat sign, space above stave

GASCO is a collection of natural handwritten letters inspired by the retro style of the 70s and 80s, the style seems to take us a little back to the manual era, this type of letter is very unique, you can change from modern to retro or vintage style with a combination of a collection of alternates so it is ready to help To make your design look elegant, in the image shown you can see what this letter can do. There is a condensed version and an italic version of the font included 9 Upright and 9 Italic weights, ranging from Sheer to Black, all coming in 1 Outline style. This font also comes with 1 more elegant display style.

Lovely Present Just Girl ♥ Simple way to access is just type a number (1-10) after the letters (sample in pict no.1) Just Girl ♥ is perfect for wedding stationery, invitations, lovey cards, logos, business cards, branding and other projects that require a touch of love and luxury. This font was created with multilingual support and over 500+ glyph characters, allowing you to create a lovely look to your projects. What you get?? a full packed font which character has build in ligatures encoded. So you don't have to worry about accesing alternative character to use on any design project. Are you happy with this font? So let me know if you have any question at fittingline99.ac@gmail.com Thank you - Stipline Studios

The typeface One United Font is designed from 2020 for the font foundry Typo Graphic Design by mäd • madeleine maros × Manuel Viergutz as a political statement #leavenoonebehind The display font is inspired in the past and present. 3 font-styles (Bubble, Bubble Behind, Outline) + 1 icon-style with 390 glyphs (Adobe Latin 1) incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (3 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

A sample of monogram lettering entitled "Style 204 - Modern Block" (probably circa 1940s) yielded the thin Art Deco alphabet model for Dress Shirt JNL, which is available in both regular and oblique versions.

Picaflor is a sans typeface family perfect for titles, it contains 6 weights from thin to Black in addition to Greek and cyrillic alphabet with many alternatives from ligatures and letters, enjoy it!

Evander allows graphic designers to create advanced typographical layouts by offering 64 alternative glyphs and 3 stylistic sets. The family has 18 weights — 9 uprights and 9 italics — ranging from Thin to Black.

TOMO Haraka - a playful thin line decorative typeface. Haraka is a linear font in folk style, uppercase only decorated with geometric elements. Suitable for lettering posters, music albums, tattoos and photo overlays. Enjoy!

Rambi is a sans serif font of five weights with Thin to Heavy. Rambi is a perfect typeface for posters, packaging, logos and any visual communication application inherent to children and youth designs.

Veilan is a playful yet elegant thin serif font in two styles with alternates. It looks stunning on wedding invitations, headlines, quotes, greeting cards, logos, every other design which needs a unique touch.

Positive Attitude is a simple and thin lettered font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Hellowhiten is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

PL Britannia is a display face with a clear contrast between thick and thin strokes. PL Britannia is a good font for posters and titling, but it is not suited for text purposes.

Juliane is a thin lettered and delicate script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

Tlidia is a modern sans serif font, tall, thin and elegant. Talidia will work perfect for business card design, cover design, advertisement and many more Talidia have 10 families will make great combination

Fionetta is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

English1707 comes from combining two thick and thin and dashed lines. We can use this font for book titles, billboards, posters, logo designs, clothes, t-shirts, and can also be used for brands.

MAS AMOR POR FAVOR (1) (more love, please) Fluire means -to flow- in Italian and that’s what this font is all about. The story began when a friend of mine asked for a tattoo with the word -Fluir- (to flow in Spanish). She didn't want a tattoo full of swashes and swirls, like I'm used to doing, but something more fluent, soft and minimal. My very first attempts were more related to copperplate calligraphy but I wasn't even close: I discovered that I needed to forget a little bit about the classic contrast and speed of the engrosser's nib and started playing with a tiny flat metal nib. Letters started to flow, and I immediately thought of turning them into a font. Inspired by the tattoo I created and by other tattoos I saw, I started the journey of what would be a very fun process. The result is a very cute, almost monoline font with a wide range of uses. USES If not used for a tattoo (my first ‘target’), the font delivers amazing results in combination with Fluire Caps: These two need each other, they go together, they talk. I designed Fluire Caps Down and Fluire Caps Up so it’s easier to manage their colors. Also there’s Fluire Caps Down Lines, which has a decorative thin line to add yet another dimension. Use the fonts in magazines, book covers, posters, greeting cards, weddings, lettered walls, storefronts! TIPS Since the font is Open-Type programmed, I strongly recommend using it in applications that support that feature. Also, the font looks way better when -contextual alternates- are activated, but it’s your choice :) Try Fluire, and keep flowing. NOTES (1) The phrase alludes to maybe the most tattooed phrase in Latin America.

Here is a "Decorative Braille font". The initial design was indeed drawn on a K.I.S.S digital sketchpad, the Windows default drawing tool (Microsoft Paint, classic version). A. Glyph Concept The Braille 2x3 dot matrix is weaved around a diamond-shape. a.1. Each "dot" is represented by a "right-angle isocel triangle". a.2. Braille dots in Diamond Braille a.2.I. "Dots" are outside the diamond for first Braille row (Braille dots 1, 4) and third Braille row (Braille dots 3, 6). a.2.II. "Dots" are inside the diamond for second Braillle row (Braille dots 2, 5). a.3. Diamond lattice Glyphs are connected horizontally (to/bottom diamond's corners) and vertically (left/right corners) to each other (see poster 5). a.4. Special Glyphs - Space: its is either empty ("Empty cell") or a "non Braille shape" { _, ° } depending on your display needs (as explained in b.3.II) - 6 dots: { £, =, û } - 6 empty dots: { ç, ¥ } B. Font user guide b.1. Lowercase glyphs { A..Z } In these glyphs the "dots" are represented as a white right-angle isocel triangle filled with a smaller black triangle. b.2. Uppercase glyphs { a..z } In these glyphs, the "dots" are represented as an empty triangle (this is an "empty dot"). b.3. 'Space' vs 'Empty Cell' b.3.I. 'Space' - 'Space' glyph is an empty shape - '¶' glyph (at the end of each line in Microsoft Word) is also an empty shape b.3.II. 'Empty cell' glyphs: _ (underscore), ° (degree). In these glyphs there are 2 "empty dots" at top and bottom corners of the diamond, which differentiates them from regular Braille glyphs (which dont have a "dot in the middle"). b.4. Diamond Lattice To display text as a 'diamond lattice', replace each 'Space' by an 'Empty cell' (as explained in b.3.II, see poster 5) b.5. Connectors The connector glyphs allow the creation of "circuit like" designs (see poster 1). Here are the connector glyphs: { µ, à, â, ä, ã, è, é, ê, ë, î, ï } b.6. Domino feature Some Glyphs represent numbers 1..6 in a way which is similar than on dominos (see poster 6) C. Posters Poster 1: the "Font Logo", it displays "Diamond Braille" text together with the Connectors feature. Poster 2: a pangram which is published on pangra.me ( "Adept quick jog over frozen blue whisky mix" ). Poster 3: an illustration of the Domino feature. Poster 4: a DiamondBraille version of the Periodic table. Poster 5: illustration of the Diamond lattice using only 6 dots ( û ) and 6 empty dots ( ç ) glyphs.

Ginthamy is a cute and playful display font. Use this font to add that special cool touch to any design idea you can think of! It is perfect for any branding project such as logos, t-shirt printing, creative products, and more.

Delvey is best for: – logos + branding, especially cosmetics, fashion, & clothing brands – website design + website accents – think travel blogs, fashion blogs, & more – clean print design, like magazines + flyers – header elements that need a clean, modern look – quote graphics for social media – chic graphic tees

Animated types like this one have been around for fifty or more years. They certainly add a sense of liveliness to a headline. This one trades upon the "wrong way weights" of the old French Clarendon. Think of it as Barnum with Bounce.

wap_std makes cute fonts for kids. I only remember some of the font characters. I think this new font is cute & fun for your fun projects. yumna is made with all my heart, I love it, and I hope you like it too.

Scribe is an elaborate typeface somewhere in between Bodoni and an English script. It has interwoven capitals and joining lowercase letters. I have tried to make something new that has this old, settled touch. I think I like it. Yours sincerely, Gert Wiescher

Absolute Kiddos is a cute and playful display font. Use this font to add that special cool touch to any design idea you can think of! It is perfect for any branding project such as logos, t-shirt printing, creative products, and more

Inquisitive is a thin and dainty handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look and feel will add a personal and realistic feel to your designs.

Canniza Typeface Family is a very aesthic display typeface designed for use in large sizes. It features 8 weights, from thin to bold. The typeface features a classic serif design with a modern twist.

A display face with strong contrast between thick and thin strokes and a distinct calligraphic influence, the Nueva font family is useful for display work in magazines, on packaging and for flyers and leaflets.

The namesake for this type design was the dust jacket for the 1926 book “Revelry”. A classic Art Deco thick-and-thin design, Revelry Deco JNL is available in both regular and oblique versions.

Rearviewmirror (no space) is a Pearl Jam song and it happens to be my favourite! Rearview Mirror is a handmade tall & thin font. It comes in a regular and bold style with their italics.

Kohaku Monoline! A Monoline font with a Japanese style. With thin strokes and an extraordinary curve, Kohaku Monoline is perfect for branding projects, cool text, product packaging - or simple style for your poster text.

Hotabe is a thin, friendly and light lettered display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Looking for a structured font that screams elegance? You've found it. This handmade font is modern yet is a tinge of retro to give you a unique combination that is sure to stand out.