Known sometimes as “utopia”, “journey” other times, but also named with name´s place where one wants to go, “Ithaca” home of Ulysses. Typographic Cartesian coordinates are usually two, from the skeleton, the narrower, to the black, the widest. Nowadays, Maese Patau had traveled a road made by four Cartesian axes of typographic geography. A road from thick to thin, from expanded to condensed, to offer us a new family, a larger and extensive series than the traditional family. 48 “relatives” in a pure neo-grotesque font, with a large “eye” that makes it especially suitable for display. Solid hinting in small sizes due to it´s pure and simple basic forms. The jazzy cursive, available in all weights, looks as a simply slanted letter, but when works in conjunction with its regular version, generates an outstanding typographic game. As usual, Maese Patau offer us a extensive typeface in weights, extensive on supported languages, and all kind of OpenType´s capabilities.

Tipo Pèpel strikes again with a lush splurge on pure basic geometrical shapes and sizes, those that inspired Paul Renner’s typographic milestone “Futura”. A new look to classic shapes, bringing them back plenty of delightfullly details as the lowercase cursive forms’ long tiles that break the supposed linearity expected from a purely geometrical font. Rhythm given by hidden details in each character of each weight, push “Naste” out of German geometric sobriety, will help us to easily create typographic hierarchies upon the many weights available and the many and accurate details. Excellent results with minimal effort. Wide ‘x’ height, restrained ascending and descending stems; thick but elegant, easy to read and in need of generous white space around, where it feels comfortable. More is better than less. As usual in Type Pépel, full sets of Opentype alternatives and Unicode support for 104 languages ​​plus Cyrillic. 16 weights of typographic beauty in all its glory.

@andinistas presents an update of Panamericana in 2019, a typographic family worn out and expressive with 10 fonts perfect for short writings with cursive and stained calligraphic look. Panamericana works perfectly in headlines or logos of a film because its different thicknesses of corrosion and textures guarantee striking messages on t-shirts, stickers, skateboards, magazines, printed quotes, packaging, headings and all the designs you can imagine. Panamericana works best by exchanging and mixing letter by letter among its 10 fonts. In this way, you will take advantage of its corrosion levels by mixing the 3 uppercase, lowercase and ideal calipers for the beginning, middle or end of words, phrases or short paragraphs. Each empty and full Panamerican area was designed with care, care and attention and that is why its more than 2000 glyphs were carefully planned in 10 fonts designed for maximum performance in compositions that need scruffy and creative visual properties.

Serenus is a new cursive typeface whose main characteristic is the dynamism of its spontaneous and agile “ductus”, with a subtle difference in thickness that gives it elegance and presence. This font comes with a condensed version that can be used for more extensive texts. Both fonts are enriched with OpenType features, Serenus has a total of 612 characters, in OpenType format, such as Stylistics Alternatives, Swashes, Ligatures, stylistic sets. To this, we add a support of central European language to adjust your design. Enabling them makes it possible to create beautiful and elegant typographic designs. Make sure you open up the OpenType panel in Illustrator, Photoshop, and InDesign (or any OpenType compatible application) or the character map to make use of all of those features. 
With virtually endless ways to personalize its use, Serenus helps you to design invitations, greeting cards, logos, business cards, fashion magazines, food, packaging and menus, book covers, websites and whatever your imagination!

Wacca straddles the categories of Humanist slab and Contemporary serif, and it also gives a handwriting taste especially in the italics. Its tall x-height enables them to be extremely visible, and the slightly curved strokes on some letters give them a pleasant and organic look as a whole. The Italics introduces more cursive strokes all over, so it comes across much more organic than the regulars. This unique, fun, yet simple family is good for any purpose.

More information about this Font Handyplast is a classy serif font with a handful of curvy ligatures. Think Handyplast ! This font is both bold and elegant.. modern yet vintage.. either way, it is sure to bring attention to your brand and designs! Handyplast includes alternate letters (letters with the curvy swashes). These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. You can access these in more basic design programs but you will need to use your character map or font book. Use this font to create your logo, branding, advertisements, craft projects, shirts, decor, wedding invitations, packaging, stickers, social media, quotes, magazines and more! Thank you!

Bandes is a bold, thick lettered, retro styled display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

ID Monotrap is a display monospace typeface, specifically designed with equal width for each letter across the glyphs set. With mono weight, maintaining consistent stroke thickness throughout its parts, giving it a distinct and modern aesthetic.

French Wine JNL is an Art Deco thick-and-thin type design based on the hand lettering from a vintage poster for Monarch Cabernet Sauvignon wine. The typeface is available in both regular and oblique versions.

Full Of Wonder is a smooth and thick font perfect for crafting with! Full Of Wonder features: • Set of alphabet characters, numbers, punctuation, and symbols • 3 standard ligatures & 3 discretionary ligatures • 2 alternate characters • Multilingual support

Founder Christmas is an elegant script font, that features a very delicate and classy look. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.

Thanks Friend is a beautiful script font with thickness suitable for greeting card designs, invitations, t-shirt sublimation, event lettering, and crafts. This font features a lovely swash in all lowercase and several ligatures and alternatives.

Roxy Vp comes in bold, its a cool, robotic and thick lettered display font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a modern and techno touch.

Slightly condensed with a taller lowercase, Gallivant carries itself very well. Similar to classic thick-and-thin san-serif faces with stems slightly facing inward. Note: OpenType variants may only be accessible via OpenType-aware applications.

A revival of one of the popular serif wooden type fonts of the 19th century, tall x height, quite short descenders, thin, rounded serifs, thick stems, based on Roman styles, deliberate, accurate rendering of the original.

Concapita is a bold modern vintage display font, featuring thick and weighty characters. Ideal for headlines and branding, its fat, bold strokes seamlessly blend contemporary and vintage aesthetics, creating a unique and attention-grabbing typographic style.

Steamer is a grimy grotesque with a thick early 20th century air to it. A tireless workhorse, it is accustomed to carrying out any typographic task from continuous text to bold headlines steadily through any conditions.

This font is reminiscent of teen girl handwriting, with very round letters and a mixed-print-cursive style.