Circus Minimus Pulex typeface honours the memory of gone flea circus veterans. The icons present the little artists and their equipment to the great public.

Saferick is a quirky and great display font. It’s perfect for logos, stationery, branding, packaging and it will add a cheerful touch to your designs.

Magic Holiday is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors.

These are curly designs arranged into fanciful snowflakes, evoking 1960’s psychedelia as well as Victorian romanticism. An excellent choice for any winter holiday material.

English Script is the classic Spencerian English script. I always wanted to do one of these; now finally I did. Your classical designer Gert Wiescher

The Simple Serif fonts are designed as hand-lettered serif fonts. They are casual and informal and are ideal for use in conveying these qualities.

Pleasant Hand is designed as a condensed hand-lettered font. The family is casual and informal and is ideal for use in conveying these qualities.

Hello Angel is a fun and whimsical paint brushed display font. This font is perfect for children themed designs, especially when combined with bright colors.

Moonbandit presents a powerful technology scifi theme typeface, modern, clean, strong and sleek. Perfect for your modern futuristic projects. opentype features: kerning ligature alternate multilingual

Very decorative script inspired by old lettering in Eastern Europe. Eye-catching for picture books, toys for children. There is another font which called Garash.

DGS Art Deco Greek is a unique typeface breaking all boundaries available in Latin and Greek scripts. It can be used in a wide range of projects including invitations, theatre and cinematic productions, branding, logos , adverts and much more.

Nyack is a built-from-scratch sans serif font with both inline and solid versions. There's a touch of Art Deco to its design for a touch of past elegance, but its use is not limited to retro projects.

Every now and then you can use a good phrase, and luckily there's a lot to choose from. This font also have a lot to choose from, because I've added 7 different (and hastily written) versions of each letter.

Americain is a retro-style font, which was based on a single headline from a thirties advertisement. The letters are all caps, but there's a little difference between 'upper' and 'lower' case. Americain is ideal for headlines and posters.

Roughler is brush font with clean and simple font. This font can apply to banner, wallpaper, tees, music theme, cover and party moment with brush style.

Very decorative script inspired by old lettering in Eastern Europe. Eye-catching for picture books, toys for children. There is another font which called Garash Script.

Get that Disney look with this downloadable "Small World" font. It's ideal for journaling and titles for theme park scrapbooking or wording for other creative publications.

Each font contains 101 decorative ampersands. These fonts include ampersands from various display fonts in the CastleType Library as well as antique, ornate and calligraphic ampersands.

Magnificent Ornaments was inspired by the ornamental styles produced during the Victorian era. There is an assortment of 47 ornaments all located under the character keys.

Caora is a font with strong lines with a sweet and versatile border, this font has a minimalist theme and is perfect for clean design needs.

The inspiration for the designing of the font Skuul was Letraset in 1981. Font Skuul, for each character has three alternative characters with their automatic replacement.

An antique hand-cut brass stencil of the phrase "No Hunting on These Premmises" (with the word "premises" misspelled) was the model for Brassmark Stencil JNL.

Another techno-sans with interesting compensators, inspirit by Alexander Rodchenko works. Clean, strong, ultra here and there. Plus free symbol typeface for supporting in various situation.

Shourtcut is a font designed for the needs of all your retro-themed projects and can be implemented to all the designs you want to make.

Suitable for use in casual themed design applications, this font is made with a unique shape and condensed width, as well as a strong authenticity value.

Amaro Fleurie is the first decorative addition to my Amaro font. Yes the font can be mixed with all Amaro fonts. Enjoy and cheers to you!

Digital Biz Bitz is a family of fonts and fontbats designed for use in business learning. Use these elements to enhance the learning experience you create.

Swirly is a cute handwritten font to share happy, loving, and cheerful vibes and moments in life like Easter, Valentine, Christmas, and for many other occasions.

70toxina. 70s & 80s combined. Both Seventies and Eighties celebrate their comeback in form of a revival, combined in a font. Let’s have a party with 70toxina!

Tryine font is a street-themed font with a sharp and modern edge, this font symbolizes freedom while trying to let go of someone we love.

Yma is inspired by 80's neonlight with an hand-written - brushpen style. Elegant & dynamic with a vintage look. There are also some interesting alternates glyphs.

On a clear day you can see all the way to URAL from a high place in Helsinki. There your eyes will meet strange permafrost letters.

Introducing the elegant display serif fonts very suitable for the use of nature-themed logos, for wedding invitations, print projects, and posters, magazines and much more

A rounded geometric font of uniform stroke weight. All strokes have rounded ends and with the exception of the math symbols, there are no diagonal strokes.

A more legible version of Janda Love & Rain, these decorative capitals are paired with neat lowercase letters that give you a girly flair with maximum legibility.

My first font for 2009 was Aerle. It is a new dark sans serif font in my continuing objective of designing book fonts that I can really use. It made a little ripple in the industry, but more than that I found that I loved it with Aramus and Artimas — my latest book font family with the same proportions. In many ways, Aerle is a very different direction for me built on what I have learned on Aramus and other recent developments in my style. The concept came to me while using Bitstream's Mister Earl on a site online—though there is no direct reference. I wanted a more playful heavy sans with a much smaller x-height than I have been using lately, plus taller ascenders. As I was using Aerle, I constantly needed a light and bold version. The new direction I am taking is a result of a decision that my fonts, though I loved the character shapes, produced an even type color that is too dark or a little dense. Aerle was an attempt to get away from that look even though the letterspacing is quite tight. For Aerle Thin I pushed a little further in that direction and increased the letterspacing. The hand-drawn shapes vary a lot, many pushing the boundaries of the normal character. This gives a little looseness and helps the lightness in feel I am looking for. It will be interesting to see where this all goes. Most new type around the world is far too perfect for my taste. While the shapes are exquisite, the feel is not human but digital mechanical. I find myself wanting to draw fonts that feel human — as if a person crafted them. In most ways this is a normal font for me in that it has caps, lowercase, small caps with the appropriate figures for each case. These small caps were very small (x-height as is proper). So Aerle's small caps are a little oversize because they plugged up too bad at x-height size. The bold is halfway between. These size variations seem important and work well in the text. This font has all the OpenType features in the set for 2009. There are several ligatures for your fun and enjoyment: bb gg sh sp st ch ck ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, & small caps; proportional lining figures, proportional oldstyle figures, & small cap figures; plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!

The ITC Stone Sans II typeface family is new from the drawing board up. Sumner Stone, who designed the original faces in 1988, recently collaborated with Delve Withrington and Jim Wasco of Monotype Imaging to update the family of faces that bears his name. Sumner was the lead designer and project director for the full-blown reworking – and his own greatest critic. The collaborative design effort began as a relatively simple upgrade to the ITC Stone Sans family. As so often happens, however, the upgrade proved to be not so simple, and grew into a major design undertaking. “My initial intent,” recalls Sumner, “was to provide ITC Stone Sans with even greater versatility. I planned to add an additional weight, maybe two, and to give the family some condensed designs.” As Sumner began to look more closely at his twenty-year-old typeface, he decided that it would benefit from more extensive design improvements. “I found myself making numerous refinements to character shapes and proportions,” says Sumner. “The project scope expanded dramatically, and I’m pleased with the final result. The redesign has improved both the legibility and the overall appearance of the face.” The original ITC Stone Sans is part of the ITC Stone super family, along with ITC Stone Serif and ITC Stone Informal. In 2005 ITC Stone Humanist joined the family. All of these designs have always offered the same three weights: Medium, Semibold, and Bold – each with an italic counterpart. Over time, Stone Sans has emerged as the godfather of the family, a powerful design used for everything from fine books, annual reports and corporate identity programs, to restaurant menus, movie credits and advertising campaigns. ITC Stone Sans, however, lacked one attribute of many sans serif families: a large range of widths and weights. “These fonts had enjoyed great popularity for many years – during which graphic designers repeatedly asked for more weights and condensed designs in the family,” says Sumner. “Their comments were the impetus.” ITC Stone Sans II includes six weights ranging from an elegant Light to a commanding Extra Bold. An italic counterpart and suite of condensed designs complements every weight. In all, the new family encompasses 24 typefaces. The ITC Stone Sans II family is also available as a suite of OpenType Pro fonts, allowing graphic communicators to pair its versatile design with the capabilities of OpenType. These fonts offer automatic insertion of ligatures, small caps and use-sensitive figure designs; their extended character set also supports most Central European and many Eastern European languages. ITC Stone® Sans II font field guide including best practices, font pairings and alternatives.

Odeon is the kind of font you would have seen on theatre or concert posters around the turn of the twentieth century. It is based on Art Nouveau sign lettering and has a heavy, playful look that's hard to miss.

Aventura is burlesquely round, stylishly seductive, eternally sugar-fixed, and loving to a fault. Plenty of stylistic alternates are included to heighten the mood or soften it. Either way you look at it, there's a lot of love in the air.

This summer there's LOVE FOR SALE! Come get some... Love4Sale is a sexy, boldish font that will certainly steal your heart away. It contains a wide range of accented characters and is available in Truetype, Opentype and Windows PostScript format.