Antique Embellishments JNL collects more vintage wood type ornaments and embellishments from the late 1800s and is a perfect companion to Antique Ornaments JNL.

Fleuron Ornaments was inspired by old world designs and patterns. There is an assortment of 47 ornaments all located under the character set keys.

The Vtg Stencil series of fonts from astype are based on real world stencils. All styles offering an extended Latin character set. » pdf specimen «

Framingham JNL is a widened version of Nostrand JNL that takes on a new look quite different from the original condensed wood type design.

Rody is the inspired by early russian typographic designs and works well with Lazar . It comes with small caps and a range of ligatures.

LTC Goudy Initials has been a best-seller since it was reformatted to font format by P22 in 2005. We decided that while it works very well at medium sizes, when it was used extra large, the outlines were not as true to Frederic Goudy’s 1917 drawings as they could be. We decided to redraw from the ground up—and here we have the NEW LTC Goudy Initials! Meticulously redrawn by Miranda Roth, these ornaments referenced original proofs of large sizes of Cloister Initials. In our quest for artwork for this project, we even arranged a quickly sold out recasting of the 120 point size and have produced a limited edition letterpress print from this casting This new digital version features two additional layers to allow for quick colorizing of the central letter and/or the floriated background. Registered users of the previous version of LTC Goudy Initials may upgrade to the set at a discount.

Say hello to new serif font, Holy Cream! Holy Cream is a font that takes you back to the trendy retro era. With a classic display serif style but with a modern feel, Holy Cream emphasizes the uniqueness and elegance of each letter. The bold, contoured serif design provides a strong vintage touch, while stylish and quirky alternatives add a charming creative dimension. When using Holy Cream, you will feel a touch of fun nostalgia, but also explore ongoing design trends at the same time. Whether you want to feature your headline in a print ad, poster, or other graphic design, Holy Cream delivers a trendy, retro vibe that grabs attention with its ability to adapt to a variety of visual styles. So, with Holy Cream, make your design speak in a stylish and unique retro style, captivate the audience and make an unforgettable impression. Here's what you get: Holy Cream Regular and Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu)

You may recognize the looks of Retroxoid - if not, then let me help you out: Retroxoid is actually a font I made back in 2007. I ran prints of the font, through a very bad copymachine, used a wet cloth to make the print look worn, scanned the prints and voila! Retrozoid, my very first Open Type font, was born! Now in 2010, Retroxoid has risen from the past, and is ready to burst your designs with clean, round and futuristic shapes!

New Kids is a font duo that reflect the duality between the rebelliousness of graffiti and the boldness of a sans serif design. With a style that emulates the spontaneity of street art, it is perfect for projects that seek to resonate with urban and youth culture. Its bold counterpart, solid and powerful, provides a commanding visual presence, ideal for capturing attention in advertising and social content. This versatile font is a statement of modernity and audacity in the world of graphic design.

Bannertype is – at least for my feeling – the most German of all fonts. It was used heavily mostly in newsprint and advertising in the early 1900s. I designed a dirty version of the narrow font in 4 stages of dirtiness, plus one free shadow font. Since the font has too many points I cannot generate a OTF-version, I am over the limit for that. But I have tried this TrueType version and it works like a jiffy in MacOS 10.8.2!

Flight is the work of British calligraphic artist Timothy Donaldson, whose specialty is the experimentation with different design tools. Flight is named for the free-flowing lines of its forms which bring to mind a freedom of movement. It was first rendered in pencil using a quick sketching technique. The stem junctions were then carefully thickened to produce a futuristic style without losing its calligraphic origins. The capitals are intended for initialling purposes only. Flight is a lighthearted font with elegant letterforms.

WOLFSZN Anniversary! WOLFSZN is the tenth Font of André Toet. The inspiration for this capital alphabet came from the trails of an agricultural machine (think tractor) leaves in the soil after working the land. But it’s not meant to be ‘like a heavy workload’, in fact to us it seems like a very useful Font for headings, logotypes, advertising or films. We hope WOLFSZN will be happily and wisely used by my dear colleagues. Concept/Art Direction/Design: André Toet © 2017

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Tschichold is a faithful rendering of Jan Tschichold’s 1929 experimental alphabet which was influenced by Bayer’s single-alphabet. His design was never put into production. This re-creates his original geometrically constructed design, including some phonetic characters.

Mariken van Nieumeghen is a late medieval Dutch text from the early 16th century. The protagonist of the play (a young maid called Mariken) spends seven years with the devil (called Moenen), after which she is miraculously released. Mariken is a handmade font, which was based on the works of Robert Granjon (1545-1588), a French type designer and printer. Use it for product packaging, books and posters. Comes in 3 weights (with italics) and a hellish amount of diacritics.

Two Cents Plain JNL is a simple sans design for titling, sign work, display ads and so forth. The name is derived from the way folks in the Northeast used to ask for a glass of seltzer water at restaurants and soda fountains decades ago: "Give me a two cents plain." It was always cheaper to order plain seltzer than to have flavored syrup added, and this was especially true in the years during the Great Depression when every penny made a difference.

DoodleBat Vintage Halloween is a classic collection of Halloween clip art and words. Check it out!

Helnore is a sans serif font family with tapered accents in some of the letters giving it a modern and bold character, even being quite prominent in thin characters. This font aims to give an elegant impression and also looks so luxurious in short words for a letter-based title and logo. Helnore bring 20 style/Italic and support multi-languages, this font provides a wider range of exploration, which can be useful also for reading sentences and giving variety in each sentence by combining it with several sizes.

Qualux is a versatile high-contrast serif font family. Qualux comes from the words Quality and Luxury. This font has vintage characteristics with a luxurious style in light, but also has a friendly and playful style in bold. Each glyph has a soft, rounded tip. This font is suitable for many various projects such as logos, branding, magazines, signage, fashion and many more. Qualux consists of 8 styles: Light, Light Italic, Regular, Italic, Semibold, Semibold Italic, Bold, and Bold Italic. These fonts feature Kerning, Standard Glyph, Stylistic Alternate & Ligature, Numeral, Symbol, and Multilingual Supports.

Mybela is a beautiful brush script font with a super-sexy-casual vibe! This font is incredibly versatile in use cases ranging from street urban, to styled fashionista, to hearty food branding - whatever the weather, and also for invitation wedding or quote text! Mybela comes with a set of upper and lower case letters, and ligatures so you can write one word in a different ways - and keep things natural looking. Also this font has support for multiple languages. Do your magic with Mybela font, be creative and keep beautiful. Enjoy it!

The Roamer is big, bold and ready to be used by designers all over the globe. The appearance is quite rough and used like weathered wood or paint on concrete. It is perfect for big headlines or bold text passages.

Hello Velisha is a playful display font inspired by the joyful world of colorful children. The unique characteristics of the Hello Velisha make it very suitable for various purposes such as quotes, t-shirt designs, flyers, youtube channels, labels, logos, etc.

Ditch the generic, embrace the expressive. In a world saturated with pixels and noise, your brand deserves to stand out. Our meticulously crafted digital tech fonts are more than just letters – they're the secret weapon to unlocking your brand's full potential

ZarHand began as my "speedball" showcard lettering font, used when the boss brought in a pile of urgent work at the end of the day. We would get out our "4 o'clock brushes" hoping to finish at a reasonable hour.

Inspired by the H.G.Wells science fiction novel War of the Worlds, first published in 1898. Wells Grotesque also contains Small Caps, Old Style Figures and alternate glyphs, plus all the high-end features expected in a quality OpenType Pro font.

One in the series of fonts celebrating the Halcyon Days of Handlettering. Whoopee Cushion is a slightly wacky headline font, based on a work by lettering artist Samuel Welo from the 1931 version of his "Studio Handbook for Artists and Advertisers."

Segoe™ Chess font is part of the Segoe family of fonts from Microsoft. The Segoe Chess font contains the chess figurines and symbols for creating chess diagrams. Segoe Chess was designed by Jim Ford and is a symbol-encoded font.

In the course of the re-vitalization of its Typoart typeface inventory, Elsner+Flake decided in 2006 to offer the “Kis Antiqua” by Hildegard Korger, in a re-worked form and with an extended sortiment, as an OpenType Pro-version. After consultation with Hildegard Korger, Elsner+Flake tasked the Leipzig type designer Erhard Kaiser with the execution of the re-design and expansion of the sortiment. Detlef Schäfer writes in “Fotosatzschriften Type-Design+Schrifthersteller”, VEB Fachbuchverlag Leipzig, 1989: No other printing type has ever generated as far-reaching a controversy as this typeface which Jan Tschichold called the most beautiful of all the old Antiqua types. For a long time, it was thought to have been designed by Anton Janson. In 1720 a large number of the original types were displayed in the catalog of the „Ehrhardische Gycery“ (Ehrhardt Typefoundry) in Leipzig. Recently, thanks to the research performed by Beatrice Warde and especially György Haimann, it has been proven unambiguously that the originator of this typeface was Miklós (Nicholas) Tótfalusi Kis (pronounced „Kisch“) who was born in 1650 in the Hungarian town of Tótfal. His calvinistic church had sent him to the Netherlands to oversee the printing of a Hungarian language bible. He studied printing and punch cutting and earned special recognition for his Armenian and Hebrew types. Upon his return to Hungary, an emergency situation forced him to sell several of his matrice sets to the Ehrhardt Typefoundry in Leipzig. In Hungary he printed from his own typefaces, but religious tensions arose between him and one of his church elders. He died at an early age in 1702. The significant characteristics of the “Dutch Antiqua” by Kis are the larger body size, relatively small lower case letters and strong upper case letters, which show clearly defined contrasts in the stroke widths. The “Kis Antiqua” is less elegant than the Garamond, rather somewhat austere in a calvinistic way, but its expression is unique and full of tension. The upper and lower case serifs are only slightly concave, and the upper case O as well as the lower case o have, for the first time, a vertical axis. In the replica, sensitively and respectfully (responsibly) drawn by Hildegard Korger, these characteristics of this pleasantly readable and beautiful face have been well met. For Typoart it was clear that this typeface has to appear under its only true name “Kis Antiqua.” It will be used primarily in book design. Elsner+Flake added two headline weights, which are available as a separate font family Kis Antiqua Now TH Pro Designer: Miklós (Nicholas) Tótfalusi Kis, 1686 Hildegard Korger, 1986-1988 Erhard Kaiser, 2008

In a Jar is a display typeface based in hand lettering. Inspired by the grandmother's kitchen, its colors, forms, smells and the new way for rescue this old things. Designed for use in short text and big sizes is perfect for brand design, headlines, labels, greetings cards and all kind of things related to kitchen and foods. In a Jar is a sweet little family that include alternates, compounds words, ligatures plus a serie of dingbats and ornaments very cute to compliment and accentuate the handmade design. Try and enjoy all fun in a jar! Designed by Coto Mendoza with technical support of Luciano Vergara.

Introducing by Mercurial, Mounthy Script, A new fresh & modern calligraphy script with a deluxe calligraphy style. The impression is classy, yet modern, making "Mounthy Script" still catchy for all your creativity. A charming typeface and So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more! The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

North American version for teaching children’s first letterforms With dots and arrows these print script fonts have no ‘exit stroke’ found in the European version. An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. Free to download resources How to access Stylistic Sets of alternative letters in these fonts

Cathiy Betiey Script is a beautiful modern calligraphy script font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Cayuse is a super-slab, all-caps titling face that tips its hat to the classic French and Italian “fat face” serifs of the nineteenth century. Structurally, Cayuse utilizes a reverse-stress stroke configuration—with thick, meaty slab serifs and sinuous, spiked connecting strokes. This crackling contrast gives Cayuse a very black, dense texture, and the ability to combine and contrast well with other typefaces. Arm yourself with Cayuse to create richly-textured, high-impact typography for packaging, editorial, brand identity, posters, signage, and many other applications. What's more, Cayuse also features an array of “word logos”, providing you even more options for creating dynamic typography.

Baby Boomer is a new fresh and modern script with a calligraphy style and a dancing baseline. So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more. Baby Boomer comes with Alternatives and Ligatures. The alternative characters were divided into several OpenType features such as Stylistic Sets, Stylistic Alternates and Ligature. The OpenType features can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts) so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Introduction Introducing Reins – Serif Typeface, a masterpiece that exudes classic elegance with a modern twist. Initially, it captivates with its timeless appearance and style. Versatility at its Best Moreover, it’s incredibly versatile, adapting seamlessly to a multitude of projects. From logos to editorial designs, it enhances every artwork it graces. Furthermore, it brings out the richness in your content, making each word profoundly striking. Classic Appeal This typeface carries a classic appeal, gracefully bridging the past and the present. Coupled with a sense of nostalgia, it remains relevant and attractive for contemporary designs. Therefore, each character stands out, adding a touch of historical elegance.

The handwriten script font inspired by Dase’s Signature streetart. Create Calligraffiti Art. This handstyle mixes the quick, confident and contemporary gestures of rebel graffiti tags (usually made with markers and sprays) with the legibility, organic texture and clean edges of modern handbrushed calligraphy. Casual and spontaneous. Elegant yet casual. Simple, clean and contemporary brushpen strokes with some classy hip-hop vibes. Your words become artworks. Just write to create beautiful designs and bold statements. Empower your creative content (Social media posts, quotes, videos, blog and magazine titles), product & branding (logos, patterns, packaging, fashion products, book covers), advertising (banners & posters), event invitations (weddings, releases…) and more.

Batrisyia Script - a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitations like greeting cards, branding materials, business cards, quotes, posters, and more design concepts, The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe Photoshop , Corel Draw X version, and Microsoft Word. And this Font has given PUA code (specially coded fonts), so that all the alternate characters can easily be accessed in full by a craftsman or designer.

NewJune is a very strong unique character. It is already used in many magazines all over the world. Like Harvey Nichols magazine in London and later W magazine in New York. NewJune is the corporate typeface of the Academy of the Arts in Munich.

Ivan Bilibin was one of the best artists and designers of the Russian folk art movement of the early 1900s. His posters and his illustrative work are exceptional, and like many of the artists of the period he did a lot of hand lettering in various old-fashioned and modernistic interpretations of traditional Russian folk calligraphy. Our first Bilibin font is based on his lettering from an illustrated folk story by Alexander Pushkin.

Bill Display is a post-Max Bill font, developed in close cooperation with the Max Bill Georges Vantongerloo foundation. MAX BILL Last universal scholar, most important design teacher of the 20th century: There are superlatives, always very enthusiastic, when the importance of Max Bill is discussed. The trained silversmith studied at the Bauhaus, with personalities such as Josef Albers, Paul Klee and Oskar Schlemmer. He worked as an architect, later as sculptor and designer.

The idea for Terra Ignota came to me years ago as I was admiring a reproduction of "Amerique Septentrionale," a 1650 map by French cartographer Nicolas Sanson, given to me by my parents. The handlettering has a sort of rakish character, evocative of pirates or adventurers at a time of unbridled world exploration. I ended up putting the project aside, but the idea to create this font tugged gently at my mind until I simply couldn't ignore it any longer. The resulting typeface has an italic slant and a deliberate feel, in keeping with its historical roots. Useful for simulating old hand-lettered documents. Has a full character set (and then some).