'Natural Curves OG' is a friendly typeface that works seamlessly without any trimmings. It's perfect for giving any work a hand-drawn look and feel. The typeface is balanced so the eye doesn't move straight to any singular letter, which means that creating a hierarchy with other elements in your design is simple. Colour blocking to support brand identity is easy with this typeface, and it adds character simply and authentically. This typeface was created for my own brand's identity, and it's been great to add splashes of art in the form of type all over my website and collateral.

Berrylina Script come with 320+ glyphs. The alternative characters were divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The OpenType features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts) so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Bitthai Script come with 530+ glyphs. The alternative characters were divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The OpenType features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. This Font has given PUA unicode (specially coded fonts) so that all the alternate characters can easily be accessed in full by a craftsman or designer

Marginal Notes SRF is from the creative pen of Ray Larabie whose Typodermic foundry graces MyFonts.com. Designed to emulate the look of handwritten words using a felt tip pen, this font can be perfectly applied to any project where notations, subtext, memos or other forms of personalization with a human touch is required. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Chartha come with 250+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this font has given PUA unicode so that all the alternate characters can easily be accessed in full by a craftsman or designer. Email : amarlettering@gmail.com

Hello Falisha amazing script comes with 315+ glyphs. Alternative characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type feature can be accessed using programs that understand Open Type such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this font has provided PUA unicode (custom coded font). so that all the stunt doubles are easily accessible to the craftsman or designer.

Mulidey come with 200+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Look back to learn how to look forward - Joe Girard Find yourself and share your purpose with the Caride Script. With its bold vintage script type, sometimes you need to remind others that we must look to the past to pave a better way for our future. It’s time for you to unleash the old school retro trend again. Leather jackets? Making a comeback. Pompadour hairdos? Definitely cool. 70s music? They’re sampled in the music all over our radio stations! The magnificence of the past will surely help you give a new and fresh breath of life to your projects. This font was designed for you to use in any kind of projects that you might have! They were specifically designed to fit in anywhere you want them to be. We assure you that there will be no awkwardness in the relationship between your text and your designs, they’ll get along well like old-timey partners! The Caride Script is the perfect addition to bring your perspective to the world. Have the world see you and your encompassing view of the human experience with your creations!

Designed by Jakob Erbar and released in 1930, Koloss is a headline face that works well for posters. Characters have been drawn with a broad nib leaving small counters. This gives the effect of a compressed face, although the width of the strokes imply a fat face.

An example of hand lettering from a vintage instructional book was the basis for Fashion Statement JNL; available in both regular and oblique versions. This extra-wide "thick and thin" design is perfect for replicating the classic signage and print work of the Art Deco era.

This work is the result of an assignment to digitize and complete a typeface that was used for the intertitles of Kleider machen Leute from 1921. We only had a basic alphabet with some glyphs missing. Sure, Wenzel is not a beaut, but ... what the heck!

The Vivala old black letter font family is characterized by its hard-cut lines. This gives the typeface a special woodcut-like character. The typeface family offers a wide range of possibilities for design. It works well for posters, packaging, and corporate design for restaurants or breweries.

Funks Bosko is a sharp and bold display font, a trendy font that is very unique with a blend of modern character ligatures, and in my opinion, this product matches the theme of the teaser display in every headline design, business card, leaflet, magazine, children's event, and brand screen printing. Available Fonts: Let's take a look and be happy to hear the reviews. If you have any suggestions about this product, tell your work environment if this product is good for them. Thank you so much for all!!

Capitaly Script is a bold calligraphic typeface. Created with pride and care, this lettering has the optimal appearance of a classic vintage logo, for a modern setting. The font family consists of the styles Script (Regular) and Top (Upright). Use asterisk * after a letter to make a swash letter. Example: Ber*lin Use _ or # or ¤ after any word to make a swash tail. Example: Cursive¤ Letters_ Use multiple _ # ¤ after any word to make swashes of different length. Example: Decorate______ (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

P22 Wood Type is a set of four fonts based on 19th Century American wooden printing types. Wood Type Regular is a condensed Tuscan styled font with a lower case and international character set. Wood Type Small Caps is a variation of the regular with small caps in place of the lower case. Wood Type Extras One & Two feature over 150 borders, stars, pointers, combination dashes, manicules & other decorative embellishments. Perfect for evoking 19th Century printing & Americana at its most genuine.

This is a Vanderburgh and Wells wood type cap font from 1877. We don't know if the originators made a lowercase for it, but we did. Most effective in larger sizes.

Cordial is a solid, friendly font. Like other informal script fonts, Cordial works in nearly any context. This font was originally named Pulpatoon, but the designer's wife made him change it.

The strong, geometric letterforms of this typeface incorporate a heavy outline and were inspired by college and university sportswear, making Stanford an excellent choice for work associated with sports in general.

Grande Parade JNL is a decorative version of Winnetka JNL, which was based on antique wood type. The look and feel of this design combines old-time typography and festive charm.

Time-tested elegance is what you’ll get with Geographica Script, a handwritten typeface steeped in 18th century sophistication. Source materials include the maps of Emanuel Bowen (circa 1694–1767), Geographer to King George II, as well as English and American trade cards from the middle 1700s, including the work of artist and printmaker William Hogarth (1697–1764). A kindred font to our Geographica serif family, Geographica Script is a painstaking replication of the elegant roundhand cursive seen in engravings of the period. Geographica Script has more than 1,100 glyphs, including scores of standard and contextual ligatures, three full uppercase alphabets, historical forms, decorative flourishes, and full Latin support. It’s also got fifty evocative ornaments inspired by map and trade card illustrations, e.g., lion rampant, unicorn rampant, crowns, anchors, sailing ships, whale, dolphin, sun, moon, and many others. Note: To prevent Microsoft Word from cutting off Geographica Script’s extra-long descenders, set line spacing (Format —> Paragraph —> Spacing) to 1.5 lines.

Creo is a low contrast, classic proportioned sans serif family, consisting of 18 fonts, 9 weights from thin to black; with uprights and italics. The word "Creo" was taken from the Latin language and means "I create, make, produce" (verb), which also stands for 'Classic Ratio'. The uppercase letters are highly influenced by Roman Inscriptional Capital letterform, and the lowercase letterform and their proportions were influenced by oldstyle serif typefaces. Creo font family is equipped with some OpenType features, such as fractions, alternates, ordinals, numerator, denominator, superscript, scientific inferior, proportional lining, etc. The alternate style letters are separated for individual usage of alternate style. Each font file has 500+ glyphs which covers major Western and Eastern Europe languages. Creo typeface with its classic letter proportions will give a different touch to your typographic work and will be a great choice for branding project, display poster, website, packaging, and a broad range of graphic design projects.

Maracay is a tropical typeface that works for texts or headlines, mainly as a display font and designed to work in layers of overlapping texts. Maracay is a unique design with nine fonts based creating a particular style of design and the combination of a couple different looks can be obtained eighteen. Thanks to the versatility of coloring matter, together form a coherent and attractive ideal for a variety of different projects such as invitations, menus, magazines, brochures, packaging, design, etc. Maracay provides alternate characters, swash, ligatures, icons, ordinals and fractions. Maracay has 4 shape styles : Regular Maracay base as essential as Tooled variations of brightness or wood with the appearance of a WoodType vintage wooden texture . Inner font as serves as Light or inner contour of the foregoing. Follow three fonts contouring as Outline, Shape and Umbra as a 3D projection. For decorative purposes Shape that there is a textured lines or Half as a split in the top half letter. Maracay has been carefully studied to provide the best combinations of the most of pairs and trios of glyphos avoiding undesirable extensions between ornate characters through its Opentype programming.

Introducing Glomersa - Modern Luxury Serif Font Glomersa is a modern aesthetic serif font inspired with an elegant and bold design. It brings more chances and possibilities to craft a design with an elegant, strong, and sophisticated vibe. Glomersa suits perfectly in the use of any fashion brand. Glomersa is better used for fashion product packaging, clothing labels, any masculine related brand, or any projects seeking for a touch of elegant, luxury, classic, bold and any sophisticated vibe. FEATURES - Stylistic Alternates - Ligatures - Uppercase and Lowercase letters - Numbering and Punctuations - Works on PC or Mac - Simple Installation - PUA Encoded Characters – Easily accessible without additional design software. - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word - Multilingual Support for 68 languages including Afrikaans, Albanian, Basque, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Spanish, Swahili, Swedish, and Zulu Hope you Like it. Thank you for your purchase!

Introducing Newberth - Modern Blackletter Font Newberth is a modern blackletter font inspired by modern aesthetics which immersed with a fierce and elegant touch. It provides more possibilities and chances to craft a design with a strong, bold, and aesthetic vibe. Newberth suits perfectly in the use of any masculine or elegant occasion. Newberth is better used for fashion product packaging, clothing labels , or any projects seeking for a touch of fierce, bold and strong masculine font. FEATURES – Stylistic Alternates – Ligatures – Uppercase and Lowercase letters – Numbering and Punctuations – Works on PC or Mac – Simple Installation – PUA Encoded Characters – Easily accessible without additional design software. – Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word – Multilingual Support for 68 languages including Afrikaans, Albanian, Basque, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Spanish, Swahili, Swedish, and Zulu Hope you Like it. Thank you for your purchase!

Introducing Octavia Signature - Script Business Font Octavia Signature is a monoline script font that effortlessly blends simplicity with style. With its clean lines and graceful curves, Octavia Signature exudes a warm and welcoming vibe, making it the ideal choice for your creative projects. Octavia Signature is perfectly suited for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects seeking handwritten taste. FEATURES - Stylistic Alternates - Ligatures - Uppercase and Lowercase letters - Numbering and Punctuations - Works on PC or Mac - Simple Installation - PUA Encoded Characters - Easily accessible without additional design software. - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word - Multilingual Support for 84 languages including Afrikaans, Albanian, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, German, Hungarian, Indonesian, Irish, Italian, Lithuanian, Malay, Norwegian Bokmål, Polish, Portuguese, Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Zulu Hope you Like it. Thanks.

Introducing Black Crown - Modern Blackletter Font Black Crown is a modern blackletter font inspired by royal-classic aesthetic which inspired by modern and sophisticated touch. It provides the no-end possibilities and alternatives to craft a design with bold yet elegant style. Black Crown perfectly suits any vogue or luxurious occasion. Black Crown is better used for product packaging, label, t-shirt, or any projects seeking for a touch of elegant modern blackletter. FEATURES – Stylistic Alternates – Ligatures – Uppercase and Lowercase letters – Numbering and Punctuations – Works on PC or Mac – Simple Installation – PUA Encoded Characters – Easily accessible without additional design software. – Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word – Multilingual Support for 68 languages including Afrikaans, Albanian, Basque, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Spanish, Swahili, Swedish, and Zulu Hope you Like it. Thank you for your purchase!

I only had this bouncy curve and a photograph of a daily menu (Truite Meunière) I took outside an obscure Paris restaurant when starting the design of this font. But while working on it I suddenly started thinking about Jacques Tati the famous but almost forgotten french director of Les Vacances de Monsieur Hulot, Jour des Fêtes, Mon Oncle, Playtime, Trafic etc. I thought about his bouncy walk and his hilarious ideas. The memories never left me while working on the font, so I decided to name the font after this great French moviemaker who gave me so many happy hours. Since Tati was a very funny character, I gave my characters a funny price. Thank you Jacques Tati, yours Gert Wiescher

A minimal san serif typeface inspired by the work of Herbert Bayer and the Bauhaus Movement.

The "Voluptate Pack" font is a smart sophisticated handwriting pack that includes ‘Voluptate’, ‘Voluptate Classic’ and ‘Voluptate Elements.’ Every single character in our ‘Voluptate’ font distinct and given every letter a unique identity – very much like a person’s handwriting. Of course the characters are similar enough to work hand in hand, but not so similar as to appear as an obviously computer generated type set. The ‘Voluptate Classic’ is very similar in design and ever so slightly informal in its appearance. A thoughtful mix-and-match of both these fonts can give a delightful appearance to your designs. You could use the Voluptate on most areas of the text for example, and the ‘classic’ to emphasize a more personal touch to certain areas, say for example where you may be quoting somebody’s word. When you get the pack you also get a handy ‘Voluptate Elements’ set of designs that can enhance your creations in so many ways. All 3 are available individually, but it's like getting the elements for free when you buy the pack.

Mono To Go is a monospace typeface with a constructed, grid-based body and a playful and quirky spirit. Built from circles and other simple geometric shapes, it sees itself as a contemporary interpretation of the early, consistently reduced typefaces of modernism. With its modular concept, the typeface invites you to "build" individually combined word pictures. Depending on your preference for the type of composition, stylistic alternatives and open typeface features offer you a wide range of possibilities. The rhythm of the glyphs and their distinctive ascenders and descenders give the typeface a confident character for bold designs. The typeface works best in larger sizes, e.g. for brands, poster and cover designs, film titles, exhibition displays or generally for striking headlines. The character set contains 600 glyphs, including full language support for Western, Central and Eastern Europe, digits and oldstyle figures, punctuation, currency and mathematical symbols, and the entire set as small caps. mono to go was designed by buero bauer (2019–2021). Special thanks to Franziska Weitgruber for her support.

Walter Foster art books strike again, this time with a bouncy script based on the work of Al Mack, from his Lettering: Brush & Pen in the Single Stroke. Light and lively, this typeface proves that it don't mean a thing if you ain't... The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Jadey - The Classical Serif Font We tried to make different fonts. With a touch of the ethnic past. So that this font looks more classic and modern. Measuring each letter reminds us of the past in some works in Indonesia. Although it looks classic, this font is perfect when combined with today's design styles. Have fun being creative with this font.

This bouncy little number is based on handlettering often found on greeting cards in the 1950s and 1960s, and often the work of Alan Denney. Wild and wacky (and maybe a little bit tacky), this monocase font is a sure attention-getter. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Salsabila is a new and fresh script with decorative. It works well for greeting cards, branding material, business cards, quotes, posters, and more. This font comes with 473 glyphs. Alternate characters are divided into several OpenType features such as Swashes, Stylistic Sets, Stylistic Alternates, and Contextual Alternates. OpenType features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code), so that all alternative characters can be easily accessed by craftsmen or designers. This Font The comes with Uppercase & lowercase International signature & symbol Punctuation Support & PUA number Unicode Style Style Alternative Style Style Range 1-11 Contextual Character Variations. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows).

Cervantes is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a full set of lowercase and uppercase letters, a wide variety of punctuation marks, numbers, and multilingual support. Cervantes would be perfect for invitations, logo & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events, or anything that needs a handwritten feel. Cervantes comes with 353 glyphs. Alternate characters are divided into several Open Type features such as ,Alternative Style. The Open Type feature can be accessed using intelligent Open Type programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Thank you for your purchase.

Mettle Bilingual Arabic font, Latin-Arabic for print and web. The Mettle font family contains four weights: thin, normal, medium, and broad. This font supports Arabic, Latin, Persian, Urdu, and Kurdish languages. The digital designer can use the variable Mettle font to access wider options in working with the text.

Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies... the characters known only as ToBeContinued. Will our heroes survive? Will justice prevail? Will the forces of good defeat the forces of darkness...? To Be Continued...

Hondurhas is our unusual idea for a font. Combining decorative copperplate lettering as the uppercase with decorative serif as the lowercase. Inspired by some lettering works on social media then we made our own. This font is very suitable for display purposes like you could see in our posters. We very like the elegant and luxury feel to it. With 340+ glyphs total , we also provide some layers option here to play with.

The Geometry Pro family has been designed to be the final word in purely geometric fonts, and this rounded Script sub-family is a nod to the 50s style of connected logomarks. Words set with both the Regular and the Alternate (with its more flourished capitals and alternate stem connections) can be extended by using the underscore character between letters. You can freely mix and match glyphs from both fonts to create a little bit of variety, and finding that perfect combination. For a matching set of capitals (and disconnected lowercase letters): check out the Regular weights of the Geometry Soft Pro family. All the Geometry Pro fonts are strictly geometric (as drawn with a compass and a ruler fixed to 90 and 45 degree angles) but they are not slavishly modular. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Between geometry & shapes inspired by nature, in 4 fonts Audace was born as a response to a simple brief: how to visually express human interaction and technology with abstract forms? The starting point is a humanistic sanserif, to which are added external references: design pieces, furniture, buildings. Architects shape our world with the intention to reconnect nature, human and address a perfect functionality. Not so far to typeface design which combines a personal vision and ensures good legibility in a certain context. Audace — like the works of those artists, designers, architects — is clearly influenced by the tension of the line, the play with negative space, the dynamics, the surprise, the nature that will influence the shapes of the letters. So if a v is asymmetrical, and the y based on similar asymmetry but in reverse, these two shapes help to distinguish from one to the other. This is a consequence of the influence of forms from design and art in the design of the Audace. And this small example illustrates the confrontations of the designer’s influences: the search for the most unique shapes, but without compromising on function: to be read, to be legible, even at very small size in the worst conditions. Audace, between geometry and shapes inspired by nature