An informal, rather bold typeface without serifs, Mushmellow looks like it might have been written with a marker pen. In addition to the plain and bold weights, it comes with outline and “cactus” variants.

The front page headline of the April 6, 1917 edition of the Bemidji Pioneer [from Bemidji, Minnesota] says in extrabold letters: “State of War is Declared”. The subtext underneath reads: “President Signs Resolution 1:13 P.M., Passed by House 3 O’Clock this Morning”. Thus, the United States formally entered into World War I. However… that subtext was set in a sans serif type face which was a perfect addition to the numerous newspaper-inspired type revivals offered by Jeff Levine Fonts. Morning Edition JNL is available in both regular and oblique versions.

Valgal is a wide, squarish font family with a prominent slab serif. It is monoline and comes in plain and bold weights. The bold weight has an outline style that can be layered above it.

Helado is an elegant, modern sans-serif font, based on the idea to work as close as possible on the geometric forms of the circle and the square. Following swiss design classics Helado comes in these weights: LIGHT, REGULAR, BOLD and EXTRABOLD. Helado might be used as a headline font, for any kind of layout, it might also be transformed into that fashion label logotype you are working on. Have fun!

TinmanPro is a mildly stressed humanist sans serif type based on the University of California Oldstyle type designed by Frederick Goudy. The design captures the warmth and friendly character of Goudy�s original in a monotone sans. Broad Latin support along with small caps, fraction support and other typographic niceties are included in the ten font family. Weight range includes Regular, Medium, DemiBold, Bold and ExtraBold with matching italics for each.

Bertram Plain is the perfect font for setting titles in comic strips and similar designs. UK designer Martin Wait created this font 1991, after he was inspired by the casual style of circus graphics. In fact, this jolly and lighthearted font was even named after one circus in particular: the Bertram Mills Circus. Bertram Plain is an all-caps font, with capital letters placed on both the upper and lowercase keyboard strokes. Additionally, Bertram Plain letters sport a 3D-like drop shadow, a distinctive feature when comparing this to many other display fonts.

Junior Clerk JNL is the plain sans serif version of the lettering found on the cover of the sheet music for 1919's "The World is Waiting for the Sunrise". The song title was originally set in a decorative sans serif with an engraved line adorning each character. This version of the more fanciful design is available as the companion font Legal Eagle JNL. Junior Clerk JNL is available in both regular and oblique versions.

Seasick and Seasick-Mirror features wobbly, wavy, distorted letters. They were derived from the almost monoline font Kwersity. The letters of Seasick have a slight backward slant and the letters of SeasickMirror have a slight forward slant. Each of them comes in four weights: Light, Regular, Bold, and ExtraBold.

It is known as the Alnaskh Quraan Font for its extensive use in the copying and transmission of books because it helps the writer to write more quickly than any other font since the Islamic times and then Alnaskh Quraan font wrote the "Quran"And the advantages of Alnaskh Quraan font are clarifying the letters and show their beauty and splendor.

Dr. Mohamed Font Combines the originality and modernity characterized by the strength of the letters and settings of theModulation marks used in the writing of newspapers, magazines, books, children's books and billboards easy to read and also features new combinations of letters make it was handwritten and this font contains the letters (Arabic - Farsi - Urdu - Latin).

TE Classic2 Tharwat Emara is an exquisite Arabic Thuluth font that is designed to add a touch of elegance and sophistication to any project. This font is named after the renowned calligrapher Tharwat Emara, who is widely celebrated for his outstanding work in the field of Arabic calligraphy. One of the most remarkable features of TE Classic2 Tharwat Emara is its impeccable balance between the thick and thin lines. The font's curves and strokes are carefully crafted to create a seamless and harmonious flow, giving it a unique and mesmerizing appearance. The intricacies and details of the font's characters reflect the skill and artistry of the calligrapher and demonstrate the perfect balance between tradition and modernity. TE Classic2 Tharwat Emara is a perfect choice for designers and artists who want to add a touch of Arabic culture and tradition to their projects. The font comes with a full set of Arabic characters, including ligatures, diacritical marks, and numerals. The characters are designed to be easily legible and readable, making it suitable for use in both print and digital media. One of the most striking aspects of TE Classic2 Tharwat Emara is its versatility. It can be used for a wide range of applications, from branding and advertising to editorial and publishing. Its unique and captivating design will make any project stand out and attract customers, making it a valuable investment for designers and artists. The font's exquisite design is not only limited to its characters, but it extends to its overall layout and spacing. TE Classic2 Tharwat Emara has a perfect balance between its characters' shapes and spaces, giving it a smooth and consistent look. The font's spacing is also carefully crafted to ensure that the characters are well-organized and easy to read. TE Classic2 Tharwat Emara is not just a font; it's a work of art. Its unique design and intricate details make it stand out from other Arabic fonts in the market. The font's exquisite design is a result of the meticulous attention to detail paid by the calligrapher, which is evident in every stroke and curve of the font's characters. Overall, TE Classic2 Tharwat Emara is a font that celebrates the beauty and elegance of Arabic calligraphy. Its captivating design and versatility make it an excellent choice for designers and artists who want to add a touch of tradition and culture to their projects. With its unique and mesmerizing appearance, TE Classic2 Tharwat Emara is sure to attract customers and make any project stand out.

Its one of the NEW SARAH ( Arabic – LATIN – URDO) fonts, a spontaneous free line characterized by beauty and speed of reading. To be used in advertisements, writing titles, magazines, cartoons, films, serials, comics and plays. NEW SARAH font is one of the ( Arabic – LATIN – URDO) fonts. It is the most common font and is written in most Arab countries because it has the potential to be written in a narrow space when compared to other Arabic fonts. It is used in the titles of books, magazines, daily newspapers, commercials, banners, advertising, holiday cards, newspaper headlines, Introduction to students.

Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name "Boutique". A year later, Norbert du Vinage, former manager of the type design department, integrated "Boutique" in his production plan. Due the Fall of the Wall, it took about 18 years until Lange finished this font family in cooperation with Elsner+Flake. Karl-Heinz Lange was born on July 29, 1929 in Wiesenkirch in West Prussia. He was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. He worked on a variety of assignments, one of which was the design of trick films. From 1969 to 1976 he took the position of Artistic Director of the Henschelverlag, Berlin; from 1976 to 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin; and, until 2004, he taught at various institutes for advanced professional education. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal. Karl-Heinz Lange was awarded the second prize at the "International Type Design Contest 1971" for a headline typeface, and, in 1984, at the XI. Biannual of Graphic Design in Brno, he won a Silver Medal for the design of his typeface family Publica. He created the telephone book typeface Minima and re-designed the Typoart Super Grotesk® (Arno Drescher, 1930) as well as the Newspaper typeface Magna® by Herbert Thannhaeuser for the use on digital typesetting systems. To the day of his death on June 29, 2010, Karl-Heinz Lange lived and worked as a type designer. Among others, he closely followed the designs of the typefaces which were developed under his guidance for Typoart®: "Publica®", "Typoart Super Grotesk®" and "Minima®" which he launched as "Publicala", "Minimala" and "Superla" in 2009. In cooperation with Elsner+Flake, he developed the Typeface family "Rotola" between 2006 and 2009 as well as the script families of the "Viabella®" series. To the end, he followed the development of his first typeface, the "Diplom Antiqua", which he also wanted to bring to market together with Elsner+Flake.

Thulth font (Thulth Tharwat Emara Golden) distinguished by beautiful artistic structures and ready-made sentences to help you design the designer designs and paintings easily. It also retains the beauty of its original Arabic calligraphy. This font can be used in titles of books, magazines and Quranic verses. Also specialized in printing on clothes, Najaf and antiques. It is the first font that you can write complete sentences and Ayat of Quran by beautiful artistic structure like as those written by the calligrapher. It also simulates the handwriting and no need to calligraphy it when you have this font.

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish CATHRINE2

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish REKAAH2

Its one of the SARA modern ( Arabic – LATIN – URDO) fonts, a spontaneous free line characterized by beauty and speed of reading. To be used in advertisements, writing titles, magazines, cartoons, films, serials, comics and plays. SARA MODERN font is one of the ( Arabic – LATIN – URDO) fonts. It is the most common font and is written in most Arab countries because it has the potential to be written in a narrow space when compared to other Arabic fonts. It is used in the titles of books, magazines, daily newspapers, commercials, banners, advertising, holiday cards, newspaper headlines, Introduction to students.

The DEWANY (ALMONA DEWANY ) font is a font of original Arabic fonts and is specialized in writing in the offices of the Sultan and Arab’s Kings. It is also one of the most beautiful Arabic fonts as it has the flexibility to write official graduation certificates, certificates of appreciation, scientific progress and decorations. It is also commonly used in writing posters and sequences for serials, films, medals and decorations on clothes. The ALMONA DEWANY font has its aesthetics derived from its round and interlocking letters. In this version of Dewany font ( Almona Dewany ) you will find many of Arabian names, Ayat of Holley Quran and Good names of Allah (Asmaa Allah Al-Hosnna) and all of this is ready to written quickly by one click and choose glyphs you want to add.

This Font is similar to the calligraphic style AL THULUTH. I added many glyphs to each other to get this feature and it become easier to graphic designer to write with Arabic AL THULUTH font without being a real calligrapher. It works beautiful in Headlines of Arabic books and photos and it is Fine Art . It also used in writing on T-shirts and clothes . This Font contains many Glyphs in Latin, Farsi, Urdu, Arabic ).

Zenaida is a distinctive display serif font adorned with stylized serifs, evoking a floral essence. Its graceful, flowing ligatures and stylistic alternates add an organic touch to text. Featuring a range of styles including Regular, Medium, Bold, ExtraBold, and an additional semibold weight, Zenaida offers versatility across various design applications, providing a diverse set of options to infuse character and distinction into projects.