Blackside is a bold and authentic blackletter font. The font is suitable for any branding project like logo, t-shirt printing and many more. Outstanding in a wide range of contexts. Includes: Blackside (OTF) Featured : Alternates Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for downloading premium font from Din Studio

Grafical is a contemporary take on 19th-century sans serifs. In this family, the amount of geometry inherent within the letterforms has been amped up. Many shapes have received further streamlining, too. All the geometric forms you see have been optically corrected, ensuring their delivery of better legibility. Grafical ships in two different formats: depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 16 static OpenType font files instead. The static fonts offer eight weights, running from Extralight through Black. Each weight has an upright and an italic font available. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Fonts have vastly greater control over their text’s stroke width. The Grafical Variable and Grafical Variable Italic font’s weight axes allow users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Grafical is the perfect tool for a range of design uses, including text on the web, text in print, and text in motion graphics. Its fonts are typographic workhorses – not just from their legibility perspective but also because of the amount of OpenType features they include. There are ligatures, for instance, as well as proportional and tabular lining and oldstyle figures, fractions, numbers placed inside circles, and even Roman numerals. Users can also substitute alternate versions of the “a”, “g”, “i”, “j”, “y”, “G”, and “Q” into their work.

Thenie Dawson is a stylish serif font with classy and timeless charm. This font was designed to enhance the beauty of your projects. Very suitable for headlines, titles, advertising, vintage mood board, branding, logotypes, packaging, editorial design, blog/websites, social media quotes, wedding branding, vintage designs and much more. Add this font to your collection and let its beauty tell your story. Feature : Alternates and Ligatures Multilingual Language Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Thank You! Grezline Studio – Akhmad Reza Fauzi

Introducing, Deluge- Handwritten Script Typeface. The natural hand writing feel make this font makes it stands out. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

The Stumble is a retro bold script which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

German type designer Ole Schäfer created this sans FontFont in 2000. The family has 30 weights, ranging from Regular to Black in Condensed, Normal, and Extended (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as wayfinding and signage. FF Fago provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Fago super family, which also includes FF Fago Correspondence Sans, FF Fago Correspondence Serif, and FF Fago Monospaced.

German type designer Verena Gerlach created this display and sans FontFont between 1999 and 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Karbid provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid Display, FF Karbid Slab, and FF Karbid Text.

Newbery Sans is a new contrasted sans serif designed by Alejandro Paul and the Sudtipos team. As Paul has lately found inspiration from different German instructional books, Newbery Sans finds its initial inspirations from the lettering work of E. Nerdinger and invokes the spirit of German designs but is imbued with personality all its own. The idea was to make the letterforms more usable and suitable for everything from corporate branding to editorial. It is an elegant, functional family with contemporary detail that will effortlessly meet the demands of the screen and printed page. From a condensed thin to an expanded black, Newbery Sans provides a usable workhorse system of three widths and seven weights, each with the original design of real italics, a selection of alternate glyphs and a complete set of small caps. Each weight is professionally crafted and includes extended Latin support for Central, East and Western Europe languages. The font’s name nods to its imagined uses in airports and street signage: Jorge Newbery was one of the first Latin American aircraft pilots, Newbery is the street where I live and it is also the name of Buenos Aires’s local airport.

Say hello to Hello Radio font, the perfect font to add a touch of vintage charm to your designs! With its monoline stroke script style, this font brings back the good old days with a fun and quirky twist. The best part? It supports multilingual characters, so you can spread the retro vibes in any language you desire. Every character in Hello Radio font has a delightful imperfect shape, giving your designs a natural and handcrafted feel. It's like having your vintage radio station right at your fingertips! This font is a true team player, cooperating effortlessly with other elements in your design. Whether you're creating traditional-style logos, labels, package designs, or awesome lettering for t-shirts, Hello Radio Font has got you covered.

A modern sans serif with open round forms. The ”round“ letters emphasize the condensed open oval; the light counter forms provide the rhythm of the typeface, causing the typeface to appear gentle and pleasing. The ”modern“ design of a and g being especially contributive here. All of the letters are recognizably narrow, almost ”condensed,“ the forms being very functionally shaped. The construction of the ”triangular“ upper case letters A M N V W as well as v and w, especially catches the eye with the shafts joined together as beams are stacked upon each other. With this construction Hedwig displays a down-to-earth touch. Contrary to the classical sans serifs, a few letters were given light echoes of serifs which promote fluency: a d l are displayed below the line in a reading direction and end in a compressed but also very short serif style; on m n p r the upstroke is gently displayed and on u the downstroke. For all the typo-maniacs among you designers there are alternative forms for a number of letters in Hedwig: A B D G I M R W and a d f g j l ß u. Even an antiquated ”long“ s and an upper case ß is available. Plus, Hedwig includes numerous ligatures which can save that little bit of space where required and which allow the typeface to appear more variable: ch, ck, ct, fi, fj, fl, ff, ffi, ffl, ft, mm, ti, tt, tz.

Sirenia is designed by nature! A friendly display typeface with organic letterforms and flowing transitions, as if naturally grown. This authentic natural look is ideally suited for lifestyle products, the food & beverage sector and for sustainable design. Sirenia’s 1270 characters contain many decorative letters and swash variations for initial, medial and final letters. This allows the designer to create lively logotypes according to her/his own ideas, matching the respective letter combination.

Parnas is an amazing font that can be used in a classic style or in a more expressive and elegant with alternative and ligatures, of which there are many. Set the style and mood of your design, because just a few touches can absolutely change it. With it, you can easily realize all your ideas. Parnas family includes a serif and sans serif font Classical forms, smooth lines, sharp serifs, weightless style, various weaves, long tails, all this and much more will give you many options for creating your project and will not leave indifferent even the most demanding. This font is easy to use, has OpenType features. This font has 900 glyphs and includes: - 190 Alternates for Uppercase - 168 Alternates for Lowercase - 74 Ligatures for Uppercase - 70 Ligatures for Lowercase - 10 illustrations - Multilingual support

Boldstrike is a retro bold script which will bring you back to 60s feel. The bold letterform with swash makes this typeface looks standout to be used for your retro theme project. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/

Introducing, Annette Bradford - Ballpoint Signature Script. This typeface made from a natural ballpoint handwriting, so if you need digital signature or natural hand writing for quotes, this is the perfect typeface for you! This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates extra doodle (in glyphs panel) PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Email us to letterhend@gmail.com if you need something! Happy Designing!

Introducing vintage label font named Time To Play. This font has a wide languages support with west european and cyrillic characters (check out all available characters on previews). The font family has four styles: Base, Grunge, Volume and Texture. All styles have the same metrics and kerning. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Proudly Present, Delighty Font. Delighty is a Modern Handwritten Font. This sweet font has nice smooth lines. Delighty is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This font includes TTF and OTF, Delighty also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Rizado Script is a classy one-weight script typeface, made with “dolce vita” in mind. Its high contrast and pointy tone are recalling the fine nib handwriting of a meticulous and decisive person that hasn’t got free time to spare but surely knows how to enjoy his life. No quick and dry strokes, but rather wide, elegant and strong-minded temper that will bring a long-lasting touch to your packaging layouts. Sure, if you are looking for a good fit for some more ephemeral design such as a weekend high-class cocktail promotion, or a wedding invitation – this handy display typeface won’t let you down for a second. If you happen to go to Venice and enjoy their popular Aperitivo, you’ll be asked to choose between three types of bitter-reddish base drink. Rizado will bring you the same amount of pleasure, authority and uniqueness while you pick out one of the three ampersands or other alternate characters. According to the concept of Fellini’s lifestyle, “la dolce vita” is a luxury lifestyle full of cheerful worldly pleasure. But don’t let yourself be fooled by this moto, because Italians are famous for their modesty and sagacity as well. That’s why you’re always supposed to turn on the Contextual Alternates (to activate extra positional forms — isolated, initial and final) and keep your voice down and never set this typeface in all Capital letters. There are 391 total glyphs made to support West European, Central European and South East European languages.

Benchmark Pro is a carefully structured geometric typeface which works amazingly well in body text due to its simplistic nature and large x-height. The design of Benchmark Pro started out as an attempt to convert the minimalistic structure of a technical and purely geometric design into a readable modern and friendly sans serif. This was achieved by selectively changing and turning the straight lines of the initial drawings into curves and applying legibility techniques to the transformed letterforms. These letterforms have a distinct personality which is bolstered by its angular curves and open counter terminals. The result is a contemporary text typeface that looks quite fashionable. Benchmark Pro gets away from the ultra modern and mechanical structure but keeps its display nature, it gets away from the classical but still remains legible. This robust san serif type family offers an extended character set which supports simultaneously Latin, Cyrillic and Greek. All Benchmark Pro font variants have a companion italic, rounding the total family members at 14 fonts. Each font includes more than 750 glyphs and is powered with 17 opentype features. PDF Specimen Benchmark on Behance

Vanitas is an elegant high contrast contemporary sans. It is rooted in the style of a classic didone, excluding the typical serifs and ball terminals as well as being designed with a cleaner, more reductionist appearance. Strict attention was given to the cohesiveness and balance between letterforms as well as the careful refinement of all curves. Stylistically, Vanitas’ alluring, sophisticated sensibility is directly inspired by high fashion. The upright styles are complimented by a pairing of optically adjusted true italics, which were purposefully adapted to retain the sharpness of their counterparts. Abandoning traditionally executed cursive italic letterforms retains Vanitas’ sharp characteristic through each style. Features include: Precision kerning Standard Ligatures set including ‘f’ ligatures (fb, ff, fh, fi, fj, fk, fl ffb, ffh, ffi, ffj, ffk, ffl, ffy, ae, oe, AE, OE) Discretionary Ligatures set including (st, ct, No) Alternate characters (H, A, AE, Q, $, h circumflex, ¶ and numero sign) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators Tabular Lining, Proportional Lining, Tabular Oldstyle and Proportional Oldstyle Figures Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Teramo™ is daring, sharp and dynamic. Its personality is derived from asymmetry and movement. It is a contemporary serif family full of modern design elements playing with proportions of works of XV and XVI century masters such as Francesco Griffo or Claude Garamond. The family features four optical sizes. Display sizes feature extreme stroke contrast and are intended for fashion, lifestyle, cosmetics, magazine, business, hi-tech and advertising use. Text styles are created for all kinds of body copy — long and short paragraphs, books and websites in any modern design context. They are crafted to be elegant and legible, featuring more generous spacing and scrupulous kerning. Display weights are designed as modern, extraordinary variations on didone style. Teramo’s letterforms are merging classical proportions and precise, contemporary details such as asymmetric serifs, sharp edges and unconventional glyph shapes. Another important factor constituating Teramo’s personality is an angled axis, unusual for didone families and giving the typeface much more organic and dynamic feel. Teramo features a lively true italics strongly related to cursive handwriting. The italic styles imply movement, energy and fluency, introducing a new color to paragraph text, as well as being a powerful and interesting standalone display type. The family introduces additional titling letter variations for headlines and display uses, such as sharp and modern lowercase “y” or uppercase alternates for better all caps typography. Teramo consists of 56 fonts in 4 optical sizes - 28 uprights and their corresponding true italics + 2 variable fonts. It has extended language support as well as broad number of OpenType features, such as case sensitive forms, standard and discretionary ligatures, titling alternates, contextual alternates, lining, oldstyle figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

The Black Puma typeface was inspired by the rock beats and the honest spirit of today's indie music scene. Just as evolving garage bands', Black Puma’s strength lies in its fresh and brave approach: to playfully experiment and proudly take its imperfections as long as they are needed to stay real and honest. Black Puma's aim is to entertain, while expressing a strong human touch through its handmade and creatively assembled characters. Black Puma's varying rounded and edgy shapes create a vibrating yet coherent visual, which carries a positive, playful atmosphere. Its irregularities and extra bold characters empower Black Puma to have great and touching visual impact, which make it stand out of the mass flow of information delivered in the information society we live today. Black Puma font - with its 370 glyphs - includes all the accented characters of the Latin alphabet, and also comes with a couple of alternate characters (stylistic and contextual) to play around with. And, above all - as mentioned before - it includes its essence: the young spirit. So come, play around and have fun with Black Puma. Use it to create expressive, passionate posters, flyers and art work full of spirit for the awaiting young-minded public. You can find more artwork using Black Puma under the "Gallery" tab above.

Bread Light is a serif display font featuring classic glyphs developed in a modern and classy style. This font idea has various references, from classic to modern, making it the perfect typeface with a distinct and contemporary look. This font offers a broad set of options for creating headlines, logos and headlines. It's perfect for books, magazines, advertising, editorial, packaging, quotes, branding and more. Bread Light completes your access to OpenType features to access a large selection of alternative letters and ligatures, a choice of letters you like from various upper and lowercase letters for a luxurious and distinctive look. If you still have questions, just send me a message and I'm happy to help ;) Thanks, Great Studio

Looking fresh and chic font? Introducing, Wednesday Island - an authentic handwritten script. This font is made for perfect handwriting. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Introducing "Rhope," an enigmatic and expressive hand-sketched font that captures the essence of untamed creativity. Crafted with the raw energy of a pencil, this font exudes the captivating charm of scribbled artistry. "Rhope" is not just a font; it's a visual experience that brings a sense of spontaneity and intrigue to your projects. With its distinctive hand-drawn appearance, "Rhope" is uniquely suited for a variety of themes, making it a versatile choice for your creative endeavors. Embrace the dark and mysterious with its inherent horror vibes, or infuse a playful spirit into your designs for a fun and whimsical touch. This font seamlessly transitions between genres, offering a dynamic quality that adapts to your creative vision. Perfectly poised for brand titles, "Rhope" adds an element of authenticity and originality to your visual identity. The irregular lines and organic imperfections create a personalized and human touch, setting your brand apart with a memorable and artistic flair. Whether you're working on chilling horror projects, lighthearted and fun designs, or establishing a brand identity that stands out, "Rhope" is your go-to font. Its versatility and handcrafted nature make it a valuable asset for designers seeking a font that breaks free from the ordinary and injects character into their work.

In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and added curves only to remove these again. His challenge was to find a harmonious and coherent approach that provided sufficient contrast with existing fonts. Biome is essentially in the sans serif tradition and the letters exhibit only minor variations in terms of line thickness. There is still a suggestion of the super-ellipse at many points, but this never becomes the predominant design factor. While most of the terminals of the vertical strokes are only slightly rounded, the horizontals and diagonals have pronounced arches and it is these that basically determine the round and soft character of the typeface. The more unconventionally shaped letters, such as the lowercase 'g' with its two semi-open counters and the 'k' and 'x' with their crossbars, provide Biome with an individual personality. And this effect is emphasized by the generously rounded links in the 'v' and 'w' and the uppercase 'M' and 'N'. Biome has been designed as a typeface super-family. From the near hairline Extra Light to the amply proportioned Ultra, there are seven clearly differentiated weights and three tracking widths. There are oblique italic versions of all variants. The range includes small caps and numeral sets containing lowercase and uppercase digits. With its available range of characters, Biome can be used to set texts in all Eastern European languages. Although the remarkable individuality of Biome is most clearly apparent in the larger point sizes, this typeface is not just suitable for producing headlines and logos. Biome's elegant visual effects mean that it is equally comfortable in short texts while its large x-height and generous counters make it readily legible even in the small font sizes. Biome is a contemporary typeface that employs mid-20th century futurist elements which ironically give it a retro feel.

Although better known for his residential buildings, Richard Neutra’s commercial projects nevertheless resonate the same holistic ecology—unity with the surrounding landscape and uncompromising functionalism. His attention to detail even extended to the selection of signage for his buildings. It is no wonder that Neutra specified lettering that was open and unobtrusive, the same characteristics which typified his progressive architecture. House Industries brings the same linear geometry to Neutraface without sacrificing an unmistakably warm and human feel. FEATURES AUTOMATIC SMALL CAPS: If you specify “Small Caps”, InDesign and Photoshop will automatically substitute the true small caps charac- ters as well as the corresponding figures and punctuation for any lowercase characters. NEUTRAFACE TEXT ALTERNATES: Neutraface Text contains several stylistic alternate characters. LIGATURES: This feature is on by default. It will substitute a long list of “f” and “t” ligatures. For example, open InDesign or Photoshop and type “ff” or “tt”. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

ITC Vino Bianco was created by German designer Jochen Schuss. He drew his inspiration from the handwriting of the waiter in his favorite local pub, especially the form of the capital Q. Based on this one character Schuss developed the entire alphabet. The figures are sketchy and generous and look as though they were written on paper with a ball point pen. Vino Bianco is an alphabet of capital letters, each of which also has an alternative form, making it very flexible and true to the tendency of true handwriting. In spite of its fine strokes, the overall look is open and light due to the large amount of space each character occupies. The cheerful, carefree ITC Vino Bianco is best used for headlines and short texts.

Bronson is a sans serif family that comes in 7 weights. The Bronson font has a very bold body, but still has high contrast. This font looks very modern when paired with contrasting design colors. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, book covers, magazine layouts, or simply as a stylish text overlay onto any background image. Bronson Features : Uppercase Lowercase Numbers & Punctuation Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Chaparral is the work of type designer Carol Twombly and combines the legibility of slab serif designs popularized in the 19th century with the grace of 16th century roman book lettering. The result is a versatile, hybrid slab-serif design. Unlike ""geometric"" slab serif designs, Chaparral has varying letter proportions that give it an accessible and friendly appearance in all weights from light to bold. And because it is a multiple master typeface with an optical axis (ranging from 7 to 72 points), Chaparral is clear and legible in smaller text settings while remaining subtle and lively at display sizes. Chaparral�s highly functional design is surprisingly beautiful, the perfect choice for correspondence, as well as book, poster and newsletter design.

The Neonica Toolbox - a complete collection to creating awesome neon designs! This is a complete collection which included the fonts, decorations, illustrations, Adobe Photoshop styles and HQ background textures as brick or rusty grunge walls. Create awesome graphics for few simple steps! VV Neonica contains mono lined sans, volumetric sans with inline font option and mono lined script. Also, you'll get the decoration and illustration fonts. Create your own neon signs or add the decoration to your neon graphic. The illustration font has one color or up to three color options. That mean you'll be able to create a full color neon illustration graphic for few seconds! Also, the Neonica Collection comes with Adobe Photoshop styles file (.ASL). Just add it into your Photoshop and get 19 neon colour realistic effects. This file works with any Photoshop versions. As a desert you'll get 6 HQ JPG (4000x4000 pix; 300 dpi) background textures. All the additional materials (Photoshop styles, PDF Guide and Textures) you'll can get here Enjoy!

A variation of ”Helvetica according to the blur principle.“ The underlying typeface is ”Helvetica“, the only true ”run-of-the-mill“ typeface of the twentieth century. The distortion principle used simulates the photographic effect of halation and/or overexposure. The light weight, »DeFonte Léger«, nearly breaks on the thin points, whereas on those points where the lines meet or cross, dark spots remain. The characters are ”nibbled at“ from the inner and outer brightness. On the normal and semibold typestyles, »DeFonte Normale« and »DeFonte Demi Gras«, the effect is limited almost exclusively to the end strokes and corners, which appears to be strongly rounded off. The bold version »DeFonte Gros« is especially attractive. As a result of ”overexposure“, counters (internal spaces) are closed in, while characters become blurred and turn into spots; new characteristic forms are created which are astoundingly legible. The fat version »DeFonte Gros« is particularly appealing. “Overexposure” leads to drifted counters, letters blur into spots; new characteristic forms emerge, which are surprisingly easy to read.

Proudly present AO Tenko Display Typeface, a serif font designed for a versatile and stylish looks. This font features a full set of uppercase letters, multilingual symbols, numerals, fractions, punctuations and etc, making it perfect for a wide range of design projects like a branding, social media, poster, book cover, or a website design.

Groovy Giggles is a playful and fun display font that adds a touch of whimsy to any design. With its lively shapes and quirky details, this typeface is perfect for creating a lighthearted feel in your designs. Use it for children’s books, invitations, and other applications that call for a touch of playfulness and creativity.

It was originally inspired by my winter scarf knitting exploits. I discovered that making wool scarves was generating beautiful patterns and I wanted them to become a source of inspiration for a style. I made a few collages, and they became letters. Other characters came up with ease. It is readable, but long essays are not its main purpose. It is decorative and will look casual and very attractive on any ad as a title or a short phrase. It also demonstrates very good performance in automatic 3D generators, like Xara 3D maker, used in making examples of how this font can be utilised. It was designed to be thin, soft, with the capacity to cover empty space and to create a vibrant environment. Small characters are different from capital letters, they are stylistic alternates. Some letters are slightly ominous or dynamic, others create a soothing feeling. Using several colors make it shine, but it is complex, it looks good in monochromatic compositions as well.

English Monarchs is a unique font collection with accurate digital replicas of 84 signatures of English and British monarchs from Richard II through Elizabeth II, including many of the royal consorts. Also included in this font are the Stuart pretenders and Mary Queen of Scots and her consort. A must-have for autograph collectors, desktop publishers, history buffs, fans, or anyone who has ever dreamed of sending a letter, card, or e-mail "signed" as if by one of these famous nobles. This font behaves exactly like any other font. Each signature is mapped to a regular character on your keyboard. Open any Windows application, select the installed font, and type a letter, and the signature will appear at that point on the page. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. Comes with a character map. This font includes signatures from the following noble figures: Richard II, Henry IV, Henry V, Henry VI, Margaret of Anjou, Edward IV, Elizabeth Woodville, Edward V, Richard III, Henry VII, Elizabeth of York, Henry VIII, Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard, Catherine Parr, Edward VI, Lady Jane Grey, Mary I Tudor, Elizabeth I, James I, Charles I, Henrietta Maria of France, Oliver Cromwell, Richard Cromwell, Charles II, Catherine of Braganza, James II, William III, Mary II, Anne, Prince George of Denmark, George I, George II, George III, George IV, William IV, Victoria, Prince Albert, Edward VII, George V, Edward VIII, Wallis Warfield Simpson, George VI, Elizabeth II, Prince Philip, Prince Charles, Princess Diana, Camilla Duchess of Cornwall, Prince James Edward Stuart, Prince Charles Edward Stuart, Mary Queen of Scots, Henry Stuart Darnley, Francis II of France.

Lust Didone’s character set was expanded as well during the redraw and update, the Italics were separated and reimagined anew from the universal italics in the original offering. Lust Didone also includes the new Fine optical size with complementing Italics for each size as well. And, yes, more swashes. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

Introducing Linefeed, the retro-inspired monospaced typeface that transports you back to the 1960s and 1970s era of computer band printers. Drawing inspiration from the revolutionary technology of the time, Linefeed captures the essence of the clunky yet iconic machines that were responsible for producing some of the most important documents of the time. Imagine a row of hammers, one for each column, smacking the paper against the ribbon and raised characters embossed on a constantly revolving steel band. This is the heart of the Linefeed font, paying homage to the technology that paved the way for the digital age. Most band printers of the time were restricted to uppercase, digits, and a little punctuation to ensure maximum efficiency, but Linefeed brings this beloved typeface to life with added lowercase letters, extra punctuation, and accents. Linefeed was once one of the most widely used computer fonts during the 1960s and 1970s. It could be found on a plethora of documents, including driver’s licenses, magazine subscription labels, report cards, invoices, and auto dealership window stickers, among other things. In a world where sleek and modern designs dominate, Linefeed offers a refreshing throwback to the golden age of computing. Its technical design, inspired by the machines of yesteryear, is a testament to the ingenuity and creativity of early computer designers. With its monospaced layout and vintage charm, Linefeed is sure to bring a touch of nostalgia to any design project. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Aeogo is unique font, the form was made are different like as usual. we made it include a pixel style font

Type Vendor JNL gives a solid treatment to the dual-line Type Catalog JNL, and offers an oblique version as well.

The hand lettered words “Pere Noel” under a vintage French magazine’s photo of Santa with two bikini-clad beauties inspired the digital version of this quirky, condensed type style. Unusually Deco JNL is available in both regular and oblique versions From Wikipedia: “Père Noël “Papi Christmas”, sometimes called ‘Papa Noël’ (“Daddy Christmas”), is a legendary gift-bringer at Christmas in France and other French-speaking areas, identified with the Father Christmas and/or Santa Claus of English-speaking territories. Though they were traditionally different, all of them are now the same character, with different names, and the shared characteristics of a red outfit, workshop at the North Pole/Lapland, and a team of reindeer.”