The aim of this typeface is to merge two historical moments in the form and style of writing, on the one hand calligraphy uncial, and on the other Roman serif was established as a universal standard for type fonts continuous text at the time. Is intended in terms of their functionality as a font for titles. The family includes some extended range glyphs as several Caps swashes and stylish alternatives for upper and lower case, standard and discretional ligatures, old numerals and other OpenType features.

»Prima Script« was designed especially for use in Menus and Cook-books. One of my sons is a chef in Munich and he was always bugging me to make a new font for his menus. I already designed one for him »Konstantin« but he likes to have new stuff every couple of years what I understood. So here is the new »Prima Script« (that’s what he said when he first saw the font). To give it more usability I made alternate initials and end letters as well as medieval cyphers. Then I did a couple of swashes and a handdrawn Sans font to complete the set. Have fun!

It all started with a simple idea back in 1998: do a digital version of a "lost" 70's typeface, and make up the missing letters that were not present in the only available example Jeff Levine had to work with. Jeff wasn't yet doing his own digital font creation, so he hooked up with Brad Nelson who owns a small foundry called Brain Eaters Fonts. Together, they collaborated on "Action Is"- a freeware font named after the source of the type example. This was a title page for a commemorative photo album of images from the 60's TV music show "Where the Action Is", formerly hosted by Jeff's employer at the time, singer-writer-producer Steve Alaimo. The free font took off like a rocket, being released just at the peak of the 60’s/70’s retro craze in the late 1990’s, and it was EVERYWHERE! It showed up on TV shows, packaging and web design -- and was even spotted on signage used on the side of a major amusement resort’s retro-themed hotel. From that point on, Jeff kept getting requests for a version with a lower case. Although they shared the copyright in the freeware version, Brad Nelson gave Jeff his blessing to re-work and take Action Is into the realm of commercial type. Newly improved and re-released as Groovy Happening JNL, it became one of Jeff's better selling type designs. A simplified, yet similar font was issued called Groovy Summer JNL. Now, after about a decade, Jeff had decided to clean up the 3-D (drop shadow) version that was originally freeware with many minute design flaws and re-release it commercially. Groovy 3D Caps JNL is an all-caps, limited character set font which ties in well with the previous releases, yet retains itís 1960s-1970s era charm. The font flag art is courtesy of Barbara D. Berney and is used by permission.

Coche is a different kind of work from Koziupa and Paul. It is a connected script with a strong corporate feeling that aims to fill a gap in modern product branding. Coche means automobile, and one can easily envision a car's logo set with this font. Coche comes loaded with alternates and a complete set of small caps that nicely complement the caps and lowercase. This is the font for the modern designer-as-jockey who loves mix-and-play typography. Coche covers all Latin-based languages.

American type designer Guy Jeffrey Nelson created this script FontFont in 1994. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, festive occasions, poster and billboards as well as web and screen design. FF Providence Sans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures. This FontFont is a member of the FF Providence super family, which also includes FF Providence.

Urban Maxim" is a graffiti font that features three different layers: solid, shadow, and inner shadow. By using this combination of layers in your design, you can create a three-dimensional (3D) effect on your text. Fonts like this are often used in street art, posters, or other designs that aim to add depth and dimension to their typography. With "Urban Maxim," you have the flexibility to create text that looks distinct and more pronounced by using the various layers. This allows you to customize the appearance of your text to fit your design aesthetics.

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. Architype Vierkant was developed from the few letterforms that Crouwel created for an opening spread in a 1972 Drupa catalogue, on the theme ‘typo vision international’ – this single reference showed an interesting interplay of the experimental ideas underpinning his controversial ‘new alphabet’ and Fodor.

36Dope is a display typeface with an experimental serif design. It draws from the event ’36DaysOfType’ held in 2023. Created as part of the ’36DaysOfPower’ theme, this font showcases unique and unconventional serifs, reflecting the creative and powerful spirit of the event. With its bold and experimental look, 36dope is well-suited for attention-grabbing headlines, titles, or graphic design projects that aim to convey a sense of strength and artistic innovation. This font is intended for eye-catching headlines, titles, or other graphic design projects that require a bold and experimental look.

Morgothick is an ugly not-so-decorative blackletter font, hand-drawn like straight from the dark Middle Ages of drunk monks and dim chambers. Most readable, suits for multiple purposes. Morgothick supports West and Central European languages as well as Baltic, Turkish and Romanian.

"Natures" is a display font with decorative floral motifs encircling the ends of each character. This font brings a touch of nature and natural beauty into your typography. The letterforms adorned with circular flowers provide an artistic and organic appearance, making it suitable for designs that aim to express the beauty of nature or natural elements. The "Natures" font can be used in various design projects, such as nature-themed posters, wedding invitations with a natural theme, products focusing on environmental conservation, and more. With floral decorations surrounding its characters, this font can add a special touch to your designs.

Right on the heels of the tremendous popularity wave that made Hollandse Mediaeval the most used Dutch typeface during the Great War years, Sjoerd H. de Roos was asked to design a 15 point type for De Zilverdistel, Jean François van Royen’s publishing company. So between 1914 and 1916, de Roos and van Royen collaborated on the typeface eventually known as Zilvertype, and which both parties viewed as an improved version of Hollandse Mediaeveal. Like Hollandse Mediaeval, Zilvertype was based on the Jenson model, but it is simpler, with more traditional metrics, lighter and more classic in color. This Pro digital version of Zilvertype comes expanded in all directions. It contains a roman, a bold and an italic. Each font contains over 685 glyphs, including small caps, eight different sets of figures, plenty of ligatures, some Dutch ornaments, and extended language support covering most Latin languages. Zilvertype Initials is also there to round out this distinctively Dutch text family and make it ideal for immersive text design.

Transylvanian punchcutter Nicholas Kis cut a leading figure in 18th century Amsterdam. Series of his matrices survived at the Ehrhardt typefoundry. From these Chauncey Griffith at Mergenthaler cut the Janson series in 1936. Morison at Monotype followed with Ehrhardt. David Berlow takes full advantage of current techniques to produce these splendid and adventurous display series to complement one of the great oldstyle texts; FB 2007

This comical styled Jester Script font was created to suit various design applications within the typeface market and is aimed at people looking for a clown styled brush script typeface that is very unconventional indeed. Designed and produced by Paul O'Connell of POCT, it is a distinct styled font script, loosely drawn with irregular rounded edges and curves to create a free flowing handwritten font that will appeal to everyone.

A font where "each word that's set approaches becoming its own logo" is how some have described this unique typeface. Originally inspired by an enamel sign he picked up at a Paris flea market, Michael Doret says that the seven letters contained in the sign were enough to suggest to him that here were letterforms put together in a way that he had never seen in a contemporary digital font. Always eager to create something a little out of the ordinary, he took up the challenge to flesh out the forms into a complete font. Orion can be defined as a geometric, connecting script that is at once contemporary, yet classic and timeless.

This is a new modern calligraphy font in casual and simple style. This font is italic and semibold that is made slowly and thoroughly which aims to convey the character of writing that is elegant, neat, simple, bold and still stylish. With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Stolzl Display is an original font family designed for headlines, titles and subtitles. Based on the combination of contrasting shapes, the harmony of form and rhythm is fundamental to the design. Inspired by Bauhaus, Stolzl represents, not just the significant influence of this “crucible of modernism”, but aims at capturing its original idealism, commitment to creativity and experiment driven philosophy. Details include six weights, Cyrillic, 480 characters, alternative glyphs, manually edited kerning and Opentype features. Named after Gunta Stölzl, the Bauhaus’s only female master, Stolzl Display is the first subfamily of the Stolzl font collection to be released this year.

Gildan fonts come in 7 measured thicknesses. Inspired by a charming classic style. Equipped with several OpenType features (plain version); Discretionary Ligatures, Small Caps, Stylistic Sets, Oldstyle Figures. We made the italic version simpler but with controlled thickness on each side. Everything is made with the aim of complementing each other and supporting the design well. Regards

ITC Pious Henry is the work of South Carolina designer Eric Stevens, a typeface which for him evokes a feeling of the rural South. Maybe it's a naive quality that belongs on a 'Boiled Peanuts' sign," he says. The letters of ITC Pious Henry seem to dance across page or screen."

Tandem is a set of opened capitals constructed on a Futura frame. Each sign exists in two versions aimed to be mixed-up to add rhythm to the words.

Yet again, a font inspired by my work as a kindergarten teacher! The other day, I had a conversation with some of the kids, about what they ate for breakfast. Some had oatmeal, some bread and others yogurt. But this kid - he insisted that every morning, his mother would serve him cookies, “morning cookies”. It sounded too good to be true, and when I asked his mother, it turned out that “cookies” were actually bread, but to make it sound more appetising, they called it cookies! The letters are rounded and in some way quite naive, but still clear and legible. With an extreme ascender and descender, the font stands out with its oddities. I’ve added 3 different versions of each lowercase letter!

In 1937, Morris Fuller Benton designed Empire, titling capitals that became the headline style for Vogue magazine. In 1989, David Berlow revived it for Publish magazine, adding an italic and a lowercase, both unavailable in the original. He revisited Empire in 1994 with Kelly Ehrgott Milligan, adding two heavier weights, small caps, and an elegant set of Art Deco–flavored oldstyle figures, ultimately expanding it to a seven-part series; FB 1989–94

Down in his secret underground font laboratory, mild mannered John Roshell was tinkering with his iPad when the Apple Pencil suddenly bit him and he found himself feverishly creating letterforms on the tablet... Before long his hand was burning and glowing with superspeed — his penstrokes were longer than one-eighth of a mile; he was suddenly able to letter a twenty-story omnibus with newfound fontastic strength and could create tremendous weights with more leading than an express train... And thus was born: ORIGIN STORY!

Keetoowah evolved from a just a few letters in a sketch for a sorority t-shirt design. They loved it and kept asking for more of the same. The only solution was to make a font. These characters were made to be broken up, two toned, rotated, merged and jammed together. But, Keetoowah has a serious side. It has a great Southwestern flavor like smokey BBQ and patterned blankets.

I just love biscotti; they’re one of my favourite cookies! I thought they were all rock hard and half-moon shaped, but I found out that there’s a ‘soft’ variety as well, mainly aimed at young children who may have trouble munching on the hard cookies. Soft Biscotti is a handmade, all caps font. It comes with extensive language support and a set of alternates for the lower case letters.

Naturaling - it's display typeface font, aimed at defining healthy lifestyles and nutrition. Font perfect for use in organic foods, medication, cosmetics, packaging, prints design and also identity projects.

In the world of typography, Golften – Art Nouveau Serif Font stands as an epitome of elegance. It gracefully channels the beautiful and harmonious flow, drawing inspiration from the Art Nouveau style. Let’s delve into why Golften is an exceptional choice for those seeking refined and graceful design. Elegance at Its Core First and foremost, Golften exudes elegance through its graceful serifs and harmonious lines. It encapsulates the very essence of Art Nouveau. Moreover, its flowing curves and intricate details create a captivating visual experience, making it the ideal choice for designers aiming to create visually stunning projects. Versatile Beauty What sets Golften apart is its versatility, which knows no bounds. It seamlessly adapts to various design projects. Whether you’re crafting wedding invitations, establishing elegant branding, or designing artistic posters, Golften adds an exquisite touch that elevates your work. Furthermore, this font’s adaptability makes it suitable for a wide range of creative endeavors. Inspired by Art Nouveau Golften draws inspiration from the Art Nouveau movement, celebrated for its organic forms and ornate aesthetics. This font mirrors those principles, making it a perfect choice for projects aiming to capture the timeless allure of this influential style. With Golften, you can effortlessly infuse your designs with the spirit of Art Nouveau.

Jam jars; Warhol’s “Tomato Soup”; chalk lettering and baseball. Those were the triggers to make this soft chancery cursive turned into a script font. Brand is thought mainly for packaging but can be used in magazines and invitations also. It can be easily converted into a logo when using it and its features. Pro styles are loaded with the most complete sets of alternates, ligatures and ornaments; while Std styles are smaller versions of the font, with no decorative alternates.

"And she, Pasiphae, gave birth to Asterion, who was also known by the name of Minotaur, since he had the face of a bull and the rest of a man. Minos wanted to beware against certain oracles by locking him in a maze. It was the labyrinth, the work of Daedalus, a construction of tangled revolts that strayed from the exit.” - Apollodorus from Atenas. LABERINTIA is a font inspired by Daedalus' masterpiece, The Cretan Labyrinth, an experimental, display typeface that creates textures, plays with the mind and loses anyone who dares to take a walk inside it.

While designing a logotype for a client, she described herself as "loud and colorful." Thinking about some eras in typefaces that portrayed this idea, I instantly thought of the "Roaring 20s" and the Prohibition era where the cinema is starting to take off and the Italian mafia are running the bars. (Which is coincidental because my client has family connections to Al Capone.) One of the most iconic typefaces designed for these times was Broadway by Morris Fuller Benton in 1925. This typeface was the zeitgeist of Broadway, the big city, theater, and cinema, which can now be seen in use almost everywhere an old family run cinema is located. Using the heavy influences of the thick and thin contrast of this typeface, Maritote brings the charm of Broadway into the 21st century.

It’s time to see our impressive font, Maszeh. It is a firm font to escalate your design level higher. In line with the racing theme, this font creates brave strong impressions on your designs and is aimed to be used in any larger-sized texts such as titles than the body texts. Enjoy other incredible features available on this font. Features: Multilingual Supports PUA Encoded Numerals and Punctuation Use Maszeh for any design projects such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and so on. Find out more ways to use this font by taking a look at the font preview. Get it now. Happy designing.

Work for the Xcetera typeface started with the desire to create a classical serif design but using the less contrasted stroke thickness found in a host of sans serif designs. My aim was to retain some of the clarity found in modern strokes yet use the serifs to aid in letter recognition and legibility. The result is a form of hybrid design that is surprising clear in small point sizes yet offer a lot of personality in larger formats. Suited for both display and text settings, Xcetera aims to be both functional and fun while looking to explore new possibilities for the classical typeface style.

Say hello to Metropolia! Drawing up the first roughs of this design I was aiming for a slightly asymmetrical feel. I later realized that this gave it a strong art deco influence. A slight tilt brings it a forward movement and a distinct flavour. Designed primarily for headline use, this is not your workhorse font but rather a playful and versatile addition to your font toolbox. A set of alternate capitals will be handy for headline or logo ornaments.