The front page of a late-1940s sales catalog for the [now defunct] Duro Decal Company of Chicago had its company name hand-lettered in a tall, condensed chamfered sans serif type design. Although chamfered lettering had been popular for decades, the way the "R" was shaped gave the letters a bit of an Art Deco influence, and this influence was carried through in the creation of Durable JNL.

From the basement labs and after hours lounge of R?U?S?S?T Institute, we present After 5. With a somewhat formal (ha ha) yet warm, friendly feel, its normally calm, even tempered and sensible rhythm takes on the syncopated, jazzy beat that goes along with too many martinis when discretionary ligatures are turned on. A friend once asked, was I trying to design a font that looked sort of �Korean?� I said no, I was trying to mess up the Latin alphabet. So, here it is: After 5, a bold, upright condensed slab-serif display typeface with a mixed-up attitude. Complete with bold roman and matching italics. This attention getting font is ideal for Posters, headlines, Packaging and logos.

Untalin is a Vintage retro font. Inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. This font perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! Untalin with almost 490 glyphs inside the font, you can also create many of other typography designs. Stylistic Alternates, Swashes, Contectual Alternate and Ligatures is a list of features from OpenType which you can use to pairing the letters each other powerfully. Files Include : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multilanguage Support Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

Rinterland is a Vintage retro font. Inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. This font perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! Rinterland with almost 500 glyphs inside the font, you can also create many of other typography designs. Stylistic Alternates, Swashes, Contectual Alternate and Ligatures is a list of features from OpenType which you can use to pairing the letters each other powerfully. Files Include : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multilanguage Support Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

Alexander Lettering is a handwriting font that captures the wild and choppy essence of a sloppy signature. With its childish and fast-paced strokes, this font gives off a sense of spontaneity, making it perfect for projects that require a less formal and more playful touch. This typeface was created by exploring the unpolished side of handwriting, drawing inspiration from the hurried notes and scribbles that often accompany our everyday lives. Alexander Lettering embraces the imperfections of the human touch, giving your designs an authentic and relatable feel. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Extra Old is a vintage serif typeface. With heavy strokes and miniscule serifs, this classic font family is the perfect lettering for a headline to emit genuine quality. Why not use Extra Old for a traditional logo or balanced product label. Created with pride and care, this type has the optimal appearance of a classic vintage logo but for a modern setting. The font family consists of Regular and Italic, as well as Bold and Bold Italic. Also included are the font styles Coaster and Floria Corner, two typefaces for beautiful decorative elements, combining with the lettering. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Square Technocrat is a sharp, geometric font that embodies the essence of structure and modernity. Drawing inspiration from cube-like forms and contemporary architecture, this font family is perfect for designs that require a strong, stable presence. The Square Technocrat font family comes in five weights: Thin, Light, Regular, Bold, and Black, giving you a wide range of options for creating impactful designs that demand attention. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Murality is a cartoon graffiti typeface. The letters are fun and friendly, with a happy personality and optimistic quirkiness. A street sans-serif style, Murality is drawn and created by Mans Greback, and is the perfect combination of cool and childish typography. This hip-hop styled comic typeface family consists of six styles: Regular, Thin, Black, Black Thin, Outline, Shadow The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Wonderworld is an antique calligraphy typeface. This medieval font brings you back to the magic times of stories about knights and kings, with thin fractur letterforms and sharp edges. Use it for a blackletter logotype or headline to give your work that genuine Middle Ages look. The Wonderworld family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Space Throne is a technological sci-fi typeface drawn and created by Mans Greback between 2018 and 2021. A rough digital typeface, this futuristic lettering has a high-tech look with a touch of apocalyptic decay. Space Throne is a LCD cyberpunk typeface family consisting of four styles: In addition to the eroded Regular style, it has the clean weights Thin, Medium and Bold. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Mauritz Caps is a brush script typeface. A lively uppercase graffiti-style lettering fonts, Mauritz Caps was drawn and created by Mans Greback in 2021 to be the ultimate set of wild-style handwritings for logotypes and branding. This calligraphy family consists of five high-quality fonts in a variety of weights: Mauritz Caps Thin, Light, Regular and Bold. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Antry Sans is a cool uppercase typeface. With heavy letterforms in a sturdy appearance, this poster font gets attention while keeping clean. It is legible and clean, optimized for a non-complex design or headline. The Antry Sans font family consists of Thin, Regular and Bold, and each weight as Italic, totalling in six styles. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Silian Calligraphy is a sharp serif typeface. With classy letterforms and an organic appearance, this calligraphic lettering has a proper look, yet a vivid personality. Use [ ] { } for decorative elements. Example: [Silian Calligraphy] The Silian Calligraphy typeface family consists of eight high-quality styles: Light, Regular, Bold and Black, and each style as Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Tracy Queen is a velvety display typeface. Drawn and created between 2020 to 2022, this modern lettering has a soft personality while maintaining a strong expression. Tracy Queen gives any project a flowing appearance with its wavy shapes and smooth edges. The Tracy Queen family consist of 4 fonts: Regular, Alt, Italic and Alt Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Hatsch Sans is a modern uppercase typeface. With balanced letterforms in a fresh appearance, this grotesque font is a new take on classic sans-serif design. It is legible and clean, optimized for a non-complex design or headline. The Hatsch Sans font family consists of Thin, Regular and Bold, and each weight as Italic, totalling in six styles. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

very traditional forms strongly slanted italic consistant proportions extraordinary ligatures swashes alternate letters alternate figures lower case l with a hooked “foot” Believe it or not, there are hardly any sans serif fonts in which the lower case letter l also has the hooked form of an l. Instead, we readers have to constantly distinguish whether we are seeing an uppercase I or a lower case l — just take a look at the word “Illinois”... The ingoFont Analogue was developed for exactly this reason. The intent: To create a pretty much »ordinary«, even classical font with its most striking characteristic being the inclusion of the “crooked l.” As a model, I used the »mother of all sans serifs«, Akzidenz Grotesk from Berthold, with its beginnings going back to the 19th century. Analogue is so to say a new interpretation of Akzidenz Grotesk from ingoFonts. All characters — following the model — have been newly designed. And if you want to emphasize the shape of the hooked foot even more, you can also activate the alternate styles for d, h, m, n (Style Set 1). Conversely, the alternate a somewhat softens the “hooked” impression (Style Set 2). The slanted versions — it isn’t truly a real cursive font — are noticeably stronger with 13° than the italics in comparable fonts, and were given a round e with a mind of its own which distinguishes itself considerably compared to the upright characters in the overall appearance of the font. More modern and formal solutions in detail were chosen for some of the characters, for example the M was given lightly slanted sides; the a reflects the curves of the s; the “feet” of a, l and t match; the flared legs of K and R became a “foot”, too. General proportions were carried over almost completely with no changes from Akzidenz Grotesk as well as the slanted trimming on the open forms of a, c, e, s; in comparison, C, G and S were given straight endings. Analogue contains many ligatures, even discretional ligatures, plus proportional, old style as well as tabular figures. All in all, at first sight Analogue brings back memories of the charm of its well-known predecessor; and yet, many small differences give Analogue an unmistakable certain something...

Edgewater Serif, the companion font for cm5dzyne's Edgewater, is suited for various projects requiring anything from refined titling to a futuristic theme. Its rounded corners reduce the rigid visual impact of normal slab-serif fonts and give it a more casual feel than its sans-serif counterpart.

P22 Cigno is a new digitization of the 1950s Italian typeface by Aldo Novarese for the Nebiolo foundry. This semi-formal script has a definite mid-century European flavor suitable for menus, invitations and poster work. Along with the accurate rendition of the regular weight, designer Colin Kahn has added a lighter companion font for another variation on Cigno. Both fonts feature a full Western European character set.

Didot LP is a very elegant rendition of the 18th-century French typeface -- Didot. This design took the earlier Italian neo-classical model (Bodoni) to a new level of refinement, with fully rationalized shapes and delicate hairlines. Didot LP accentuates these qualities, providing a classical text face with a clear and modern voice. The companion face -- Didot LP Display -- optimizes the proportions, spacing and hairlines for use at very large sizes.

Natalya Monoline is the rounded monolinear companion to Natalya. Like its predecessor, Natalya Monoline has a smooth rhythm and flows fluidly, due in no small part to its reliance on the golden spiral for its ornate swirls. This makes for an especially harmonious script with timeless appeal. The typeface family includes five weights with three alternate variations of the ascenders and descenders and includes OpenType ligatures, oldstyle figures and ending swashes.

Buddy Slender is the narrower version of the companion sans for Contenu, the book font family designed for a book on book family design called Practical Font Design. It's a loose, free, easy to read sans, so when my wife suggested Buddy, it clicked. This is the 2-font Buddy Slender family of Regular & Bold. I made a new more limited feature set for these fonts due to their designed usage.

Looking for a font with that certain... umm... special mojo? Mojodelic might just be the niche font that you need to create that unique statement — one that really pops off the page. While this typeface certainly grooves with the 1960s – 1970s vintage psychedelic and pop art look, it's also a perfect fit with retro 1990s party-way-too-hard youth culture graphics. With its ultra-bold reverse-contrast design and whimsical little curlies, this one's got equal parts silliness and swagger. Try it on skateboard graphics, retro message t-shirts, apparel logos, beverage labeling, candy packaging, teen/tweener marketing, greeting cards... you name it. Enjoy.

Here's a companion font for the fun and playful typeface Doowop JNL from Jeff Levine. Doowop Initials JNL features an initial over the silhouette of a 1950s-style singing group. For an extra bonus, there's a handful of 50s-style icons on the number keys in both the upper and lower shift positions.

A hundred-year-old offering from Bauer & Company, named simply "Manuscript," provided the inspiration for this elegant script face. The name translates as Bavaria Handwriting.

Bolda Display is a a-z lowercase display font in two styles; regular and outline. Lowercase is regular and uppercase is outline. Inspired by the 1970’s tennis, dart and ping pong fashion. Perfect for headlines, logos and everything above the body.

A comic book feature entitled “Foe of the Borgias” appeared in 1937’s New Adventure Comics. The hand lettered title was done in a slab serif Art Deco style and is recreated digitally as Classic Comics JNL in both regular and oblique versions.

Introducing Fathers, Inspired from the vintage classic old packaging and advertising back in 1950 - 1980's era. perfectly fit for your classic packaging, vintage logo branding, old poster and advertising. Get the easy forefathers feel by just type it out to your design.

Birthmont is a vintage display style font, capital letters with interesting combinations, very suitable for use on label designs, titles, or other vintage themed designs. a font inspired by the 80's label designs that used it for the title and headline sections

The condensed style and square character shapes of a vintage typeface originally known as Raleigh has been re-interpreted by Jeff Levine Fonts as Tall Order JNL. There is an alternate A, K, M, N and S on the respective lower case keys.

LHF Spencer exemplifies the quirkiness of late 1800's lettering. Uppercase is set below the baseline, adding a hand drawn look. Curved swashes juxtaposed with traditional thick and thin strokes make Spencer's letters stand out in a design. Includes 29 OpenType alternates.

A blackletter font by William Caslon (1692-1766), with Dutch influences, which appeared for the first time in a font sample book of William Caslon & Son, London, 1763. To access all ligatures in this font, it is recommended to activate both OT features Standard and Discretionary Ligatures. The round s occupies the number sign key, and typing N - o - period and activating this combination with the OT feature Ordinals gives you the numero sign.

Bocahe, a delightful and whimsical doodle kids font, captures the essence of youthful imagination and playful charm. Each letter in Bocahe is carefully crafted with endearing doodles, resembling the spontaneous drawings of children at play. The font exudes a carefree spirit, making it perfect for projects geared toward a younger audience. Bocahe’s adorable characters bring a sense of innocence to any design, from playful invitations to colorful educational materials. The font’s hand-drawn aesthetic and vibrant personality make it an enchanting choice for conveying joy, creativity, and the boundless wonder of childhood in typographic form.

Mikagi is a textured form of the 2008 Miyagi typeface, giving the original creation a new personality along with its makeover. The rough texture is a different direction from the original, smooth line style of its predecessor, instead creating something that might be described as lean and tough. Worn and weary, Mikagi emphasises everything it says, taking care to slow itself down and not get caught up in the speed of its youth. Use Mikagi for a range of design work, to add a blend of smooth easiness and faded cynicism to your creation.

Liturgisch was created by Otto Hupp for Klingspor foundry in 1906. The basis of this font is a publication in the magazine "Das Plakat" of October 1921. The font contains contextual alternates, ligatures, discretional ligatures for use in German, ornamental bullets and other OpenType features. It supports all the European languages using Latin alphabets (including slashed S and slashed longs used in Latvian old orthography till 1930s).

Cooperative is a retro style poster font in Hebrew and Latin. Is based on a printed example of a vintage handmade wood type from the 1950's. This sans serif font is available in both regular and bold versions, with a dirty and grungy styles as well in regular and bold.

Jenson Oldstyle was designed by J. W. Phinney of the Dickinson Type Foundry in 1893. Jenson is based on the 'Golden Type' designed by William Morris in 1890 for his private press editions under the imprint of the Kelmscott Press. The original digital Lanston version of this face included a companion Oblique. This remastered set instead features a true italic based on the 1893 ATF italic version as well as a newly digitized Jenson Heavyface based on Phinney's design of 1899. Jenson Italic Pro features alternate lowercase forms based on ATFs then contemporary Cushing Oldstyle Italic.

Nottingham Stencil JNL and its companion oblique version are the third set of fonts modeled from vintage lettering stencils made in England. These designs join British Stencil JNL and Trafalgar Stencil JNL in Jeff Levine's large library of stencil-themed typefaces.

Dance Lesson JNL is a reinterpretation of the popular "Latin Bold" typeface. The font's name is a reference to the Latin dance craze of the 1950s, when the Cha-Cha, Meringue, Tango, Mambo and even the "Chalypso" - a hybrid of Cha-Cha and Calypso rhythms had everyone moving to the beat of Central and South America.

Since the early 1980's, the automotive industry has been developing geometric/technical style logotypes for car chrome labels. The styles are ripe with inspiration for great font families, but surprisingly, many of these sleek logotypes are lacking an expansive family to enhance and express their brand in a richer sense, becoming true brand workhorses. The Lustra family finds its origin of inspiration in the HYUNDAI automotive company logo, and from there expands to an 8 font family of weights. Lustra celebrates the techno display styling of the inspiration logotype, transcending its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It inherits a sturdy yet approachable style with its uniform stroke forms and curves, and goes on to include a lowercase, numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers.

Based on the fin-de-siècle Helios Reklameschrift of the Klinkhardt foundry, Leipzig, Affiche preserves the beautiful art nouveau character of its hot-metal forerunner and was carefully extended to make it multilingual. For more historical authenticity, you can use the long s by typing [alt] and [b].