The overall look of this font shows the very deep psyche in the work, the ink hand and the pen have a soul moving in a rhythm. We named it 'Jakarta.' It is a stylish modern calligraphy font with casual chic flair. It is perfect for branding, wedding invites and cards. All lowercase letters include beginning and ending swashes, giving realistic hand-lettered style.

SK Brushwood is an experimental geometric font based on chaotic lines. It is inspired by the Greek stone script, but nevertheless it is modern. The main component of the letter shape is straight and sloping lines ending in straight corners, which makes it look like brushwood. This is why the font gets its name. SK Brushwood is perfect for headlines, posters, print work, and the Internet.

This font was inspired by the very well-known humanistic script called "Cancellaresca". This variant was used by a lot of calligraphers in the late 1400s, specially by the Venetian Giovannantonio Tagliente, whose patterns were mainly used for this font. You can compare this with 1610 Cancellaresca. Numerals were inspired by Da Vinci manuscripts, from the same period. We added accented characters and a few others not currently existing at the time. A lot of titling alternates and ligatures are also included.

Sheet music from the 1921 edition of the Ziegfeld Follies provided the blueprint for this sparkly, sprightly font. Upper and lowercase characters are identical, with the exception of the letter s, which offers a version of the letter with a big caboose rather than an overbite. Named for David Bowie’s 1972 breakthrough album. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Ziboulateur is French slang for bottle opener. The word consists of two parts: Zibula (a word from Congo-Brazzaville meaning: ‘to decork’) and the French suffix -ateur. I thought this rather creative word would be a good name for this particular font! Ziboulateur is a handmade, all caps display font. It comes with extensive language support, including Sami and Vietnamese.

Airbolt is sporty, futuristic, and sharp font. It will make your design looks sporty and also futuristic design. Airbolt is a great fit for retro, futuristic, automotive, and gaming themed designs. Just look how it performs on the preview that I have provided, you will see its capabilities. But it will also work well with other themes. I can’t wait to see what you guys will come up with with using this font!

Tact Slab is geometrically slab serif font, black and condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. Tact Slab is compatible with the sans serif font Tact. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, futuristic themes, sport, film, computers, phones, video games, magazines... Contains all Latin and Cyrillic glyphs.

Introducing vintage label font named Happy Trip. This font has a wide languages support with west european and cyrillic characters (check out all available characters on previews). The font familty has six styles: Regular, Aged, Texture, Outline and three colorful styles. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Introducing original label font named Sport Bar. This font has a wide languages support with west european and cyrillic characters (check out all available characters on previews). The font family has six styles: Regular, Contour, Fill1,Fill2, Rough1 and Rough2. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Introducing vintage label font named No Remorse. This font has a multilungual and cyrillic characters support (check out all available characters on previews). The font family has six styles: Regular, Inline, Shadow, Inline FX, Shadow FX and Aged. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Introducing vintage label font named Beard Point. This font family has an additional characters and multilingual support (check out all available characters on preview). The font family has six styles: Regular, Shadow, Texture, Shadow FX, Texture FX, Aged. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Introducing vintage label font named Vida Bandida. It is based on my other font, Black Widow. All available characters you can see at the screenshots. This font has six styles: Regular, Full, Shadow, Shadow FX, Texture and Texture FX. This font will look good on any vintsge styled designs like a poster, T-shirt, label, logo, etc.

Genova is a sans serif type family with 4 variables namely Thin, Regular, Medium and Black. This font has a harmonious and beautiful shape that makes it perfect for all your needs for long text, branding, logotypes, print designs and more. This font is made in detail and measured by using geometric details to make this font look balanced and minimalist. This font is dedicated to the use of all needs in 2023, and will be the most popular and best selling font of the year.

The Alphard font is a cute script font designed by my daughter inspired by the name of the luxury vehicle she dreams of. Suitable for making packaging products, motivational quotes, social media, marriage, or simply used to reveal the words above background. Featured font: Uppercase, lowercase, digits, symbols, accents, and Alternative Style also supports multilingual Enjoy the font, feel free to leave a comment or feedback, send me a PM or an email. Thank you!

Among the many display faces Milton Glaser designed during the heyday of Push Pins Studios was the pattern for this dramatically shadowed face, whose original name—for reasons unexplained—was "Kitchen." Well, whatever the reason, it's definitely "what's cooking," so the Italian word for the latter half of that phrase gives this typeface its name. Equally at home being kookie or spookie. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

My name is Teruyoshi Matsui. I live in Japan. I am a Brush Artist. I artistically write the letters of the alphabet with a Japanese brush. I have created the font “ BrushType Longhand”. It was originally named "BrushType Alternative". But I changed my mind before it was completed. At first I aimed at an alternative font. But while I was trying to make it alternative, I realized that it was not. Of course there are many alternative letters that you have never seen before among them, so you have to be careful using the font. If you are a progressive and defiant designer trying to discriminate against others' designs, you should own my font "BrushType Longhand". Be ambitious! This is the word I will give you. I am ambitious ,too. No one in the world creates brush fonts like me. I am the only one as a Brush Artist though no one knows. I will be a world artist some day. So you should buy the font that is one of my favorite works. Thank you.

Good ideas never will die. Based on the concepts of former Leipzig student Volker Küster in the mid-1960s, I redrew and digitized the basics and extended them into a complete multilingual caps-only poster font which I named “Brocken”. Its letter-forms strongly remind me of the mighty rocks covering the highest peak, Brocken, in Northern Germany.

The 1884 specimen book of San Francisco Palmer and Rey Type Foundry featured this elegant design under the name Oxford. The decorative caps, combined with the centered small caps, have a timeless appeal. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

The original name for Ambigue was “Confidence”. This font family received the first prize at the German Kurt Christians-Foerderpreis in 1997/98. Its interpolated weights offer a subtle differentiation in the grey levels. A special “Small” weight is available that offers better readability in very small sizes. The work was supported by Professor Jovica Veljovic.

Ross F. George, master of the Speedball pen, called this rather rugged typeface "Personality Script", which might be a suitable name if you had the personality of a porcupine. It does grab your attention, though! Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

In his book Victorian Display Alphabets, Dan X. Solo called this specimen "Marquette". This unicase version features a complete character set, and is named after a favorite watering hole in Texas on the Guadeloupe River. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Howdy pardner, stick 'em up! Sharp Shooter is a ruff rider that won't take no guff. He'll shoot first and send a 'get well' card later. This font makes a whimsical webfont, best for board games and awesome for apps!

1up is a retro font that is influenced by classic video games and modern pixel fonts. Looks great in display sizes and also works well when used smaller.

Madiffure is a modified neo-grotesk gothic font; this font basically has no consistency in several letter styles, so this font looks unique and bolder in its application of letter development. And this font is suitable for bolder and more modern design themes to apply to certain design uses. On the other hand, we also paid attention to making this font more pleasing to the eye so that it is more comfortable to read even at the smallest size. The Madiffure font is also equipped with Cyrillic as an addition to the basic language style, namely Latin 1 and 2.

The name “Fiction Crusader” was generated by a random word generator. It may sound odd, but I like the feel of it. Use your imagination: what exactly is a fiction crusader? Each letter has 6 slightly different versions, and they automatically cycle as you type. A great way to make your text look more lively and vibrant! I guess that this is an all-purpose font, because I can’t think of a project that couldn’t use a font like this!

Zapped is a grungy font with a sort of extruded look. I was working on a poster for the punk band MAXILLA (they are hot check'm out). It looks like it came out of a war zone. Abuse it!

Introducing Rotten Banquet, our first victorian display font. This font inspired by 1800s typography design with some modern touch at it. We made this font without too much swashy efefct on the letterform. Just gave it two bold ripple floral effect at the tail is enough. So this font will more readable and not too complicated thus you could make any kind of projects with this font. In the preview we give you a sample ideas. We made it with one style design for the continuity but of course you could make your own style display for your own project purposes. This font contained with 370+ total glyphs. Each uppercase and lowercase have their own stylistic alternate at least one.

Fatman is such big thick person. To me it seems to the most interesting font Fatman BL. I name it fatman with the broken leg. The letter A is similar to it.

Dimitrina was created with a simple premise: Can there exist a typeface which features a minimum of sharp angles? And a readable typeface, as well? With these strict rules in mind, the development started. At first the typeface looked more like a script, and some characters ( M G or R, to name a few) still hold traces of a handwritten style which spices the overall taste of Dimitrina. Since the first draft every character was redrawn, and edited several times, for the purpose of making the typeface readable, and distinct at the same time. Estimate for yourself if our goals are achieved, while you observe the three weights which are available exclusively in MyFonts. All of them feature a full set of characters plus cyrillic support. You can also try the regular weight which is offered free.

Conceived on a cold evening to the hot Jazz of the Eri Yamamoto Trio at Arthur’s Tavern in the Village, font Molly Louie is best described by the person for whom it was named. “Very intricate, like a whole little world in each of them” and “The solid is nice too, like little cut up sandwiches.” The detailed and solid versions facilitate a variety of two-color applications. You might not use this decorative display font at smaller sizes, but you are encouraged to let your imagination guide you.

Elbow Grease was made with, yes, you’ve guessed it: Elbow Grease! It started off as a grungy font, but it didn’t look right, so I reworked all the glyphs. Then I forgot to save the font, so I had to start all over again. Naming a font was never this easy! Elbow Grease is a didone-ish font with some seriously warped glyphs, a lot of panache and a ‘get-it-done’ attitude. Also comes with a toolkit full of diacritics.

Introducing a vintage Japanese style all caps font named Tokugawa. This font was inspired by Japanese hieroglyphs. All available characters you can see at the screenshots. This font has six styles: Regular, Shadow, Light, Aged, Shadow FX and Light FX. This font will look good on any retro and Japanese styled designs like a poster, T-shirt, label, logo, etc.

Hjem, in Danish, means ‘at home’ or ‘home’. I made this font ‘hjem’, so I thought the name was quite appropriate! Hjem is a rounded, handmade display font that comes with extensive language support and cute swashes. Use this versatile font for your packaging designs, book covers, party posters or whatever you want. I am sure this font will feel right hjem!

Pinky Stone is a display font in thick weights and expresses feminim and fun nuances at the same time. It tends to be round in shapes with low contrasts. In addition, its line details are clean with the same letter proportions. Furthermore, Pinky Stone gives you a special bonus called the clipart. Use this font for big text sizes for a legibility reason and you can enjoy the interesting features available here as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Pinky Stone fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

**Brush in Space** - Handwritten Brush font with a natural Rough style and comical type. Crafted manually with love and passion, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, Game project and etc.

Retro-futuristic robot terminal type. The 1930s Moderne Streamline decade meets the digital domain in this weird font. Use it in an ad for Ford Tri-Motor Airplane or a story about an out of control 1980s computer monster. Which? Help it find its place- as it is lost in time. Digideco is a minimal font set that includes upper and lowercase letterforms which can be used at various sizes but, we consider it a headline/display font, best applied larger than 36 points in size. Shall we play a game?

Brushland was initially born as custom type project, where the goal was to achieve a natural feeling as if it was really written. The project raised some questions, how natural should be this script typeface? How to simulate this writing feeling? For this, four different glyphs were drawn for the same character. This “Feature” or “Behavior”, programmed in the font, combines the variants in the sequence of 1, 2, 3 & 4 and replaces the letters at the time the words are composed, in order to avoid the repetition of glyphs. Through the “Contextual Alternates” OT Feature, the user can decide if they appear or not.

Three Day Pass JNL is another addition to the large collection of stencil fonts from Jeff Levine. This design was based on a 1980s clone of a popular lettering guide first sold in the 1950s. To the untrained eye, many of the stencil designs look the same - but there are subtle nuances in the shapes of the letters and numbers that makes each font unique and slightly different.

Raphia is a one-of-a-kind display font designed with caution in mind in order to create a font with a powerful, bold, and noticeable character for your varied creative endeavors, maximizing the impression of beauty. Not only that, but this font works well as text in sentences as well. So, what are you waiting for? Start making your creative ideas more beautiful and extraordinary right now, and don’t forget to employ this font. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. Start using our fonts for your amazing projects.