Taku comes in two styles, Taku regular and Taku Solid. As one of the most creative faces to date, this is a beautiful piece aimed at a whole range of markets for print and digital work. Super creative, extremely eye catching, and almost obsessively accurate. Taku is a typographers dream, over 300 hours of work on aesthetics and technical details, so you can expect the most high quality typeface around.

Stonehill is a bold handpainted sans serif typeface for display or packaging use. Stonehill has 3 glyphs for each letter and with contextual alternates activated in apps that supports this it will cycle thru these alternates to keep the same glyphs from repeating too much. Or, you can always pick and choose from the alternates manually to keep it fresh! Stonehill is available in two cuts - regular and oblique.

"AZEST" FONT — NEW, GROTESQUE This is a simple font, with a small number of accidental elements. The proportions are slightly stretched in width. One regular font. It can be put in interfaces or in communication materials, it will not be too active, but it will not slip into neutrality. Supports Cyrillic and some other scripts. Lowercase and uppercase characters, numbering, punctuation and diacritics, in general: all the necessary signs.

An online image of a grid page [circa 1930s] showing teachers how they and their students could create cut-out letters and numbers inspired Poster Project JNL. The typeface is available in both regular and oblique versions. A crude, yet charming simplicity to the lettering can help replicate old time school bulletin boards and posters, or simply provide a less formal typographic approach when that is needed for a project.

Gilbert JNL is an interpretation of Eric Gill's classic sanserif typeface, which has become an all-purpose workhorse in ad copy. While other versions of gill-sans fonts have multiple weight sets, Jeff Levine chose to replicate this particular weight as a single design [in both regular and oblique versions] because of its popularity with sign makers of the past and give to it the minor nuances of hand-made lettering.

A connected typeface design with a calligraphic flavor. The Lahab (Arabic for flame) font family employs visual features from the Arabic Diwani Calligraphy. It has six members, normal, bold, and light, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Lahab employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Lahab includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

The Bustani™ typeface is a typographic interpretation of Naskh, a principal calligraphic style of Arabic script. Designed by Patrick Giasson and Kamal Mansour, Bustani is the first OpenType® font to offer full classical Naskh contextual shaping, while supporting all the numerous languages that use the Arabic writing system without the need for auxiliary plugins (an OpenType compliant application is required). Through the use of OpenType® stylistic sets, Bustani features intelligence to choose the appropriate letterforms for faithful interpretation of Naskh calligraphy. Bustani supports Arabic, Farsi, and Urdu – in addition to many other languages. While primarily intended for setting literary text, the Bustani typeface can also be used in a broader variety of projects that require classic, graceful shapes. “The face shines in environments where the text is given breathing space,” says Giasson. “This includes poetry, literature and artistic publications – perhaps even adding a bit of flair to parking tickets,” he quipped.

Sidewalk Cafe will serve up a look from your Font Menu that’s delectably deco. Though developed from a few hand-lettered words found on a 1930s poster, it retains a contemporary flavor. The shaded version is designed to be layered over Sidewalk Cafe Underlay, to create contrasting color possibilities, as both share the same kerning values. Supports Western and Central European Latin languages, in addition to Baltic, Celtic, Esperanto, Romanian and Turkish.

A versatile contemporary calligraphic font with a casual, classic and elegant touch. Kathya has a multiple language support, the choice of useful ligatures, swash characters and a couple of alternate characters that you can easily access in any Opentype savvy program. Simply open Glyph Palette to access all of the glyphs. Can be used for various purposes such as logos, packaging, wedding invitation, t-shirt, branding, letterhead, signage, label, posters, badges etc.

WTF Strange Crispy - is a playful bounced display font that inspired by retro typeface, I make it with 100% hand drawn to get the artistic look. Perfectly suited for quotes, branding, logos, and social media posts, “WTF Strange Crispy” has a unique touch to every design, ensuring it stands out and makes a lasting impact. Illuminate your content with the enchanting allure of “WTF Strange Crispy” font, and let your creativity shine in every project.

Hofisem is a retro Serif typeface from the 1970s style, full of nostalgia and handmade funk, it has a thickness that is very fitting for retro styles and the like, solid and uniqueness of each character style made. Hofisem comes with opentype features such stylistic alternates, stylistic sets & ligatures good for logotypes, posters, badges, book covers, t-shirt designs, packaging and much more. Features: -Uppercase & Lowercase -Multilingual support -Numbers -Symbols -Punctuation -Ornament

Aqualita is bold and italic script font, with flexible character, and the top of each glyph slightly sloping. Font features: - Standard ligatures - Stylistic Alternates - Stylistic sets Font file included: Aqualita OTF Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7

Routemaster is a hand-drawn condensed title font by the graphic designer Daniel Thomas. Found under the stairs, hand painted on a dusty rolled up bus route canvas. Re-created and refined with additional glyphs, Routemaster is old, bold and unique. A characterful font. Pleasant for posters, lovely for a logo, brilliant for branding, tasteful for t-shirts, playful for packaging and becoming for book cover design. Enjoy your design journey with Routemaster

Blou is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Peace Maker is a dry Brush Script Font with hand-lettered style. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work.

Simpletune is handwritten script font with dry brush and signature style. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc...

Snail is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

A cute and playful display font is good to go on your projects such as poster design, merchandise, quotes, t-shirt designs, social media posts, and more.

Fineberg is a script font that is very suitable for branding projects, home appliances design, product packaging, design on t-shirts, calendar design, logo design and more!

Clou is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Portal is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Prisma is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Venesia is a beautiful and clean font with an ornamental style, perfect for use in various designs such as mugs, t-shirts, invitations, greeting cards and more

Inspired by the Roman lettershapes that Asensio y Mejorada drew in 1780, Frontis is a text typeface that takes this reference just as a starting point. The delicate appearance of Neoclassical fonts becomes confidence in Frontis. The characters have a solid skeleton, and the text looks classy in the condensed half of the family. A style that shines especially at display sizes. A collection of vegetal motifs and some stylistic uppercase ligatures complete the character set. These extra shapes serve to frame and bring together all the weights and styles in the type family. The lapidary ligatures and the ornaments underline the 18th-century roots of the design. There is a connection between Frontis and those classic letters that were once engraved on stone. And yet, the design is daring enough to make it a perfect choice for contemporary use.

An isolated typeface design with a calligraphic flavor. The Nastarkib font family employs visual features from the Urdu Persian Nastaliq Calligraphy. Visual connectivity is accomplished by overlapping glyphs with downward slopes. This font family has four members including normal and bold weights with two styles each, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Nastarkib employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Nastarkib includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

This handy font allows designers of commercial products to add basic circled letters that are uniform in appearance. For example, on music CDs, the Copyright and Publish (AKA Phonogram) symbols often do not match. While most fonts include a circled 'c' for Copyright, they seldom contain a circle 'p' for Publish (note that all P22 fonts include the circle 'p' and 'c'). The circle 'U' and 'K' for Kosher foods are rarely included in fonts and have to be made as needed. This single font contains both a serif and sans serif style caps A-Z as well as figures assigned to regular keys and also mapped to standard Unicode for "Enclosed Alphanumerics".

3 weights (Light, Regular, Bold) 613 glyphs Character set A-Z Uppercase & Lowercase Numerals & Punctuation Multilingual Language support: Latin, Greek, Cyrillic Works on PC & Mac Kica is a modern display typeface that is characterized by its clean lines, bold strokes, and geometric shapes. This typeface was designed with the intention of creating a strong visual impact and capturing attention.

‘La Arista Del Sol’ it's the mountains climbing route. I've created this font family to transfer adventure and romantic mood. I believe La Arista is very useful in printing and for web. * Regular, italic and pattern styles * Uppercase and lowercase * Numbers * Ligatures * Punctuation * Multilingual support Please feel free to request to add characters you need: kaer.pro@gmail.com

Introducing, Mictorn - A display blackletter typeface in 2 style regular & stamp. It comes with ornament bonus. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Penna is a calligraphic type system designed by Pedro Leal. Amidst the four available styles you get four different ascender and descender styles, two different styles of starting and ending swashes, a plethora of ligatures and several other features. Choose between regular, swashes, unconnected and connected versions or mix them all up for a deeper calligraphic feeling.

Hello guys! Introducing our newest product, we call this product the Thibero font Thibero font is a regular font with a retro style With a unique and firm touch Thibero fonts are great to use on: fashion magazines, logos, and photography, landing pages, flyers, What's included - multilingual support - ligatures -alternate Thank you, best regards Ali Sifak Muftari

German type designer Fabian Rottke created this display FontFont in 1995. The family contains 2 weights: Regular and Heavy and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Dirtyfax provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Lichtspielhaus Slab is an ultra condensed handwritten typeface based on Lichtspielhaus. It still transports you back to a time where neon lights and marquee letters decorated cinema facades. This time with Slab. There are 8 styles: Hairline, Thin, Light, Regular, Medium, Bold, Black and Heavy. “Lichtspielhaus Slab” is the third part of a Type Noir Quadrilogy.

Avegas Royale font is modern sans serif font that is made in 4 styles regular, italic, bold, and bold-italic. The shape is made to contrast curves and lines between light and thick so that it looks more stylish and stands out. This font that perfect for logo, headline, advertising, quote text, invitation card, branding identity, and more.

Hello guys! Introducing our newest product, we call this product the Colonse font Colonse font is a font family consisting of regular, bold and hollow colons With a unique and firm touch Colonse font is great to use on: fashion magazines, logos, and photography, landing pages, flyers, What's included - multilingual support Thank you, best regards Ali Sifak Muftari

"Rose Jane" is a vintage-themed script font enriched with stylistic alternates and swashes to elevate your designs' impact. With its timeless and graceful style, this font adds a nostalgic touch of elegance to your projects. Additionally, the font offers two distinct styles: regular and shadow effects, providing options for depth and dimension in your designs. .

British type designer Peter G. Warren created this display FontFont in 1995. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for festive occasions, music and nightlife as well as software and gaming. FF Amoeba provides advanced typographical support with features such as alternate characters and case-sensitive forms. It comes with proportional lining figures.

A 1932 fan magazine from Spain entitled “Films Selectos” (“Select Films”) had those words hand lettered in a decorative Art Deco type style that was a cross between the “Futura Black” style of stencil influenced display lettering and “Fiesta” lettering. This hybrid design is now available digitally as Dance and Sing JNL in both regular and oblique versions.

I made Paper Sting using an inky pen. There is a great variation in the stroke width, which gives a very lively handmade feeling. Paper Sting comes in two versions: Regular and Stencil - mix them for cool realistic results. Of course there is multi-lingual support as well as contextual alternates, which means 5 different versions of each letter.

Wrought is a bold geometric display font by Jon Cartagena. It's purpose is to give a rugged, heavy feeling to your designs. Wrought is available in four weights: Thin, Light, Regular, and Bold. Each character is carefully designed to be vertically aligned at the center. This gives Wrought a unique flair, while promoting a harmonious look through each word.