Heinrich Wieynck’s blackletter font, carefully redrawn and redesigned for modern use. Due to its proportions, this blackletter font can also be used for body texts. This font contains the letter ‚long s‘ which can be reached in two ways. Either you use the OpenType feature ‚historical forms‘, or you type the summation sign on your keyboard. There are two graphic elements implemented, a corner element and a pearl for framing. The corner can be set by [alt] + [shift] + 1 for the outline, and [alt] + v for the filling. The pearl, set on a path, is accomplished by [alt] + [shift] + p for the outline, and [alt] + p for the filling.

SlipperyFishes alternates two letter sets to create an undulating line of text that reminds me of a slippery fish. It resembles Undulate, another typeface that uses the OpenType feature of contextual alternatives (calt) to alternate letters, but while the tops and bottoms of letters in Undulate trace parallel paths, the tops and bottoms of letters in SlipperyFishes trace reflecting paths. SlipperyFishes is monospaced with tight letter spacing to accentuate the ripple pattern. The family has four members: regular, outlined, condensed, and condensed outlined. The outline styles that can be used in a layer with their base styles to add color.Slippery fishes is bizarre and weird and can be used in places where those attributes will create attention-grabbing lettering.

As good as Nylon is, there’s nothing better than a nice woolly blanket. The smell and coarse, uneven texture are relaxing and feel reassuring. More comfortable. In a world where technology can reach millimetric precision, sometimes it’s good to connect with the imperfect and controlled impurity that is nature. Font design in particular has matured through software that can generate the most perfect letters in the world. But most of them don’t have soul. Landa is a glimpse from the cutting edge into the past. Inspired by Venetian lettering from the 15th century, whilst giving them new meaning, its letters become expressionist and have a modern touch. A rendez-vous between Nicolas Jenson, Oldřich Menhart, and nature itself. In Landa you can feel the texture of trunks and branches, from full fertile splendour to dried-out frailty. It takes the reader for a stroll through the woods on a late autumn evening, or on an adventure through the Amazonian rainforest, depending on the weight chosen. In the lighter and italic options, Landa text is organic and rustic, and very comfortable to read. What’s more, while it’s discreet on smaller screens, when enlarged it reveals brittle and expressive calligraphic shapes. This also makes it ideal for packaging or display elements. Landa provides advanced typographical support in several languages and OpenType features including case-sensitive forms, small caps, contextual alternatives, stylistic alternates, fractions, proportional and tabular figures. In this case it is technology that serves lettering, not the latter being technology dependent. Let’s not forget, as Erik Spiekermann said “we are still analogical beings. Our brains and eyes are analogical.” Perhaps that’s why to disconnect we always need to go back to forests, rivers, nature. Perhaps that’s why we still prefer wood to steel or wool to nylon.

Kamber is a playful and approachable, neo-grotesque sans-serif with a handful of humanist flourishes. Subtle convex terminals and a curved structure create it's friendly personality and bouncy rhythm. If you're looking for a warm typeface that's affable without straying into cliché, then Kamber is your new best friend – like the labrador of typefaces. Kamber's balanced yet quirky nature makes for a fun and interesting display face, without compromising on legibility at smaller sizes. The lowercase letters have an elevated x-height, sitting at around 70% of the cap height – this means running copy remains clear and readable. Available in 8 weights, each with a corresponding italic, Kamber is a widely functional typeface that can hold it's own, regardless of the use case. It includes all the usual open type features for further adaptation and variation, including small caps, ligatures, stylistic alternates and more. The primary numerals are lining figures, but tabular figures, old style figures, and a combination of both are also included. If you're looking for something to stand out from the sea of overly geometric faces and soulless helvetica variants, then Kamber is ready and waiting. Perfect for editorial design, branding or anywhere you use text – Kamber is the typeface that smiles.

This font has been derived from different transformations of the moon transcending into different moods which affect the world. A full moon can cause human beings to be aggressive. While a new moon is a good time for new beginnings. This font can function as headings and subheadings.

Runway is the font that will satisfy the need for speed in your design. Simple lines and curves, a commanding slant, and big sturdy shapes made to cruise at any speed or altitude, through summer breeze or horrible snowstorms. Runway was designed to be tight like an engine chain, powerful like the hum of the engine itself, and simply the best choice when it comes to strength and velocity in design. Initially Runway was meant to be a single font. But during the spacing and kerning stages, Patrick noticed that most of the letters, especially the vowels and the s, can clasp stylishly with the L or the T to make some really funky combinations. That's how the Alternates font was born. After building a few alternates and about 40 "clasped" combinations around the L and the T, the decision was made to take Runway to the next level: OpenType. The OpenType version of Runway is a single font that contains some serious font magic. Some of the many features the font includes: Over 430 characters for that great character map utility you have, automatic to-and-fro small-capping, discretionary ligatures that call up some pretty funky combinations automatically as you type, and a lot of stylistic and contextual alternates for many characters, ligatures and composites. If your design program of choice supports the features of OpenType fonts (Illustrator CS, Photoshop CS, InDesign CS), then you're in for a lot of enjoyment playing with Runway. For those who don't fancy OpenType or can't handle it, Runway is also available (in Regular, Caps and Alt styles) in the usual font formats for both Mac and PC.

Mancino is an all caps family of 4 fonts, inspired by hand painted signs and advertising. Uppercase and "lowercases" are slightly different, for a more natural look. You can also turn on discretionary ligatures to replace the second letter of any pair (EE, LL, OO) by its other variant.

Thickness is a handmade font created with a casual feel that works well at larger sizes in headers or titles. Also works great in branding applications. Thickness is all cap, but with variation in the lower and uppercase so you can mix and match for a more handmade feel.

HALVAN –a striking type with half-serifs The Halvan font family comes in 5 styles from Roman to Bold, Italic and a Small Caps Version. Each version includes old style figures and lining figures. It is a versatile type and can be used in a wide range of circumstances.

Introducing. Sugar Smile - All Caps Display Font Sweet font with hand strokes. Simple and eye catching. You can apply it to craft designs, promotions, creative posts, apparel, quotes, merchandise, posters etc. See some of the previews above for reference. Features: • Uppercase • Lowercase • Numeral • Punctuation • Multilingual • PUA Encoded Thanks.

Klopers is a lovely and minimalist logo font with unique shape that will make your logo and design looks more minimal yet modern. With the unique characteristic lowercase, this font can make your logo even more stunning. You can use this font for any purpose, especially to make logotype. You can mix and match the uppercase and lowercase to make your logo more advanced. Klopers also comes with love shape that replace the "o". This font also comes with number, symbol, and multilingual support!

This font has been described as "one of the cutest fonts I've ever seen. I can imagine a beautiful, young 22-year-old fashion design student from Los Angeles, CA with this handwriting as she's writing in her journal." I have cleaned it up a bit, increased the size of all the dots slightly and then designed all the diacritics and expanded the character set. The lowercase "f" has a big overhang and the lowercase "j" goes really far to the left - I have programmed automatic (OpenType) Contextual Alternate versions that automatically substitute with shorter variants when letters collide. These alternate letters can also be switched on using the OpenType palette's Stylistic Alternates or Stylistic set 01 ("j") and 02 ("f"). ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This is a well-built, functional (all caps) typeface, which is very modern in character. The use of diagonal corners in this angular typeface is inspired by the pennant numbers on British Royal Navy warships, which adds an military quality to this typeface. The gaps, which form the Stencil divisions, follow pre-established horizontal and vertical lines, they help to achieve both geometric and proportional harmony. The direction of the gaps is always at a right angle to the stroke.

TT Octosquares useful links: Specimen | Graphic presentation | Customization options TT Octosquares is a fresh, revised, expanded, and significantly improved version of our first commercial typeface TT Squares and its narrow version TT Squares Condensed. With all our love for the original font family, it felt there was a lack of functionality, character composition, features, and design freshness, which prompted us to the idea of a complete restart. Now TT Octosquares can be safely called a superfamily consisting of 4 widths (Compressed, Condensed, Standard, Expanded), 72 faces (18 in each width), and 1 incredible variable font in which variability works jointly on three axes. In addition to working on the contours themselves and their design, we completely revised the composition of the typeface. First, we added two completely new widths: Compressed and Expanded. Secondly, we increased the number of weights in each of the subfamilies—while in the old versions there were 5 weights, now in each of the subfamilies there are 9 weights. At the stage of working with the contours of characters, we revised the roundings, changed the forms of shoulder and stem crossings, added noticeable shelves at the letters, removed the sharpness from the triangular characters and cut off all sharp endings. From the very beginning of work on TT Octosquares, we planned to make a variable 3-axis version of it sewn into 1 font file. This means that by installing just one variable font file, you get access to three axial adjustment of the font: by thickness, width and inclination. Thanks to this flexibility in settings, you can always choose a custom combination of thickness, width or inclination that best suits your tasks. Due to the increased language support and the appearance of a bunch of useful OpenType features, the number of glyphs in the typeface has increased from 480 to 825 in each style. Now you can use stylistic alternates, standard and discretionary ligatures, or use old-style figures, numbers in circles and even slashed zeros in your design. Full list of features: aalt, mark, mkmk, ccmp, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, case, zero, dlig, liga, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, calt, locl. To use the variable font with three variable axes on Mac you will need MacOS 10.14 or higher. For other software and browsers, you can check the support status here: v-fonts.com/support/.

This font was originally called Mozaik. The lowercase postion has a few alternate characters in place of the basic ones.

When we think of a child's font, random scribbles often come to mind, but I thought, why not make a child's font fun, spontaneous, and at the same time simple and readable. This is how the Arbus font was born. This font is perfect for anyone looking for a light, free-style font that will last a long time. In addition, the font has a number of undeniable advantages: The Arbus font is perfectly balanced, which allows you to use it both in headings and for large amounts of text. Thus, you can completely design your products with one font family. The Arbus font family has nine font weights. The font supports all European languages ​​and of course the Latin alphabet. Works on PC & Mac This beautiful Arbus font can be installed on any operating system, it can also be used in professional programs like Figma or Addobe Crative Cloud, as well as in other simpler software like Canva.

Hillstone is a handwritten font with a rough texture, the process of making letters with scratched with strong and fast stroke on paper to make the rough texture that characterizes of Hillstone, so this is a font with a rough and dry brush style. We repaired the letters computerically and if they didn't unite well and we made several alternate glyph. There is no problem for long or short text, so this font can be used in various designs widely. you can use this font for instagram, quotes and other long text, this font is also unique for one word text or short typing, that you can use for product brands, company logos, books and magazine covers, everytype will look very typical. use ligatures and alternatives to your taste.38. Anything made with this font will definitely be wrapped in a very contemporary style and elegance. We make several priview images as a guide for designing directions, please check them all Best regard and thank you very much.. 38.lineart studio

Changaa is the name of a beer in Africa, the local people call them "drink of the dead". UPPERCASE 
lowercase 
Numerals 
Punctuation 154 characters

Oh yeah! Gorda is a huge, bold and all-caps typeface. It's rounded style makes sure it's nice and friendly, even though it can be used in (very) large sizes. With Gorda you can produce a powerful and contemporary style. The smaller stroke width of the symbols and punctuation marks makes sure legibility is not an issue, as is often the case with fat type. Gorda is suitable for all sorts of uses, especially posters, headlines, artwork and logos. Use it to draw attention, in a quirky and distinctive way. Gorda has been designed and developed by Zeptonn.

Albertson is strong retro font. Made with vintage references like an old school automotive, signage, cowboy, lumberjack, woodwork, and DIY handicraft. The modern western font that you can apply for your classic design such as the logo, logotype, label, packaging, signage, and more! Albertson is an all-caps font with a strong design, equipped with 4 sets of alternates characters that you can mix and match to get the more solid typographic looks! Also complete with multilingual, packed in total 350+ glyphs. Fonts featured : Uppercase Smallcaps Numbers & Punctuation Stylistic set 01-04 Accented characters Thank you for your support!

In NewLibrary the letters are on books, not in them. (The letters are from the typeface BeneScriptine). The NewLibrary fonts have characters with blank books, both solid and outlined, that can increase coloring possibilities. Instructions on how to form the layers or alternatively to get the effects with a string of characters, some with zero width, are given in this pdf file.

The flashy font is a fun, cool, and retro style. Come with a fun alt glyph, it can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! This font is perfect for headings, flyers, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

In 1525, Albrecht Dürer, the well known German great artist, was publishing the so-called “Underweysung der Messung mit dem Zirckel und Richtscheyt”, printed in Nuremberg. This handbook explained with numeral figures how to draw with a compass and ruler. A large part is devoted to the drawing of Roman characters, which can be used as decorative initials. We are offering two complete historical initial sets and also have entirely redrawn the missing letters: J, U and W, Eth, Lslash, Thorn and Oslash in the two forms, using the Dürer style. The font may be used with all our Humane and Garalde fonts, like 1543 Humane Jenson or 1592 GLC Garamond and others from the GLC foundry catalog.

Lilith Script Pro is a family inspired from hand lettering and calligraphic typography that I've seen when in urban cities when I've travelled the world. Its strength is the magical mix of contextual alternates and 104 ligatures. Both open type enabled and completely automatic make sure that the flow of the writing will always be pleasant and perfect. The ligatures will always be substituted automatically through the "liga" feature, while the contextual alternates can be turned on and off through the "calt" feature. Lilith Script Pro is perfect for special logos and playful invitations or headlines. With its 574 glyphs per style there is really nothing you can't do with this family.

Paperclip Wire is a great font for anyone looking to have a straightforward yet elegant look. All letters consist of Capitals yet the uppercase letters are exaggerated. Because of the nature of the font I suggest using it in no less than 20 pt. font. However, because it is simple it can easily be read when printed. This typeface was developed loosely based on a paper clip itself. the x-height was determined based off the size ratio of the clip and the cap height was based off of a paper clip as it is folded open. The overall shape is straight lines and subtle curves, all relating to each other to allow for a constant flow of letters.

Gamboge is a deep saffron to mustard yellow pigment which is extracted from a tree. Its name comes from gambogium, the latin word for the pigment. Gambogia font is a beautiful all caps typeface with a pre-war feeling to it. Upper and lower case differ and can be mixed freely. Use Gamboge for your product packaging, book covers and websites.

Quelia is an experimental, display, all-caps typeface inspired by nature and organic shapes. It has a very expressive character. The letterforms are extraordinary but also elegant at the same time. Quelia is a great choice for fashion projects, branding, headlines, titles, posters, packaging, covers, and logotypes but it can also add a distinct character to your website or app.

Fimfarum is a word that the Czech actor and writer Jan Werich created for one of his magical fairy tales for children and adults. Fimfarum is also the name of this playful typeface equipped with various styles simulating the randomness of handwriting. You can choose to select and combine different styles either using an all-in-one pro font in an OpenType-savvy application, or with a 10 fonts family pack. Fimfarum Pro also offers an automatic random effect. The OpenType contextual alternates feature can randomly mix narrow, wide and bold characters. You can specify how through various stylistic sets. For more details, check the Fimfarum Typeface Manual. With this versatile tool your designing possibilities are immense. Well, this is Fimfarum. You can download the instruction PDF here.

WEG* font is an experimental type system where legibility isn’t the focus. This project studies how glyphs are constructed and how their ductus can be modified. I explored how far I can move the limits if I don’t worry about the legibility. In Weg, letters are built by a single line that connects them, along with words and paragraphs. When weight decreases, the legibility of the signs increases. This is the first stage. It’s a project in expansion. The set contains uppercase, lining figures and basic punctuation in three weights: Regular, Light and Thin. The current supported languages are Spanish, Guaraní and English. If you need any other language, please let me know. I would like to expand the character set. Second stage project WEG is an experimental in-expansion font family. Here I present to you the second stage. I’m planning the first upgrade for middle 2021. I’m preparing a pattern set for July 2021. Here you can see the first four patterns. If you buy the font before July 2021, you’ll get this upgrade! • Second stage April - July 2021: pattern set (first four ready). • This upgrade will be available on August 2021.

Roper is a western styled font that comes in a sans and a serif version, each version has a regular, press light and a press heavy option. The press versions are a letterpress/stamped style. Although Roper is an all caps family of fonts and was designed as a display font, it can be used in many ways. Roper gives the user many options to choose from with regards to styling, this helps bring whatever it is you are creating with Roper font, come to life.

Finally, voltdeco V02 is basically capital letters (all-caps) for display, then to complement various needs for body text and headline layouts, it is developed into a font family. Voltdeco is an art deco uppercase font with a modern style, Voltdeco works great in short sentences or words, but the (20 weight) fonts allow for more options for exploration. Voltdeco can also work well for medium or regular text. Explore with voltdeco for creative works, whether printing the final design or digital design, happy exploring with voltdeco.

Say hi to “Alota” retro typeface. Inspired by 70’s design styles, a good decade where we saw many calm colors with groovy, bold, 3D and round shape. This font is very easy to use with hundreds of stylistic alternate (ss01-ss12) & powered with opentype feature. The font really bring a good statement for your logo design and can be the image of a design. Alota is very unique and easy to apply to any media; t-shirts, posters, sign boards, and social media needs.

Gardner Sans is a humanist sans serif with a range of weights, italics, small caps stylistics alternates and a set of decorative ornaments. The light and regular faces work at smaller sizes and the heavier weights are good for display lettering. It is inspired by a few historical sources including Stephenson Blakes' Granby, Gill Sans, as well as some old hand-done lettering for sales tickets. The name (and the basis for the small caps) derives in-particular from the Roy Gardner collection of sales tickets from early 20th century that can be found on spitalfieldslife.com The heavier weights were particularly influenced by a later cut of Gill Sans, Extra Bold 321. The italic is more of a contemporary mix of humanist styles.

Weird Words is a weird and trendy font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! You can use this font for the social media post, poster, and suitable for headline. This font also support multi language.

JetJaneButton has letters on a design that looks like a computer button. Its letters are from JetJane Mono, a sans-serif monospaced font. The typeface contains characters that can add color to letters. There are two ways to do this. One uses layers and the other a combination of characters, some with zero width. This pdf file explains the how this can be done.

Bravecho is a highly detailed and distinct display font. Use this serif display font to add any design idea you can think of! Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Finador Slab is a soft slab-serif family. It has a strong character and can be used for a lot of cases, especially for editorial, branding, packaging and logos. The Slab version is based on the Finador Sans version. It matches perfectly and can be used easily together. The Finador Slab family includes 8 weights, from thin to heavy + their matching italics. With 900+ glyphs per style it supports over 200+ latin based languages, includes an extended currency symbol set and a lot of Open Type Features like small caps, ligatures, fractions, alternates and many more. The lightest and boldest weights are good for display usage, while the middle weights can be also used for body text. Finador Slab supports almost every of your needs. It meets all the requirements to become your next favorite workhorse family. So just give it a try. The Medium weight is for free.

Mixta is a contemporary serif typeface with characteristic and defined features. This font was inspired by the idea of mixing different types of terminals in order to give the font a singular appearance. Its design is composed of diverse styles such as Didone and contemporary faces. You can create unique designs by combining any of the upright weights with matching italics. Mixta includes Cyrillic support, small caps, different types of figures and a wide variety of alternates. Mixta comes with a set of 1,200 characters that support over 200 Latin-based languages. This font was specially designed for branding, advertising, editorial design, and use on Tv and social media.

VILLANTEZ is a display that is basically a serif font that has been modified in such a way that there are breaks or distances at the body meeting of each letter, almost like in stencil letters. Creating a more attractive and different impression from other display serifs, this font can also be categorized in a more modern Victorian style by carrying a slight stencil modification. This font is also an all caps font with different letter and character heights in the uppercase and lowercase. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Kidela is an exuberant and eccentric serif typeface reminiscent of hand painted signage. Kidela features tight kerning and spacing, and some interesting effects can be achieved by adjusting the tracking. The typeface includes 64 discretionary ligatures to extend the natural hand painted look, alternates, oldstyle figures and small caps. Please see the sample brochure to see these ligatures in action. Kidela is an excellent choice when you need a fun and interesting serif.