Meet the new slick calligraphy font - Chelya. This gorgeous script is for those who need some elegance and style for their designs and is perfect for wedding invitations, save date cards, feminine branding, and other necessities. This font is modern, simple, but still authentic. Chelya includes the complete set of Basic Uppercase and Lowercase Characters, Numbers, and Punctuation Marks. It also contains binders and many stylistic alternatives to perfectly recreate natural calligraphy (check the preview to see all of them).

Meet the new slick calligraphy font - Lovetina. This gorgeous script is for those who need some elegance and style for their designs and is perfect for wedding invitations, saving date cards, feminine branding, and other necessities. This font is modern with a love style, but still authentic. Lovetina includes the complete set of Basic Uppercase and Lowercase Characters, Numbers, and Punctuation. It also contains binders and many stylistic alternatives to perfectly recreate natural calligraphy (check the preview to see all of them).

The sheet music for the 1939 tune "Chico's Love Song (Ma-La-Ja Fa-La Pas-Ka Lah-Ta) [Cuban Double Talk]" may have had an odd title, but the main portion of it was hand lettered in an interesting style. Condensed letters with rounded corners complemented by sharp lines and angles give the characters an almost futuristic look, despite the fact that they were designed during the Art Deco era. This became the basis for Song Composer JNL, which is available in both regular and oblique versions.

Jules Verne. Wild, Wild West. Tomorrowland. The Past’s extrapolation of the Future. So it was wrong, it’s still romantic. Steampipe is a font constructed of bits and pieces, reminiscent of the ironwork construction of the Crystal Palace or the inner workings of The Time Machine. Although it works fine as is, it comes alive with some Photoshop Layer Styles. Steampipe has the most extensive kerning of any font I've designed, just so (most) letters fit together as if they were constructed as a unit; use them in a program that supports special kerning.

These letters were developed to decorate the font Bowling and then were also used in the fonts Coffeemug and Teapot. For many years the InsideLetters family had only one family member, InsideLetters. An upgrade in early 2019 added two more family members, InsideLettersHalloween and InsideLettersXmas. The first puts the letters from InsideLetters on pumpkins and the second puts them on Christmas tree ornaments. In 2022 and oblique stye was added to the family. Inside letters is caps-only. It is a casual and playful handwritten sans-serif font.

The BrightIdeas family contains two novelty fonts that have letters on light bulbs. The fonts have some characters on standing bulbs and some on hanging bulbs and these two sets are made to alternate with the OpenType contextual alternatives (calt) feature. To use only one set of bulbs, this feature must be turned off and character spacing adjusted. The family contains a style with clear bulbs and one with filled bulbs. They can be used in layers to add color. Both are monospaced. The characters on the bulbs are derived from the font Myhota-Bold.

Boot Camp JNL has the same roots as Jeff Levine's Condensed Stencil JNL, as they were both modeled from a set of vintage brass interlocking stencils made by the Stafford Manufacturing Company. The previous font was drawn from limited examples of the stencils seen in an online photograph, so a number of the basic characters had to be improvised. Since then, a nearly complete set was obtained and the alphabet and numerals are truer to the original design. Additionally, both Regular and Oblique versions of Boot Camp JNL are available.

Aurelac - is a font that was inspired by the cover of the book "Learn to sew" by authors Egorova R. I. and Monastyrnaya V. P. This is a contrasting font that has unusual serifs and combines elegance and brutalism. Many uppercase letters are bold, while lowercase letters are lighter, which gives a more unusual effect to the text and the beginning of the sentence. It is perfect for headlines, posters, logos, banners, covers and much more. If you find errors in the font, kerning, then a huge request to write to the address: bunineugene@gmail.com

The six typefaces of the Kyhota group all have an “Old West” look to them. KyhotaOne has very thick slab serifs compared to KyhotaTwo. KyhotaBarbed is more condensed than either and has little barbs on the verticals, something that was a feature of a number of nineteenth century typefaces in this style. KyhotaFezdaz is condensed, without barbs, and with the slab serifs replaced with a flare serif. KyhotaBigBottom and KyhotaBigTop play with the weighting of the serifs, with one (either top or bottom) very thin and the other very thick.

Hunter Rising - Brush Font a relaxed and flowing handwritten script font. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive! Feature A-Z Character Set Numerals & Punctuations (OpenType Standard) Stylistic Alternates Swash Multilingual Ligatures

I always admired the beauty of Gothic letters, but lamented their low readability. The revivals of Gothic faces are beautiful, but they revive everything, including the traits that prevent readability. Blackletters are fine in ads and titles, but can’t be used in long texts (like books on Middle Ages, Medieval romances etc) where they would be the perfect historical choice. And I wanted to change this scenario. With Giureska, instead of taking one particular face to revive, I chose the best traits from many Gothic faces, i.e. the forms that were pleasant to look and easy to read. For the ‘small caps’, I studied uncial scripts and made a similar selection, adapting everything to make a unified font. With three weights, true italics and the uncials, Giureska can endure a variety of projects, bringing the appeal of Middle Ages much beyond the cover.

The letters in the Linotype Aspect Family fonts seem to be experiments in the handcrafting of letters with just a few basic geometric forms. For instance, the bowls of the letters C, D, and G in Linotype Aspect Intro are all made up of narrow half circles. Features like this make Linotype Aspect Intro perfectly suited for headlines and short passages of text. Its quirkiness is sure to lend a smile to the faces of your readers. For shorter headlines with larger point sizes, try setting your text in Linotype Aspect Regular, the second member of the Linotype Aspect family. Linotype Aspect Regular uses the same basic letterforms as Linotype Aspect Intro, but reverses them out in white, and places them over bulbous black shapes. The Linotype Aspect family was developed by German designs Hans-Jürgen Ellenberger in 1999.

Whomp takes its inspiration from the work of an American master in sign painting and alphabet manipulation: Alf Becker . In 1932, Becker began designing a series of alphabets to be published in Signs of the Times magazine at the rate of one alphabet per month. Nine years later, 100 of those alphabets were compiled in one book that became an enormous success among sign painters. In the late 1990s and early 2000s, many Alf Becker alphabets were digitized with blurbs that falsely credit an “Alf Becker typeface”. Alf Becker was not really a typeface kind of guy. He was more of a calligrapher and sign painter. His alphabets were either incomplete or full of variations on different letters, and didn't become typefaces until the digital era. This particular Becker alphabet was quite incomplete. In fact, it wasn't a showing of an alphabet, but words on a poster. Alejandro Paul took the challenge of drawing, digitizing, restructuring, and finally building a complete usable typeface from that partial alphabet. He then extended his pleasure by once again playing with the wonderful possibilities of OpenType. Whomp comes with more than 100 alternates, tons of swashy endings and ligatures, all built into the font and accessible through OpenType palettes in programs that support such features. This is the in-your-face kind of font that stands among other Becker-based alphabets as paying most homage to the vision of this great American artist who saw letters as live ever-changing beings. Whomp is right at home when used on packaging, signage, posters, and entertainment related products.

Okasa, our newest typeface, is now available. We present to you a quirky and contemporary typeface, which you can use to produce an optimal visual display in each of your projects and to impress all of your audience with the unique look of your project. Because everyone does not necessarily understand Japanese letters, we supply fonts with letters that can be utilized for your project. We produced this display font with a Japanese theme or an Asian font, which we designed to fulfill the needs of your Japanese-themed project. Of sure, your initiative will be understood by people all around the world. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out. Caps only fonts

This style mimics the flare or upward fade that comes with the use of a spray paint can, as the tops of the letters flare, and become wider. An original font style, named after the border town of Mexicali, this font style falls under the larger umbrella of what is called Cholo-graffiti style. Originally from New Jersey, MENE has made his home in, New York City. He had a brief albeit satisfying career of street bombing in the late 90s that saw its end with a brief encounter with the Vandal Squad. Now a family man, Mene has dedicated himself to the preservation and education of style in its many forms.

Monospaced become very popular among graphic designers. Nevertheless, I’ve noticed that in most cases that designers use monospaced typefaces is not because of their particular features caused by the strict rules of design — all characters share the same advanced width — rather because of it’s ‘electronic derived’ appearance. So, I decided to create a typeface that keeps the characteristics that, in my opinion attract designers to this particular sort of types, but deliberately break the main rule: characters do not share the same width — but they they look like they do! Characters are better balanced compared to truly monospaced types, giving more even typographic color while used in text setting. One weight might enough to please electronic type lovers. Designed in 2000.

Yumo is a new, textured remix of the original 2010 Yume typeface, and has plenty to offer of its own. Angular and blocky, this typeface creates impactful text with a hint of playfulness, expanded upon by its rough finish. There are no extraneous edges to this font because most of them have been subsumed into the characters themselves, so any sharpness it may have from the squared corners is removed by the lack of thin strokes or serifs. Perfect for headlines and large text that wants to stand out, Yumo’s big, bold text will help your message make an impact. Playing with colours on the textured surface only helps to strengthen this effect, so that Yumo will blow people away, whatever you want to say.

It's time to kick off your shoes and feel the "sans" between your toes. Like Cabrito Inverto , its stress-reversing cousin, the new Cabrito Sans serves up something nice and cool in the heat of the project. A quick recap: the original Cabrito is an insigne Design slab serif produced for the kid's book The Clothes Letters Wear. It's been pretty well-received--even more than I expected. I promised to grow the family with a free-standing inverted style that could pair well with Cabrito. (See Cabrito Inverto.) Now, I'm rounding out the family with this well-crafted sans. And so now, Sans is where it's at. Strip away the serifs of Cabrito, and you have a laid back, rounded sans serif alternative served up over easy. This handwriting-inspired creation--like its relatives--is definitely not uptight about its forms (though not afraid to show them off a little). Cabrito Sans' whole pack of alternates is accessible in any OpenType-enabled program. This kiddo consists of a workforce of alternates, swashes, and alternate titling caps to give the font a little extra sweetener to its flavor. Also bundled are swash alternates, old style figures, and compact caps. Check out the interactive PDF brochure to test out each these options. This font family members also consists of the glyphs for 72 various languages. Cabrito Inverto and Cabrito do pair nicely with Cabrito Sans (in case you doubted). Use Sans--or all three of these amigos--to express friendliness on just about anything: food, candy, toys, cars (if you're feeling bold). Don't wait, though. Purchase Cabrito Sans today, and bring a one-of-a-kind look to whatever your computer's next design party is.

Mapuche means ‘man of the land’ and it is also the name of a group of indigenous inhabitants in South America. During the southern Winter solstice, between June 21 and June 24, the We Tripantu, the Mapuche New Year fest, takes place with a magical rite in the middle of the nature. Indigena is a dingbat font that remakes the artistic expression of the Mapuche people in Chile, recovering the handmade stroke they used in textiles and ceramics, but with a fresh look. This dingbat is based on pre-Columbian iconographic drawings shown in the book Dibujos Indígenas de Chile (1929) by chilean art teacher Abel Gutiérrez.

This font is one of the most used broken letter fonts today. Fette Fraktur is used to invoke a nostalgic or rustic feeling and found often on restaurants with hearty homemade food’ or breweries who use the good old recipes’ of the founder. The font was designed in the 19th century and from the beginning intended as an advertisement typeface. The lower case letters have a gothic character with only the ornamental flourishes making them broken letters, while the capital letters are more characteristic of broken letter typefaces. One could say Fette Fraktur is a true mix of styles, not unusual for typefaces created at the turn of the 19th century.

SK Shpala is a modern geometric display typeface inspired by the aesthetics of railways. The typeface is built on a system that includes a combination of wide lines and thin gaps, which creates a unique character pattern. The name of the typeface refers to the railway tie for a reason, as the text typed in this typeface really resembles the railway tracks from above. The typeface is multilingual and supports many languages of both Latin and Cyrillic. Despite the strong decorative component, the SK Shpala typeface is a powerful tool for working with typography and design. The typeface is also perfect for poster design and large headlines.

QATORA is a display font with a Japanese motif. Each letter in this font is distinct, resulting in harmony and beauty when composed into a word or sentence. When you use this font, your entire project will be beautiful and perfect; your audience will be fascinated; your project will be distinctive; and, of course, you will win the audience’s heart with a unique project appearance thanks to this font. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out

Blank Manuscript allows you to produce sophisticated musical scoresheets even on basic Word Processors - anything from simple plain staves to complex full-page orchestral scores of your own design, to write in the notation yourself. The basic stuff is really easy and straightforward, but there's some quite advanced things you can do as well. So Copy and Save these Instructions. • The main stuff is simple and tends to follow the initial letter. Treble, Bass and Alto clefs are on upper case T B A (there are more clefs, below). The 5 Lines for the clefs are on L or l. • A small v will give a small vertical line (like a bar line) and a Big U will give a Big Upright - these can start or end a line or piece. • Time Signatures - type the following letters: Think of W for Waltz and it's easy to remember that 3/4 time is on W. Then from that they go up or down together like this: V=2/4 W=3/4 X=4/4 Y=5/4 Z=6/4 Compound Times are on H I J K like this: H=3/8 I=6/8 J=9/8 K=12/8 Common Time and Cut Common symbols can be found on semi-colon and colon respectively (all begin with Co- ). 2/2 3/2 are on lower case a and b, 7/4 and 7/8 are on lower case c and d, 5/8 is on small k (think POL-k-A) • Flat signs are on the numbers. Flat signs on LINES 1 to 5 are on numbers 1 to 5. Flat signs on SPACES 1 to 5 are on numbers 6 to 0 (space 1 being above line 1, space 5 being above the top line of the stave). Sharp signs are on the letters BELOW the long-row numbers. Which is q w e r t for the sharp signs on Lines 1 to 5, and y u i o p for sharp signs on spaces 1 to 5. Doing it this way means it works the same for all clefs, whether Treble, Bass, Alto, Tenor or any other. Sharp and Flat Signs always go in this order, depending on how many sharps or flats your key signature requires: Treble Clef Sharps t i p r u o e Flats 3 9 7 4 2 8 6 Bass Clef Sharps r u o e t i w Flats 2 8 6 3 1 7 = Alto Clef Sharps o e t i w r u Flats 7 4 2 8 6 3 1 • Guitar Chord Boxes are on G and g (G for Guitar) Upper Case G has a thick line across the top Lower case g has an open top, for chords up the fretboard TAB symbols are available: Six-string Tablature is on s & S for Six. Four-string Tablature is on f & F for Four. (Lower case has the "TAB" symbol on it, Upper Case has just the lines to continue.) Five-string tablature, is on lower case "j" (as in BAN-j-O) and of course L or l will continue the 5 lines. •RARE CLEF SIGNS including Tenor Clef, are on various punctuation marks, i.e. dollar, percent, circumflex, ampersand & asterisk, above the numbers 4 to 8. NOTE: The important symbols were kept on the letter and number keys, which are fairly standard all over, but some of the less important symbols are on various punctuation keys, which in different countries are not the same as on my keyboard. If it comes out wrong on your system, all I can say is it's right on the systems we've tried, and they'll be in here somewhere, probably on a different key. CLOSING THE ENDS OF THE LINES and BAR-LINES is done with the 3 varieties of brackets - brackets, brace and parentheses - Left/Right for the Left/Right end of the line. Parentheses L/R () which are above 9, 0 give a clef with a small vertical upright (the same as a bar line). Brace L/R and Brackets L/R (both on the 2 keys to the right of P on my keyboard) will close off a staff line with tall upright bars. Brace gives a double upright - one thick, one thin. Brackets give a single tall upright. A Big Upright is on Big U, (Big U for Big Upright) and a small vertical line is on small v (small v for small vertical). The Big Upright is the maximum height, and the small vertical is exactly the same height as a stave. And there's a tall upright Bar, on Bar (which is to the left of z on my keyboard, with Shift,) which is the same height as the bar on upper case U but twice as broad. • There's a staff intended for writing melodies, which is a little bit higher up than an ordinary treble clef giving a space underneath to put lyrics in - on m and M for Melody line. Lower case has the Treble Clef on, Upper case M has just the higher-up staff lines with no clef. (Use mMMMMMMM etc.) However this clef will be in the wrong place to put in sharp and flat signs, key signatures and so on, so if you use this clef you'll have to write the sharps, flats and key signature yourself. There's also a clef that's smaller (less tall) than the ordinary clef, but with the same horizontal spacing so it will align with other standard-sized clefs - on slash (a plain clef) and backslash (with a Treble Clef). • There are some large brackets for enclosing groups of staves, such as you'd use on large orchestral scores, on Upper Case N O P Q R, which can aid clarity. N and O on the left, Q and R on the right. P is a Perpendicular line to be used on both sides to increase the height of the enclosure, in this way but with the staff lines in between: N Q P P P P P P O R OTHERS —————————————— • Repeat marks are on comma (left) and period/full stop (right). • Hyphen is left as a sort of hyphen - it's a thin line like a single staff line, with the same horizontal spacing as ordinary staff lines - in case you want to draw a line across for a Percussion Instrument, or a Title or Lyric Line. • Space is a Space, but with HALF the width or horizontal spacing as ordinary staff lines, so 2 space symbols will be the same width as a clef symbol or line. • Grave (to the left of 1 on the long row, or hold down Alt and type 0096 then let go) gives a staff line that is one eighth the width of an ordinary staff line. • If you want manuscript in a clef and key which requires a flat or sharp sign in the space underneath the 5 lines, they’re on = equals and + plus . SYMBOLS • Many of these symbols will only be useful if you have worked out in advance which bars will need them, but they are here in case you've done that and wish to include them. • Symbols for p and f (piano and forte) are on 'less than' and 'greater than' < > (above comma and full stop) and m for mezzo is on Question, next to them. They can be combined to make mp, mf, ff, pp, etc. These signs -- and other signs and symbols like Pedal Sign, Coda Sign and so on -- can be found on various punctuation mark keys, including above 1, 2, 3 in the long row, and others around the keyboard. There's a sort of logic to their layout, but in different countries the keys are likely to give different results to what is stated here, so it's probably best to just try the punctuation and see if there's any you might want to use. (But on my keyboard a Coda sign is on circumflex - because of the visual similarity. Pedal sign is on underscore. A "Sign" symbol is on exclamation mark.) They were only included in case you really need them to be printed rather than handwritten. • However, a Copyright symbol is deemed necessary, and also included are a "Registered" symbol and a TradeMark symbol. They are found in the conventional places, and can be accessed by holding down ALT and typing 0169, 0174 or 0153 respectively in the numberpad section and letting go. • Staff lines with arco and pizz. above are on capital C and D respectively ---C for ar-C-o. • An empty circle above a staff line (to indicate sections by writing letters A, B, C or 1,2,3 inside for rehearsal marks) is on n. The actual signs for an A, B, C and D in a circle above the staff line can be produced by holding down ALT and typing 0188, 0189, 0190 and 0191 respectively and letting go. • The word "Page", for indicating page numbers, is on the numbersign key. • The two quotes keys, (quote single and quote double) have symbols representing "Tempo is", and "play as triplets", respectively. • INSTRUMENT NAMES There's a whole lot of Instrument Names built in (over a hundred) which can be printed out above the clef, and you do it like this. Hold down Alt and type in the given number in the numberpad section, then let go. For Piccolo it's 0130, for Flute it's 0131, Cornet is on 0154, Violin is on 0193, and the numbers go up to over 0250, it's a fairly complete set. There's also a blank which is used to align un-named clefs on 0096. Put them at the very beginning of the line for the best results. Here they are: WOODWIND Piccolo 0130 Flute 0131 Oboe 0132 Clarinet 0133 Eng Horn 0134 Bassoon 0135 Soprano Sax 0137 Alto Sax 0138 Tenor Sax 0139 Baritone Sax 0140 Saxophone 0142 Contrabassoon 0145 Recorder 0146 Alto Flute 0147 Bass Flute 0148 Oboe d'Amore 0149 Cor anglais 0152 Pipes 0241 Whistle 0242 BRASS Cornet 0154 Trumpet 0155 Flugelhorn 0156 Trombone 0158 Euphonium 0159 Tuba 0161 French Horn 0162 Horn 0163 Tenor Trombone 0164 Bass Trombone 0165 Alto Trombone 0166 Piccolo Cornet 0167 Piccolo Trumpet 0168 Bass Trumpet 0170 Bass Tuba 0171 Brass 0172 VOICES Vocal 0175 Melody 0176 Solo 0177 Harmony 0178 Soprano 0179 Alto 0180 Tenor 0181 Baritone 0182 Treble 0183 Bass 0197 (see also PLUCKED STRINGS) Descant 0184 Mezzo Soprano 0185 Contralto 0186 Counter Tenor 0187 Lead 0206 BOWED STRINGS Strings 0192 Violin 0193 Viola 0194 Cello 0195 Contrabass 0196 Bass 0197 Double Bass 0198 Violoncello 0199 Violin 1 0200 Violin 2 0201 Fiddle 0252 PLUCKED STRINGS Harp 0202 Guitar 0203 Ac. Gtr 0204 El. Gtr 0205 Lead 0206 Bass 0197 Ac. Bass 0207 El. Bass 0208 Slide Gtr 0209 Mandolin 0210 Banjo 0211 Ukelele 0212 Zither 0213 Sitar 0214 Lute 0215 Pedal Steel 0216 Nylon Gtr. 0238 Koto 0239 Fretless 0244 KEYBOARDS + ORGAN Piano 0217 El. Piano 0218 Organ 0219 El. Organ 0220 Harpsichord 0221 Celesta 0222 Accordion 0223 Clavinet 0224 Harmonium 0225 Synth 0226 Synth Bass 0227 Keyboards 0228 Sampler 0249 PERCUSSION and TUNED PERCUSSION Percussion 0229 Drums 0230 Vibes 0231 Marimba 0232 Glockenspiel 0233 Xylophone 0234 Bass marimba 0235 Tubular Bells 0236 Steel Drums 0237 Kalimba 0240 OTHERS Harmonica 0246 Mouth Organ 0247 FX 0251 Intro 0243 Verse 0245 Refrain 0248 Chorus 0250 un-named 0096 (this is a small spacer stave for aligning clefs without a name) ALSO copyright 0169 registered 0174 TradeMark 0153 Rehearsal marks 0188-0191 (giving A, B, C, D in a circle, an empty circle is on n ) Clef signs for Treble Bass Alto without any staff lines 0253-0255 An Alphabetic List of all signs: a 2/2 time b 3/2 time c 7/4 time d 7/8 time e sharp sign, centre line f Tab sign for 4-string tab g Guitar Chord Box, no nut h half-width stave I sharp sign, third space up j Tab sign for 5-string tab k 5/8 time l Lines - 5 horizontal lines for a stave m Melody Clef - a standard clef but placed higher up, with Treble sign n Stave with an empty circle above o sharp sign, fourth space up p sharp sign, space above stave q sharp sign, bottom line r sharp sign, fourth line up s Tab sign for 6-string tab t sharp sign, top line (fifth line up) u sharp sign, second space up v vertical line (bar-line) w sharp sign, second line up x Fretboard, four strings y sharp sign, first space up z Fretboard, five strings A Alto Clef B Bass Clef C “arco” above stave D “pizz.” above stave E Double Vertical Lines F Four Horizontal lines (for 4-string tab) G Guitar Chord Box with nut H 3/8 time I 6/8 time J 9/8 time K 12/8 time L Lines - 5 horizontal lines for a stave M Melody Clef - a standard clef but placed higher up, plain N Bounding Line for grouping clefs - top left O Bounding Line for grouping clefs - bottom left P Bounding Line for grouping clefs - Perpendicular Q Bounding Line for grouping clefs - top right R Bounding Line for grouping clefs - bottom right S Six Horizontal lines (for 6-string tab) T Treble Clef U tall, thin Upright line V 2/4 time W 3 / 4 time X 4/4 time Y 5/4 time Z 6/4 time 1 flat sign, first line up (the lowest line) 2 flat sign, second line up 3 flat sign, third line up 4 flat sign, fourth line up 5 flat sign, fifth line up (the top line) 6 flat sign, first space up (the lowest space) 7 flat sign, second space up 8 flat sign, third space up 9 flat sign, fourth space up 0 flat sign, space above stave

Inno font, is a modern take on the futuristic scifi theme, this typeface is clean, sharp, and have plenty of alternative, you can easily access them through uppercase lowercase. This font is great for headlines, sub titles and many attention grabber projects.

Ving Smith is a Script Font with Handwritten Style. The Ving Smith font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Shiny Aisyah is a Script Font with Handwritten Style. The Shiny Aisyah font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Zombie Mummy is a bold, quirky, and incredibly spooky display font. Add this font to your favorite Halloween-themed ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs.

Hysteria is a Script Font with Stylish Textured Brush Style. The Hysteria font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Santy Ehisa is a Stylish Script Font with Handwritten Style. The Santy Ehisa font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Pejuang Cinta is a Script Font with Handwritten Style. The Pejuang Cinta font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

PB Roman Uncial Vc is a font face designed for imitate Roman uncial writing style found in manuscripts from 4th to 5th century. All characters are handwritten by use ink and reed pen (calamus), scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.), historical characters (overlined Roman numerals, abbreviations, I-longa, historical ligatures for "nomina sacra" and "notae communes") and wide range of ancient punctuation. OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Alternative Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Historical Forms, Historical Ligatures. Include also kerning as single 'kern' table for maximum possible backwards compatibility with older software. Historical ligatures for "nomina sacra" and "notae communes" are mapped to Private Use Area codepoints.

PB Beneventan XIc is a font face designed for imitate Beneventan minuscule (also called Lombardic, Casinense, Langobarda, littera Longobarda, Longobardisca) from southern Italy found in 11th century manuscripts. All characters are handwritten by use ink and pen, scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.) and historical characters (mediaeval abbreviations, ligatures, ancient punctuation). OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Alternative Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Case-Sensitive Forms, Stylistic Alternates, Contextual Alternates, Stylistic Set 1-14, Contextual Ligatures, Historical Ligatures, Standard Ligatures. Include also kerning as single 'kern' table for maximum possible backwards compatibility with older software. Additional glyphs are mapped to Private Use Area codepoints. OpenType features automatically exchange some default glyphs by stylistic alternates and create ligatures for better historical appearance.

PB Roman Uncial IIc is a font face designed for imitate Roman uncial writing style found in manuscripts from 1st to 2nd century. All characters are handwritten by use ink and reed pen (calamus), scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.), historical characters (overlined Roman numerals, I-longa, historical ligatures for "nomina sacra" and "notae communes") and wide range of ancient punctuation. OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Alternative Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Historical Forms, Historical Ligatures. Include also kerning as single 'kern' table for maximum possible backwards compatibility with older software. Historical ligatures for "nomina sacra" and "notae communes" are mapped to Private Use Area codepoints.

Soprani is a unique typeface inspired by a plaque found in New Zealand dating from the 1920s. The design was contemporized and brought 100 years into the future. The serifs are dramatically flared at the end of the stems, while in the middle, they contract. This leads to a unique shimmering effect that draws the eye and catches your user's attention. This typeface meets the demand for unique serif types that are both eye-catching and delicate. It’s a display face that's ideal for very contemporary work. This typeface has plenty of alternates and has a full complement of OpenType features. The 1920s inspire the design, with a bit of art nouveau and arts and crafts, yet the typeface is designed to meet contemporary design requirements. It has a unique elegance and the letterforms are condensed more than most. Soprani is suggested for table books, menus, and various promotional materials, newspapers, television, motion pictures and other media. There is a wide range of widths and weights available, from the thin, which is delicate and graceful, to a bold and robust black. Production assistance by Lucas Azevedo and ikern.

Back in late 2019, Wahyu Wibowo designed a logotype for Wahyu and Sani Co., he decided to shorten the name to be WSCo. for the logo. Then by the end year of 2021, he got an idea to develop the typeface he did for the logo and start developing a font family which can be used for company branding. Now the typeface has come to life with the name "Warkat". The font family comes in two styles, upright and italic. It has 14 styles in total and additional two variable fonts. Each font has more than 580 glyphs including the alternates which covers Western and Eastern Europe Latin based languages and equipped with functional OpenType features like standard and discretionary ligatures, various format for numbers, ordinal, etc.

Font designed from this who was used by an unknown printer in Lyon (France) to print the “Conte de Griseldis ” (Griseldis' tale), from Petrarque, inspired by Boccace, in 1495. The original font has a relatively small number of special characters and ligature, for the time. This font includes “long s”, naturally, as typicaly medieval but numerous letters - as accented ones - were added for this version. A render sheet, enclosed with the file, helps to identify them on keyboard. It is used variously in web-site titles, posters and fliers design, editing ancient texts or greeting cards as a very decorative and fine font... This font works at a small size like 9, remaining clear and easy to read on screen, but always better when printed.

Get in the swing with Metairie. This high-contrast script from Jeremy Dooley sets the rhythm for your next headline or short phrase with its fresh, expressive forms. Metairie’s (sometimes exaggerated) scrawled letterforms play on the colorful world of calligraphy to bring you a fully developed personality of its own. Inspired by elixirs and pharmaceuticals of the 1800s, this design has forms that dig down deep to the soul. It brings a unique, vibrant feel for your next message. The typeface supports all major Latin languages, and the expanded OpenType capabilities let you slide elements easily and quickly into your design. Metairie also includes a number of distressed options. Improv a bit, too, with Metairie’s decorative ornaments, variations on the fleur de lis. Ornaments and tails are accessed through the glyph palette or using the Swash function. An extensive set of ligatures gives you more options for humanizing the handwriting on the page. Then take it up a notch by using the glyph palette to find the perfect solution for project. You have full access to this amazing capability with InDesign, Illustrator, QuarkXpress and similar software. We recommend that you explore what this font can offer by using the glyph palette. Get a glimpse of ​​the font’s strength by looking over the brochure in PDF format in the "Gallery" section. Ready to step in? Take a stab at your next design with Metairie. It could be just the color you need.

Souttia is a slim and exquisite handwritten font. Stylish, graceful, and flowing, this font will definitely elevate the look of any of your beautiful creations while keeping them grounded and natural.