The Greek font started from an experiment with designing fonts based on a geometric grid. I joined the points on the grid with straight lines to form the various characters and found that this resulted in a font that closely resembled Greek writing (derived from inscriptions carved in stone) of ancient times. I continued to develop this theme but I now accentuated the look and feel of Greek writing. The three styles shown are the results of this development. I did not kern or letterspace the individual letters since this would have been out of character with the orignal Greek writing. This means that the font is mono-spaced. At a later stage I may produce more refined and "modern" versions of these fonts. Surprisingly, the Greek SCF styles are very readable. The font is fully professional in terms of its character set. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). In fact, it has all the accented characters used in the major European languages.

MollyO font family is based on the original, reliably cool handwriting of illustrator (and dear friend), MollyO of mollyOcards. Like MollyO herself, this font is unique, unpretentious, and beautiful. Part printed and part script, it has the authentic connections and stops of a contemporary, casual font. For the truest handwritten feel, keep discretionary ligatures on, or turn them off where you want more evenness. MollyO is expressive in all-caps, available in two weights, and with effortless warmth and inky flow, will bring a wide range of creative projects to life.

You are looking at the friendliest, happiest and most faithful of puppies. It comes to greet you as soon as your eyes see it, radiates its joy, wags its tail, jumps in circles, and begs to be played with. Showboat is a very unique bragger of a font. Its bouncy metrics and whimsical shapes are a sure formula for attention. People will soak it in and feel happy while they do. How can anyone greet such happy letters with anything other than a smile? No matter how many fonts your design box has, you can be sure that none of them is this radiant, lively or cute. This happy camper comes in four fonts: two weights and a large number of corresponding ligatures and alternates. Showboat can be used in a vast number of design applications; flyers and webs for parties, pre-teen and teen events, scrapbooking, candy branding, posters, children's publications and web sites, pet stores and products, toys, and many many other things.

This is an angular typeface inspired by axonometric construction diagrams (for flat-pack furniture), particularly the way their lines impart a sense of 3-D space. The horizontal, vertical, and diagonal constraints of stroke direction produce interesting results in characters such as the 'R', 'S', and 'V' and contribute the mechanical appearance of this typeface. There is a high degree of repetition amongst different characters (upper and lower case) for instance the ’M’ and ‘W’ are similar and so are the ’m’ and ‘w’.

Philomena is a signature script that brings the classy and luxury look. The natural feel of the signature works perfect for those who needs a typeface for headline, logotype, apparel, invitations, branding, packaging, advertising etc. This font is comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, etc., as well as multilingual support.

Introducing Beyond Comfort - A classy and stylish font duo inspired by 80's editorial type. At first glance, they look pixel perfect, but on further inspection, you'll notice perfect imperfections, revealing that the fonts are in fact entirely hand-drawn; As all of my fonts are, adding to the overall character of the duo.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Rio Grande is a classic ultrabold "Egyptian" face, named for the river that separates Texas from Mexico. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Adelita by Adela de Bara, Laura Meseguer / OpenType, 4 styles   Adelita has its origins from Adela de Bara’s hand drawings, a display typeface with balls at the end of the strokes. Helped by Laura Meseguer, this artist entered our catalogue in the nineties with four weights: three display faces and a collection of naive dingbats.

Introducing Hirokawa - A Japanese Font Konnichiwa! Hirokawa is a handcrafted, elegant font, containing the beautiful Japanese culture within. Use this font on your work, websites, social media, presentations, printed materials and many more! Inspire your audience, clients, or guests with this stylish Japanese font. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Zt. Sigata is an experiment where combining the two font styles into one, namely sans serif and serif, maybe this sounds very strange, don't worry this has been designed with very deep consideration with the serif style superti water droplets in the foliage that present coolness in every word and simple style sans serif with softness on each side, So when combined the two will be an extraordinarily beautiful design invention. Zt. Sigata comes with 6 styles (Regular/ italic, Kozi / italic, Rame / italic) that from each style have their own uniqueness, so it further expands your design experiment, and is great for poster design, packaging, logos, films and thanks to the uniqueness of each style may look good either in magazines or kompanye branding effectively. I hope you have a blast using zt.Sigata Thanks for use this font ~ Khaiuns X zelowtype

Sacred North is a beautiful, stylistic uppercase display font inspired by Scandinavian history and culture. It features elements of nordic elegance that is so popular in brands these days, combined with runic elements of the Viking Age. I'm from Denmark myself (and live in wonderful Copenhagen), so I've pulled inspiration from my everyday surroundings too. The uppercase letters have a decorative, geometric appearance while the lowercase letters feature a more elegant and simple appearance which means the two variations complement each other really well and allow for versatile design options – it's almost as if they were two different fonts. This font works perfectly for headlines, quotes, posters, brochures, packaging, T-shirts, postcards, logos and so much more. Product Content: - Character set A-Z - Includes 208 characters that covers all major Western languages. - Numerals & Punctuation If you have any questions, send me a message and I'm happy to help!

Avaline is a super smart script font that was 100% handmade. Inspired by hand lettering doodles, the font family combines a mischievous spirit and cheerful style. Its playful letterforms come in Light, Regular, Bold and Sketch, and it comes with tons of language support and fun alternatives. Packed with OpenType features, Avaline comes together to make a truly authentic hand script family package. Its imperfect hand-drawn style is utilized by contextual alternatives – giving each character 3 subtle variations as well as special styles that appear automatically based on where they appear in a line of text. Stylistic alternatives offer completely different styles for all capital and some lowercase letters. Swashes provide numerous flourish options for ascending & descending letters as well as characters that start or end text lines. Small caps and titling alternatives provide great secondary text options, converting the script letterforms to more proportional small cap ones. Avaline also comes with a massive set of extras, including catchwords, swashes & flourishes, arrows, borders, line breaks, laurels and frames. Together they make for a truly organic script font bundle. Avaline seriously comes with hundreds of alternative options, to see everything you can do with the family and to learn how to access them, please visit http://tinyurl.com/htwhetr

New for 2020 Bodoni Ornamental now has two italics to choose from, one basic italic and a second which is more of a true italic with a few uppercase letters that have been stylized. Only one italic can be style linked to the regular upright version so in the second italic we've added Avanti to the name which means forward in Italian. When purchasing the regular upright and Avanti italic together they will install as two separate families. Bodoni Ornamental is a revival of a very old typeface based on the Poster Bodoni letter shape. Giambattista Bodoni passed away in 1813, this decorative version was created in the 1820’s or 1830’s which was the time period when many of these ultra bold decorated type faces began to appear, the original artist is currently unknown. The original version of this ornate classic was only available as a set of uppercase letters, today over one hundred eighty years later this font is now complete with a new lowercase, numbers and accented characters for Eastern, Central and Western European countries. Due to the ornate detail in Bodoni Ornamental when printing itís recommended to use a laser printer 600dpi or greater, a 1200dpi printer will give you the best results rendering the most detail at the smallest possible point size for this font. Small home user Ink Jet printers are not recommended for Bodoni Ornamental unless you set the font to a very large point size. With Ink Jet printers much of the detail in the letters will bleed together as the ink hits the page, commercial Ink Jet printers such as GiclÈe printers may give good results. When using Bodoni Ornamental for digital images including web site graphics it may help to add a one pixel stroke fill around the letters setting color to white or grey, this may help the web site images display better on some computer's. You will need a photo editing application such as Adobe Photoshop to create your image adding the stroke fill and save as a jpg , png or gif file. I hope you enjoy this old font as much as I did making it. Note: When previewing the Bodoni Ornamental font in the Windows font preview you may notice some letters appearing lighter and some darker, this is a problem with the preview window and some ornate fonts, Bodoni Ornamental will print normal and not with mixed light and dark letters.

Quintet is a narrow, stylized sans serif font made up of thin, looping lines. This font tries to walk the line between retro and modern and to incorporate some hand drawn imperfections without being too obvious about it. I kicked off designing without any particular inspiration in mind but, as time went on, started associating it in my head with an old-timey, swingy jazz aesthetic. So hopefully it captures the spirit of the Jeeves and Wooster throwback theme song and opening credits, the music of Stéphane Grappelli and Django Reinhardt (who the name is a nod to), and countless album covers from that era.

When Sputnik launched in 1957, the world was launched into the Space Age, baby! It was rockets and soda shops, souped-up jalopies and Fairlane convertibles with radios blaring. Rock and Roll. American Bandstand and the Race to Space. Astro aims to call back those exciting days with a look that might have graced the sign of your local drive-in or donut shop. The uppercase characters look like they could fly, suggesting spacecraft, UFOs. Use it for Retro future events or business branding. It also seems to work exceptionally well, strangely, with French, Icelandic, Japanese and African names and anything to do with fish.

Inspired by the Indonesian island’s laid back feel and easy going culture, Bali Script is a tribute to the hand-lettered signage on beach bars, surf shacks and cafes. The swell of the stroke endings and the bolder-than-your-average gooey look convey a cool, contemporary take on baseball scripts. Overlay Bali Script Highlight for a cartoonish, glossy finish. Perfect for logos. This font is jam-packed with OpenType features that make smooth flowing text a doddle. Contextual alternates and ligatures are best left on by default. The alternates especially work a subtle magic that helps letters connect with an even rhythm, and automatically substitutes letters with the best fit alternatives based on their context, such as at the end of words, or adjacent to certain other letters. There are four stylistic sets (or all grouped together in the stylistic alternates feature for those without easy access to them) which do the following: SS01 - changes the r to a script form SS02 - makes certain caps more ‘scripty’ SS03 - capital I (and accented versions of it) get serifs SS04 - underline function. typing two or more underscores extends on underline beneath the previous word. Also included for your pleasure - oldstyle figures, automatic fractions, superior and inferior numbers, ordinals, some discretionary ligatures, swash alternates and extended language support.

Australian designer and art director Wayne Thompson has loved typography “ever since I received a battered second-hand Letraset catalog at the age of 10.” He based ITC Django on the handwriting of an acquaintance -- “a fellow I know who writes and illustrates children's books and is also a commercial artist” -- who called himself Django, after the jazz guitarist Django Reinhardt. “I felt that that name Django suited the funky, lively feel of the face,” says Thompson. But he adds, “Django has a split personality: it appears loose and easy at first, but after looking at it for some time I felt an edginess come through that was slightly psychotic.” The looseness of the lowercase contrasts with the spikiness of the capitals. The “edginess” is especially apparent in words in all caps.

Stickley Optical Family is an expansion of P22 Stickley Text, a humanist, Oldstyle-rooted design with a contemporary execution and full OpenType abilities. The font contains ten distinct cuts across four optical masters—in addition to Text for page content, the optical family includes Display for titling; Headline for emphasis; and Caption for footnotes and small sizes. Typefaces were originally designed for the physical size at which they were to be printed, with subtle variations in proportion, detail, contrast, and visual weight to ensure they were as clear at 6 pt. as they were elegant at 68 pt. This created a unified design as the various sizes were set together on a page.

Text is the foundation of this typeface family and is built for use in extended reading. Its proportions are carefully balanced for visual clarity while retaining its character; designed for use at 9 to 13 pt. Caption is a sturdy, simplified interpretation of the Text letterforms, with ink traps, generous letters and spacing, and hefty proportions to give balance to the smallest content on a page; designed for use at 5 to 8pt. Headline is a complement to the Text master size. It is a gently modified version with larger small caps to add visual strength and has a greater delicacy; designed for use at 14 to 26 pt. Display is an elegant refinement with stylized details. It harmonizes with the smaller optical masters as a more intricate manifestation of the typeface. Designed for use at 34 pt. and above. 
 Opentype features include ligatures, oldstyle and lining figures, alternates, Central European characters and diacritics, and Swash Caps for the Italics. Stickley Optical Family is a feature-rich workhorse with international functionality.

MMC INSIGNIA PRO, is an Iconic & Emblematic Neogothic Geometric Display… Assembled by Trivial Squares and Diagonals Symbols Pattern from a puzzled grid Aftermath!! Includes Small Caps & Stylistic Alternates!! +Extra Monospaced Figures. In 22 styles, with Obliques, both for single display and layer Typesetting, plus OpenType Features & Bonus Blocks Fonts! MMC Insignia Pro, is the cursive version of MMC Insignia and the default or main lowercases in ‘SC’ feature plus cursive stylistic alternates and sets such as Monospaced figures… Its atmosphere stands by on both Corporative to Decorative, Modern & Fashion, Federalist, Bohemian, Romantic, Ludic, Treasured Look, Etc. This Display font-family is the result of the repeated applications of this unique infamous Icon or Symbol, of two counterpointed triangles, implicit as hourglasses, in order to compose an innovative and unprecedented typographic pattern and modulation concept through the letterforms, in an extremely Geometric style. The Graphic Sign used throughout this type, is a remarkable trend used already in Logos of different businesses, whose most famous case refers to a famous International Bank, which doesn’t need to be mentioned, as it is instantly associated! This characteristic innovation was the main motivation while creating this type. Usage Suggestions: Type Fancy Titling texts, Display Remarkable Logos, Branding Projects, Labels, Emblems, Fashion Patterns, or in everything Noble and designed for Excellence as a type of Insignia, or distinguished marks and attributes of Royalty and Power!! That’s also forwardly, the reason why it was named MMC Insignia… TIPS: 1-Combine styles into innumerous possibilities of Chromatic Typesetting, by ‘central pasting’ layers… You may dislocate layers for improvisations! 2-USE BLOCK “FREE-STYLES” 1 & 2 also to add default 3D! Change 3D directions by switching Block 1 to Block 2, that way you can Zig-Zag words and lines. *Also shift the block layer up to bottom limit, it makes the 3D direction turn upside down. Greetings! André, MMC-TypEngine.

Mindful that Hiragino Sans (Kaku Gothic) would be used in conjunction with Hiragino Serif (Mincho), SCREEN developed a font that anticipated today’s world where most people do their reading on displays and yet still has an orthodox letterform that does not blur when printed on paper. In short, our goal with this font was to create a new concept that responds to the demands of today’s times. This font offers weight variations from W0 to W9 and is extremely versatile. This makes it well-suited to all visual expression media including paper, metallic textures, resins, cloth, television, movies, broadcasting, websites, and electronic displays. One of the design’s strongpoints is that it elides serif on the right side of each stroke, thus delivering more spacious counters and a comfortable appearance. Thanks to this, the typeface not only delivers a contemporary, lively impression same as Latin sans serif typefaces, but also heightens the natural continuity and readability of text whether it is set vertically or horizontally. As a result, it makes it possible to bring a strong appealing power to text. Without a doubt, this is typeface that above else embodies the role of Sans Serif.

Ordinary Boys - Elegant Font Duo is a delightful and versatile font combination that consists of a modern sans-serif font and a playful handwriting font. With a perfect blend of modern elegance and fun, this font duo offers creative possibilities for various design themes. The sans-serif font exudes sophistication and is ideal for modern and elegant projects, while the handwriting font adds a playful and enjoyable touch, perfect for fun and lighthearted designs. Whether you're creating logos, headlines, titles, invitations, greeting cards, printing materials, or designs for children, Ordinary Boys will bring charm and character to your projects. The modern and playful style of Ordinary Boys is what sets it apart. The sans-serif font showcases clean lines and a sleek design, conveying a sense of elegance and professionalism. On the other hand, the handwriting font injects a fun and whimsical vibe, adding a touch of enjoyment and personality to your text. The versatility of this font duo allows you to seamlessly switch between elegant and playful designs, making it suitable for a wide range of projects. Ordinary Boys - Elegant Font Duo brings the best of both worlds to your design projects. Its unique combination of modern elegance and playful fun allows you to create a diverse range of designs, catering to different themes and styles. Whether you're designing for sophisticated brands or playful children's themes, Ordinary Boys will elevate your designs with its charming and delightful touch, making your projects truly stand out with its versatility and character.

Introducing Moxie Twist, a captivating revival typeface that pays homage to the timeless elegance of 1930's design. Inspired by the iconic typography of the era, this font seamlessly blends nostalgia with a modern twist. With its unique flair and charming details, Moxie Twist breathes new life into vintage aesthetics, infusing your designs with a touch of sophistication and character. Whether you're working on branding materials, editorial layouts, or poster designs, this font will transport your audience to a bygone era while maintaining a fresh and contemporary feel. Rediscover the spirit of the past with Moxie Twist and let it lend an air of classic elegance to your next project, adding a touch of timeless allure that is sure to captivate.

ACEISIDA is a font that supports over 100 languages from around the world. Basic and some Extended Cyrillic, Basic, Additional and Extended Latin, Basic Greek, and some newly added characters recently entered into use in everyday life. ACEISIDA is a font that elegantly combines the timelessness of antique design with the modernity of the grotesque. The absence of serifs results in a universally readable and sophisticated format. It was designed to focus on the main text, complementing other design fonts without disrupting them. This font is perfect for those who appreciate minimalism and refinement, and its smooth lines make it suitable for various design projects. It adds understated elegance to any design, making it the ideal choice for those who value simplicity, modernity, and sophistication. The font includes many glyphs for the Kazakh language, catering to the ongoing transition to the Latin script and accommodating various spellings. It also features a basic set of characters and glyphs with accents for the Greek language and an uppercase version of the letter “eszett” for German.

Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands. Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters. Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses. This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from the 1950s and early 1960s.

This script loops and loops like a spaghetti using the power of OpenType alternates. The lettering made by this font would evoke your young days in the 60s & 70s.Please check the instruction in the Galley tab.

Introducing Rose Thorns - A Deathmetal Font. This font is inspired by underground and metal music band logostyle. There are ligature character in this font, which makes this font even super cool. Rose Thorns is suitable for death metal music, underground, hardcore music, blackletter, death metal logo design, clothing, logos, music covers, posters or other designs with the theme deathmetal.

Starlive Script is a beautiful and interesting calligraphy handwriting font. You can see from scratches that give a realistic and modern style. This font looks sweet and is full of the best characters. You can use this font in your design product range like invitation, mockup, embossed, branding card and others. Starlive Script includes a full set of large and attractive international letters, numbers, punctuation and ligatures. All lowercase letters include the beginning and end of the swashes. Also, Starlive includes multilingual symbols. The script is encoded with PUA Unicode, which allows full access to all additional characters without special design software. Mac users can use Font Books, and Windows users can use Map Characters to view and copy additional characters to be included in your favorite text editor / app.

You request perfection--that ideal equilibrium of compact dimensions and geometric underpinnings that leaves you with pure, clean lines of a highly legible sans. We give you Solitas, a 7-weight sans-serif from Jeremy Dooley. Made of 42 fonts, from the slender thin to the powerful bold and their matching italics, this typeface family features typographic options including ligatures, fractions, alternate unicase, upright italics, and titling caps. Coupled with its pure design and style, this makes Solitas a successful workhorse typeface. The result of simplification and reduction, Solitas is well-suited for the headlines and shorter texts of promotions, packaging, editorials and branding, both in print and on your website. That's it. It's that clean, that simple, and possibly that perfect for your next layout. Get it today.

Say hello to Qene-G Typeface, Qene-G is based on a problem that often occurs when I design, which is to combining typefaces in typographic art. I am pretty sure you also in this problem, so Qene-G Typeface comes to solve the problem. Qene-G is a complete package consisting of serif fonts and signature scripts. A careful approach makes this font give a luxurious and elegant taste to your project. Smooth curves, some flowy terminals, and flirty tails will make your project looks unique. The handmade signature combination emphasizes the style that you create in the natural beauty atmosphere. Qene-G consists of 5 families, they are Qene-G-Regular, Qene-G-Regular Italic, Qene-G-Outline, Qene-G-Outline Italic, and Qene-G-Script. You will get all caps letters with 2 styles that you can access via uppercase and lowercase buttons, charming script fonts, and tons of ligatures and stylistic alternates. Complete with Unicode and PUA which allows you to access all features without graphic design software. Your project will travel around the world with 131 languages ​​of this font. Qene-G is a strikingly versatile font, It is a bold choice for branding projects, fashion magazine imagery, social media text overlays, posters, website headers, and more. Let's start creating stand out designs with this font. We are pleased to tell you about our newest product made with totality, please CLICK HERE

Piambis Family has been featured in "Slanted #28 Contemporary Typefaces 2016/17" This handwritten font family that boasts great variety of glyphs - many of which are fancy alternates for standard letters (click on text written in Piambis below, then click on “Glyphs”). This font is designed so the letters are available via standard programs ie. Word. It is recommended however that you use professional software such as Photoshop or Illustrator to make your work easier as there are over 1600 glyphs in each of the fonts included in Piambis family. About the family: The chief difference between the files in the family are finishes to the capital letters (in all languages) and appearance of the lowercase “f”. The fonts support all languages that use latin script - yes - Vietnamese (Tiếng Việt) and Pinyin is also available.

This font contains plant icons from the taxonomic category Orchidaceae, inspired by the multiple specimens that can be found in Colombia that has the largest number of orchids in the world, more specifically in the specimens that have been exposed on the José Celestino Mutis botanical garden. These icons are characterized by having an organic outline; representing flowers, roots, leaves, bulbs and different supports or pots. The vast majority of icons have perfect bilateral symmetry because this is one of the differential characteristics of orchids (compared to other flowers), if they are divided by a central-vertical axis, their right and left sides are practically identical. “Aguadija” can be used in projects related to nature or similar topics, some icons (specifically the digits) are intended to form decorative ribbons or borders.

Interite is an antique font that is based on square elements that give it an unusual look. Square serifs and unusual shapes of ovals create a solid character and make the font fresh. More language support, ligatures, and alternative characters will increase the font's usability. 450 glyphs, 282 languages of the Latin group, 12 alternative characters, 14 ligatures, a capital set and more than one day spent for kerning-create a great potential for this font. Text, covers, posters, prints, titles, interfaces, web, book covers, packaging, logos, and much more where you can apply this font. If you find an error in the font, kerning, or just want to add something or suggest something, then write to me: bunineugene@gmail.com

Introducing our new modern signature font "Agatha Bergman". We would say that "Agatha Bergman" is a result of our latest experiment since a few new things have been done: "Agatha Bergman" is a voguish sophisticated signature-style script with three different uppercase alternatives for each letter and a unique short swash for each lowercase letter. We usually used to make long and wavy swashes, however, that's not the case this time. Also, the stylistic alternates were coded as both ligatures and swashes so that turning on the “Standard ligatures” was enough to access them. The font includes 152 fancy standard ligatures and 6 discretionary ligatures, and while working on them we tried to consider those letter combinations that are often met in surnames, e.g. -ovsky.

Slinces Heart is a captivating script font that captures the essence of handwriting with a touch of romance. Each letter in this font is meticulously crafted with fairly high line contrast, adding a dynamic and eye-catching quality to the font. The swinging endings in Slinces Heart add a flourish of creativity and uniqueness. With its smooth and flowing letterforms, this font offers a natural and seamless writing style. For the best legibility you can use this font in the bigger text sizes.

In 1864, a new edition of ‘Labèrnia dictionary’ was published. The book is commonly known under this name as a homage to the author. The typeface used in this publication has been taken as the main reference for the design of a new type family. Labernia is a didone design that includes several variations in width, weight, and contrast. Labernia is a stylish typeface, which pushes its design features to the limit. The high-contrast strokes—seen in most modern typefaces—give a delicate softness to the titling cuts of Labernia. Meanwhile, the characters in the condensed version have a very compact body so they create a highly expressive text. In the italic letterforms, the long terminals aim to connect the characters without touching. And, if we look at the figures we will see a more decorative design, which helps to build a strong personality.

Here’s a different kind of font for the hand lettered look! Use Your Words is a catchwords font family consisting of 3 fonts: 1.) Use Your Words Circles 2.) Use Your Words Arrows 3.) Use Your Words Banners It’s all hand drawn and hand lettered in a monoline script font with a shadow effect to boot. This font will be perfect to include on designs such as mugs, t-shirts, bags, notebooks, inspirational quotes for the home and office, and more. There are 215 words (no more than 4 letters per word) in both upper and lowercase, plus numbers, ampersand, question and exclamation marks in all three styles. There are 444 glyphs per font. I love using this font in my hand lettering designs and I hope you will too!

This old classic font has an interesting history, it was originally cut with lowercase by the Bruce Type Foundry in 1865 and listed as Ornamented No. 1514. Around 1903 the Bruce foundry was bought by ATF, in 1933 this font was revived by ATF as Caps only and was given the Gold Rush name but was sometimes called Klondike. A similar version of this font with lowercase and radiused serifs was produced by the James Conner's Sons Type Foundry around 1888. In the past other foundries such as the Carroll foundry, Type Founders of Phoenix and the Los Angeles Type Foundry have produced an all caps version of this font. After examining several printed sources of this font from more recent books I found that the original from Bruce's 1882 book was by far the best in design quality, it was also the only printed source that included the lowercase. New open faced, ornamented and distressed versions have been added to this old classic font, there are also many extended characters for Western, Central and Eastern European countries. The Gold Rush Trail OpenType version has alternate double letter pairs included in the font and will automatically be substituted when used in Adobe CS products or other software that takes advantage of OpenType features. Also available is a spurred version of this font listed under the name Gold Spur.

A wonderful, very condensed, 3D font. A few years ago, I was commissioned to digitize the letters from this typeface for the words 'LEGENDS OF RODEO' and liked the look of it so much that I went ahead and digitized the rest of the alphabet. This CastleType revival is very clean-cut and contains uppercase, numerals, and punctuation. Sculptura was originally designed by the Swiss designer, Walter J. Diethelm (1913-1986) in 1957.

Kayto Script is the second collaboration of Erwin Indrawan as the calligrapher and Dexsar Harry Anugrah of Majestype as the typeface designer. Today the resurgence of calligraphy has reached the summit, with social media as the vehicle, we are now familiar with many styles of calligraphy. One of the popular styles is brush lettering, especially the pointed brush calligraphy. Kayto Script is an exploration in pointed brush calligraphy. It’s an interpretation of modern brush calligraphy that combines cursive writing with the East Asian calligraphy flair. Kayto is made with a real brush and held perpendicular to the paper so the brush can twist and turn freely to follow the movement of the hand. This technique gives a natural gesture and energetic look to the strokes. Kayto has a unique rhythm of brush pressure to generate the thick-and-thin strokes... the beating heart of brush calligraphy. Instead of the mechanical thick-and-thin strokes like the regular calligraphy, Kayto is written with a lot of variety of pressure that is somewhat melodic but still conform with the discipline. The result is a script that feels personal and characterized with lively energy. And just like handwriting, every letter in Kayto script is crafted with many varieties of glyphs and ligatures to make an unlimited combination of personalized lettering. Because of its natural letterforms, Kayto Script is best suited to complement anything that is earthy or has nature as the ground. Erwin, the calligrapher, has used Kayto in many of his watercolor illustrations. Another ideas are wedding names on invitations or place cards, logo for any natural products, inspirational quotes, business cards and the list goes on... but in the end, if you wish for something personal and truly one of a kind then Kayto script the one you want. Also, Kayto offer a free version called "Kayto Doodles" designed by Adiet Pramudya.

Notes From Home is a serif and ornaments font family made using hand-carved linoleum. This collection has a quirky handmade look, but can also be used in retro and vintage designs, such as collages. The fonts have a realistic ink stamp texture that will look great in logos, notes and quotes, social media posts, and branding and packaging. Notes From Home includes: Notes From Home serif font in three variations: regular, dirty and faded An ornaments font, with 62 glyphs, including doodles, swashes, smudges and frames