Bigstorm is a unique hand made font that will capture the attention at glance. This font is perfect to be used as signature, headline, lettering quotes, wedding invitation, fashion, etc. It also comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual.

Always handwritten fonts with an authentic look. Modern handwritten font with brush texture. Its authentic texture makes it the perfect choice for branding and digital design. This font is perfect for branding, logos, web, instagram, quotes, business cards, signs, headers, blogs, branding, invitations, and more! Thank you!

Carlotte is a romantic and beautifully flowing handwritten font. It is suitable for logos, business cards, weddings, t-shirt designs, books, magazines, quotes, fashion, watermarks, invitations, signatures, packaging. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Kindwall, Fraktur Blackletter is carefully hand-drawn and organically crafted, boasting two captivating styles: Regular & Stamped. This font is tailor-made for commanding headlines, captivating packaging, and alluring labels, exuding a robust and assertive persona while exquisitely channeling a vintage aesthetic, characteristic of the esteemed blackletter tradition.

Holy Christmas Tree is a beautiful and natural handwritten font. It is ideal for holiday-themed greeting cards and for any crafting project that requires a romantic touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Paula Fluiton is a font in an elegant signature style. This typeface is suitable when used for writing a brand name, as a logo or naming a product. When used for an invitation or greeting card, it will make the greeting you write more beautiful and luxurious.

A reminder of the days of flower power, Satron is quite a bit different, slightly hippy and slightly grungy. Although it is not in any way an attempt to emulate the fonts used in that era, it evokes the mood of the time. There's two different shapes making up each character, with a grungy black one in front of a hippy white one. The combined effect however is quite novel and modern. There's also a jumbled version with the letters rotated and whacked around, in case you want it funky-flavored. There's all the main characters plus lots of extra accented letters as well. The package contains both OTF and TTF versions - install either OTF or TTF, not both versions on the same machine.

“Kamenica” - named after a beautiful small mountain river in Serbia - is a font family containing 3 weights: Light, Regular and Bold. The Kamenica river is only a few meters wide. Mostly shallow and cold, clear and green, it was the direct inspiration source for the creation of this condensed typeface. As our other typefaces, “Kamenica” also combines traditional shapes with modern forms, tall x-height and a collection of more than 300 glyphs. Comparing the river with the font, we could say that letters are the fishes that lives in the Kamenica river and that the font weights are the seasons in which this river shows most of its own character.

Figgins and Caslon may be names familiar to many as Type Founders. Indeed they are, but they are perhaps less well known for the emergence of Sans Serif type styles which have become part of our lives since 1889. The first hundred years of this style is celebrated with this design by Adrian Williams, completed in 1989. It echoes many features of the Gothic, Grotesque and Sans Serif models of the period, based particularly on the 1870 Figgins.

Figgins and Caslon may be names familiar to many as Type Founders. Indeed they are, but they are perhaps less well known for the emergence of Sans Serif type styles which have become part of our lives since 1889. The first hundred years of this style is celebrated with this design by Adrian Williams, completed in 1989. It echoes many features of the Gothic, Grotesque and Sans Serif models of the period, based particularly on the 1870 Figgins.

LD Buttercream is such a great font...it mimics the look of a frosted remembrance on a birthday cake...but it's uses are so universal and fun, you'll find many ways to put this font to work in your clever creations!

Andtioh is my vision of sci-fi font. I want to propose the idea of ​​simplicity and techno in two ways. I think this font can find its place in logos and names and will make your business look innovative.

Each year whalers from Japan kill more than 1000 whales. Japan says that the killing of whales is a 'cherished Japanese tradition', and that it is taking 'scientific data'. A portion of the whale meat is canned and marketed as 'traditional food'. How sad is that? A huge whale being reduced to a chunk in a can… Canned Whale is a hand drawn, outline style font with a cartoonesque twist to it. It can be used in ads and posters, it can be filled in with color, or kept as an outline. Canned Whale comes with extensive language support.

This script font was inspired by the type used in Leyden by Jan Seversz to print Breviores elegantioresque epistolae [...], author Francesco Filfelo, circa 1509. The original font contains all lower case characters, except w, eth, thorn, lslash, oslash and so... and almost upper case. In addition, one set of small lombardic initials were also nearly complete. It take place instead of the Bold style (in only one package)offering a real and rare complete historical printing set... The original small "a" hight was 2,8 mm !, the upper case hight no more than nearly 5 mm, the initials hight almost 15 mm, covering nearly two lines. This font includes "long s", naturally, as typically medieval and also a few ligatures, but not any variants. We have entirely recreated some characters, upper, lower and initials, to fill gaps. It is used as variously as web-site titles, posters and fliers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, menus, certificates, as a very decorative, elegant and unusual font, besides its historical scrupulous reality... This font supports enlargement as well as small size.

Umbero is an experimental geometric blackletter. Umbero was inspired by modern street art (by artists like Pokras Lampas, RETNA, etc.), gothic script and constructivism. It has an ornate and twitchy structure: you can not find two similar letters. Capital letters have even more complex structure, then lowercase, to the extent that you can even use them as initial letters with a different, more calm font if you want to achieve a medieval stylization in a contemporary way. Get Umbero if you need something extra for your design. Or vice versa use it as a starting point of your work. It’s a perfect choice for the mystic or contemporary logos, headlines, oversize typography, branding, identity, website design, album art, covers, posters, advertising, etc.

Seasick and Seasick-Mirror features wobbly, wavy, distorted letters. They were derived from the almost monoline font Kwersity. The letters of Seasick have a slight backward slant and the letters of SeasickMirror have a slight forward slant. Each of them comes in four weights: Light, Regular, Bold, and ExtraBold.

Ettlora is a script font with a natural line vibe. gives the impression of a signature, elegant, and beautiful. suitable to be paired with logomarks, branding, invitation cards, greetings cards, events, weddings, and others. Contains standard English fonts and some support for multilingual. can be installed in applications such as adobe family, affinity, Ms.Word, or similar applications.

Mallaire is a calligraphy font with an exclusive style and a touch of classic, inspired by the handwriting of ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious.

Fillippo is a stunning monoline style script font with authentic and casual vibes. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, advertising, poster, greeting cards, logos and so on. Fillippo is PUA encoded which means you can access all of the glyphs and swashes with ease!

Christmas letter is a stunning monoline style script font with authentic and casual vibes. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. Christmas letter is PUA encoded which means you can access all of the glyphs and swashes with ease!

Vellay is a stunning monoline-style script font with authentic and casual vibes. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, advertising, poster, greeting cards, logos, and so on. Vellay is PUA encoded which means you can access all of the glyphs and swashes with ease!

Introduce my New Product "Bonny" The new fresh handmade script font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more! These fonts are perfect for all brand :) Features : - UpperCase & Lowercase Numerals & Punctuations - Ligatures Multilingual characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ) PUA ENCODEDZIP INCLUDED Thanks for visited and Please contact me if you have any questions. My Best, Haksen

Traditional as Gutenberg, fresh as a sealed deck of playing cards - Tarotee One Arabesques is a remarkable set of ornaments that combine and recombine in endlessly beautiful combinations. Created by Tony Lansbury (and if you're still wondering what "tarotee" means, here's a hint - tear open that deck of cards mentioned above and look at the backs).

Brigston Calligraphy is a calligraphic font with a modern style and an elegant touch, inspired by Italian women's handwriting and ancient manuscripts. Carefully designed to work together in harmony making it perfect for wedding favors, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires modern, formal or extravagant. Try Calligraphy Desired, enjoy the wealth of OpenType features and let its elegant fun and excitement make you happy and boost your creativity! You can use this font very easily.

Merry Christmas Baby is a minimalist script font designed with an incredibly modern, beautiful feel, fresh, rich, and elegant. It’s great for Christmas-themed greeting cards, branding materials, business cards, quotes, posters, and more! Merry Christmas Baby will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs, and stunning alternates.

Candlelight Dinner is a modern simple calligraphy font designed with an incredibly modern, beautiful feel, fresh, rich, and elegant. It’s great for Easter-themed greeting cards, branding materials, business cards, quotes, posters, and more! Candlelight Dinner will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs, and stunning alternates.

Rhein is named after the German river that runs through the western border valley. Rhein is a sans-serif typeface family for titles, editorials and graphic design pieces with high impact needs. Rhein was not only conceived as a font design with rounded corners, but its intersection points have been also smoothed. In addition, the wide range of 8 weights that vary from Thin to Black allow relatively long continuous reading (Regular, Medium, Semibold), and short reading designs (Black, Bold, Thin). On the other hand, the "Inline" variant is extremely provocative to fit into any branding project. To add dynamism and to expand the typeface range of use, it was designed as a family of alternatives. Together, the 18 styles of "Rhein" provide a range of options that adjust to the needs and current design and advertising trends.

Drunk Cowboy is a bouncy version of the popular Old West type style, inspired by hand-made signage in Paducah, Kentucky. The strokes are loopy and loose. The exaggerated terminals give this font a loud, boisterous presence. Drunk Cowboy is a brutish rogue that emanates the fierce independence of Rio as played by Marlon Brando in One Eyed Jacks, but it is most like Paul Newman's Butch Cassidy—a mischievous wise-cracker. And there's gold worth mining for in this font. Dig deep enough and you'll find swash characters and special ligatures, like Th, ST, CT, NT and other popular letter combinations found in the Cowboy dialect.

This font enables users to spice up their seasonal greeting cards with Christmas symbols.

Royal Lodge - Display Sans Serif Font. Royal Lodge font makes for more fun, trendy and more lively. This font is inspired by the extra bold font style and well balanced curves.This font has a surprise from alternate that will make your work even more beautiful. This font is perfect for a professional touch which makes it even more unique and classic. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Are you looking for a serif font? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. EQuity-A Serif Font EQuity is a modern, luxury, but still authentic serif font. This font is perfect for branding, logos, wedding stationery, cards, gift designs, photography, watermark, product packaging and quotes. You won't get cute, whimsical, funny logos with this font. Only high-end, upscale, sophisticated Branding Design. Our font always includes Multilingual Support to make your branding reach a global audience. Inspire your audience, clients, or guests with this beautiful, statement font. Features: Alternates Ligatures Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Agmena™ has no historical precursor; it was designed from scratch by Jovica Veljovi? whose aim was to create a new book typeface. Although it generally has certain similarities with the group of Renaissance Antiqua fonts, it is not clearly derived from any of these. Clear and open forms, large counters and a relatively generous x-height ensure that the characters that make up Agmena are readily legible even in small point sizes. The slightly tapering serifs with their curved attachments to letter stems soften the rigidity of the typeface, bringing Agmena to life. This non-formal quality is further enhanced by numerous tiny variations to the letter shapes. For example, there are slight differences to the terminals of the b", the "d" and the "h" and minor dissimilarities in the forms and lengths of serifs of many of the letters. The tittles over the "i" and "j" and those of the German umlauts are almost circular, while the diamond shape that is more characteristic of a calligraphic script is used for the punctuation marks. Although many of these variations are only apparent on closer inspection, they are enough to give Agmena the feeling of a hand-made typeface. It is in the larger point sizes that this feature of Agmena comes particularly into play, and individual characters gain an almost sculptural quality. The italic variants of Agmena are actually real cursives. The narrower and thus markedly dynamically formed lowercase letters have a wider range of contrast in terms of line thickness and have the appearance of having been manually produced with a quill thanks to the variations in their terminals. The lowercase "a" assumes a closed form and the "f" has a descender. The italic capitals, on the other hand, have been consciously conceived to act as a stabilising element, although the way they have been inclined does not produce a simply mechanical effect. This visual convergence with the upright characters actually means that it is possible to use letters from both styles in combination. Agmena is available in four weights: Book, Regular, Semibold and Bold, and each has its matching italic variant. Veljovi? designed Book and Regular not only to provide an optical balance between various point sizes, such as between that used for the text and that used in footnotes, but also to take account of different paper forms: Regular for lined paper and Book for publishing paper. Agmena's range of characters leaves nothing to be desired. All variants include small caps and various numeral sets with oldstyle and lining figures for setting proportional text and table columns. Thanks to its pan-European language support, Agmena can be used to set texts not only in languages that use the Latin alphabet as it also features Cyrillic and Greek characters. The set of standard ligatures has been extended to include special combinations for setting Greek and Serbian. Agmena also has some initial letters, alternative glyphs and ornaments. Agmena is a poetic text font with forms and spacing that have been optimised over years of work to provide a typeface that is ideal for setting books. But its letters also cut a good figure in the larger font sizes thanks to their individual, vibrant and, in some cases, sculptural effects. Its robust forms are not merely suited to a printed environment, but are also at home among the complex conditions on terminal screens. You can thus also use Agmena as a web font when designing your internet page."Agmena has received the Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2013.

Drakoheart Revofit is an initiative to make sans fonts. It’s one of my personal favorites, in fact. In its first release, this font had a cool appearance but was improved with better kerning and a cool look in this new release. Perfect to write some digital texts as in web articles, blogs and branding.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alessio Leonardi and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Leonardi and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Mekanik Amente appears as if it had once been a normal font whose letters were horribly attacked by a pair of scissors. This font could be a very creative choice for headlines. F2F Mekanik Amente is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH. Leonardi designed 11 of these himself."

Bilberry Muffin playful Cyrillic Greek script font is perfect for use in all your design projects be it logos, signatures, labels, packaging design, or blog headlines. Also, it will look great in mugs, cards, gorgeous typographic designs, wedding stationery, and much more. Bilberry Muffin playful Cyrillic Greek script font includes a complete set of uppercase and lowercase letters, numerals, a large range of punctuation, and 35 ligatures, giving a realistic hand-lettered style. Bilberry Muffin Symbols is a font with 26 unique, hand-drawn illustrations and elements that can help to make your design more original. A different symbol is assigned to every uppercase and lowercase standard character so you do not need graphics software just type the letter you need. Multilingual Support for 33 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. Font also contains Greek glyphs too. And Cyrillic glyphs support Russian, Belorussian, Bulgarian, Ukrainian, and Kazakh languages.

Monday Today is a fun and playful cute typeface. It is perfect for logotype, flyer, greeting cards, packaging, book cover, printed quotes, headings, etc. What will you get: All Characters (from A to Z) Numbers and Punctuation Works on PC & Mac Simple installations PUA Encoded Thanks and have a wonderful day. :)

Karlo is a super family of several branches, originating in the same lightweight skeleton. The lightweights are based on a pen of an even stroke-width. Inspired by the writings of calligrapher Edward Johnston, the family moves on in two directions in the heavier weights. Johnston demonstrated that the broad nib pen can produce different writing styles. Following this, one heavy weight has a humanistic low stroke contrast (KarloSerifBold and KarloSansBold), and another has a high stroke contrast of vertical axis with references to the 19th century jobbing typefaces (KarloOpen). The latter is inspired by Johnston’s demonstration of the broad nib pen, where he suggested fastening two pencils together. With each pencil representing an edge of the pen, it becomes more evident how the pen works in writing. The friendly informal look makes KarloSans and KarloSerif usable for both running text and for display sizes. KarloOpen, on the other hand, is solely designed for display purpose showing few words at a time. In Denmark, a guy named Karlo would typically be an old fellow with a slick hairstyle that makes an effort with his appearance. He is a handyman who can do a bit of this and that when needed. He is a happy go lucky kind of guy that takes one day at a time. To me, the typeface family has some of the same qualities. Check out Pyke which is a great pair for Karlo.

A stylish retro script where I have completely redone the spacing to make the text look more even. All of the diacritics have been redone, too - and the character set expanded in our usual fashion. So now this little gem from Nick Curtis is ready for the big time! Nick Curtis says: “This font is basically a design exercise, influenced by a number of contemporary fonts, but unique in its own way. The gentle, fluid motion reminded me of diner lettering from the 30s and 40s, hence the name.” ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Whomp takes its inspiration from the work of an American master in sign painting and alphabet manipulation: Alf Becker . In 1932, Becker began designing a series of alphabets to be published in Signs of the Times magazine at the rate of one alphabet per month. Nine years later, 100 of those alphabets were compiled in one book that became an enormous success among sign painters. In the late 1990s and early 2000s, many Alf Becker alphabets were digitized with blurbs that falsely credit an “Alf Becker typeface”. Alf Becker was not really a typeface kind of guy. He was more of a calligrapher and sign painter. His alphabets were either incomplete or full of variations on different letters, and didn't become typefaces until the digital era. This particular Becker alphabet was quite incomplete. In fact, it wasn't a showing of an alphabet, but words on a poster. Alejandro Paul took the challenge of drawing, digitizing, restructuring, and finally building a complete usable typeface from that partial alphabet. He then extended his pleasure by once again playing with the wonderful possibilities of OpenType. Whomp comes with more than 100 alternates, tons of swashy endings and ligatures, all built into the font and accessible through OpenType palettes in programs that support such features. This is the in-your-face kind of font that stands among other Becker-based alphabets as paying most homage to the vision of this great American artist who saw letters as live ever-changing beings. Whomp is right at home when used on packaging, signage, posters, and entertainment related products.

Vincent Pacella was a true giant of hand-lettering and typeface design. Of the dozens of styles he designed for Photo-Lettering and International Typeface Corporation, his dominant Goliath towers above the rest. The font is perhaps best known from Herb Lubalin’s American flag that the design legend created for Print magazine’s 40th anniversary cover. Pacella takes “slab” serif to heart with this colossally-proportioned font, using brawny stroke endings and minimal curves to create a powerful figure for maximum visual impact. Take advantage of Goliath’s superior stature to make viewers take notice in industrial settings, sports branding, and oversized outdoor media applications. For comparatively modest musings in accompanying running text, consider partnering it with a comparatively spartan slab serif like Municipal. Or, team up Goliath with a faceted fellow heavyweight like United Sans. Originally drawn in 1970, Goliath was digitized by Ben Kiel with Adam Cruz in 2011. GOLIATH CREDITS: Typeface Design: Vincent Pacella Typeface Digitization: Ben Kiel, Adam Cruz Typeface Production: Ben Kiel Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.