This time we designed a font of ink streaks on paper and named it Sketching. We loved creating it because this is a work of art in itself, making it through a long process. Every letter we made has always maintained its distinctive style. We hope you are all happy with our latest font.

Welcome Amica Pro, a workhorse sans designed to give your branding a friendly, approachable look. What is it that makes a typeface friendly? Eclectotype undertook extensive research* in this and the results are in! To cut a long story short, friendliness in sans serif fonts can be summed up in two words – short and fat. Basically, think Danny DeVito in letter form. The shortness in Amica Pro is achieved (somewhat counterintuitively) by pushing up the x-height. This, coupled with short ascenders and descenders, gives the text a squat appearance. For the fatness, that's easy in the bolder weights, but how to carry this through to the lights? Here, the fatness equates to roundness, so the letterforms, even if the stroke weight is light, have a rotund appearance from the wideness and roundness of the circular glyphs. When thinking about friendliness, we think about inclusiveness. To this end, Amica Pro supports a super wide range of latin-based languages, as it uses Underware's Latin Plus character set, as well as extra support for Vietnamese. Amica Pro is best used for branding, logos, infographics etc. It will give your UI a friendlier feel, but that doesn't mean it's not serious. There are many useful typographic features, including alternates, numerous figure styles, automatic fractions and case-sensitive forms. The italics are carefully optically corrected "sloped romans" and as such they are the same width as their upright equivalent, so changing your copy to italics will not mess around with the spacing. *I looked at a few fonts and drew some lazy conclusions.

Introducing Slothy Jelly! A fun font for everyone. Slothy Jelly is a cute handwritten font that has fun and happy characteristics. This font is authentically handwritten with the marker pen for a consistent look. This font also has alternates so you can mix and match the letters and make it more fun! For some extra hand-drawn cuteness, this font is also thrown in a bonus font with symbols like emojis, hearts, underlines, arrows, and circles - and drawn with the same pen to perfectly go with the writing. So it will help to make your design more cute and happy. This font is suitable for branding, posters, children's books, magazines and others. Your download will contain the following fonts such as Slothy Jelly Regular - a pretty and cute handwritten including a set of uppercase, lowercase, alternates, ligatures and multilingual support. Slothy Jelly Symbols - a dingbat font of many hand-drawn elements These fonts will work in any program, but please note that the alternates and ligatures of the font can only be accessed on software that supports OpenType features. Thank you for your purchase! Hope you enjoy this font

Introducing Guyon Gazebo, the luxurious display font that will elevate your designs to new heights. Get ready to make a bold statement with its unique style, perfect for captivating headlines, branding that stands out, eye-catching promotional materials, or adding a touch of elegance as a stylish text overlay to any background image. With its high contrast strokes, slender stem, and pointed terminals, Guyon Gazebo exudes sophistication and charm. Let your creativity flow as you explore the extensive collection of standard and discretionary ligatures, ensuring your designs are irresistibly attractive and visually stunning. Embrace the jovial spirit of "Guyonan" as this font's name suggests, originating from the Javanese language. Inspired by the traditional rural gazebo, where locals gather to exchange jokes, Guyon Gazebo infuses a sense of lightheartedness into your designs. Included in the package are Guyon Gazebo Regular and Italic styles, along with a full set of basic Latin characters, ligatures, numerals, and punctuation marks, providing you with all the tools you need to bring your vision to life. Don't miss out on this opportunity to enhance your design projects with Guyon Gazebo. Take your typography to the next level and let your creativity shine. Get Guyon Gazebo today and unlock a world of endless possibilities. Ready to make a statement? Purchase Guyon Gazebo now and let your designs speak volumes! What’s included: Guyon Gazebo Regular & Italic Full set of basic Latin+ Ligatures Numeral & punctuation Multilingual Support: Afrikaans, Albanian, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu. Typeface Story: The name "Guyon" derives from the Javanese language and is often associated with humor or joking. In rural areas, there is a traditional gazebo called "Cakruk" where locals gather in the afternoon or evening to exchange jokes (known as "guyonan"). This font's name pays homage to the jovial atmosphere found in these communal spaces. Thank you for choosing Guyon Gazebo! If you have any questions or need assistance, feel free to reach out to us. ------------------------------ Alifinart Studio alifinart@gmail.com www.alifinart.com Instagram | Behance

My motivation for designing the Lalibela family (which is based on Bodoni) was to pay homage to Ethiopic script. The script has been around for about 3 000 years, but I took artistic licence to deviate from the original model and add personal touches. I chose Bodoni as a historical model because of its display value and not its text size use because the extreme contrast made it difficult to read at small sizes. A Modern typeface characterized by consistently horizontal stress, flat and un-bracketed serifs, and a high contrast between thin and thick strokes, were the final step in typography two-hundred-year journey away from calligraphy. The austerity, simplicity and greater contrast style was perfected.Contrary to all the refinements in Bodoni, I have revisited calligraphy with the font Lalibela that mimics Ethiopic Script. It was drawn with a much larger x height and less geometric than Bodoni for its primary use as a display font. For example, a lot of italic serifs were added to the roman face as well as 16 additional ligatures to obtain more a feel of calligraphy. I made the serifs thicker and bracket one side with straight steps obtaining a reduced contrast to withstand breaking up at smaller sizes.An additional variant, "Lalibela Alternate" was designed to provide an interesting mixing possibilities with the Bold face for more expressive headlines.

Bernyck is a vintage fonts inspired by bold advertisers hand lettering styles, popular in the late 1940s through the early 1950s. It has the same charm as his brother “Cinefile”, but, this time, connected and with more alternates. The Bernyck family is integrated by Bernyck and Bernyck Extrude to interact together. To this we add a beautiful set of 131 ornaments, Bernyck Ornaments and of course, Bernyck Ornaments Extrude. The Open Type features include a full international character compliment, standard and contextual alternates, swatches, stylistic sets, initial forms, standard and discretionary ligatures. All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms. A total of 634 glyphs to offer you many more options for your designs! Bernyck, like all our fonts, was carefully designed, controlled and tested in both aspects: readability and technical aspects. We take care of the kerning pairs, hinting and the precise programming of the Open Type functions; as well as the final touch of each glyph. Bernyck adapts well to titles, packages, invitations, greeting cards, magazines and book covers, children's material, fashion, logos and, posters and wherever you need a fun and sympathetic display font.

Charlot is a decorative display font with dozens of beautiful ligatures and ornaments. The vast selection of ligatures and stylistic alternates makes this font extremely customizable. Charlot is perfect for unique branding and title treatments, personal monograms, and vintage-inspired layouts. Charlot has over 150 ligatures in Latin and Greek consisting of: the complete Latin alphabet (with all accent marks), the complete Modern Greek alphabet, 60 ligatures, 33 stylistic alternates, 15 decorative ornaments, borders, and frames, numerals and math symbols, extensive punctuation and diacritical markings. The OpenType ligatures are the fun part. To get the most out of Charlot, use software that supports Open Type fonts (Adobe programs, Corel Draw, Affinity Designer, etc). This type family has tons of built-in OpenType ligatures and alternates, which are what make it so customizable and decorative. You can always access the ligatures, alternates, and dingbats through your software's glyphs panel. For a complete preview of all the ligatures, please look at the 4th image in this product listing. Languages Charlot includes the Latin and Greek alphabets with all accent markings. The most common languages it supports are: English, Catalan, Danish, Dutch, French, German, Greek, Italian, Norwegian, Portuguese, Spanish, and Swedish.

Hickory is the revival of an old unnamed font dating back to 1852 and was sold through a few different type foundries including Bruce, MacKellar Smiths & Jordan and James Conner's Sons. By the year 1900 this font disappeared from the major type foundries, now with the digital age of type we're proud to revive this old classic font that hasn't been used in over one hundred years. The original font was only available as an uppercase with punctuation and an ampersand. Today the character set has been updated to include a new lowercase, numbers and accented characters for Eastern, Central and Western European countries. Three fill fonts have been created for the Hickory font making it easier for you to add different colors, textures and patterns to the letters. You will need an application that works in layers such as Adobe Photoshop or Illustrator in order to use the fill fonts, some fill fonts may look good as a stand alone font, the Hickory fill fonts however do not look good used apart from the Hickory main font. I hope you enjoy this old font as much as I did making it.

Meet Donovan Display! She's a lovely, high-contrast Didone with lots of options. Do you like sweeping flourishes at the end of your strokes? She's got 'em! Prefer juicy ball terminals? She's got 'em! Like a simpler, cleaner terminal? She's got those, too! She also has a set of grand swash capitals and a trunkful of ligatures that will add panache and elegance to any project that requires display-size type. Even better, she comes in two widths: Slim, for standard display use, and Skinny, a compressed version for spaces that require a bit of a squeeze and/or a more (traditionally) masculine feel! Donovan's lines are inspired by classic Didone faces — most notably the work of Firmin Didot (for architectural detail) and Giambattista Bodoni (for the look of the skinny version). She's sexy and stylish and she'll give you exactly the fashionable, elegant look you're after.

Packing more copy in a narrow space is the main reason for using a condensed type. Characters with a more ovular shape tend to be less wide than their circular counterparts and will allow for more letters per line. In narrow columns for example, this typeface can provide up to 25% more copy than the regular typeface in the same space. Another reason is when a larger type size is called for — used sparingly it is useful for headings or headlines. For emphasis, narrower letters can provide a stark contrast in the flow of reading, creating impact while retaining typographic character. Condensed types can specially useful in tables and charts because typically both use few words in each block. If space now allows, you may think about the luxury of a larger point size. This optimizes space while keeping your typography more easily legible.

Super decorative wood type looking pixel font which has mysterious, elegant and gorgeous impressions. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

MFC Deco Diamond Monogram finds its historical influence in a vintage monogram transfer sheet of unknown origin. We've digitally recreated it, adding missing characters to fill out the character set, and programming in functionality to make customization a snap. MFC Deco Diamond Monogram is capable of creating two or three letter monograms, either free-floating or surrounded by a selection of different frames. If you are looking for a diamond format monogram with deco influence, then you've found yourself your mark maker in MFC Deco Diamond Monogram.

I don’t have a sweet tooth myself, but I do like toffee! One of my favourite desserts is English Sticky Toffee Pudding, so I really had to name a font after this delicacy. Sticky Toffee is a bold display font. It’s all caps (in case you might have missed that), but upper and lower case differ and can be used together to create a more ‘natural’ look. Sticky Toffee comes in two great styles: Regular and Sprinkles, and has all the diacritics you’ll need.

My son Sam’s birthday is coming up and we need to think of a cake. He’s old enough not to want a themed cake, but I suddenly remembered that we gave him a dinosaur cake for his second birthday! Dinosaur Cake? That’s a totally cool name for a font! So here it is: Dinosaur Cake - The Font. It’s a cute little handmade font, which looks like it was cut out of paper, but I have to disappoint you this time: it was not cut out.

Bastardre Hand is a beautiful calligraphic face based on medieval miniscule script. With characters closer together yet still recognizable and easy to read, this font works well for illuminated text designs and wherever the look of a scribe's hand is desired. Bastardre Hand has punctuation and diacritics for: Afrikaans, Albanian, Bassa, Cebuano, Danish, Dutch, English, Estonian, Faeroese, Finnish, Flemish, French, Frisian, Gaelic, German, Haitian Creole, Hiligaynon, Hmong, Indonesian, Italian, Iloko, Kurmanji Kurdish (Roman script), Marshallese, Norwegian, Papiamento, Portuguese, Spanish, Swahili, Swedish, Tagalog, Trukese, Wolof, Xhosa, Zulu.

Hello, this time we would like to introduce a new product. namely "Chaviera", a Serif display font that has a classic, feminine, and elegant style wrapped with a beautiful Alternate stylist. The Chaviera font is perfect for various projects like logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, printed quotes, product packaging, product designs, labels, photography, watermarks, special events or anything else. Feature Uppercase Lowercase Numeral Functional Ligature Stylistic Multilingual Suitable for use All adobe software Coreldraw Microsoft office Mac Or Windows

Easy to use, but hard to miss. That’s dT Delicatta. An elegant script face that adds a special touch to any message. Script typefaces usually come packed with endless features and, more often then not, all those possibilities take their toll on the designer or art director. With usability in mind, we kept dT Delicatta simple and straightforward to use while delivering refined shapes that enhance your or your client’s communication. dT Delicatta is a revised, improved and virtually new font of our old classic Delicatta

Dutch type designer Alex Scholing created this display and sans FontFont in 1995. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for book text, editorial and publishing as well as software and gaming. FF Engine provides advanced typographical support with features such as small capitals, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Cordin is a rough handdrawn face useful for scrapbooking and other craft-based ideas. There is a free version available.

Hi! Introducing a calligraphic handmade script named "Kexman". It's a one line font with many OpenType features: ligatures, alternates, swashes.

Handana is an informal face with a simple but distinctive calligraphic look in four weights: light, plain, medium, and bold.

Jayce is a hand-drawn, upbeat display font family featuring two fonts: a text face and a set of fleurons.

ArcticPatrol is a modern angular font influenced by military related computer games. Examples include: Ghost Recon and Medal of Honor.

Herron is a monoline Sans face with all rounded ends in Condensed and Italic, Regular and Italic, Expanded and Italic.

The geometrical drawing of Fenomen Slab follows the guidelines set by our other font family Fenomen Sans. It is a perfect companion of Fenomen Sans, as well as being a standalone font family capable of delivering its own expression and aesthetics. The set contains four width proportions – Normal, SemiCondensed, Condensed and ExtraCondensed in eight weights ranging from Hairline to Black. Every font of the family contains four types of numerals, small caps, ligatures and contextual alternates. The typeface was developed between the years 2014–2017 and was subjected to a series of tests for the fluent legibility of all fonts even in extreme conditions. Narrow fonts provide this set with the maximum use including newspaper typesetting. The typeface has an elegant, delicate design in thin fonts and sufficient legibility in bold. Mutual contrast produces great creative tension. Font name acronyms described: SCN = SemiCondensed CN = Condensed XCN = ExtraCondensed

Pluto Sans - the straight companion of the Pluto Family - was designed by Hannes von Döhren in 2012. This clear Sans Serif family is based on the Pluto architecture and it still has a hint of the friendly feeling the quirky Pluto conveys. With its geometric forms and its large x-height it is perfect for long texts in small sizes and usage in print & on screens. Both Pluto Sans and Pluto have the same range of weights and styles and can perfectly be used together. Pluto Sans is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows. The fonts are manually hinted to deliver the best performance on all screens.

P22 Curwen was originally designed by an unknown designer. This version was created by Colin Kahn. P22 Curwen Poster is a digitized version of a rare wood type used by the Curwen Press in England in the early 20th Century for poster work. The font was known to have been cut in 6 sizes—from 3-line (3/4 inch) to 16-line (3 inch) in height. The font was based from impressions made of the 6-line type. P22 Curwen Maxima is a hyper-stylized re-interpretation of Curwen Poster by Colin Kahn. As a post-modern poster type, it evokes an organic nature within a novel maximalist framework. It is reminiscent of early phototype display faces with an illogical three-dimensionality which serves to give the font continuity. The capitals are buried beneath stylistic wood shavings complementing the sculpture like quality of the lowercase. Perfect for (almost) any project.

Paperside: Neither Papyrus nor SSI Countryside. Inspired in some ways by the Papyrus form, but untextured and smoother, with the dimensions and proportions more open, like that of Countryside SSi, with its larger easily readable lowercase body, and more consistent, shorter stems. Paperside has an open scripted feel which is pleasing on the eye and easy to read. Paperside can enhance the first letter of most sentences automatically, and changes other letters to suit their position within words, and the letters they appear beside. Now comes in 5 weights plus italic. For best results, use this ‘smart font’ with Contextual Ligatures turned on. Mulitiple Stylistic Alternatives are included. Inspiration for this font came from two other fonts. Papyrus: was designed by Chris Costello and created in 1982, it is a hand-drawn textured typeface, emulating texts written in biblical times. One of the most used (and misused) fonts of all times. Owned by Letraset, and currently published by the Internation Typeface Corporating (ITC). Countryside SSi: The serif font of an unknown designer, is currently licensed by Southern Software Inc. Feel free to preview some of the Dragon Tongue fonts that are yet to be released, at https://www.dragon-tongue.com/fonts

»Artis« is the name for my latest art-project-font. Obviously I just chopped off the last »t«. Then I looked it up on Wikipedia and what do you know, it is of latin descent. »Ars Gratia Artis« which means »art for arts sake« or in French »l’art pour l’art«, a perfect font name. If I would cut off the »s« as well it would mean disambiguation and that in turn is, what I just did here. Enough disambiguation! »Artis« is a modern classical beauty with extreme contrast between up- and downstrokes that make it unique with a touch of art deco and showing Renaissance roots. But – »Artis« is a twin-font that has an elegantly decorated twin sister »Artis-Swing«. Between the 2 fonts you have endless possibilities for combination. I love these twins! It is a great everyday workhorse with seven weights from ExtraLight to Bold and all the necessary weights in between. Great for short copy and elegant headlines! With 879 Glyphs it is a truly European font designed for all Central European and Latin using countries. »Artis« has a set of Cyrillic that is – besides Russia – also good for Serbia, Macedonia and Ukraine. It has oldstyle- and lining-, tabular- and tabular-oldstyle-figures and many ligatures. »Artis« comes in Sans and Swing and is an elegant, playful and friendly font. Enjoy!

DESCRIPTION Now my feelings about didones are more than evident. After some years of roman-abstinence (1) I present Heroe, an interesting combination of elegance and sensuality. Heroe, spanish for hero, takes some aspects of roman typefaces to the extreme like my main inspiration, the great Herb Lubalin, did in the majority of his works: Thins turned into hairlines, altered proportions (for display purposes), unique ball terminals, poetic curves and a graceful way of placing them together on a layout. Its classy style makes the font perfect for a wide range of uses. Imagine Heroe Inline (my favorite) dancing over a bottle of perfume; printed on the cover of a fashion magazine; lighting wedding invitations up. Its partner, Heroe Monoline, may help you to make more elaborated pieces of design. Just combine it with Heroe, or Heroe Inline and see how perfect they match. TECHNICAL The difference between Pro and Std styles is the quantity of glyphs. While Pro styles have all the decorative characters available, Standard ones have only the basic set of them. Heroe Monoline Big and Heroe Monoline Small were made for better printing purposes. If you need to print the font in small sizes, then your choice should be Small. Heroe Monoline has the same alternates (and open-type code) as Heroe Pro and Inline, plus some decorative ligatures. NOTES (1) After fonts like Breathe , Aire , and the award winning Reina , I started experimenting with scripts a little more. Erotica , Bird Script and Dream Script are examples of that.

Astrum is a very decorative script font using elegant caligraphic handwritten letters that are all mutually interconnected, creating a unique look & feel of a personalized human handwritting. Its clean and prefined lines makes Astrum very appealing and modern, although being very classical in its core essence. The idea for the creation of this font had originally came up from the need to create a beautiful design for Weddings, wedding occasions, etc., but none of the existing fonts were satisfactory - so I decided to create a new and unique typeface to fill this need. Letters and other characters are recognizeable by prefined ornaments, incorporated in a very subtle way. Whitespace between capital letters, lower-case letters, numbers and other characters are done in a way to minimize the need for kerning. The font Astrum, besides being a celebration of class and exclusivity, is a very luxurious and elegant handwritten font perfectly suited for Wedding cards. The character set for this font contains all western, central-european latin and cyrillic characters.

A tessellation is a shape that can be used to completely fill the plane without gaps or overlaps—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. TessieSomeMore has two family members, a solid style that must have different colors to be useful and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. Most of the shapes in TessieSomeMore are Escher-like. Over half are either bug-like and bird-like shapes. There are also a few animal and other object shapes as well as some geometric or abstract shapes that have visual appeal.

A modern and elegant look of a sans serif tagline. This font comes with nine levels of thickness, from light to black, according to your needs. It pairs well with san serif and modern script as pictured or stands alone as a representative header and brand for an elegant look. Olarwe is equipped with a professional modern character font that can present an elegant and attractive identity for your company for business use, such as business cards, name tags, and uniforms as brand elevation. This modern Olarwe typeface is suitable for embossing as letter nameplates or even sprinkling them in your office with elegant-looking cutting stickers. This elegant Olarwe-type shape also looks excellent for book covers or magazine articles. You can see all the available characters in the screenshot above, and you can try the modern & elegant Olarwe now for any design issues. Olarwe is also multilingual, making it easy to work with for any country and language use. It also comes with Ligatures and alternative stylistics to make your designs more attractive.

Stevens Titling refers to the classic Roman alphabet as it appears on the Trajan column and numerous other monuments. With its realistic brush strokes, it shows the letterforms as they might have been sketched on the marble before the stonecutter reached for his hammer and chisel. The four fonts that constitute the Stevens Titling suite are named after animals — badger, boar, sable and wolf –, each known for the specific character of its hairs when used to make painting brushes. Sable Brush is the most formal and elegant, with solid forms which show no obvious trace of the handdrawn brush stroke; it comes with a set of small capitals for those classical titles preferred by Hollywood. In fact, each of these fonts would do a great job as a film title and poster font. The Badger Brush variant is compact and firm; Boar Brush is dramatic, and in Wolf Brush each part of the letter is made up of realistic, dry strokes.

Characterized by quickness, lightness, and ease of movement, Bird Script is a font which challenges many aspects of type-design: every single stroke, comes directly from the author’s hand and tries to reflect not only the tool used, but also his feelings at the moment of writing. Bird Script is a font filled up with the energic gestures of what it’s called gestural calligraphy, a not very explored field in typography, where hardly ever a letter comes the same way two times: When manipulating the pen, the letterer seeks for the beauty of the differences and the grace of a confident execution. Originally done with a flat speedball pen nib nº5 and retouched with pencil for the bolder elements, it turned into a very pleasant to the eyes font which dances between the formal rules of typography and the artistic look of calligraphy. Bird Script Pro and Bird Script Light Pro come with many ligatures, alternates and ornaments. Into the standard ligatures we find lots of pairs of two and three ligated letters so when they are activated the font seems alive. However if none of them are activated, the font gives a really particular text pattern, specially in smaller sizes. Get Bird Script, add rhythm to your work.

Deus is when type design is brought to extreme. It tries to answer the question whether you can design all glyphs in one axis of stress. It does not try to be all purpose, useful at all sizes, legible or readable and most of all it does not try to be neutral. It has its own style you either accept or not. But if you do so, it has many great stuff inside. Every glyph has the same width across four masters, so you can change the style in one title or even make an animation out of that. It also has some cool animated emojis, so make sure you take all four styles! Deus has two sets of styles. "Deus" that has an expanded glyph set, and "Deus Basic" that comes with a limited glyph set. You can play around with "Deus Basic" since you get it for free, then fall in love with this font family and go for the full version.

Wild Pen is a handwritten typeface created through an experimental pen that’s made from recycled plastic bottle. Its spontaneous strokes are very free and allow presence of drops and blots of ink. The complete family consists of five different fonts, which have the same feeling, and allow mixing them to obtain a lifelike, handwritten text. OpenType users may choose Wild Pen OT, which includes not just the five basic sets but also contains many additional alternative characters and some discretionary ligatures. Wild Pen OT is discreetly programmed to mix the five basic sets, randomly, and improve texts with the additional alternative characters—which have, in some cases, more than ten additional letters for each character. Wild Pen contains almost 1200 glyphs to cover many Latin languages (Western and Central European).

Impacting and vibrant, Cordelia family draws inspiration from covers of 'cordel literature’, small booklets of popular story-poems that played an essential role on the folk-popular cultural life of Brazil.  Printed in coarse paper, usually with an woodcut illustration and lettering in the front, these booklets were sold on the streets, in marketplaces and town squares, hung in a cord - therefore the name ‘cordel’. The work of these humble printers and poet-singers of northeastern Brazil strongly served as source for acclaimed romances and movies and still inspires writers of all genres, movie makers, painters,​ musicians. And type designers too :) Cordelia doesn’t bring a picture font yet, but ​it ​goes pretty well with Chronic and Manicuore illustrations. It goes well with and without them. It definitely goes well. You bet!

Carpenter® is a beautiful script perfectly suited for invitations and announcements. Created by James West, the design was a facsimile of the penmanship of Mr. Carpenter of R. Hoe & Co. and released by the Cleveland Type Foundry as one weight in 1882. It is now also available in SemiBold and Bold. The style of this script is very reminiscent of formal handwriting popular in the late 19 and early 20th centuries. It is graceful with formal structure. Its x-height is very small, with unusually long ascenders and descenders. Although there are many script fonts available, Carpenter is a historical design with a truly unique personality that will add a truly unique look and feel to your design. From GroupType™, Carpenter is available in TrueType and OpenType.

Squeezing yet more life out of the Revla skeleton! This is Revla Round, a child-friendly version of Revla Sans, completely overhauled so there's no chance of cutting yourself on any corners. Every rounded terminal and corner has been painstakingly drawn, rather than using a round-corners filter. OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms. It's shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa. OpenType features include automatic fractions, ordinals, contextual alternates, standard and discretionary ligatures, and case-sensitve forms. Obviously, in sharing a common skeleton, it will work well with other members of the ever-growing Revla Superfamily.